佛食左我

图片节点 66

an enormous pale stone Buddha hand descending from a black void, palm facing forward, a dark sacred eye opening in the center of the palm, a tiny faceless black-robed human below throwing a thin crimson rope toward the eye, countless faint red threads vanishing into darkness, monochrome black white grey with controlled crimson accents, dark Buddhist ritual surrealism, religious addiction, giant scale, unsettling sacred beauty, grainy charcoal and ink texture, minimal cinematic cover, no text, no logo, no watermark --ar 16:9 --style raw --v 6.1

a colossal ancient grey Buddha face emerging from a pure black void, the Buddha mouth shaped like a deep black temple gate, a tiny faceless black-robed human standing far below and walking toward the mouth, one small crimson fruit floating between the human and the Buddha, thin red karmic threads connecting the fruit to the Buddha forehead, monochrome black white grey palette with sparse crimson accents, dark Buddhist theological surrealism, monumental scale, sacred obsession, hypnotic religious atmosphere, grainy ink print texture, high contrast, low light, cinematic album cover, severe negative space, original composition, no text, no logo, no watermark, no modern objects --ar 16:9 --style raw --v 6.1

9:16 vertical, endless black water under a dark sky, hundreds of half-submerged grey Buddha heads facing different directions, a single crimson fruit floating between them, tiny faceless human standing on the water far away, red reflection on the black surface, dark Buddhist surrealism, monumental emptiness, no text

9:16 vertical, original dark Buddhist theological surrealism, a colossal ancient stone Buddha head emerging from a black void temple, only the lower half of the face visible, closed eyes, rough grey stone texture, incense ash floating in darkness, a tiny faceless human figure standing far below at the center, black white grey palette, one tiny crimson dot on the Buddha's forehead, monumental scale, severe negative space, grainy ink print texture, no text, no logo, no watermark

图片节点 5

9:16 vertical, a gigantic black mouth-like temple gate descending from above toward a tiny faceless human standing on wet black stone, the gate is formed from pale Buddha-hand skin and stone folds, no teeth, no gore, crimson saliva-like light dripping as abstract red beads, Buddhist ritual nightmare, black white grey palette, monumental scale, incense fog, no text

9:16 vertical, a split crimson fruit floating in darkness, inside it a small glowing red heart shaped like a lotus seed, thin grey roots growing upward instead of downward, roots forming faint Buddhist mandala geometry, black white grey world with red heart-fruit center, dark theological surrealism, no gore, no text

a bitten crimson fruit floating in a vast black void, inside the fruit a glowing red lotus-heart, behind it a barely visible colossal grey Buddha face with closed eyes, a tiny faceless human silhouette reflected inside the heart glow, monochrome black white grey world with one intense crimson core, dark Buddhist theology, sacred surrealism, hypnotic religious obsession, elegant horror mood, grainy ink print texture, high contrast, minimal cinematic cover, no text, no logo, no watermark --ar 16:9 --style raw --v 6.1

9:16 vertical, an enormous pale stone Buddha hand reaching down from blackness, palm facing camera, a single wet black eye opening in the center of the palm, tiny faceless human figure below looking upward, black white grey palette, crimson thread lines barely visible around the eye, monumental Buddhist surrealism, dark temple void, grainy charcoal texture, no text, no watermark

视频截图视频节点 35

视频从巨佛俯视无脸人的画面开始。镜头缓慢小幅度向佛脸推进，香灰反常地向上升起。佛像眉心红点像心跳一样轻微闪烁。下方无脸人站着不动，但身体慢慢向前倾，像被神圣力量吸引。结尾时，佛像右侧的黑暗里伸出一只巨大苍白佛手（掌心对着镜头），为下一段衔接。没有任何音乐 bgm，但可以保持音效设计，紧接着巨大佛手悬在黑色虚空中，掌心眼缓慢睁开。镜头从下方无脸人慢慢上移到掌心。眼睛瞳孔里倒映出小人，像一颗黑色种子。红线从眼睑边缘垂落，开始缠向人物身体。结尾时，掌心眼收缩成黑色圆洞，逐渐变成嘴形入口。

视频从巨佛俯视无脸人的画面开始。镜头缓慢小幅度向佛脸推进，香灰反常地向上升起。佛像眉心红点像心跳一样轻微闪烁。下方无脸人站着不动，但身体慢慢向前倾，像被神圣力量吸引。结尾时，佛像右侧的黑暗里伸出一只巨大苍白佛手（掌心对着镜头），为下一段衔接。没有任何音乐 bgm，但可以保持音效设计

图片节点 6

9:16 vertical, inside a black sacred mouth-temple, a tiny faceless human silhouette floating weightlessly, surrounded by pale stone folds like Buddha robe fabric, hundreds of small ash particles orbiting the body, one crimson fruit appearing in the person's chest cavity as symbolic light, no gore, dark Buddhist theology, black white grey, red accent, grainy ink texture, no text

9:16 vertical, a red glowing heart-lotus suspended in front of a gigantic grey Buddha face, the Buddha face is barely visible in darkness, the heart casts red light onto the closed Buddha eyes, tiny faceless human hanging upside down from thin threads beneath the heart, black white grey with sparse crimson, monumental religious surrealism, no text

a colossal grey Buddha statue seated in total darkness, a circular mirror halo floating before the chest, countless miniature Buddha silhouettes repeated inside the halo, each with a tiny crimson dot of light, one small faceless human standing below wrapped in faint red threads, monochrome black white grey palette, sparse red symbols, dark theological surrealism, hypnotic sacred repetition, monumental religious scale, grainy stone rubbing texture, no text, no logo, no watermark --ar 16:9 --style raw --v 6.1

9:16 vertical, an empty black temple hall, no human visible, a crimson fruit resting alone on a pale stone altar shaped like two giant open hands, enormous Buddha shadow behind it, ash falling like snow, black white grey, red fruit only, dark sacred minimalism, no text

图片节点 4

9:16 vertical, extreme close-up of a giant pale palm, the eye in the palm transforming into a black mouth-shaped void, no teeth, no gore, only a deep sacred darkness, crimson ring around the opening, ash and smoke being pulled inward, tiny human silhouette reflected inside the void, dark Buddhist theological surrealism, black white grey, one red accent, grainy print texture, no text

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] Live-action, dark surreal religious MV, the colossal stone Buddha head from <Picture 1> remains suspended in a black void temple while the tiny faceless human figure stands far below. The camera pushes in with small amplitude at slow speed as incense ash rises upward instead of falling. The crimson dot on the Buddha's forehead pulses once, then the Buddha's closed right eyelid trembles slightly. At the end, a pale enormous hand begins to extend downward from the darkness beside the Buddha's face. overall_soundscape: Deep temple air rumbles softly with distant stone vibration, ash drifting, and a faint low breath from the void. non_diegetic_music: Use the imported BGM as the main music track, letting the whispered chant sit above low ritual drones.

9:16 vertical, a faceless pale human figure in a black robe holding a single crimson fruit before a covered mouth, black void background, white hands, red fruit as the only saturated color, faint lotus veins on the fruit skin, dark ritual close-up, Buddhist surreal MV, high contrast black white grey, no text, no watermark

9:16 vertical, six enormous pale sculptural fragments floating in blackness: an eye, an ear, a nose, a tongue-like cloth fold, a hand, and a faceless torso, arranged like ritual offerings around one tiny crimson dot, Buddhist emptiness theology, black white grey, sparse red, ash particles, no gore, no text

9:16 vertical, final dark Buddhist surreal image, a tiny red dot floating in a vast black void, barely visible pale Buddha hands closing around empty space without touching it, grey ash forming a faint halo, no person, no fruit, no face, black white grey with one crimson point, severe negative space, sacred and unsettling, no text

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] 视频从<Picture 1>的小人面对巨佛开始。小人与佛像尺度极端悬殊，小人身上缠着红绳。镜头从小人背后缓慢向前推进。人物抬头，像在问佛自己是谁。佛不说话，也不睁眼。只有一颗红果从佛像眉心附近缓慢坠下，穿过烟雾，停在人物面前。结尾时，红果悬在小人的遮面前方。 overall_soundscape: 深沉静默、红绳轻响、红果下落的空气声和低石庙氛围。 non_diegetic_music: 使用导入BGM，让这一句歌词周围留出空旷感。

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] 视频从<Picture 1>的无脸人嘴缝开始。黑色嘴缝缓慢张开，镜头小幅度推入嘴内。嘴里不是舌头，而是一尊极小红色佛像，像黑暗中的小神龛。没有牙齿特写，没有血腥。香灰从嘴里向外飘，像念诵化成烟。结尾时，红色小佛塌缩成一颗红果，落入更深的黑暗。 overall_soundscape: 柔软呼吸声、香灰从口中飘出的细声、微弱内腔回响和小物坠落声。 non_diegetic_music: 使用导入BGM，让人声质感像从嘴里传出，但不额外添加对白。

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] 视频从<Picture 1>的佛腹内部开始。无脸人失重漂浮在黑色口腔佛殿中，周围是像佛袍布褶的苍白石质结构，远处无数影子佛静坐。镜头小幅度缓慢逆时针旋转，制造进入神圣身体内部的梦境感。人物胸口有一颗红果，像心脏一样随节拍发光。结尾时，红果从胸口脱离，缓慢漂向人物嘴边。 overall_soundscape: 闷住的寺庙空气、远处心跳般震动、香灰环绕身体的细声。 non_diegetic_music: 使用导入BGM，低频和吟唱制造体内空间感。

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] 视频从<Picture 1>的裂开红果开始。红果悬浮在黑暗里，镜头近距离静止。果内红色莲花心缓慢跳动，灰色根须反向向上生长，在黑暗中画出曼荼罗线条。心表面的细小佛眼逐个睁开又闭合。曼荼罗线逐渐变成傀儡线。结尾时，线向上拉紧，露出上方被牵引的无脸身体。 overall_soundscape: 柔软心跳声、干燥根须摩擦声、细线绷紧声和暗庙氛围。 non_diegetic_music: 使用导入BGM，让和声压在红心跳动上。

图片节点 30

a tiny faceless human standing in a black void, holding thin crimson strings that connect upward to the hand, eye, and mouth of a gigantic Buddha statue, ambiguous control, human controls Buddha and Buddha controls human, dark theological paradox, monochrome black white grey, sharp red strings, surreal ritual tension --style raw --v 6.1

a vast black Buddhist hall, thirteen identical faceless robed figures arranged in a ritual circle, each holding a crimson fruit, a huge bowed Buddha statue in the center background, hypnotic repetition, religious addiction, monochrome black white grey, multiple red fruits glowing like forbidden offerings, dark theological surrealism --ar 16:9 --style raw --v 6.1

a vast black Buddhist hall, thirteen identical faceless robed figures arranged in a ritual circle, each holding a crimson fruit, a huge bowed Buddha statue in the center background, hypnotic repetition, religious addiction, monochrome black white grey, multiple red fruits glowing like forbidden offerings, dark theological surrealism, grainy ink texture --style raw --v 6.1

endless black water under a dark sky, many half-submerged grey Buddha heads, a tiny faceless human standing on the water, floating crimson fruits around them, the reflection beneath the human is a red beating heart instead of a body, a giant Buddha hand rising far away, dark Buddhist nightmare, monochrome with red reflection --style raw --v 6.1

图片节点 14

9:16竖屏，黑色虚空寺庙中，一尊巨大石佛脸从上方俯视画面，佛眼闭合，眉心有一个极小猩红点。下方站着一个极小无脸黑袍人，四周漂浮香灰，黑白灰主色，红点唯一鲜艳颜色，巨物压迫，暗黑佛教神学，颗粒版画质感，不要文字

a gigantic black mouth-like temple gate descending from above toward a tiny faceless human on wet black stone, the gate made of pale Buddha robe folds and stone skin, thin crimson puppet threads pulling the human forward, dark Buddhist ritual nightmare, monumental scale, black white grey, sparse red, incense fog, no teeth, no blood --style raw --v 6.1

extreme close-up of a faceless human mouth slit opening in darkness, inside the mouth sits a tiny crimson Buddha statue, pale lips, incense ash drifting outward like whispered prayer smoke, monochrome black white grey, red Buddha as the only color, grotesque sacred Buddhist surrealism, no gore, no teeth focus --style raw --v 6.1

视频截图视频节点 36

视频从巨佛俯视无脸人的画面开始。镜头缓慢小幅度向佛脸推进，香灰反常地向上升起。佛像眉心红点像心跳一样轻微闪烁。下方无脸人站着不动，但身体慢慢向前倾，像被神圣力量吸引。结尾时，佛像右侧的黑暗里伸出一只巨大苍白佛手，为下一段衔接。没有任何音乐 bgm，但需要保持音效设计

pure black cinematic void, low angle near the ground, a single crimson red fruit rolling in from the far right edge of the frame, only the fruit and a faint red reflection visible on the black floor, vast empty negative space, dark Buddhist theological surrealism, monochrome black background with one red symbolic object, mysterious ritual mood, high contrast, low light, grainy film texture, no human visible yet, no text, no logo, no watermark --ar 16:9 --style raw --v 6.1

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] 视频从<Picture 1>的黑水苦海开始。黑水几乎静止，许多半沉灰色佛头和漂浮红果围绕小人。镜头贴近水面缓慢向前滑行。人物脚下倒影不是身体，而是一颗红色跳动的红点，每次跳动都让水面震荡。远处巨大佛手从水中升起，掌心睁开黑眼。结尾时，水中倒影向上拉起，吞掉站立的人影，只留下红点倒影。 overall_soundscape: 黑水缓慢流动、沉没石佛移动声、远处空钟声和低沉心跳。 non_diegetic_music: 使用导入BGM，让低鼓更宽、更重。

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] 视频从<Picture 1>的圆阵开始。十三个无脸黑袍人围成仪式圆圈，每个人双手捧红果，后方巨大低头佛像压住空间。镜头缓慢环绕圆阵。所有人同时举起红果，在同一节拍咬下。红光从第一颗果传到下一颗，绕圈传递，像信仰感染。结尾时，每个人胸口都出现小红点。 overall_soundscape: 同步衣料声、重复咬果声、红光脉冲声和巨大殿堂回响。 non_diegetic_music: 使用导入BGM，让每次咬果对齐副歌节拍。

an enormous pale stone Buddha hand descending from darkness, palm facing the camera, a wet black eye opening in the center of the palm, tiny faceless human below looking upward, thin crimson threads around the eye, dark Buddhist ritual surrealism, black white grey palette with sparse red accents, charcoal grain texture, hypnotic sacred horror, no gore --style raw --v 6.1

图片节点 19

inside a black sacred mouth-temple, a tiny faceless human floating weightlessly, pale stone folds like Buddha robes surrounding the body, hundreds of seated shadow Buddhas in the distance, a glowing crimson fruit inside the human chest, incense ash orbiting, dark Buddhist theology, monochrome grey black white with one red symbol, surreal MV still --style raw --v 6.1

a bitten crimson fruit floating in a black void, inside the fruit a glowing red lotus-heart instead of a seed, tiny black Buddha-eye patterns on the heart surface, grey roots growing upward, faint mandala geometry forming in smoke, dark Buddhist theology, no gore, monochrome world with red core --style raw --v 6.1

hundreds of faceless robed worshippers kneeling in a black Buddhist hall, every forehead touching the ground, thin crimson strings attached to their backs and rising into darkness, a gigantic closed-eye Buddha mouth visible far ahead, hypnotic ritual repetition, religious addiction, monochrome grey black white, sparse red strings --style raw --v 6.1

faceless black robed human standing on wet black stone before a huge Buddha shadow, crimson ropes loosening from the body, the human shadow detaching and kneeling on the floor, ash falling between body and shadow, dark Buddhist selflessness theology, monochrome black white grey, sparse red accents --ar 16:9 --style raw --v 6.1

图片节点 28

six enormous pale sculptural fragments floating in blackness, an eye, an ear, a nose, a tongue-like white cloth fold, a hand, and a faceless torso, all rotating around one crimson fruit like ritual offerings, Buddhist emptiness theology, monochrome ash grey black white, sparse red, no gore - --style raw --v 6.1

a faceless robed human with a black hollow opening in the chest, a crimson lotus-heart floating inside the hollow, the red light illuminates a colossal closed-eye Buddha face ahead, the Buddha mouth shape emerging from darkness, sacred pathological devotion, dark Buddhist surreal MV, monochrome with intense red heart - --style raw --v 6.1

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] 视频从<Picture 1>的人物胸口黑洞开始。无脸黑袍人胸口打开为黑色空洞，里面悬浮红色莲花心。镜头从人物背后缓慢向前推进。红心光线照向前方巨大闭眼佛脸，佛口轮廓从黑暗中显现。人物向佛走去，像再次进入同一个循环。红心光变成一束细光，连接胸口黑洞和佛口。结尾时，佛口和人物胸口黑洞重合成同一个黑圆。 overall_soundscape: 低沉心跳、轻脚步、黑石共鸣和向内吸入感。 non_diegetic_music: 使用导入BGM，推向最终副歌。

dark Buddhist surrealist printmaking style, pure black ritual stage, one vivid crimson fruit rolling from right to left across the lower center, leaving a thin cinnabar red trail on the black ground, the red trail subtly begins to form ancient Chinese stele calligraphy, a faint faceless black-robed shadow stretched behind the fruit as if being pulled by it, no visible feet, no realistic anatomy, flat symbolic composition, monochrome black white grey palette with sparse red accent, rough stone-rubbing texture, ink print grain, severe negative space, occult religious atmosphere, high-end experimental MV keyframe, no logo, no watermark --ar 16:9 --style raw --v 6.1

a faceless pale figure in a black robe holding a single crimson fruit near a covered mouth, black void background, white hands, lotus vein patterns on the fruit skin, obsessive ritual gesture, dark Buddhist addiction symbolism, monochrome high contrast, red fruit as the only saturated color, grainy print texture --style raw --v 6.1

图片节点 16

extreme close-up of a giant pale palm, the eye in the palm transforming into a black mouth-shaped temple gate, no teeth, no gore, deep sacred darkness inside, crimson ritual ring around the opening, incense smoke and ash pulled inward, dark Buddhist theological nightmare, monochrome ink grain, high contrast --style raw --v 6.1

a glowing crimson lotus-heart suspended before the closed eye of a colossal grey Buddha face, the heart splitting open to reveal a black sacred eye inside, the Buddha remains asleep, the heart watches instead, dark Buddhist hypnotic theology, black white grey palette, intense red core, unsettling sacred beauty --style raw --v 6.1

a pile of incense ash on a black stone floor, a pale lotus flower growing out of the ash, a crimson eye in the center of the lotus, bitten red fruits scattered around like offerings, dark Buddhist sacred decay, monochrome black white grey, sparse red accents, diseased holiness, grainy ritual still - --style raw --v 6.1

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] 视频从<Picture 1>的人物和佛影开始。小人站在湿黑石地上，身上红绳一根根松开。镜头保持中远景静止。人物脚下影子慢慢脱离身体，自己跪到地上，而真实身体仍站着不动。灰烬在身体与影子之间落下，像一层帘。结尾时，站立身体变淡，跪下的影子变得更黑更真实。 overall_soundscape: 红绳滑落声、香灰落地声、湿石空间底噪和低沉阴影震动。 non_diegetic_music: 使用导入BGM，让这一段像放下自我，而不是动作戏。

a colossal ancient grey Buddha statue seated in total darkness, a luminous shrine-like oval halo appearing in front of its chest, hundreds of tiny Buddha silhouettes reflected inside the halo like repeated sacred echoes, each tiny silhouette marked by a small crimson dot of light, a tiny faceless robed human in the foreground looking upward, dark Buddhist theological surrealism, hypnotic repetition, monumental scale, monochrome black white grey palette with sparse crimson accents, grainy ink print texture, high contrast, low light, no gore, no body horror, no wounds, no text, no logo, no watermark --style raw --v 6.1

图片节点 32

final dark Buddhist surreal image, vast black void, no human, no Buddha face, only a tiny crimson dot floating between two enormous pale Buddha hands, the hands closing around empty space without touching the dot, faint ash halo, monochrome black white grey, severe negative space, sacred unsettling minimalism --style raw --v 6.1

surreal dark Buddhist visual art still, pure black stage-like void, a single crimson fruit rolling from the far right toward the center on an almost invisible black floor, flat symbolic composition, monochrome black and grey world with only the red fruit saturated, faint chalk-like red trail behind the fruit, distant tiny black faceless human legs barely visible at the right edge, simplified silhouette figure, monumental negative space, grainy stone-rubbing texture, ink print texture, ancient ritual poster aesthetics, eerie sacred minimalism, non-photorealistic, not realistic cinema, not modern, no text, no logo, no watermark --ar 16:9 --style raw --v 6.1

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] 视频从<Picture 1>的最终虚空开始。巨大黑色空间中没有人，没有完整佛脸，只有一个极小红点悬浮在两只苍白佛手之间。镜头几乎静止。佛手缓慢合拢，但始终碰不到红点。灰色香灰聚成淡淡圆相，然后散开。红点像心跳一样闪三次，逐渐变暗，变成黑色，最后消失在虚空中。最终画面几乎全黑，只剩一点灰烬痕迹。 overall_soundscape: 空间逐渐安静，只剩香灰移动、佛手合拢带来的空气压力和最后一声低沉寺庙共鸣。 non_diegetic_music: 使用导入BGM到结尾，并自然淡出。

保持画面内容不变，输出 3:4 的画面尺寸

How the reference pictures align with the target video — Picture 1 (from Shot 1) aligns with the 0.00-second mark of the target video; Picture 2 (from Shot 1) aligns with the 10.00-second mark of the target video. integrated_multimodal_description: [Shot 1] Dark Buddhist theological music-video opening, horizontal cinematic composition, total duration 10 seconds. The video begins from Picture 1: a nearly pure black ritual space with a single crimson fruit near the right side of the frame, resting on an almost invisible black stone floor. The image style is dark, high-contrast, grainy, and ceremonial, with black, white, and grey as the main palette and crimson used only for the fruit and title. The human figure must not appear cartoonish, paper-cut, cute, or simplified; when revealed later, the person is a realistically proportioned anonymous adult with the face hidden in deep shadow, wearing a long plain black ritual garment with matte heavy fabric and a loose straight silhouette, not a monk robe, not a cloak, and not a fantasy costume. From 00:00.000 to 00:01.500, the camera remains fixed at a low, restrained angle as the crimson fruit rolls slowly from right to left across the dark floor. The fruit is the only vivid color, leaving a thin cinnabar-red powder trail behind it. From 00:01.500 to 00:02.600, when the fruit reaches the center of the frame, the red trail briefly forms the small Chinese title "佛吃了我" along the rolling path. The title is restrained and small, written in ancient Chinese stele-calligraphy style, like weathered cinnabar ink on a damaged Buddhist stone tablet. The title stays still and does not enlarge. From 00:02.600 to 00:03.600, the title fades in place while the fruit continues rolling toward the left. Instead of showing feet chasing the fruit, a long soft human shadow begins to stretch from the right side of the frame toward the fruit, as if the fruit is pulling the person's presence into the scene. The shadow is realistic and subtle, not a graphic cartoon silhouette. From 00:03.600 to 00:04.500, the fruit slows near the left side of the frame and stops before leaving the image. The camera holds still for a brief moment. A pale human hand with natural realistic proportions descends from above, emerging from a long plain black sleeve, and reaches toward the fruit. From 00:04.500 to 00:06.000, the hand gently picks up the fruit. As the fruit rises, the camera follows the upward movement of the hand in a smooth restrained tracking motion, moving from the black floor to the person's torso and face area. The background remains almost entirely black with faint grey smoke and grain texture. From 00:06.000 to 00:07.300, the full anonymous adult figure is revealed: face obscured by deep shadow, wearing a long plain black ritual garment with matte fabric, standing still in the black void while holding the crimson fruit in both hands before the covered mouth. The posture is devotional, obsessive, and quiet, not theatrical. From 00:07.300 to 00:08.300, the person raises the fruit closer and opens the mouth into a dark symbolic passage. Avoid teeth focus, tongue detail, gore, blood, horror anatomy, or monster behavior. The mouth should feel like a black temple gate hidden inside the human face. From 00:08.300 to 00:09.300, the camera pushes forward through the mouth passage into deep darkness. The mouth edges stretch outward like shadowed gate edges, and sparse grey smoke passes across the lens. From 00:09.300 to 00:10.000, the darkness inside the mouth transforms into Picture 2: a colossal grey stone Buddha centered in the frame, silent and monumental, with the tiny anonymous human figure at the bottom facing the Buddha. A small crimson dot on the Buddha's forehead pulses once like a breathing light. The final frame lands on the Buddha composition of Picture 2, keeping the same black-white-grey-and-crimson theological visual language. overall_soundscape: Keep the sound design sparse and ritualistic. The crimson fruit rolls with a dry cinnabar-powder scrape on black stone. The title appears silently and fades without a sound effect. The human shadow has no sound. The hand picking up the fruit is quiet, with only soft fabric movement and a faint skin-on-fruit touch. As the mouth opens, add a low hollow inward air pressure, followed by a short wind-like rush as the camera passes through. When the Buddha appears, add a deep stone-temple resonance and one subtle low-frequency pulse synchronized with the Buddha's crimson forehead dot. non_diegetic_music: N/A if used as a silent prelude before the song. If used under the finished track, use the imported BGM as the continuous soundtrack and keep all physical sounds extremely subtle.

视频截图视频节点 74

How the reference pictures align with the target video — Picture 1 (from Shot 1) aligns with the 0.00-second mark of the target video; Picture 2 (from Shot 1) aligns with the 10.00-second mark of the target video. integrated_multimodal_description: [Shot 1] Dark Buddhist theological art-video opening, horizontal cinematic composition, total duration 10 seconds. The video begins from Picture 1: a nearly pure black ritual space with a single crimson fruit near the right side of the frame, resting on an almost invisible black stone floor. The image style is not live-action realism and not cartoon; it should feel like dark sculptural printmaking, stone-rubbing texture, ritual installation art, and Buddhist surreal visual design. Black, white, and grey dominate the frame, with crimson used only for the fruit and title. The human figure must not become a real photographed person, a cute cartoon, an anime character, or a simplified mascot. When revealed later, the figure is an anonymous ritual humanoid art-object with minimal human proportions, a sculptural cloth-like body, a face hidden as a dark void under shadow, and a long plain black ritual garment made of matte heavy fabric. From 00:00.000 to 00:01.500, the camera remains fixed at a low, restrained angle as the crimson fruit rolls slowly from right to left across the dark floor. The fruit is the only vivid color, leaving a thin cinnabar-red powder trail behind it. From 00:01.500 to 00:02.600, when the fruit reaches the center of the frame, the red trail briefly forms the small Chinese title "佛吃了我" along the rolling path. The title is restrained and small, written in ancient Chinese stele-calligraphy style, like weathered cinnabar ink on a damaged Buddhist stone tablet. The title stays still and does not enlarge. From 00:02.600 to 00:03.600, the title fades in place while the fruit continues rolling toward the left. Instead of showing realistic feet chasing the fruit, a long soft ritual shadow begins to stretch from the right side of the frame toward the fruit, as if the fruit is pulling the figure's presence into the scene. The shadow feels sculptural and ceremonial, not a real person's cast shadow. From 00:03.600 to 00:04.500, the fruit slows near the left side of the frame and stops before leaving the image. The camera holds still for a brief moment. A pale sculptural hand descends from above, emerging from a long plain black sleeve, and reaches toward the fruit. The hand is not realistic skin; it resembles matte ivory stone, ritual porcelain, or painted sculpture. From 00:04.500 to 00:06.000, the hand gently picks up the fruit. As the fruit rises, the camera follows the upward movement of the hand in a smooth restrained tracking motion, moving from the black floor to the figure's torso and face area. The background remains almost entirely black with faint grey smoke and grain texture. From 00:06.000 to 00:07.300, the full anonymous ritual humanoid figure is revealed: not a real person, but a solemn sculptural cloth-body wearing a long plain black ritual garment, with its face hidden as a deep black void under shadow, holding the crimson fruit in both hands before the mouth area. The posture is devotional, obsessive, and quiet, not theatrical. From 00:07.300 to 00:08.300, the figure raises the fruit closer and opens the mouth area into a dark symbolic passage. Avoid teeth focus, tongue detail, gore, blood, horror anatomy, real lips, or monster behavior. The mouth should feel like a black temple gate appearing inside an art-object face. From 00:08.300 to 00:09.300, the camera pushes forward through the mouth passage into deep darkness. The mouth edges stretch outward like shadowed gate edges, and sparse grey smoke passes across the lens. From 00:09.300 to 00:10.000, the darkness inside the mouth transforms into Picture 2: a colossal grey stone Buddha centered in the frame, silent and monumental, with the tiny anonymous ritual humanoid figure at the bottom facing the Buddha. A small crimson dot on the Buddha's forehead pulses once like a breathing light. The final frame lands on the Buddha composition of Picture 2, keeping the same black-white-grey-and-crimson theological visual language. overall_soundscape: Keep the sound design sparse and ritualistic. The crimson fruit rolls with a dry cinnabar-powder scrape on black stone. The title appears silently and fades without a sound effect. The ritual shadow has no sound. The sculptural hand picking up the fruit is quiet, with only soft fabric movement and a faint porcelain-like touch on fruit skin. As the mouth opens, add a low hollow inward air pressure, followed by a short wind-like rush as the camera passes through. When the Buddha appears, add a deep stone-temple resonance and one subtle low-frequency pulse synchronized with the Buddha's crimson forehead dot. non_diegetic_music: N/A if used as a silent prelude before the song. If used under the finished track, use the imported BGM as the continuous soundtrack and keep all physical sounds extremely subtle.

【输入指令】 integrated_multimodal_description: [Shot 1] Dark surreal Buddhist theological music video, vertical 9:16 composition, the screen begins almost completely black. Thick grey incense smoke slowly gathers from all four edges of the frame toward the exact center, moving like a reversed exhalation. The background remains deep black with no visible temple, no modern objects, no logos, and no watermark. As the smoke condenses, red Chinese calligraphy appears in the center of the frame, reading "如有不适，请心中默念南摩阿弥陀佛". The calligraphy is crimson red, brush-written, ritualistic, solemn, and slightly uneven like ink on old paper, floating in the smoke rather than printed on a flat surface. The text holds still for about two seconds while the smoke curls around each character. Then the red characters begin to dissolve from the edges into fine crimson smoke, breaking apart stroke by stroke. The camera suddenly pushes forward at fast speed through the dissolving red smoke. The black screen splits open from the center to the left and right like a heavy temple door made of darkness. Through the opening, a colossal grey stone Buddha appears far ahead in the center, monumental and silent, with one tiny faceless black human figure standing at the bottom of the frame. The Buddha's forehead has a single crimson dot that begins pulsing softly like a breathing light, preparing the transition into the next clip. overall_soundscape: Dense low temple air, slow incense movement, faint stone-door friction, and a deep inward rush accompany the black opening. The smoke dissolves with a dry powder-like sound. non_diegetic_music: Use the imported BGM as the continuous main soundtrack. Let the opening whispered chant feel distant and ritualistic, with the sudden camera push synchronized to the first strong movement in the music.禁止画面中出现任何人声，但需要保持音效设计，同时一开始的时候烟雾向画面中间涌去之后，再向四周围散去的时候，画面正中间才出现那句话，然后那句话尽可能小字一点，控制一下字体大小，要营造出悬疑神学略微惊悚的效果，针对于上述的内容，输出对应的5 秒内的视频提示词 【生成内容】 这是一段为您定制的5秒视频生成提示词（Prompt）。提示词已经严格按照您的要求进行了调整：**强化了烟雾先聚后散的动态、极小字体的悬疑惊悚感，以及无任何人声的纯视觉/音效压迫感**。 建议直接复制以下英文提示词（视频生成大模型对英文理解更准确）到您的视频生成工具中： **Video Prompt (视频提示词):** > Start with a pure black screen. Thick grey incense smoke rapidly gathers from the four edges to the exact center. Then, the smoke suddenly billows and disperses outwards, clearing the middle. In this deep dark void, very tiny, eerie crimson-red Chinese calligraphy ("如有不适，请心中默念南摩阿弥陀佛") slowly emerges in the exact center. The text is deliberately extremely small, creating a suspenseful, theological thriller atmosphere and a sense of oppressive emptiness. The tiny red characters dissolve into fine crimson dust. A sudden, rapid camera push-in flies through the dark void, revealing the colossal, terrifyingly huge grey stone Buddha face from the reference image, shrouded in fog. A glowing red dot pulses ominously on the Buddha's forehead. A tiny, motionless human silhouette stands at the bottom center. Cinematic, theological horror, suspenseful mood, highly detailed, dark surrealism, fast-paced 5-second transition. **【中文对照与画面拆解（供您参考时间轴）】** * **0-1.5秒：** 纯黑背景，浓重的灰色香烟从四面八方迅速向画面正中心聚拢。 * **1.5-2.5秒：** 聚集的烟雾猛地向四周散开，随着中心区域的视野清晰，一行**极小**的血红色毛笔字“如有不适，请心中默念南摩阿弥陀佛”在正中央浮现，字体极小，四周全是大面积的黑，营造出强烈的未知与中式神学惊悚感。 * **2.5-3.5秒：** 小字化作红色的飞灰消散。镜头紧接着以极快的速度向黑暗深处猛冲（Push-in）。 * **3.5-5.0秒：** 黑暗如同沉重的石门般破开，画面定格为您提供的参考图：迷雾中巨大无比、极具压迫感的灰色石雕佛像。佛像眉心的红点如呼吸般闪烁，下方站着那个极其渺小的人影。 *(注：由于视频AI目前大多无法直接生成复杂的指定中文字体，您在生成这段视频时，可以先生成“烟雾聚散+镜头猛推出现佛像”的底模视频，然后利用剪辑软件（如剪映/PR）在烟雾散开的瞬间，自己添加极小字号的暗红色中文字体，这样能100%保证文字的惊悚质感和内容的准确性。)*

abstract dark Buddhist theological keyframe, pure black void, a crimson fruit floating and rolling along an invisible horizontal path from right to left, leaving a red cinnabar dust trail suspended in the air, a tiny faceless robed figure indicated only by two black feet and robe hem at the far right, flat surreal composition, ritual symbol over realism, monochrome black white grey, single red object, grainy ink wash, ancient stele rubbing texture, mysterious sacred obsession, minimal but unsettling, no text, no logo, no watermark --ar 16:9 --style raw --v 6.1

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] Dark Buddhist surrealist printmaking-style MV opening, total duration 10 seconds. The video begins from <Picture 1>, fully preserving the flat black stage-like void, the symbolic crimson fruit near the right side, the faint red powder trail, and the tiny faceless black-robed lower-body silhouette at the edge. The image must remain non-photorealistic, graphic, grainy, and ritualistic, like animated stone-rubbing print art rather than realistic live-action footage. From 00:00.000 to 00:01.500, the camera stays fixed in a low but flat graphic composition as the crimson fruit rolls slowly from the right toward the center across an almost invisible black floor. The fruit is the only vivid color, leaving a thin cinnabar-red trail behind it. From 00:01.500 to 00:02.600, when the fruit reaches the center, the red trail behind it briefly forms the small Chinese title "佛吃了我" in ancient stele-like red calligraphy, low and centered along the rolling path. The text remains restrained and small, then begins fading in place. From 00:02.600 to 00:03.500, simplified black feet and the hem of a black robe enter from the right, chasing the fruit without realistic running detail. The movement feels ritualistic and puppet-like, not naturalistic. The title fades completely in place as the feet pass. From 00:03.500 to 00:04.500, the fruit slows near the left side and stops before leaving the frame. A pale simplified hand descends from the upper black space, shaped like a ritual paper-cut silhouette rather than realistic anatomy. From 00:04.500 to 00:06.000, the hand picks up the fruit, and the camera follows the red fruit upward through darkness in a smooth symbolic tracking movement. From 00:06.000 to 00:07.200, the full faceless black-robed figure is revealed in a flat printmaking style, holding the crimson fruit before the covered mouth. From 00:07.200 to 00:08.200, the figure opens the mouth into a black symbolic portal, without teeth, tongue, gore, or realistic facial anatomy. From 00:08.200 to 00:09.300, the camera passes through the black mouth-portal, the graphic black edges stretching like a paper-cut temple gate. From 00:09.300 to 00:10.000, the portal opens into the previously established monumental Buddha world: a colossal grey Buddha centered in black void, a tiny faceless human at the bottom, one crimson forehead dot pulsing once. The final frame must keep the same dark printmaking, stone-rubbing, black-white-grey-and-red visual language. overall_soundscape: Keep the sound design sparse and ritualistic. The red fruit rolls with a dry powdery scrape rather than a realistic heavy object sound. The feet enter with soft cloth-and-paper-like steps. The hand movement is quiet. The mouth-portal opens with a low hollow air pressure, and the transition into the Buddha world ends with a deep stone resonance. non_diegetic_music: N/A if used as a silent prelude before the song. If used under the finished track, use the imported BGM as the continuous soundtrack and keep all physical sounds very subtle.

图片节点 39

a row of pale lotus lamps floating in a black temple corridor, each lamp emits weak white light but cannot illuminate the dense black karmic threads stretched across the space, a tiny faceless robed human standing behind the threads, one crimson knot hidden in the center of the web, dark Buddhist theological surrealism, monochrome grey black white, sparse red accent, ritual hypnosis, deep shadow, grainy charcoal print texture, no text, no logo, no watermark --style raw --v 6.1

an enormous pale open palm emerging from a black void, incense ash falling into the palm like grey snow, the palm lines gradually forming river-like karmic paths, a tiny faceless robed human standing inside the palm, one small crimson seed of light resting on the life line, dark Buddhist theological surrealism, monochrome black white grey palette with sparse crimson accent, monumental scale, grainy ink print texture, high contrast, low light, sacred unsettling stillness, no text, no logo, no watermark --style raw --v 6.1

a giant black wooden fish percussion instrument floating in a dark Buddhist hall, its surface shaped like a skull-like sacred vessel without gore, pale bone shadows visible inside the wood grain, a tiny faceless robed human kneeling below, crimson cracks glowing along the wooden fish, ash and dust suspended in the air, dark theological ritual, monochrome black white grey with sparse red fissures, hypnotic sacred percussion, no text, no logo, no watermark --style raw --v 6.1

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] 视频从<Picture 1>的巨佛和圆形镜光开始。巨大灰色佛像坐在黑色虚空寺庙中，佛前胸口位置漂浮着圆形镜光，不打开身体。镜光里重复映出无数小佛剪影，像神圣回声。镜头小幅度缓慢拉远，小佛越来越多。每个小佛胸口红点依次亮起，形成催眠闪烁，最后排列成一只巨大眼睛。底部小人仰望，身上隐约缠着红线。 overall_soundscape: 低沉石庙声、镜面轻鸣、红点依次亮起的细微脉冲和远处空气流动。 non_diegetic_music: 使用导入BGM，让红点闪烁贴合节拍。

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] 视频从<Picture 1>的红心与佛眼开始。红色莲花心悬在巨大佛像闭合眼前，佛始终不睁眼。镜头缓慢推向红心。红心无血腥地裂开，内部出现黑色神圣眼睛。不是佛在看，而是心替佛观看。红光只照亮佛眼皮和局部石脸。结尾时，心眼瞳孔里倒映出无脸人的大嘴。 overall_soundscape: 低沉心跳、石面静默、细微眼皮震动和远处钵声。 non_diegetic_music: 使用导入BGM，突出女声和声。

How the reference pictures align with the target video — Picture 1 (from Shot 1) aligns with the 0.00-second mark of the target video; Picture 2 (from Shot 1) aligns with the 10.00-second mark of the target video. integrated_multimodal_description: [Shot 1] Dark Buddhist surrealist printmaking-style opening, horizontal cinematic composition, total duration 10 seconds. The video begins from Picture 1: a nearly pure black ritual stage with a single crimson fruit near the right side of the frame, resting on an almost invisible black floor. The visual language must remain consistent with black-and-grey religious print art, stone-rubbing texture, flat symbolic composition, and severe negative space. Avoid live-action realism, realistic actors, realistic skin, natural human facial features, feet close-ups, cartoon characters, anime style, or cute simplified figures. The human presence in this video is not a real person: it is an anonymous black human-shaped cloth effigy, a robe-like vertical ritual form, with identity erased and face absorbed into darkness, more like a sculptural offering or ink-rubbing figure than a photographed body. From 00:00.000 to 00:01.600, the camera holds a fixed, low but graphic composition. The crimson fruit rolls slowly from right to left across the black floor, leaving a thin cinnabar powder trail. The fruit is the only saturated color. The motion is ritualistic, not realistic comedy or object animation. From 00:01.600 to 00:02.600, when the fruit reaches the center, the cinnabar trail briefly forms the small Chinese title "佛吃了我" along the rolling path. The title is small, restrained, and ancient, like red cinnabar characters from a damaged Buddhist stone stele. It does not enlarge, float, or behave like modern subtitle text. From 00:02.600 to 00:03.500, the title fades in place while the fruit continues rolling left. Do not show realistic feet chasing the fruit. Instead, a long black robe-like shadow is slowly pulled from the right side of the frame by the fruit's trail, as if the red fruit is dragging a human-shaped absence into existence. The shadow is flat, grainy, and ceremonial, like ink on stone paper. From 00:03.500 to 00:04.500, the fruit stops near the left side before exiting the frame. A pale sculptural hand descends from the upper black space. The hand must not look like real human skin; it should resemble ivory stone, white clay, or a carved ritual object. It emerges from a black fabric mass rather than a realistic sleeve. From 00:04.500 to 00:06.000, the pale sculptural hand picks up the crimson fruit. The camera follows the fruit upward in a smooth restrained tracking movement. As the fruit rises, the black robe-like shadow below stretches upward and becomes a full anonymous cloth effigy: a dark vertical body-form with no realistic face, no eyes, no visible skin, and no actor-like performance. From 00:06.000 to 00:07.400, the cloth effigy holds the fruit before the place where a mouth would be. The figure is solemn, still, and object-like, as if it is a ritual vessel rather than a living person. The black fabric surface has subtle grain, ash, and folds, matching the stone-rubbing visual texture of the whole film. From 00:07.400 to 00:08.300, the mouth area of the cloth effigy opens as a black symbolic slit, not a biological mouth. Avoid teeth, tongue, lips, saliva, gore, horror anatomy, or realistic facial detail. The slit becomes a dark temple gate inside the figure. From 00:08.300 to 00:09.300, the camera pushes forward through the black mouth-gate. The edges stretch like torn black paper and temple shadow, while sparse grey ash passes across the lens. The transition feels like entering a religious print or stone relief, not a real mouth. From 00:09.300 to 00:10.000, the darkness inside the mouth-gate transforms into Picture 2: a colossal grey stone Buddha centered in a black void, silent and monumental, with a tiny anonymous black cloth effigy at the bottom facing the Buddha. A small crimson dot on the Buddha's forehead pulses once like a breathing light. The final frame keeps the same black-white-grey-and-crimson religious printmaking style. overall_soundscape: Keep the sound design sparse and ritualistic. The crimson fruit rolls with a dry cinnabar-powder scrape on black stone. The title appears silently and fades silently. The black shadow being pulled has no footsteps and no body sound. The pale sculptural hand touches the fruit with a faint ceramic-like tap and soft cloth friction. The black mouth-gate opens with low hollow air pressure, followed by a brief inward rush as the camera passes through. When the Buddha appears, add deep stone-temple resonance and one subtle low-frequency pulse synchronized with the crimson forehead dot. non_diegetic_music: N/A if used as a silent prelude before the song. If used under the finished track, use the imported BGM as the continuous soundtrack and keep all physical sounds extremely subtle.

dark Buddhist surrealist printmaking style, pure black background like an empty ritual stage, one vivid crimson fruit rolling horizontally from right to left across the lower center, leaving a thin red powder trail, the fruit appears symbolic and slightly oversized, a tiny faceless black-robed figure reduced to simple lower-body silhouette at the right side, flat graphic composition, black white grey palette with sparse red accent, rough paper grain, stone stele rubbing texture, charcoal ink, severe negative space, occult religious atmosphere, high-end experimental MV keyframe, no readable text, no logo, no watermark --ar 16:9 --style raw --v 6.1

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] 视频从<Picture 1>的无脸人捧果画面开始。人物双手把红果举到遮住的嘴边，动作极慢，像重复过无数次的私人仪式。镜头小幅度缓慢推近红果。果皮上的莲花纹路发光，并蔓延到苍白手指。人物咬下一口，流出了是血或果汁。结尾时，嘴边留下一个小红点。 overall_soundscape: 轻微咬合声、果皮裂开声、手指摩擦果皮声和低沉寺庙底噪。 non_diegetic_music: 使用导入BGM，让咬果动作卡在节拍上。

integrated_multimodal_description: [Shot 1] Dark surreal Buddhist theological music video, vertical 9:16 composition, the screen begins almost completely black. Thick grey incense smoke slowly gathers from all four edges of the frame toward the exact center, moving like a reversed exhalation. The background remains deep black with no visible temple, no modern objects, no logos, and no watermark. After the smoke fully condenses at the center, it begins to spread outward from the center toward the surrounding darkness, like a grey ritual cloud opening. Only during this outward dispersal, small red Chinese calligraphy appears in the exact center of the frame, reading "如有不适，请心中默念南摩阿弥陀佛". The calligraphy is crimson red, brush-written, ritualistic, solemn, and deliberately small, occupying only about one fifth of the frame width, with generous black space around it. The text feels suspended inside the thinning smoke rather than printed on a flat surface. The small red calligraphy holds still for about two seconds while the smoke continues to curl outward around it. Then the red characters begin to dissolve from the edges into fine crimson smoke, breaking apart stroke by stroke. The camera suddenly pushes forward at fast speed through the dissolving red smoke. The black screen splits open from the center to the left and right like a heavy temple door made of darkness. Through the opening, a colossal grey stone Buddha appears far ahead in the center, monumental and silent, with one tiny faceless black human figure standing at the bottom of the frame. The Buddha's forehead has a single crimson dot that begins pulsing softly like a breathing light, preparing the transition into the next clip. overall_soundscape: Dense low temple air, slow incense movement, faint stone-door friction, and a deep inward rush accompany the black opening. The smoke dissolves with a dry powder-like sound. non_diegetic_music: Use the imported BGM as the continuous main soundtrack. Let the opening whispered chant feel distant and ritualistic, with the sudden camera push synchronized to the first strong movement in the music.

视频截图视频节点 41

integrated_multimodal_description: [Shot 1] Dark surreal Buddhist theological music video, vertical 9:16 composition, total duration 6 seconds. The screen begins almost completely black. From 00:00.000 to 00:01.200, thick grey incense smoke slowly gathers from all four edges of the frame toward the exact center, moving like a reversed exhalation. The background remains deep black with no visible temple, no modern objects, no logos, and no watermark. From 00:01.200 to 00:02.000, after the smoke has condensed at the center, it begins spreading outward in a soft circular motion. As the smoke disperses, a small line of crimson Chinese calligraphy appears at the center of the frame, reading "如有不适，请心中默念南摩阿弥陀佛". The text is deliberately small, occupying only about 18 percent of the frame width, centered, written in an eerie ancient Chinese brush-calligraphy style, resembling cinnabar ink on an old temple talisman and partially weathered stele inscription. The strokes are thin, tense, slightly broken, suspenseful, archaic, and ritualistic, creating a mysterious unsettling religious warning rather than a modern subtitle. The characters remain still, with no enlargement, no zoom, and no floating movement. From 00:02.000 to 00:04.000, the small red calligraphy holds in place while grey smoke slowly moves around it and outward from the center. From 00:04.000 to 00:04.800, the calligraphy disappears in place, stroke by stroke, dissolving into tiny crimson smoke particles without scaling up or moving forward. Only after the text has fully vanished, from 00:04.800 to 00:06.000, the camera suddenly pushes forward at fast speed through the remaining smoke. The black screen splits open from the center to the left and right like a heavy temple door made of darkness. Through the opening, a colossal grey stone Buddha appears far ahead in the center, monumental and silent, with one tiny faceless black human figure standing at the bottom of the frame. The Buddha's forehead has a single crimson dot that begins pulsing softly like a breathing light, preparing the transition into the next clip. overall_soundscape: Dense low temple air, slow incense movement, faint stone-door friction, and a deep inward rush accompany the black opening. The smoke gathers and disperses with a dry powder-like texture, while the red calligraphy vanishes silently before the forward camera rush begins. non_diegetic_music: Use the imported BGM as the continuous main soundtrack. Let the opening whispered chant feel distant and ritualistic, with the sudden camera push beginning only after the red calligraphy has completely disappeared.

针对于提示词内容，参考画面内容 {{Mixed 1}} ，输出对应的画面

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] 视频从<Picture 1>的大量跪拜者开始。无数无脸黑袍人跪在黑色佛殿中，额头贴地，背后红线向上连入黑暗。镜头从人群背后低位缓慢推进。所有人按同一节奏起身，又再次叩拜，机械、催眠、无法停止。每一次叩拜，红线拉紧又松开。结尾时，最前方一人抬头，脸上没有五官，只有一个红点。 overall_soundscape: 布料摩擦、整齐跪拜声、红线紧绷声、远钟压迫声和佛殿混响。 non_diegetic_music: 使用导入BGM，强化重复跪拜的节奏。

【输入指令】 针对于画面内容，按照下述情节内容输出完整的能连贯起来的 h3 使用的视频提示词，整个视频时长控制在 7 秒： For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] 视频从 <Picture 1> 的巨掌画面开始。黑色虚空中，一只巨大的苍白手掌张开，掌心像祭坛一样承接不断落下的香灰。极小的无脸黑袍人站在掌心中央，保持和画面中相同的位置与比例。镜头从高处缓慢小幅度向下俯冲，香灰像灰色雪一样落在掌纹之间。掌纹逐渐变深，像河流，也像无法逃脱的因果路线。掌心生命线上的猩红光种轻轻闪烁一次，随后沿着掌纹缓慢流动。无脸人低头看着脚下的红光，身体微微颤抖，却没有离开。结尾时，红光种子停在掌心最深处，香灰在它周围堆成一个小小的圆形，紧接着大手掌握拳把手里的人包裹住（像是把手上的人物捏碎）然后停顿了一秒之后再打开，就出现了图二的画面，几盏苍白莲灯悬浮在画面两侧，发出微弱白光，但光线照到半空中密密麻麻的黑色因果线后便停止，无法穿透。极小的无脸黑袍人站在线网后方，身体被阴影切成模糊轮廓。镜头沿着长廊缓慢向前推进，莲灯一盏接一盏轻微摇晃，灯火像被某种看不见的呼吸压低。黑色因果线逐渐收紧，中间隐藏的猩红结点亮起一点红光。无脸人伸手想触碰线网，但手指还没碰到，红结便像眼睛一样微微睁开。结尾时，所有莲灯同时变暗，只剩中间的红结发亮，红结的形状开始变得像木鱼上的裂纹， overall_soundscape: 香灰落下的细碎声音、低沉空庙回响、手掌石质表面轻微开裂声共同形成压迫感。人物没有对白，只能听到极轻的呼吸和衣料摩擦。 non_diegetic_music: 使用已导入的 BGM 作为完整主音乐。让女声吟唱保持在前景，香灰落掌的动作跟随节拍慢慢堆积。 【生成内容】 这是一段为您定制的、适用于生成 7 秒连贯视频的提示词（建议直接复制使用）： 视频以第一张图为起幅。黑色虚空中，巨大的苍白手掌如祭坛般张开，极小的无脸黑袍人立于掌心中央。镜头从高处缓慢微幅俯冲，细碎的香灰如灰雪般不断坠落。手掌的掌纹逐渐加深如河流，掌心生命线上的一颗猩红光种闪烁，并沿掌纹缓缓流淌。无脸人低头凝视脚下红光，身体微微颤抖。当红光停滞于掌心最深处、香灰在周围堆积成小小圆环时，巨手骤然握拳将手里的人包裹捏碎，停顿一秒后猛然张开，画面无缝转场幻化为第二张图的场景。幽暗长廊中，两侧苍白莲灯悬浮，发出微弱白光，但光线被半空中密密麻麻的黑色因果线网完全阻挡。无脸黑袍人站立于线网后方，身形被阴影切成模糊轮廓。镜头沿长廊缓慢向前推进，莲灯犹如被无形的呼吸压制，接连轻微摇曳、灯火黯淡。黑色因果线网缓缓收紧，中央隐藏的猩红结点亮起红光。无脸人抬手欲触碰线网，手指未及，红结便如诡异的眼睛般微微睁开。视频结尾处，所有莲灯瞬间同时熄灭，仅剩中央的红结在黑暗中发亮，其形状逐渐异化为类似木鱼上的裂纹。整体动作紧凑且充满压迫感，在7秒内连贯完成。

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] Dark surreal Buddhist theological music video, total duration 10 seconds. The video begins from <Picture 1>, fully preserving the colossal pale stone Buddha hand suspended in the black void, with the dark wet eye opening in the center of the palm and a tiny faceless black-robed human figure far below. The strict black, white, and grey palette remains consistent, with only thin crimson karmic threads allowed to appear as red accents. From 00:00.000 to 00:02.000, the camera starts low behind the tiny human and slowly tilts upward toward the giant palm, emphasizing the impossible scale difference between the small human and the enormous sacred hand. The Buddha body behind the hand gradually fades into the blackness, leaving only the hand, the palm eye, and the tiny figure. The eye looks left, then right, then downward toward the human, like a silent divine witness. From 00:02.000 to 00:04.000, thin crimson threads emerge from the eyelid and drift downward through the dark air. The tiny human reaches upward slightly, as if asking for help or offering devotion. The camera begins following one crimson thread upward, moving closer to the palm eye with a slow hypnotic push-in. From 00:04.000 to 00:06.000, the palm eye contracts and transforms into a black mouth-shaped void. The transformation is non-graphic: no teeth, no tongue, no gore, only sacred darkness. A crimson ritual ring forms around the opening and rotates slowly like a forbidden seal. Incense ash and grey smoke spiral inward, pulled into the mouth-shaped gate. From 00:06.000 to 00:08.000, the camera continues pushing toward the black mouth, and the mouth expands into a vast temple-gate shape formed from shadow and pale stone folds. The tiny human below is pulled forward by the crimson threads, moving slowly across wet black stone. The figure does not resist; the body leans toward the gate as if entranced, addicted to the sacred pull. From 00:08.000 to 00:10.000, the mouth-like temple gate descends toward the tiny figure with immense weight, filling more of the frame. Red beads of light fall from the gate edge and land around the human without splashing. The camera lowers slightly and pushes forward with the human, creating the feeling of being drawn into the opening. In the final second, the black gate nearly fills the entire frame and swallows the human silhouette into darkness, leaving only a few trembling crimson threads outside the opening, preparing the next clip inside the sacred mouth-temple. overall_soundscape: Deep temple resonance, faint stone dust falling from the giant hand, wet eye movement without gore, thin rope tension, inward smoke suction, and heavy low-frequency pressure build across the full shot. As the mouth-gate descends, wet stone ambience and distant bell decay become stronger, ending with a muffled engulfing sound. non_diegetic_music: Use the imported BGM as the continuous main soundtrack. Let the chant and slow ritual rhythm guide the eye movement, thread pull, mouth transformation, and final swallowing motion.

00:00-00:02 从佛手掌心眼画面开始。小人在下，佛手在上，镜头从小人背后慢慢仰上去看手掌。佛身隐入黑暗，只剩手和眼。 00:02-00:04 掌心眼左右看，再向下看小人。红色因果线从眼周垂下来。镜头顺着其中一根红线慢慢往上推。 00:04-00:06 掌心眼收缩，变成黑色嘴形虚空。不要牙齿、舌头、血腥，只要像宗教黑门。红色圆环像咒印一样旋转，香灰被吸进去。 00:06-00:08 嘴形黑洞扩大成佛口山门。红线拉着小人往前走，小人像被信仰吸引一样，不反抗。 00:08-00:10 佛口山门向下压，小人被吞进黑暗。最后只留下几根红线在门外颤动，最后人物来到了 {{Mixed 3}} 的场景，人物缓慢向前走去，周围有很多红绳在快速向远处的佛祖像延伸过去。

How the reference pictures align with the target video — Picture 1 (from Shot 1) aligns with the 0.00-second mark of the target video; Picture 2 (from Shot 1) aligns with the 5.50-second mark of the target video; Picture 3 (from Shot 1) aligns with the 10.00-second mark of the target video. integrated_multimodal_description: [Shot 1] Dark Buddhist theological surreal music-video opening, horizontal cinematic composition, total duration 10 seconds. The target video uses Picture 1 as the opening frame, Picture 2 as the middle keyframe, and Picture 3 as the final destination frame. Keep the visual language consistent across the whole clip: black, white, and grey dominate the image, crimson appears only on the fruit, title trail, and sacred dot, with grainy stone-rubbing texture, dark ritual stillness, and non-realistic contemporary religious art aesthetics. Avoid live-action realism, natural human skin, cartoon, anime, cute character design, modern clothing detail, modern room detail, logos, watermark, and extra readable text. From 00:00.000 to 00:01.500, the video begins from Picture 1: a nearly pure black ritual space, with one crimson fruit rolling slowly from the right side toward the center across an almost invisible black floor. The camera stays fixed and low, but the composition remains graphic and symbolic rather than realistic. The fruit leaves a thin cinnabar-red powder trail behind it. From 00:01.500 to 00:02.500, when the fruit reaches the center, the red powder trail briefly forms the small Chinese title "佛吃了我" along the path of the fruit. The title is small, restrained, and ancient, like weathered cinnabar characters from a damaged Buddhist stone stele. The title stays still, does not enlarge, and does not drift. From 00:02.500 to 00:03.500, the title fades in place while the fruit continues rolling toward the left. Do not show realistic running feet. Instead, a black fabric-like shadow is pulled from the right side of the frame by the fruit's red trail, suggesting a human presence being summoned by desire. The shadow is ceremonial, grainy, and sculptural, not a real person's cast shadow. From 00:03.500 to 00:05.500, the fruit stops before leaving the left side of the frame. A pale sculptural hand descends from above and picks up the fruit. As the hand lifts the fruit, the camera follows the upward motion in one smooth tracking movement. The image gradually converges into Picture 2 at 00:05.500: a close frontal composition of the anonymous ritual figure, with a pale mask-like face, black cloth covering the mouth area, heavy black fabric around the body, one white sculptural hand holding the crimson fruit in front of the covered mouth. Preserve the exact art-object quality of Picture 2: the figure must feel like a solemn cloth-and-stone ritual image, not a real actor and not a cartoon. From 00:05.500 to 00:07.000, the figure holds the crimson fruit steady near the covered mouth. The visible hand keeps the fruit lifted, while the other pale sculptural hand slowly enters the frame and grips the black cloth covering the mouth. The movement is slow, deliberate, and devotional. The black cloth has a heavy matte texture and slides downward without revealing ordinary human realism. From 00:07.000 to 00:08.000, the second hand pulls the black cloth down just enough to reveal a dark mouth opening beneath it. The mouth is not realistic and not grotesque: avoid teeth focus, tongue detail, saliva, blood, gore, or horror anatomy. It should appear as a black symbolic passage inside the mask-like face, like a small temple gate hidden under the cloth. The fruit moves closer to the mouth as if the figure is about to eat it. From 00:08.000 to 00:08.700, the figure opens the mouth wider and brings the crimson fruit toward the opening. The fruit remains bright red as the only saturated object. The camera pushes forward with the fruit, aligning the fruit, mouth, and central darkness into one visual tunnel. The moment should feel like desire entering a sacred void, not like normal eating. From 00:08.700 to 00:09.400, the camera passes through the dark mouth passage. The edges of the mouth stretch outward like black cloth, torn shadow, and temple-door darkness. Sparse grey ash moves across the lens. The transition must feel like moving through a ritual portal, not through biological anatomy. From 00:09.400 to 00:10.000, the darkness inside the mouth transforms into Picture 3: a colossal grey stone Buddha centered in a black void, silent and monumental, with a tiny anonymous ritual figure at the bottom facing the Buddha. A small crimson dot on the Buddha's forehead pulses once like a breathing light. The final frame lands cleanly on Picture 3, preparing the next clip where the Buddha hand or palm eye can appear. overall_soundscape: Keep the sound design sparse and ritualistic. The crimson fruit rolls with a dry cinnabar-powder scrape across black stone. The title appears and fades silently. The shadow being pulled has no footsteps. The pale hand touches the fruit with a faint ceramic-like tap and soft cloth friction. When the second hand pulls down the mouth cloth, add a slow heavy fabric slide. As the mouth opens, use a low hollow inward air pressure without gore or wet mouth sounds. The camera passing through the mouth creates a brief dark wind rush, then resolves into deep stone-temple resonance when the Buddha appears, with one subtle low-frequency pulse synchronized to the Buddha forehead dot. non_diegetic_music: N/A if this clip is used as a silent prelude. If placed under the finished song, use the imported BGM as the continuous soundtrack and keep all physical sounds extremely subtle.

图片节点 75

保持画面内容不变，把画面中原本是灰色的背景等，改成全黑黑色，其他白色的部分保持不变，并且整个画面缩小50%

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] Dark Buddhist theological music video, the monumental Buddha composition from <Picture 1> is fully preserved as the opening frame: a colossal grey Buddha dominates the center of the image, while a tiny faceless black human figure stands at the lower center, extremely small compared with the statue. The black, white, and grey palette remains strict, with only the crimson forehead dot allowed to glow. The camera pushes in with small amplitude at slow speed toward the Buddha, keeping the tiny person at the bottom of the frame. The crimson dot on the Buddha's forehead pulses slowly, like a living breath hidden inside stone. The tiny figure begins walking forward, each step slow and entranced, as if pulled by devotion rather than fear. Incense smoke and ash rise upward against gravity around the figure's feet. The Buddha remains mostly still, but the air around its face subtly trembles. In the final seconds, an enormous pale Buddha hand begins to extend from the side of the statue into the foreground. As the hand appears, the Buddha's face gradually fades backward into darkness, so the hand becomes the dominant sacred object for the next clip. overall_soundscape: Low stone resonance, soft ash movement, faint footsteps on wet black ground, and distant temple pressure fill the space. The Buddha's red dot pulses with a subtle low-frequency throb. non_diegetic_music: Use the imported BGM as the main soundtrack. Let the whispered female vocal and slow ritual rhythm guide the walking pace and the breathing pulse of the red forehead dot.保证出现眼睛的时候，手掌上的眼睛向四周看，最后定下来朝下看向人物的时候，眼睛透露出一种惊悚的杀气效果

视频截图视频节点 47

针对于提示词内容，针对于画面内容 {{Mixed 1}} {{Mixed 2}} ，输出对应的视频

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] Dark surreal Buddhist theological music video, total duration 10 seconds. The video begins from <Picture 1>, fully preserving the enormous pale open palm emerging from a black void, the tiny faceless black-robed human standing inside the palm, and grey incense ash falling like silent snow. The visual palette remains strict black, white, and grey, with crimson used only for the karmic seed and thread-like symbols. From 00:00.000 to 00:02.000, the camera descends slowly from above toward the palm, with small amplitude and slow speed. Incense ash falls into the palm and gathers along the palm lines. The palm lines gradually darken, becoming river-like karmic paths under the tiny human's feet. A small crimson seed of light appears on the deepest palm line and pulses once. From 00:02.000 to 00:04.000, the camera follows the crimson seed as it begins moving along the palm line. The palm line stretches forward and elongates into a thin black karmic thread, while the pale palm surface slowly dissolves into drifting ash behind the camera. The transition is continuous and dreamlike: the hand does not cut away, but transforms into a dark corridor made of palm lines, ash, and shadow. From 00:04.000 to 00:06.500, the camera continues traveling forward along the black karmic thread until the space becomes a long black temple corridor. Pale lotus lamps appear one by one on both sides, floating in the darkness. Their weak white light reaches toward the center but cannot pass through the dense black thread web now stretched across the corridor. The tiny faceless human stands behind the web, still small and entranced, as if trapped inside the palm's fate-line. From 00:06.500 to 00:08.500, the lotus lamps sway slowly, and their flames are pressed lower by an invisible breath. The black threads tighten across the frame, forming a layered net between the camera and the human. The crimson seed from the palm becomes a hidden red knot at the center of the thread web. The human reaches forward, but the fingers stop before touching the threads. From 00:08.500 to 00:10.000, the red knot opens slightly like a small eye. All lotus lamps dim at once, leaving only the crimson knot glowing inside the black web. The final frame holds on the red knot, the dark threads, and the tiny human behind them, preparing a transition into wooden fish cracks, an eye symbol, or the next ritual image. overall_soundscape: Fine incense ash falls onto stone-like skin at the beginning, followed by a low empty temple resonance. As the palm lines become karmic threads, the sound becomes quieter and thinner, with subtle thread tension and distant air pressure. When the lotus lamps appear, faint oil-flame movement and soft hanging-lamp sways enter the space, ending with the black thread web tightening in a delicate, tense sound. non_diegetic_music: Use the imported BGM as the continuous main soundtrack. Keep the vocal chant restrained and close, letting the movement from palm to corridor feel hypnotic and devotional rather than dramatic.

integrated_multimodal_description: [Shot 1] Dark surreal Buddhist theological title sequence, horizontal cinematic composition, total duration 5 seconds. The screen begins completely black. From 00:00.000 to 00:00.700, thick grey haze and incense smoke slowly emerge from the darkness, filling the center of the frame with a soft cloud-like mass. From 00:00.700 to 00:01.200, the haze begins to disperse outward from the center, revealing a small crimson Chinese title in the exact center of the frame: "佛吃了我". The title is small and restrained, occupying only about 14 to 18 percent of the frame width, written in an eerie ancient Chinese stele-calligraphy style, like weathered cinnabar ink on a damaged Buddhist stone tablet, with thin broken archaic strokes and a mysterious ritual feeling. The title remains completely still, with no zoom, no enlargement, and no drifting movement. From 00:01.200 to 00:02.200, a huge black mouth-shaped void slowly appears behind the red title. The mouth has no teeth, no tongue, no gore, and no biological detail; it looks like a sacred dark gate formed by shadow. The mouth opens wider and pulls the red title inward. The four crimson characters are swallowed stroke by stroke, breaking into red cinnabar smoke and being drawn into the center of the mouth while staying at their original size. From 00:02.200 to 00:03.000, after the title is fully swallowed, the mouth closes briefly into a black oval, then opens again. Inside the opened mouth, the darkness transforms into a distant monumental grey stone Buddha, visible deep inside the mouth as if the mouth is a portal into a temple world. From 00:03.000 to 00:04.400, the camera rapidly pushes forward through the open mouth, passing through drifting grey smoke and black gate-like edges. The mouth edges stretch to the left and right like a dark temple doorway as the Buddha grows larger in the center of the frame. From 00:04.400 to 00:05.000, the camera arrives in front of the colossal grey Buddha. The Buddha is centered, silent, and monumental, surrounded by black void and thin smoke. At the bottom center of the frame, a tiny faceless black human figure stands facing the Buddha. A small crimson dot on the Buddha's forehead pulses once like a breathing light. The final frame holds on the giant Buddha, the tiny human, and the single red forehead dot, preparing the next clip where the Buddha hand appears. overall_soundscape: There is no music. The sound design begins with near-silence, then soft grey smoke swelling into the frame. The mouth appears with a low inward pressure and a deep hollow opening sound. The title is swallowed with dry cinnabar dust crackles and a soft vacuum pull. When the mouth opens again, a distant temple resonance emerges from inside it. The camera rush through the mouth creates a short wind-pressure surge, followed by heavy stone ambience and a faint low-frequency pulse when the Buddha's red forehead dot lights up. non_diegetic_music: N/A

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] 视频从 <Picture 1> 的标题画面开始，保持纯黑背景、中央红色古碑书法标题「佛吃了我」、极简留白和暗黑宗教质感。总时长 5 秒。00:00.000 到 00:00.800，画面几乎静止，只有极淡的灰色香烟从四周向画面中心缓慢涌动，红色标题保持原始大小，不放大，不移动，像刻在黑暗中的残碑文字。00:00.800 到 00:01.600，烟雾在标题周围向四周散开，标题仍然小而克制，红色笔画呈现古代碑文、残旧朱砂、宗教禁忌文字的质感。00:01.600 到 00:02.600，标题后方的黑暗突然裂开，出现一张巨大的黑色嘴形空洞，嘴不是生物嘴，没有牙齿，没有血腥，而像一扇由黑暗形成的祭祀之口。嘴从标题后方缓慢张开，向前吞噬「佛吃了我」四个字。红色笔画被吸入口中，像朱砂烟尘一样一笔一笔断裂、卷入黑暗，不要让文字放大消失，而是原地被吸走。00:02.600 到 00:03.300，黑色大嘴吞掉最后一个红色笔画后，嘴形轮廓开始散成灰烟，向两侧退开。00:03.300 到 00:04.300，镜头快速向前推进，穿过嘴散开的烟雾；纯黑画面从正中央向左右裂开，像一扇沉重的黑色寺门被打开。00:04.300 到 00:05.000，门后显露一尊巨大灰色石佛，佛像位于画面正中，体量极大，沉默而压迫，画面底部出现一个极小的黑色无脸人影正面向佛像。佛像眉心有一个微弱红点，像呼吸灯一样轻轻闪烁一次。最后一帧停在巨佛、红点和底部小人形成的宗教巨物画面，为下一段佛手出现做衔接。 overall_soundscape: 全片没有音乐，只有声音设计。开头是低沉的黑暗空间底噪和非常轻的香烟流动声；标题被吞噬时出现干燥朱砂粉末被吸走的细碎声、低频吸入声和黑暗空洞张开的压迫声；嘴巴散开后有灰烟扩散声，镜头推进时出现短促的气流冲击声；黑门打开时传来沉重石门摩擦声和遥远寺庙空间回响，最后佛像出现时只剩低频石质共鸣。 non_diegetic_music: N/A

integrated_multimodal_description: [Shot 1] Dark surreal Buddhist theological title sequence, horizontal cinematic composition, total duration 5 seconds. The screen begins completely black. From 00:00.000 to 00:00.700, very thin grey incense haze slowly emerges from the surrounding darkness, not forming a dense cloud, but spreading in loose transparent layers across the black frame. The smoke drifts from the edges toward the center in separated wisps, leaving large areas of pure black visible between the smoke layers. From 00:00.700 to 00:01.200, the loose haze passes through the center and begins dispersing outward, like breath fading in a dark room. As the haze thins and opens, a small crimson Chinese title appears in the exact center of the frame: "佛吃了我". The title is small and restrained, occupying only about 14 to 18 percent of the frame width, written in an eerie ancient Chinese stele-calligraphy style, like weathered cinnabar ink on a damaged Buddhist stone tablet, with thin broken archaic strokes and a mysterious ritual feeling. The title remains completely still, with no zoom, no enlargement, and no drifting movement. From 00:01.200 to 00:02.200, a huge black mouth-shaped void slowly appears behind the red title. The mouth has no teeth, no tongue, no gore, and no biological detail; it looks like a sacred dark gate formed by shadow. The mouth opens wider and pulls the red title inward. The four crimson characters are swallowed stroke by stroke, breaking into red cinnabar smoke and being drawn into the center of the mouth while staying at their original size. From 00:02.200 to 00:03.000, after the title is fully swallowed, the mouth closes briefly into a black oval, then opens again. Inside the opened mouth, the darkness transforms into a distant monumental grey stone Buddha, visible deep inside the mouth as if the mouth is a portal into a temple world. From 00:03.000 to 00:04.400, the camera rapidly pushes forward through the open mouth, passing through sparse drifting grey haze and black gate-like edges. The mouth edges stretch to the left and right like a dark temple doorway as the Buddha grows larger in the center of the frame. From 00:04.400 to 00:05.000, the camera arrives in front of the colossal grey Buddha. The Buddha is centered, silent, and monumental, surrounded by black void and thin smoke. At the bottom center of the frame, a tiny faceless black human figure stands facing the Buddha. A small crimson dot on the Buddha's forehead pulses once like a breathing light. The final frame holds on the giant Buddha, the tiny human, and the single red forehead dot, preparing the next clip where the Buddha hand appears. overall_soundscape: There is no music. The sound design begins with near-silence and a very light airy smoke texture, more like thin incense passing through darkness than a thick cloud. The mouth appears with a low inward pressure and a deep hollow opening sound. The title is swallowed with dry cinnabar dust crackles and a soft vacuum pull. When the mouth opens again, a distant temple resonance emerges from inside it. The camera rush through the mouth creates a short wind-pressure surge, followed by heavy stone ambience and a faint low-frequency pulse when the Buddha's red forehead dot lights up. non_diegetic_music: N/A

How the reference pictures align with the target video — Picture 1 (from Shot 1) aligns with the 0.00-second mark of the target video; Picture 2 (from Shot 1) aligns with the 8.00-second mark of the target video. integrated_multimodal_description: [Shot 1] Dark surreal Buddhist theological ending sequence, horizontal cinematic composition, total duration 8 seconds. The video begins from Picture 1: preserve the same black-and-grey grainy ritual art style, the pale sculptural face partially visible at the top, the black cloth covering most of the body, the pale sculptural hand holding the crimson sacred fruit, and the deep black background. The figure must remain an art-object-like ritual figure, not a real actor, not cartoon, and not anime. The crimson fruit remains the only saturated color at the beginning. From 00:00.000 to 00:01.300, the figure brings the crimson fruit to the mouth area and bites it once. The bite is symbolic and non-graphic: no blood, no saliva, no teeth focus, no gore. A small crescent-shaped bite mark appears on the fruit. The figure pauses briefly, as if the sacred fruit tastes bitter and difficult to accept. From 00:01.300 to 00:02.300, the figure reacts with restrained discomfort rather than exaggerated comedy. The pale mask-like face remains still and cold, but the hand holding the bitten fruit trembles slightly. The body leans back just a little, suggesting rejection. From 00:02.300 to 00:03.200, the figure throws the bitten crimson fruit downward into the black space. The camera follows the fruit with a short controlled downward tilt. The fruit leaves the hand and drops toward the invisible black floor, carrying its crescent bite mark. From 00:03.200 to 00:04.200, the bitten fruit lands softly on the black floor and rolls once or twice. The motion is elegant, minimal, and ritualistic, not comedic. As it rolls, the crimson fruit rapidly loses its fruit texture and flattens into a clean white circular form. From 00:04.200 to 00:05.800, the transformed white circle stabilizes at the center of the black frame and becomes the exact white circular logo mark from Picture 2. The black "TC" mark appears inside the circle. The camera stops moving and holds a clean centered composition. Preserve the logo shape, circle placement, and black "TC" mark from Picture 2 as closely as possible. From 00:05.800 to 00:08.000, the white circular logo remains centered and still. The word "TABLECHEUK" gradually fades in below the circle in clean white uppercase letters, matching Picture 2. The background remains pure black with very subtle grain. By the final frame, the video lands fully on Picture 2: centered white circular logo with black "TC" inside and "TABLECHEUK" below, clean, minimal, and still. overall_soundscape: Keep the sound design sparse and controlled. The bite has a dry soft fruit-skin sound without wet gore. The discomfort is quiet, with only slight fabric movement and a faint breath. The fruit drop has a muted soft impact, followed by one or two gentle rolling sounds on a dark surface. The transformation into the logo is nearly silent, ending with a subtle clean low resonance as the circular logo settles. non_diegetic_music: If this clip plays under the ending of the finished BGM, let the imported BGM fade out naturally during the logo reveal. If used after the song ends, use no background music and keep only the sparse sound design.

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] Dark surreal Buddhist theological music video, total duration 10 seconds. The video begins from <Picture 1>, fully preserving the split crimson fruit floating alone in a black void, with the glowing red lotus-heart inside it, grey roots growing upward, and a strict black, white, and grey world with crimson as the only saturated color. From 00:00.000 to 00:02.200, the camera holds a close, nearly static shot on the split fruit. The lotus-heart inside the fruit emits a very faint pulsing glow, flashing softly like a small devotional lamp hidden inside fleshless fruit. The glow is subtle and rhythmic, not explosive. Tiny black Buddha-eye patterns on the lotus-heart open and close slowly, while grey incense ash drifts around the fruit. From 00:02.200 to 00:04.000, the fruit begins a slow 180-degree rotation in place, turning horizontally in the black void. During the rotation, the red lotus-heart glow continues blinking, but there is no sound effect for the transformation and no impact sound. The fruit skin gradually darkens from crimson into deep black lacquered wood, the split opening closes into a carved hollow groove, and the fruit shape transforms into a giant black wooden fish percussion instrument suspended in midair. The transformation should feel like a silent religious hallucination, not a mechanical morph. From 00:04.000 to 00:05.800, the newly formed wooden fish floats forward through the air with a slow swimming motion, as if the wooden fish is alive only as a sacred ritual object. The camera pulls back with small amplitude at slow speed, revealing a tiny faceless black-robed human kneeling far below on wet black stone. The wooden fish passes above the person like a huge dark offering, its surface showing faint pale bone-like wood grain and thin crimson cracks, but no gore and no anatomy. From 00:05.800 to 00:07.000, the wooden fish stops above the kneeling figure. The human raises a simple wooden mallet with both hands in a devout, trembling gesture. The camera lowers slightly to frame the kneeling person below and the giant wooden fish above, emphasizing the extreme scale difference. From 00:07.000 to 00:10.000, the person gently strikes the wooden fish in a slow prayer rhythm. Each strike makes the wooden fish vibrate and releases a deep hollow resonance. The crimson cracks glow softly with each sound, then fade between strikes. The kneeling figure bows their head lower after each hit, expressing sincere prayer, surrender, and religious obsession rather than fear. In the final second, the red cracks on the wooden fish connect into a faint circular mark, preparing the next clip's ritual or eye imagery. overall_soundscape: The first half of the transformation remains silent except for very faint room tone and distant air, with no transformation sound effect and no whoosh. Sound begins only when the kneeling figure strikes the wooden fish: deep hollow wooden-fish knocks, long temple resonance, subtle robe movement, and extremely quiet whispered prayer or mantra-like murmurs in the background. The prayer voices are soft, indistinct, reverent, and not dominant. non_diegetic_music: N/A

视频截图视频节点 48

a giant black wooden fish percussion instrument floating in a dark Buddhist hall, subtle pale bone-like shadows inside the wood grain without gore, tiny faceless robed human kneeling below, crimson cracks glowing along the wooden fish, ash suspended in air, dark theological ritual, monochrome black white grey with sparse red fissures --ar 16:9 --style raw --v 6.1