我独自升级AI重制版

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巨龙张开翅膀的姿势，蓝色的翅膀，背景是蓝黑色阴翳的天空

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背景是 {{Image 1}} ，扩展景别，蚂蚁士兵在影子士兵前面

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人物形象参考 {{Image 1}} ，没有翅膀的形态

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人物面部超特写，人物参考 {{Image 1}}

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暗影士兵双手高举，背后是巨大的黑色披风

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熊形象参考 {{Image 1}}

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背景的熊形象参考 {{Image 1}} ，姿势改为向前咆哮

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人物脸部特写，形象参考 {{Image 1}}

视频截图视频节点 1

An ant soldier covered with dark brown glossy carapace, limbs covered with slender setae and head with microtrembling antennae is used as the main body 1, and a microscopic surface covered with huge soil clumps, wet mud cracks and rough gravel is used as the main body 2. Generate a micro-perspective video of subject 1 (ant soldier) standing slowly from a low position on subject 2 (micro-surface) and gradually completing the painting as the lens is pulled back. Lens 1: Close-up, the macro lens focuses on the edge of the soil crack of the main body 2. As the camera pulls back smoothly and slowly, the tentacles and head of the main body 1 slowly stick out from the bottom edge of the picture with obvious upward lifting inertia, accompanied by the slight rustle of the cuticle rubbing the soil. Lens 2: Close-up, the lens is continuously pulled backward, and the picture space is continuously widened. The chest cavity and forelimbs of the main body 1 move into the picture with the steady upward movement of the body's center of gravity. The movement has obvious sense of getting up and exerting force and the upward movement of the body, accompanied by the slight clicking sound of the movement of the joint and limb. Scene 3: In the middle scene, the lens is zoomed out to show the posture of the main body 1 standing completely. The main body 1 holds the center of gravity on the huge gravel, and the body is slightly undulating and breathing. The grass leaves in the background are virtual like a giant tower, accompanied by the low-frequency atmosphere sound of the micro environment. Natural micro documentary style, dark brown and cool gray, very shallow depth of field and soft natural light.

A soldier with a strong posture, silver-gray metal light armor and a dark blue broken cloak is used as the main body 1, and a heavy sword with blue and cold light that his hands hold is used as the main body 2. Generate the video of Subject 1 (Warrior) holding up Subject 2 (Long Sword) to accumulate blue energy in the ruins of the wilderness where the wind is raging, and swinging it violently towards the camera, so that the huge blue energy sword light completely blocks the screen. Scene 1: Close-up, the main body 1 legs straddle the ground, hands hold the main body 2 high above the head, the body airflow surges violently, the gravel is suspended due to the effect of the energy field, the camera uses low position to shoot up to establish a sense of pressure, accompanied by heavy breathing and the low sound of the wind howling. Scene 2: Close-up, the runes of the sword body of the main body 2 turn from dark to bright one by one. The strong and restless blue ion energy converges wildly at the sword front, generating tiny arc jumps. The pupil of the main body 1 shrinks and maps out blue light, accompanied by high-frequency energy gathering electromagnetic sound. Scene 3: In the middle scene, the main body 1 sends out a roar. Both hands drive the main body 2 to draw a huge half-moon-shaped track and strive to split it down in the direction of the lens. A dazzling blue energy sword light bursts and speedily expands with a strong shock wave until it completely fills the whole picture to form white light, accompanied by the sharp whistling of the long sword and the deafening energy explosion. Fantasy epic movie style, cold dark blue and metallic gray, high intensity volume light, intense particle effects and hard shadows.

视频截图视频节点 14

The camera slowly pulls back, {{Image 1}} After a gorgeous turn, the figure in the book bowed to accumulate strength, his body burst into blue energy, and his body suddenly stretched and spread its wings.

视频截图视频节点 9

A young man wearing a dark gray trench coat with a deep face and firm eyes is taken as the main body 1, and an empty ruins building shrouded in dim light is taken as the main body 2. Generate a cinematic video in which subject 1 (young male) maintains a static posture in subject 2 (ruins environment), and the lens is pulled back smoothly from close-up to long-range. Scene 1: close-up, close-up of the face of subject 1, eyes staring at the distance, facial muscles remain still, only the chest slight ups and downs brought by breathing, accompanied by the low atmosphere of the ruins. Lens 2: In the middle scene, the lens slowly and steadily pulls back at a constant speed, showing the sharp tailoring of the arms and windbreaker of the main body 1 hanging down to the side. The main body 1 is stable like a sculpture, accompanied by the slight sound of the wind passing over the cloth. Scene 3: the long-term view, the lens continues to pull away, the main body 1 is gradually reduced in the center of the picture, and the broken walls and empty space around them are gradually revealed, forming a strong sense of loneliness and depth, accompanied by the empty metal echo. Movie documentary painting style, cool gray tone, side backlighting to form the outline light and delicate light and dark contrast.

A young walker in a dark green outdoor assault suit with a firm facial line is used as the main body 1, and the majestic cliff edge shrouded in early morning fog is used as the background environment. Generate the video of subject 1 (young walker) rising from bottom to top with the momentum of getting up and standing up at the cliff, while the camera continues to pull back to widen the picture. Lens 1: Close-up shot with low camera position. The main body 1 is initially at the edge of the bottom of the picture, with both hands supporting it. Then the body starts to lift up with strong dynamic momentum. The lens synchronously pulls back slowly, accompanied by the rustling sound of heavy breathing and outdoor clothing friction. Scene 2: In the middle scene, as the main body 1 continues to stand up, the camera is steadily pulled back, and the sense of space in the picture is rapidly widened to the surroundings. The rocks that originally blocked the field of vision recede to both sides, revealing the sea of clouds behind, accompanied by the empty wind in the valley. Scene 3: Panorama to the long view, the main body 1 is completely standing, the posture is steadily raised to the visual center on the axis of the picture, the camera is accelerated and pulled to the big view, showing the proportional relationship between people and the macro natural landscape, the picture is very deep and deep, accompanied by the grand and profound natural environment atmosphere sound. Realistic film style, cold-tuned morning light and golden outline light, volume-sensitive fog and high-contrast light and shadow.

视频截图视频节点 4

A group of young men and women dressed in modern minimalist style clothing, look resolute and distinctive as the main body 1. Generate the video of subject 1 (multiple characters) collectively getting up from the bottom of the picture to enter the picture, and show the visual evolution from local to grand space through the back pull of the camera, emphasizing the movement of body elevation and the sense of spatial expansion. Lens 1: Close-up, the initial picture is focused on the middle and lower part of the empty background, then the head and shoulders of subject 1 rise rapidly from the bottom of the picture, the camera pulls back steadily and uniformly, the space range on both sides begins to widen, and the sound effect rises with the low-frequency atmosphere. Scene 2: In the middle scene, the camera continues to pull back. The main body 1 enters the picture completely with a strong sense of upward movement of the center of gravity, showing a coherent rising movement from half squatting to completely standing up straight. The movement is uniform and full of strength, accompanied by the sound of steady pedaling and clothing friction. Scene 3: Panorama, the lens is greatly expanded to the far view, revealing that the main body 1 stands side by side in the center of the vast scene, the background horizon is extremely extended, and the space sense of the picture reaches the extreme broadening, accompanied by the whistling sound of the wind sweeping the open ground and the passionate turning sound effect. Movie-level realistic narrative style, high contrast cold tone and warm sun afterglow, grand volume light and strong sense of perspective space.

视频截图视频节点 3

A young man in a dark gray wear-resistant outdoor jacket with a strong facial expression is used as the main body 1, and a piece of misty and wide-eyed wasteland mountain top is used as the main body 2. Referring to the subject 1 and the subject 2, the subject 1 stands up from the bottom of the picture, and at the same time, the camera continues to pull back to broaden the sense of space of the picture. Lens 1: In close range, the main body 1 (young male) originally bent down and half knelt at the bottom of the picture, then his legs exerted force, and he stood up with obvious body lifting momentum. The lens steadily followed the movement track of his shoulder and moved up, capturing the sense of strength of getting up, accompanied by heavy cloth friction and slight gravel trampling. Scene 2: In the middle scene, as the main body 1 stands completely straight, the camera begins to pull back smoothly (Dolly Out), the original compact composition quickly spreads to the surroundings, the strange rocks of the main body 2 (the top of the wasteland mountain) and the distant sea of clouds enter the field of vision one by one, and the sense of space continues to widen, accompanied by the hum of a low atmosphere. Scene 3: perspective, the lens continues to pull back, the back of the main body 1 in the vast wasteland background appears more and more upright, the wind blows his clothes corner, the picture shows the extreme depth and the grandeur of the geographical environment, accompanied by the blowing wind. Film realistic style, cold tone dark blue with rock gray, volume light through thick fog, delicate soft shadows.

Tu Sheng Video Prompt | 3 Seconds | First Frame Wings Close-up → End Frame Wings Spread and Roar [Material Binding] Picture 1 (first frame): It is only responsible for locking the close-up structure of the overlapping wings of the dragon in the starting picture, the edge of the dark blue and black wings, the cold blue high contrast light and shadow, the texture of the close-up wings and the starting composition. The video must start with a close-up of the wings in this picture, without changing the shape and material of the wings in the first frame. Picture 2 (tail frame): It is only responsible for locking the overall outline and tail frame composition of the dragon in the final picture with its huge wings open, head up and roar, ice blue neck and body, rainy night cloud background, wings fully unfolded. The overlapping wings of the first frame naturally expand into the wing spreading form of the tail frame in the process of pulling the lens, and the partial occlusion relationship of the first frame is not forcibly retained. [Generation Goal] The mode is first frame + last frame to generate video, single continuous shot, duration 3 seconds, frame 16:9, consistent with the horizontal scale of the reference figure. Narrative goal: The camera starts from the extremely close view of the dragon's overlapping wings, and gradually retreats by pulling the camera to reveal the dragon's complete body and huge unfolded wings, and finally freezes into an oppressive picture of the dragon spreading its wings and roaring up. Style Lock] Movie-level dark fantasy super-realistic 3D rendering, huge biological texture, hard wings and veins, wet rainy night skin and scale texture, cold blue and black color, strong contrast between light and dark, low saturation ambient light, epic cloud and rain and fog background. Don't cartoon, don't low-mode game sense, don't plane map, don't real animal wings wrong structure. first frame lock] The video starts strictly from picture 1: close-up of the same pair of overlapping dragon wings, the same dark blue and black wing edge, the same cold blue backlight, the same close composition, and the same wing blocking relationship. The opening wings maintain a great sense of pressure. There are slight water currents and rain marks on the edge of the wings. The picture does not start at rest. The slight rain silk and the slight movement on the edge of the wings already exist. lens core logic] The whole film is completed by a continuous lens logic: the lens continues to pull back → the overlapping wings gradually unfold → the body and neck of the dragon appear → the wings of the tail frame are completely opened and roar and freeze. The whole process is mainly to pull the lens, without adding extra surround, lateral shift or sudden zoom. Wings spread out synchronously with lens zoom out, and the tail frame must be stably stopped in the composition of picture 2. continuous motion chain] 0-0. 4S establishment: the close-up of the overlapping wings in the first frame is maintained, the rain silk slides down along the wing surface, the edge of the wing trembles slightly, and the lens starts to slowly pull back. 0.4-2.0s Active Action: The lens continues to pull back at a constant speed, the overlapping wings of the dragon gradually unfold to both sides, the wing veins and wing membranes are pulled apart, and the neck and body of the dragon gradually appear from the center of the picture; The background rain and night clouds approach and expand the depth of space simultaneously. 2.0-2.6s Turning Point: The lens zooms out and slows down, the dragon's wings are fully opened, the body rises to the center of the picture, the head is raised, the ice-blue neck energy and the texture of moist scales are enhanced, and the roaring action reaches its peak. 2.6-3.0s Closure and Stay: The lens stops zooming out, and the tail frame is accurately aligned for composition. The dragon opens its wings and raises its head to roar and stays stable for 0.4 seconds without further deformation. main body action] The dragon's wings spread out heavily from the overlapping state to both sides, with large movement range but steady speed. The wing membrane and wing veins follow the skeleton movement to produce natural stretching and folding. The dragon's head was raised and its mouth was growled, its neck was slightly forward, and the surface of the scales was reflective of rain. The wings unfold not suddenly, but follow the sense of weight of a huge creature, slowly separating first, then pressing away to the sides. camera scheduling] The picture is a very close view of the wings of picture 1. The camera pulls back the lens at a constant speed (pull back /dolly out), and the scene gradually changes from a partial close-up to a complete dragon vision. In the process of pulling the lens, the center of the main body is kept stable, and the perspective of the picture is naturally expanded. It is forbidden to push close, stop, rotate, surround, shake randomly, and digital zoom instead of real zoom. The lens stops moving at the end of the frame, the composition is stable and does not continue to drift. Background/Environment Dynamics] The background is a rainy night storm cloud, dark blue and black clouds slowly churning, and the rain curtain continues to fall in the distance, accompanied by light water mist and cold blue sky light. In the process of zooming out, the background clouds gradually expand, the depth of space increases, the clouds do not randomly reconstruct, do not jump, and do not appear irrelevant buildings or characters. Special Effects] Ice blue energy is mainly concentrated on the neck and body edge of the dragon, along the scales and bone lines faint light, brightness is higher than the ambient light but does not swallow the main body contour. The edge of the wing retains a cold blue backlit hook edge, and the rain silk slides down along the wing surface, with small water flow and moist highlights in some parts. Do not turn energy into lightning, do not explode, do not overexpose, do not mask the wing structure. dynamic fuzzy] In the process of pulling the lens, the uniform directional dynamic blur is maintained: the wing edge, rain silk and cloud vista have strong smear, and the neck, head and main wing veins of the dragon are relatively clear. Close to the end of the frame with the zoom out deceleration, dynamic fuzzy synchronization weakened, the main contour gradually returned to sharp. physical feedback] The wings of the giant dragon have a heavy sense of biological machinery, slow movement, strong tension, wing membrane stretching and vein movement synchronization, not floating, not light flapping. Rainwater falls naturally along gravity, and the surface highlights of scales and wing membranes slide slowly with the movement. Additional effects such as earthquakes, gravel, and lightning bursts that are not related to the scene are not added. continuity of light and shadow] The first and last frames maintain the same set of cold blue rainy night light source, the same dark part level, the same backlight direction, and the same wet material highlight logic. Ice blue neck light as a local auxiliary light, only illuminate the dragon itself, does not change the overall rainy night atmosphere. tail frame bundle] When approaching the end frame, pull the lens to slow down naturally, and finally align the picture accurately for about 0.4 seconds. 2: the dragon spreads its wings, looks up and roars, ice blue neck, rainy night cloud background, and the overall composition is consistent with the end frame. After arriving, stay steady, the wings will no longer continue to expand, the roar posture will be maintained, and the lens will no longer move. Consistency Lock] The whole process maintains the same dragon main body, the same cold blue and black rainy night fantasy style, the same ice blue energy logic, the same huge wing structure, the same wet scale and wing membrane material. The first and last frames can only be connected to the wings through the real pull lens, and interpolation deformation, melting, jump cutting and wrong splicing are prohibited. [Prohibited Items] Subject consistency: Prohibit dragon shape change, wing structure error, scale material mutation, neck shape change Movement and mirror movement: it is forbidden to make the pull lens close, surround, traverse, rotate, and stop shaking. Special effects and exposure: it is forbidden to overexpose ice blue energy, to turn wings into lightning, and to suddenly brighten the whole picture. Background and structure: prohibit background random reconstruction, prohibit the appearance of human characters, prohibit the completion of irrelevant scenes Text and picture quality: subtitle, watermark and Logo are prohibited; Comic speed line, low-mode game feeling and cartoon are prohibited. The core of a sentence: the lens is drawn back at a constant speed from the close-up of the dragon's overlapping wings, and the wings are gradually unfolded. Finally, it is fixed as the tail frame of the dragon with its wings open and its head roaring.

视频截图视频节点 18

Take a huge adult giant bear with heavy dark brown fur, ferocious face and exposed teeth as the main body 1, an adult male explorer wearing a dark outdoor assault suit with his back to the camera as the main body 2, and the original coniferous forest covered with dead wood and moss in fog as the main body 3. Generate a movie video, showing subject 1 (giant bear) roaring at the camera in subject 3 (forest), while subject 2 (explorer) stands up from the bottom of the foreground and enters the painting, forming a strong sense of oppression and confrontation. Scene 1: In close-up, the main body 1 (giant bear) occupies the center of the picture and is growling wildly at the camera with its big mouth open. The tongue and throat tremble violently and the saliva splashes everywhere. The camera starts to pull back steadily, accompanied by the deafening roar of wild animals. Scene 2: In the middle scene, as the lens continues to zoom out, the subject 2 (the explorer) suddenly stands upward from the shelter at the bottom of the picture with a heavy and explosive momentum into the picture. The body follows the trajectory of the backward pull of the lens to produce an obvious sense of vertical lifting, accompanied by heavy cloth friction and rapid breathing. Scene 3: panorama, the tall back of the main body 2 completely enters the foreground and blocks part of the picture, forming a tense body shape contrast with the main body 1 which continues to roar in the distance. The camera steadily retreats to show the spatial distance between the two, accompanied by the fluttering sound of birds in the forest. Realistic film style, cool green and shadow gray tones, volume light and strong contour light.

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修改比例

图片节点 1

设计一张海报，文字内容是：我独自升级（文字效果参考 {{Image 2}} ） 不添加任何滤镜，细节，画面内容，不修改光影

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修改比例，调整文字排版，不要人物畸形