梦核幻境坠落

Dreamcore surreal image, no humans, no people, no figures, no silhouettes, no red lines, no guidelines. COMPOSITION: extreme bird's-eye view overhead shot, camera looking straight down from above, the living room floor seen from directly overhead, furniture arranged below like a map. A garden growing inside a dim living room collapsing into ruin, seen from directly above. A watering can is mid-transformation into an old telephone, receiver facing upward toward the lens. The wall becomes a honeycomb of countless dark holes, tiny spheres spilling out. Furniture floats at various heights below the camera. A cassette player on the floor, tape winding through overgrown plants. Cold soft light, deep blue shadows, faded pink and green. Old wood, fabric, tape ribbon, broken concrete. VHS noise. No text. Style references:

Dreamcore surreal image, no humans, no people, no figures, no silhouettes, no red lines, no guidelines. COMPOSITION: dutch angle tilted 45 degrees, horizon severely slanted, disorienting diagonal framing, everything off-kilter. A subway station merged with a hospital corridor and a school hallway. A giant clock is mid-transformation into a blooming flower, petals rotating toward the viewer. The train tracks decompose into thousands of tiny metallic spheres, densely clustered like insect eggs, some lifting toward the lens. A door floats above the empty tracks. Cold fluorescent light, grey-white and dark blue. Metal, frosted glass, old plastic. VHS grain. No text. Style references:

Dreamcore surreal image, no humans, no people, no figures, no silhouettes, no red lines, no guidelines. COMPOSITION: infinite tunnel one-point perspective, single vanishing point dead center, corridor stretches to infinity, strong symmetrical convergence lines pulling the eye into the center void. An abstract white void with vintage electronic equipment transitioning into an underground hellscape, framed as an infinite corridor. A synthesizer is mid-transformation into a tree of flesh and cables, branches reaching outward from the walls. A CRT monitor splits into hundreds of tiny screens, each displaying a single disembodied eye. Doors line both sides receding to infinity. Low-saturation grey-white and dark blue, growing dark red and sulfur yellow at the vanishing point. Old plastic, CRT glass, organic cables. VHS grain. No text. Style references: {{Image 1}} {{Image 2}} {{Image 3}}

Dreamcore surreal image, no humans, no people, no figures, no silhouettes, no red lines, no guidelines. COMPOSITION: extreme close-up macro shot, filling the entire frame with a single transformed object in intimate detail, background blurred into abstraction. A sofa mid-transformation into a whale, its enormous eye filling most of the frame, iris reflecting an infinite corridor, skin texture transitioning from fabric weave to whale blubber, stitching becoming barnacles. The ceiling behind blurred with thousands of tiny dark holes. Peeling paint, rusted metal, old fabric. Dark blue, grey-white. VHS noise. No text. Style references: {{Image 1}} {{Image 2}} {{Image 3}}

Dreamcore surreal image, no humans, no people, no figures, no silhouettes, no red lines, no guidelines. COMPOSITION: mirror reflection split-frame, the image divided horizontally at center, top half is the real scene, bottom half is its perfect mirror reflection creating a Rorschach-like symmetry, reality and reflection bleeding into each other. An underground passage transitioning into the underworld, reflected perfectly in still black water below. The middle door mid-transformation into a mirror, the reflection showing a different dimension. Sulfur smoke splits into millions of tiny grey particles swirling in both halves. A huge horse-human head and its reflection. Cold blue from above, dark red and gold from below. Stone, old plastic. VHS grain. No text. Style references:

Dreamcore surreal image, no humans, no people, no figures, no silhouettes, no red lines, no guidelines. COMPOSITION: side profile lateral tracking shot angle, camera positioned at water level looking horizontally across the river surface, the black water stretching to the horizon, objects seen from the side at eye-level with the river. An underground river of black water with an abandoned living room floating on its surface, seen from river-level side angle. A vintage speaker mid-transformation into an animal skull, empty sockets visible in profile. The river surface seen up close splits into thousands of tiny glowing pores at the waterline. A closed door stands alone on the far riverbank. Dark red and sulfur yellow walls reflected in the water. VHS corruption. No text. Style references: {{Image 1}} {{Image 2}} {{Image 3}}

Dreamcore surreal image, no humans, no people, no figures, no silhouettes, no red lines, no guidelines. COMPOSITION: spiral overhead vortex shot, camera looking straight down into a circular spiral arrangement, everything arranged in concentric rings around a central void, like looking down into a whirlpool or drain. An underground temple of dark stone with a garden growing from the altar, arranged in a circular spiral pattern when viewed from directly above. Keyboard keys mid-transformation into rows of teeth arranged in a ring around the central void. Ash arranged in concentric circles of tiny eye-shaped dots, all oriented inward toward the center. The giant door at the center bottom of the spiral. Dark red, sulfur yellow, deep black. Stone, old plastic, organic growth. VHS noise. No text. Style references: {{Image 1}} {{Image 2}} {{Image 3}}

Dreamcore surreal image, no humans, no people, no figures, no silhouettes, no red lines, no guidelines, no arrows. COMPOSITION: extreme low-angle worm's-eye view, camera looking straight up from the ground, the subway platform ceiling looms overhead, tiles stretch into infinite distance above. A subway station platform fused with a street corner and a garden. A traffic light is mid-transformation into a fish, its single eye turned to the viewer. The platform tiles erupt into thousands of tiny dark holes, densely packed like coral, pulsing as if breathing toward the lens. An empty driverless train passes through a crosswalk, flowers grow from train windows. Cold soft top light, grey-white and dark blue. Aged concrete, metal, frosted glass, petals. VHS grain. No text. Style references:

Dreamcore surreal image, no humans, no people, no figures, no silhouettes, no red lines, no guidelines. COMPOSITION: mirror reflection split-frame, the image divided horizontally at center, top half is the real scene, bottom half is its perfect mirror reflection creating a Rorschach-like symmetry, reality and reflection bleeding into each other. An underground passage transitioning into the underworld, reflected perfectly in still black water below. The middle door mid-transformation into a mirror, the reflection showing a different dimension. Sulfur smoke splits into millions of tiny grey particles swirling in both halves. A huge horse-human head and its reflection. Cold blue from above, dark red and gold from below. Stone, old plastic. VHS grain. No text. Style references: {{Image 1}} {{Image 2}} {{Image 3}}

Dreamcore surreal image, no humans, no people, no figures, no silhouettes, no red lines, no guidelines. COMPOSITION: fragmented multi-panel shattered glass composition, the frame itself broken into irregular shards like a cracked mirror, each shard showing a different scene at a different angle simultaneously, edges of shards dark. A bottomless void containing fragments of street corner, garden, subway, living room, and hospital, each visible through a different shattered pane at a different angle and scale. The central door mid-transformation into a tree of light, roots visible through multiple shards simultaneously. Each shard shows dense tiny dark holes dissolving the scene within it. A cassette tape visible across multiple shards. Above shards show cold blue, below shards show darkness with faint red embers. VHS corruption across all shards. No text. Style references: {{Image 1}} {{Image 2}} {{Image 3}}

Dreamcore surreal image, no humans, no people, no figures, no silhouettes, no red lines, no guidelines. COMPOSITION: wide establishing shot, camera pulled far back, entire scene visible from a distance, vast empty space dominating the frame, subject small against enormous environment. An empty school hallway invaded by a giant cassette player the size of a building, the hallway dwarfed by the massive machine. Lockers mid-transformation into a flock of birds scattered across the wide frame. The floor covered with thousands of tiny fleshy bumps across the entire vast surface. A door in the ceiling far above, tiny against the scale. Cold fluorescent light, grey-white, deep blue, faded pink. Peeling paint, old plastic. VHS noise. No text. Style references: {{Image 1}} {{Image 2}} {{Image 3}}

Dreamcore surreal one-shot continuous falling nightmare, 4:3, 30 seconds, absolutely no humans, no people, no figures, no silhouettes, no guide lines, no overlay graphics. Single unbroken camera plunging through 10 scenes, each violently morphing into the next with no cuts, no black frames. {{Mixed 1}} SCENE 1 (0-3s): worm's-eye view straight up at a subway station ceiling, tiled ceiling stretching infinitely upward, a traffic light morphing into a fish with one giant eye staring down, floor tiles cracking into thousands of tiny dark breathing holes — ceiling tiles ripple and dissolve, camera thrusts upward then is violently pulled downward through the floor, subway tiles melt away into {{Mixed 2}} SCENE 2 (3-6s): direct overhead bird's-eye view of a collapsing living room from above, glowing concentric rings pulsing from the floor center, watering can morphing into a telephone, furniture floating, cassette player with tape winding through plants — floor CRACKS open, camera PLUNGES, space rotates 45 degrees dissolving into {{Mixed 3}} SCENE 3 (6-9s): merged subway-hospital-school corridor at severe 45-degree dutch angle tilt, a giant clock blooming into a flower with petals spinning outward, train tracks decomposing into thousands of metallic spheres rising toward the lens — metallic spheres EXPLODE outward, frame SPINS, spheres coalesce into a single reflective surface becoming {{Mixed 4}} SCENE 4 (9-12s): extreme macro close-up of an enormous whale eye filling the entire frame, iris a deep reflective pool showing an infinite corridor, skin texture shifting from fabric stitching to barnacled whale hide, concentric focus rings pulsing — camera SMASHES into the pupil, darkness SWALLOWS the frame then TEARS open revealing {{Mixed 5}} SCENE 5 (12-15s): infinite one-point perspective corridor, synthesizer morphing into a tree of flesh and cables, CRT monitors each splitting into hundreds of tiny eye screens, vanishing point glowing dark red and sulfur yellow, camera accelerates forward — vanishing point EXPLODES, corridor walls TEAR apart into {{Mixed 6}} SCENE 6 (15-18s): wide shot of empty school hallway dwarfed by a giant cassette player the size of a building, lockers exploding into flocks of black birds slamming toward the lens, floor blanketed in thousands of fleshy pulsing bumps — birds CRASH into the camera, screen SHATTERS, floor RIPS open, camera PLUNGES into {{Mixed 7}} SCENE 7 (18-21s): underground stone passage split into a perfect horizontal mirror, top half real sulfur-smoke corridor bottom half its reflection in black water, a door morphing into a mirror showing another dimension, smoke splitting into millions of grey ash particles — mirror seam CRACKS, reflection SURGES upward swallowing the real world, camera dragged violently down through black water into {{Mixed 8}} SCENE 8 (21-24s): river-level side view of underground black river, vintage speaker morphing into an animal skull with hollow sockets facing the lens, river surface covered in thousands of tiny glowing pores opening and closing like mouths — pores EXPLODE outward, skull FLASHES white, camera DIVES below waterline, underwater darkness SPINS and camera rotates to look straight down into {{Mixed 9}} SCENE 9 (24-27s): straight-down overhead vortex view of stone temple altar in concentric rings, keyboard keys morphing into teeth snapping shut, ash forming concentric rings of eye-shaped dots all staring inward, entire structure SPINNING like a drill — stone floor COLLAPSES inward with violent centrifugal force, debris EXPLODES outward tearing the frame into {{Mixed 10}} SCENE 10 (27-30s): entire frame shattered into irregular glass shards each showing a different hellscape simultaneously, a door morphing into a tree of light with roots spreading across shard boundaries, dense dark holes eating through each shard accelerating, all shards IMPLODE with crushing force toward the center collapsing into total absolute darkness. Dark red sulfur yellow deep black throughout. VHS noise scanlines pixel corruption heavy throughout. No text, no landing, total darkness at the end. No BGM

视频截图视频节点 4

生成一段 10 秒、16:9 横屏的超现实场景优先 FPV 一镜到底穿越视频。 参考图绑定： {{Mixed 1}} 定义起始的废弃学校走廊、两侧储物柜、散落地面、左侧飞散鸟群，以及走廊尽头融入墙体的巨型卡带装置； {{Mixed 2}} 定义中段的地下冥界镜像通道、上下对称倒影、中央人物剪影、两侧烟雾和远处矩形门洞； {{Mixed 3}} 定义结尾的电子设备走廊、左右设备夹道、眼睛图案屏幕墙、顶部悬挂脉络和无限透视消失点。 镜头从 {{Mixed 1}} 的学校走廊近地面中央开始，沿走廊纵轴快速低空向前飞行，擦过两侧储物柜和地面碎屑。左侧鸟群突然从柜门间飞出，镜头产生一次轻微但连续的侧向偏移后立即回正，始终保持向前运动。镜头迅速逼近走廊尽头的巨型卡带装置，对准其中心结构，在接近时通过装置内部的圆形孔洞无缝穿越。飞行主体仍是双手，面朝飞行方向并持续可见。 穿越后自然进入 {{Mixed 2}} 的地下镜像通道。镜头保持绝对中轴和稳定高度，沿上下镜面倒影形成的对称走廊继续前进，从中央人物剪影的侧上方掠过，不停留、不做人物特写，直接对准远处矩形门洞。两侧烟雾向后流动，线性结构和倒影共同形成强烈空间纵深。飞行主体仍是双手，面朝飞行方向并持续可见。 最后在保持速度和方向连续的情况下穿过矩形门洞，进入 {{Mixed 3}} 的电子设备走廊。镜头从前景设备之间穿过，左侧合成器、右侧屏幕墙、地面终端和顶部悬挂脉络形成狭窄夹道。飞行高度略微降低后重新保持水平，沿走廊中心线向远处消失点加速，结尾停留在无限透视的深处。飞行主体仍是双手，面朝飞行方向并持续可见。 全片必须是一条连续的 FPV 飞行路线，无硬切、无蒙太奇、无场景重置、无突然变焦、无随机推拉镜头。场景转换必须通过巨型卡带孔洞和矩形门洞完成。保持学校走廊、镜像冥界通道和电子设备走廊各自的核心空间关系、单点透视、镜面对称、设备夹道与尺度反差。场景始终是主要视觉主体；如出现双手飞行引导物，应始终面朝飞行方向并保持短暂可见，不得抢镜或突然消失。严格继承三张参考图的光线、色彩、质感和超现实空间氛围。

视频截图视频节点 2

生成一段 15 秒、16:9 横屏的场景优先 FPV 一镜到底穿越视频。 参考图绑定： {{Mixed 1}} 提供街角、地铁站、花园融合空间的起始世界与斑马线、列车车厢、中央通道； {{Mixed 2}} 提供室内废墟、植物花园、古典建筑、巨型转盘电话与前后高低错落的空间结构； {{Mixed 3}} 提供地铁、医院、学校混合形成的斜向地下通道与连续铁轨； {{Mixed 4}} 提供瞳孔内部嵌套对称走廊的无限穿梭结构； {{Mixed 5}} 提供电子设备、屏幕墙、悬挂脉络和深邃走廊的超现实空间； {{Mixed 6}} 提供废弃学校走廊、两侧储物柜、飞散鸟群和尽头巨型卡带装置。 以 {{Mixed 1}} 的街角地铁花园空间作为起点。镜头从贴近地面的低空高度开始，沿斑马线和地下通道的纵深向前飞行，避开前景行人形体与信号灯杆，擦过右侧连续列车车窗，保持明显的强透视和速度感。飞行引导物是一双手，始终面朝前方并持续出现在镜头前方或中前景，不做角色特写。 镜头沿中央通道连续前进，在不硬切的情况下从 {{Mixed 2}} 的地铁花园空间自然穿入 @Image2 的室内废墟花园：掠过地面磁带盒和磁带飘带，低空擦过花丛，随后平缓爬升，绕过中央巨型转盘电话的一侧，带出高耸拱窗、攀爬植物、钢琴、长椅和顶部悬浮碎屑，保持小型物件与巨大建筑、巨型设备之间的尺度反差。飞行引导物是一双手，始终面朝前方并持续出现在镜头前方或中前景，不做角色特写。 随后沿着开阔的空间缝隙连续推进，进入 {{Mixed 3}} 的斜向地铁—医院—学校混合隧道。镜头保持中低空，沿铁轨方向加速前冲，避开悬挂物和两侧杂物，所有轨道、门框、车厢边缘和照明线条都指向远处消失点。飞行引导物是一双手，始终面朝前方并持续出现在镜头前方或中前景，不做角色特写。 在接近 {{Mixed 4}} 时，镜头严格对准瞳孔中心，从眼球与虹膜的同心结构中无缝穿入内部对称走廊，保持水平轴线稳定，连续向前飞行，不改变运动惯性。走廊两侧门框快速形成强烈视差，随后自然过渡到 {{Mixed 5}} 的电子设备走廊：从前景人物后方与设备之间穿过，擦过左侧合成器、右侧屏幕墙和地面终端，在顶部悬挂脉络下方保持低空直行。飞行引导物是一双手，始终面朝前方并持续出现在镜头前方或中前景，不做角色特写。 最后进入 {{Mixed 6}} 的学校走廊，镜头重新稳定在中央纵轴上，快速掠过两侧储物柜和散落地面，左侧鸟群突然从柜门间飞出，镜头只做一次轻微顺势偏移后立即回正。结尾对准走廊尽头的巨型卡带装置与其对称圆孔，保持纸飞机式飞行主体仍在前方持续可见，在接近装置前稳定减速并停留在向内推进的运动状态。飞行引导物是一双手，始终面朝前方并持续出现在镜头前方或中前景，不做角色特写。 全片必须是连续飞行路线，无硬切、无蒙太奇、无场景重置、无突然变焦、无随机推拉镜头。场景之间通过真实的门洞、瞳孔、走廊缝隙和空间遮挡完成无缝转场。严格保留所有参考图中的核心空间关系、尺度反差、单点透视、设备与建筑的异质融合、镜像与嵌套结构。最终画面继承场景参考图的光线、色彩、质感和氛围，不使用通用城市、森林、山地或普通航拍场景。前面不要有纸飞机

视频截图视频节点 3

生成一段 15 秒、16:9 横屏的场景优先 FPV 一镜到底终章穿越视频，承接上一段结尾的前进方向与减速惯性。 参考图绑定： {{Mixed 1}} 提供上下镜像对称的地下冥界通道、中央人物剪影、两侧烟雾和尽头矩形门洞； {{Mixed 2}} 提供由绝对水平线分隔的开放虚空、巨大头骨及其镜像、远端微小人影； {{Mixed 3}} 提供由眼状纹理、琴键状脊线和中心圆孔构成的螺旋下沉通道； {{Mixed 4}} 提供圆角显示介质框包裹的多场景碎片空间、中央独立门体、镜面倒影、街道、温室与室内空间。 镜头从上一段的巨型卡带装置前方继续向前推进，穿过装置中心，顺势进入 {{Mixed 1}} 的地下冥界镜像通道。保持绝对中轴飞行，镜头高度稳定，沿着上下镜面反射形成的走廊向前滑行。中央人物剪影位于远处轴线上，镜头从其侧上方平稳掠过，不停留、不做人物特写，两侧烟雾与线性结构形成包裹感。飞行主体仍是双手，面朝飞行方向并持续可见。 镜头直接对准远处的矩形门洞，在保持速度和方向连续的情况下穿过门洞，进入 {{Mixed 2}} 的开放水平虚空。不要把这里处理成普通天空或自然景观，而是保持绝对水平地平线和上下两个平面。镜头沿地平线平行横移并向前推进，从左侧巨大头骨及其垂直镜像附近擦过，利用巨型头骨与远端微小人影之间的极端尺度反差制造空间张力。镜头保持水平姿态，不做大幅俯仰，不破坏地平线和倒影结构。飞行主体仍是双手。 随后镜头顺着水平线自然向前倾入 {{Mixed 3}} 的螺旋深渊，开始由中高空向中心缓慢俯冲。飞行路线沿外圈眼状纹理和中圈琴键状脊线构成的漏斗通道旋转下沉，镜头进行持续、平滑、单方向的螺旋环绕，旋转速度逐步加快，但不能突然翻转或重置机位。外围纹理、中圈脊线和中心圆孔形成清晰的向心层次，双手飞行主体沿螺旋轨迹持续向中心空洞下降。 在穿越中心圆孔的瞬间，无硬切地进入 {{Mixed 4}} 的圆角显示介质框内部。镜头从屏幕表层和漂浮颗粒之间穿入，中央独立门体及其镜面倒影成为终点轴线。左右两侧的街道、温室和室内空间以嵌套视窗形式从镜头两侧掠过，保持多空间碎片被同一圆角介质框包裹的结构。镜头始终朝中央门洞推进，经过低矮植物和镜面地面，最后穿过中央门体，进入门后的深邃虚空。飞行主体仍是双手。 结尾保持前进惯性，在门后轻微减速并形成短暂稳定的悬浮感；纸飞机式飞行主体仍然位于镜头前方或中前景，不得突然消失。全片保持一条连续 FPV 航线，无硬切、无蒙太奇、无重复场景、无突然变焦、无随机镜头重置。转场必须通过门洞、中心圆孔、空间遮挡和镜面结构完成。严格继承参考图的镜像对称、水平分割、螺旋向心结构、屏幕中世界和中央门体关系。最终画面继承场景参考图的光线、色彩、质感与超现实氛围。

图片节点 1

比例改为：3:2

比例改为：3:4

Dreamcore surreal vertical poster design, no humans, no figures. Dark cinematic composition referencing the visual style of {{Image 1}} for the upper dreamcore atmosphere, {{Image 2}} for the spiral hellscape mid-section, and {{Image 3}} for the shattered void lower section. A bottomless void with fragments of subway station, ruined living room, and underground hellscape layered in depth, fused together in a dreamlike collage. The center of the poster opens into a deep abyss glowing dark red and sulfur yellow from below. Dense tiny dark holes cover surfaces like breathing coral. A door at the very bottom slightly open with warm hellish light leaking through. VHS grain texture overlaid across the entire poster. Color palette: grey-white and dark blue in the upper third transitioning to dark red, sulfur yellow and deep black in the lower two-thirds. Large bold title text at the top center in distressed glitch typography: "梦核坠落" — the characters rendered in cold white with slight chromatic aberration offset, subtle scanline texture through the letters. Below the title, smaller subtitle text: "DREAMCORE DESCENT" in thin spaced capital letters, pale grey, slightly transparent. At the bottom center, a tagline in small Chinese text: "坠落无止境　梦境无出口" — rendered in faded warm white, elegant thin font. Bottom edge: faint VHS timestamp "00:00:00 ▶ REC" in small monospace text, dark red. Overall mood: avant-garde experimental art film poster, liminal horror, dreamcore aesthetic. No red guide lines. Cinematic vertical format. High detail, atmospheric depth.