AI重制《牛来仗剑行》温暖与友情

Prop anchor, clay stop-motion style referencing {{Image 1}}: a crumpled, worn wanted-poster style task portrait (皱巴巴的任务画像), a small folded paper sheet with a rough ink-brush sketch portrait of a dark grey wolf-like beast warrior face on it (matching the true hunter's likeness), wuxia bounty notice aesthetic, aged yellowish paper texture with creases and fold marks. Clay plasticine texture on the paper surface. Isolated on a plain neutral background, close-up prop reference shot, matching the warm color palette of the style anchor.

Character anchor sheet, neutral standing pose, front view, clay stop-motion style referencing {{Image 1}}: the true target hunter/assassin (真正的悬赏猎人), an anthropomorphic wolf-like beast warrior in a wuxia (martial arts) setting. Dark grey fur, wears black hooded assassin garb with metal shoulder guards, twin daggers strapped across chest, sharp menacing eyes visible under the hood, tall imposing build. Same clay plasticine texture and warm lighting as the style reference. Full body visible, plain neutral background for character reference sheet.

Prop anchor, clay stop-motion style referencing {{Image 1}}: a small glowing jade token/tablet (发光玉牌), palm-sized, carved with faint ancient wuxia-style engravings, emitting a soft warm inner glow, hanging on a short red cord. Clay plasticine texture on the jade surface with a subtle glossy glowing inlay. Isolated on a plain neutral background, close-up prop reference shot, matching the warm color palette of the style anchor.

Character anchor sheet, neutral standing pose, front view, clay stop-motion style referencing {{Image 1}}: a snake-demon assassin (蛇妖刺客), anthropomorphic black-scaled snake creature in a wuxia (martial arts) setting. Dark glossy-black scaled skin texture rendered in clay, slender humanoid snake body with a long tail. Wears a wide bamboo straw hat (斗笠) tilted down to shadow the face, dark tattered assassin robes, a curved sabre (弯刀) hanging at the waist. Cold, mysterious, slightly comedic awkward undertone in posture (a novice assassin trying to look intimidating). Same clay plasticine texture and warm lighting as the style reference. Full body visible, plain neutral background for character reference sheet.

Character anchor sheet, neutral standing pose, front view, clay stop-motion style referencing {{Image 1}}: 牛来 (Niu Lai), a small child-like anthropomorphic cow in a wuxia (martial arts) setting. Orange furred body, hornless (young calf), oversized round white lips (big white mouth/lips), white hooves, white clawless hands. Dressed as a young swordsman apprentice: red flowing cape/cloak, cloth waist sash, simple beige martial-arts tunic, a small wooden practice sword strapped on his back. Playful, energetic, curious facial expression, big round eyes. Same clay plasticine texture and warm lighting as the style reference. Full body visible, plain neutral background for character reference sheet.

Scene anchor, clay stop-motion style referencing {{Image 1}}: exterior of a small wuxia-era town inn (小镇客栈门口). Wooden two-story inn building with a hanging wooden signboard, red lanterns by the door, a dusty stone-paved street in front, a few market stalls and background townsfolk silhouettes in far distance, morning warm light. Clay plasticine texture visible on all structures, matte warm color palette matching the style anchor. Wide establishing shot, no characters in frame, environment reference only.

Character anchor sheet, neutral standing pose, front view, clay stop-motion style referencing {{Image 1}}: 牛妈妈 (Mother Cow), an adult anthropomorphic cow in a wuxia (martial arts) setting. Yellow furred body, with a pair of curved horns, oversized round white lips (big white mouth/lips), white hooves, white clawless hands. Dressed as a seasoned female swordswoman: fitted blue-grey martial-arts combat outfit, cloth hair band, a long sword sheathed at her waist belt. Calm, protective, steady expression, confident posture. Same clay plasticine texture and warm lighting as the style reference. Full body visible, plain neutral background for character reference sheet.

Scene anchor, clay stop-motion style referencing {{Image 1}}: a wuxia-era wild countryside dirt road (郊外荒野官道), winding through dry grass and scattered rocks, a few bare gnarled trees along the roadside, distant hazy mountains, golden dusty atmosphere, warm late-afternoon lighting. Clay plasticine texture visible on terrain and rocks, matte warm color palette matching the style anchor. Wide establishing shot, no characters in frame, environment reference only.

粘土定格动画风格 {{Image 1}} 。场景为荒野官道 {{Image 2}} ，暖黄昏光。灰狼状悬赏猎人 {{Image 3}} （黑色兜帽刺客装、双匕首）扑向橙色牛来 {{Image 4}} 的瞬间，黑鳞蛇妖刺客 {{Image 5}} （斗笠、身手）猛然侧身挡在牛来 {{Image 4}} 面前用尾巴扫开猎人的匕首；黄色牛妈妈 {{Image 6}} 紧接着挥剑补上 {{Image 3}} ， {{Image 5}} 和 {{Image 6}} 两人拿着剑并肩联手与 {{Image 3}} 对战，剑刀匕首连续交击，招式凌厉地将猎人逼退、最终击退赶跑。橙色牛来 {{Image 4}} 吓得躲在两人身后，探出头颤声大喊“妈妈~”，牛妈妈 {{Image 6}} 一边挥剑一边侧头笑着回应“牛来”。中景动态镜头展现二人联手作战，穿插反击瞬间的特写，画面清晰展现粘土质感。 No BGM

粘土定格动画风格{{i-wurrrf53dkzp}}。场景为荒野官道{{i-dt4ag84gjemt}}，暖黄昏光。橙色牛来{{i-9cb46turmg5z}}、黄色牛妈妈{{i-xxg8keggdqsy}}和黑鳞蛇妖刺客{{i-zatkdg9p3eyp}}三人刚刚松了一口气，蛇妖收起任务画像{{Portrait 6}}；忽然远处枯树后传来脚步声，画像上真正的目标——灰狼状悬赏猎人{{Portrait 7}}（黑色兜帽刺客装、肩甲、双匕首）循着牛来怀中发光玉牌{{Portrait 8}}散发的微光线索猛然现身，眼神凶悍地锁定牛来，猎人身形一闪疾冲上前，反手掏出匕首直刺向毫无防备的牛来。中景转特写镜头，先展现三人松懈瞬间的表情，再切换到猎人骤然现身偷袭的紧张动作，画面清晰展现粘土质感。 No BGM

粘土定格动画风格{{Image 1}}。场景为荒野官道{{Image 2}}，暖黄昏光。被逼到墙角、剑锋抵住的黑鳞蛇妖刺客{{Image 3}}（斗笠遮面、弯刀已被夺）慌忙从怀里翻出一张皱巴巴的任务画像{{Image 4}}，凑近仔细比对画像上的面孔和眼前橙色的牛来{{Image 5}}，又看看拿剑抵着自己的黄色牛妈妈{{Image 6}}，猛然愣住——发现根本认错了人；蛇妖尴尬地挠了挠头，讨好地咧嘴赔笑，双手抱拳连连作揖求和。中近景镜头，突出画像比对的细节特写和蛇妖尴尬滑稽的表情变化，画面清晰展现粘土质感。 No BGM

粘土定格动画风格{{Image 1}}。场景为荒野官道{{Image 2}}，夕阳暖光洒满道路。橙色牛来{{Image 3}}、黄色牛妈妈{{Image 4}}和黑鳞蛇妖刺客{{Image 5}}三人并肩沿着官道缓步而行，蛇妖手里蹭拿着一个食物包袱跟在旁边同行，三人不时相视一笑，气氛轻松温馨。最后镜头缓慢拉远定格，画面停在夕阳下三人并肩的剪影，作为全片结尾画面。中远景平移镜头最后定格收尾，画面清晰展现粘土质感。 No BGM

粘土定格动画风格{{Image 1}}。场景为荒野官道{{Image 2}}，暖黄昏光。黄色有角的牛妈妈{{Image 3}}（大白嘴唇白蹄白手，青灰劲装腰挎长剑）与黑鳞蛇妖刺客{{Image 4}}（斗笠遮面、弯刀）展开一场高潮武侠对决，动作层次丰富：开场远景两人同时向前疾冲，尘土扬起；牛妈妈原地腾空翻转一圈躲开蛇妖横扫而来的弯刀，落地时反手一剑挥出可见的白色剑气划破空气直逼蛇妖；蛇妖侧身翻滚避开剑气，顺势弯刀低位横扫牛妈妈脚下，牛妈妈跃步跳起躲过；随后两人近身连续对拼，剑刀连击带出剑气火花；牛妈妈渐渐显出吃力喘息，被逼得连连后退。橙色无角牛孩子牛来{{Image 5}}（大白嘴唇白蹄白手，红披风）吓得躲在路边一块大石头后面，双手捂着嘴，颤声大喊“妈妈~”。镜头景别丰富多变：开场大远景展现双方疾冲对撞、中景展现腾空翻转与剑气横扫、低角度仰拍展现凌厉出招瞬间、近景特写剑刀碰撞剑气迸发，快速剪辑衔接，画面清晰展现粘土质感。 No BGM

粘土定格动画风格{{Image 1}}。场景为荒野官道{{Image 2}}，暖黄昏光。黄色有角的牛妈妈{{Image 3}}（大白嘴唇白蹄白手，青灰劲装腰挎长剑）与黑鳞蛇妖刺客{{Image 4}}（斗笠遮面、弯刀）展开一场经典武侠大侠对决：两人先各自后退一步、拔剑亮刀对峙定格半秒，随即同时跃起腾空交锋，剑刀在空中碰撞迸出火花，落地后又是几个回合正面直接硬碰硬对拼，招招凌厉、毫不迂回，脚下轻功般的快速位移、衣袂剑锋皆带风声，节奏干脆利落、快而不乱，尽显武侠大侠气度；几个回合过后牛妈妈渐渐显出吃力的神情，被逼得连连后退。橙色无角牛孩子牛来{{Image 5}}（大白嘴唇白蹄白手，红披风）吓得躲在路边一块大石头后面，双手捂着嘴，颤声大喊“妈妈~”。中远景展现整体身法交锋，穿插剑刀碰撞的快速特写，画面清晰展现粘土质感。 No BGM

粘土定格动画风格{{Image 1}}。场景为荒野官道{{Image 2}}，暖黄昏光。黄色有角的牛妈妈{{Image 3}}（大白嘴唇白蹄白手，青灰劲装腰挎长剑）与黑鳞蛇妖刺客{{Image 4}}（斗笠遮面、弯刀）展开高难度快节奏对战：剑刀连续多次快速交击，招式丝滑连贯——牛妈妈翻身闪避、侧步转身出剑，蛇妖弯刀连劈带扫、贴身近战，双方脚步迅捷、动作利落不拖泥带水，火花随剑刀碰撞四溅；几个回合下来牛妈妈渐渐显出吃力的神情，被逼得连连后退。橙色无角牛孩子牛来{{Image 5}}（大白嘴唇白蹄白手，红披风）吓得躲在路边一块大石头后面，双手捂着嘴，颤声大喊“妈妈~”。快速剪辑镜头，穿插剑与刀交击的高速特写与整体中景动作镜头交替，突出打戏的丝滑与激烈节奏，画面清晰展现粘土质感。 No BGM

粘土定格动画风格 。场景为小镇客栈门口 {{Image 3}} ，客栈牌子文字与参考图一致。晨光暖调。橙色无角牛孩子牛来 {{Image 1}} （大白嘴唇、白蹄子、白手，红披风背木剑）在客栈门口蹦蹦跳跳，催促着喊“妈妈~”；黄色有角的牛妈妈 {{Image 2}} （大白嘴唇、白蹄子、白手，青灰劲装腰挎长剑）笑着应声回答“牛来”，随后母子俩一起收拾行囊，转身沿石板路向外走去，准备出发上路。中景平视镜头，节奏轻快，画面清晰展现粘土质感。 No BGM

粘土定格动画风格{{Portrait 1}}。场景为荒野官道{{Portrait 2}}，暖黄昏光。橙色无角牛孩子牛来{{Portrait 3}}（大白嘴唇白蹄白手，红披风）急中生智，从怀里掏出发光玉牌{{Portrait 4}}，用力一晃，玉牌发出的光芒晃到了黑鳞蛇妖刺客{{Portrait 5}}（斗笠遮面、弯刀）的眼睛，蛇妖被晃得一愣分神；黄色有角的牛妈妈{{Portrait 6}}（青灰劲装腰挎长剑）眼疾手快，趁机一剑挑飞蛇妖手中的弯刀，反手将蛇妖逼退到路边土墙角落，剑锋抵住蛇妖。镜头先特写玉牌反光晃动的瞬间，再快速拉远展现夺刀逼退的整体动作，画面清晰展现粘土质感。 No BGM

粘土定格动画风格{{Image 1}}。场景为荒野官道{{Image 2}}，暖黄昏光。黄色有角的牛妈妈{{Image 3}}（大白嘴唇白蹄白手，青灰劲装腰挎长剑）拔剑与黑鳞蛇妖刺客{{Image 4}}（斗笠遮面、弯刀）激烈交手对峙，剑刀相击火花四溅，蛇妖招式凌厉逼人，牛妈妈渐渐显出吃力的神情，脚步连连后退；橙色无角牛孩子牛来{{Image 5}}（大白嘴唇白蹄白手，红披风）吓得躲在路边一块大石头后面，双手捂着嘴，颤声大喊“妈妈~”。中景交战剪辑镜头，穿插剑与刀交击的特写，画面清晰展现粘土质感。 No BGM

粘土定格动画风格 {{Image 1}} 。场景为荒野官道 {{Image 2}} ，暖黄昏光，尘土枯树远山。橙色无角牛孩子牛来 {{Image 3}} （大白嘴唇、白蹄子、白手，红披风背木剑）走在妈妈 {{Image 5}} 身后，在路边贪玩，蹲下身好奇地翻看路边石缝草丛，忽然发现并捡起一块发光玉牌 {{Image 4}} ，惊喜地看了看四周，悄悄把玉牌揣进怀里，没有告诉走在前面的妈妈 {{Image 5}} ，脸上带着一丝小心翼翼的窃喜表情。低角度跟随脚步移动镜头，画面清晰展现粘土质感。 No BGM

粘土定格动画风格{{Image 1}}。场景为荒野官道{{Image 2}}，暖黄昏光，尘土枯树远山。橙色无角牛孩子牛来{{Image 3}}和黄色有角的牛妈妈{{Image 4}}（均为大白嘴唇、白蹄子、白手）正沿官道赶路，忽然一阵狂风骤起，尘土飞扬，黑鳞蛇妖刺客{{Image 5}}（斗笠遮面、破旧刺客袍、腰挂弯刀）从路边枯树后猛然跃出拦路，拔出弯刀直指牛来，气场压人，牛来和妈妈都惊愕地停下脚步。低角度动态镜头，突显蛇妖压迫气场，画面清晰展现粘土质感。 No BGM

Clay stop-motion animation style anchor for a wuxia (martial arts) short film starring anthropomorphic cattle characters. Claymation texture: visible soft plasticine grain, fingerprint-like surface bumps, matte non-glossy finish. Lighting: warm diffuse daylight with soft shadows, golden-hour warmth blending into a dusty wuxia adventure mood; no harsh hard shadows. Color palette: warm earthy tones (ochre, terracotta, faded red, muted green, dusty brown) with slightly desaturated, painterly clay look. Camera: medium focal length, shallow depth of field with soft background blur, eye-level cinematic framing typical of wuxia films. Show a small sample tableau: a dusty road, a wooden inn signboard, and a distant mountain silhouette, all rendered in this exact clay texture and lighting to serve as the master visual style reference.

Movie poster cover, clay stop-motion style referencing {{Image 1}} . Title composition featuring the three main characters standing together on the wild countryside road {{Image 2}} at golden sunset: orange hornless calf swordsman 牛来 {{Image 3}} (big white lips, white hooves, white hands, red cape, wooden sword on back) in front with a confident playful pose; yellow horned mother cow 牛妈妈 {{Image 4}} (big white lips, white hooves, white hands, blue-grey martial arts outfit, sword at waist) standing protectively beside him; black-scaled snake demon assassin 蛇妖 {{Image 5}} (bamboo hat, tattered robes, curved sabre) standing slightly behind them with a friendly awkward grin. Dramatic wuxia poster lighting, warm dusty golden-hour glow, dynamic heroic composition, clay plasticine texture clearly visible, cinematic poster framing with empty space at top for title text.不要粒子

Movie poster cover, clay stop-motion style referencing {{Image 1}} . Keep the exact same three-character composition (orange calf swordsman 牛来, yellow horned mother cow 牛妈妈, black-scaled snake demon assassin) standing on the wild countryside road at golden sunset. Add a bold, stylish Chinese wuxia-movie-poster title design at the top: large calligraphic-brush-style Chinese characters reading "牛来仗剑行" in a warm gold/red gradient with subtle ink-splash texture and a thin decorative border frame, dramatic cinematic poster typography layout, title clearly the visual focal point at top while the three characters remain prominent and well-lit below, professional wuxia film poster design, clay plasticine texture visible throughout.突出人物和标题，不添加其他文字，不要粒子，设计感，高级感

Scene anchor, clay stop-motion style referencing {{Image 1}} : exterior of a small wuxia-era town inn (小镇客栈门口). Wooden two-story inn building with a hanging wooden signboard, red lanterns by the door, a dusty stone-paved street in front, a few market stalls and background townsfolk silhouettes in far distance, morning warm light. Clay plasticine texture visible on all structures, matte warm color palette matching the style anchor. Wide establishing shot, no characters in frame, environment reference only.客栈牌子上有logo {{Image 2}}

Movie poster cover, clay stop-motion style referencing {{Image 1}} . Keep the exact same three-character composition (orange calf swordsman 牛来, yellow horned mother cow 牛妈妈, black-scaled snake demon assassin) standing on the wild countryside road at golden sunset. Add a bold, stylish Chinese wuxia-movie-poster title design at the top: large calligraphic-brush-style Chinese characters reading "牛来仗剑行" in a warm gold/red gradient with subtle ink-splash texture and a thin decorative border frame, dramatic cinematic poster typography layout, title clearly the visual focal point at top while the three characters remain prominent and well-lit below, professional wuxia film poster design, clay plasticine texture visible throughout.突出人物和标题，不添加其他文字，不要粒子，设计感，高级感，无边框

A calm, gentle wuxia (Chinese martial arts) instrumental background music piece for a clay stop-motion animated short film, overall mellow and mild in dynamics (avoid overly loud or aggressive percussion bursts). Traditional Chinese instruments — guzheng, dizi flute, erhu — with soft light percussion and a small warm string ensemble. The mood arcs gently through the story: light and playful (morning departure), softly mysterious (ambush on the road), moderately tense but not overpowering during the sword fight (keep intensity restrained, no harsh loud climax), turning warm and lightly comedic (awkward misunderstanding reveal), briefly tense again but mild (second ambush), a gently uplifting passage (allies join forces to fight back), and finally settling into a warm, soft, nostalgic theme (sunset walking together ending). Pure instrumental, no vocals, no lyrics, smooth and even volume throughout. Total duration around 105 seconds.