瞬息牛宇宙：扫地牛

图片节点 24

九宫格里每个牛角色的背景的文字都重新设计一下，有的可以没有文字，强设计感，符合图片的表达的内容

仿照这个图和色彩，同样分割再创造出其他的场景（可以改变色彩）；（用九宫格，分别是九个不同的场景）

仿照这个图和色彩，同样分割再创造出其他的场景（可以改变色彩）；（用九宫格，分别是九个不同的场景，角色/场景都不要重复）

去掉 里的牛角色人物，完全保持 的这个风格和色彩，也可以选用其他颜色，但是饱和度、鲜明程度要保持一致，调整 {{Image 1}} 的风格

分割再创造出其他的场景（可以改变色彩），是一个走南闯北会遇到的场景，比如剧场、客栈、酒水、村落、面铺，山野、荒原、山川河流、家里（用九宫格，分别是九个不同的场景）

九宫格里每个牛角色的背景的符号都改变一下

按照这个风格，生成一个剧场，

A standing bull character referencing the large yellow bull from {{Image 1}} — the big center character: chrome yellow, round and chunky bear-like body, bipedal standing pose, small stubby horns, fierce squinting expression, wide flat nose, short round ears. Full body visible, standing upright with feet planted. Key visual feature: the bull's body has glitch clipping errors throughout — one leg passes through its own torso, the tail connects near the wrong place, overlapping cobalt-blue construction line-work is visible through the semi-transparent body parts, like a 3D model with clipping issues. Despite being broken and glitching, the bull stands with wild proud fierce energy. Art style: bold picture-book illustration with thick crayon outlines, colors bleeding outside lines, strong graphic design sense, wild and savage aesthetic. Background: Van Gogh swirling cobalt blue Starry Night sky with thick impasto short brushstrokes. Full body centered in frame, 16:9 wide composition.

【输入指令】 根据图片生成提示词，详细具体 【生成内容】 这是一张带有浓厚超现实主义和电影海报风格的图片（模仿了标准收藏/Criterion Collection的封面设计）。为了让AI能够精准还原这张图片，提示词需要详细描述主体、背景、色彩对比以及文字排版。 以下为您生成的中英文详细提示词： ### 🇨🇳 中文提示词 (详细版) **画面主体：** 画面正中央是一个人的背影。他穿着一件剪裁得体的黑色西装外套，露出一点白衬衫的领子。他的头部戴着一个鲜黄色的牛头面具（bull mask），面具表面有明显的凹凸颗粒纹理质感，带有灰白色的短牛角和向外平伸的耳朵。 在黑色西装的背部正中央，印着一个白色的正方形线框，框内用粗体无衬线白色大写字母上下排版写着“NIU NIU”。 **背景与环境：** 人物背后的背景是华丽的深红色天鹅绒剧院幕布，有着深深的垂直褶皱。在画面的左下角和右下角，漂浮着几个光滑的浅粉色气球。 **排版与文字（海报元素）：** 左上角有一个白色的标准收藏（Criterion Collection）的“C”字形Logo。 画面左下角边缘有一个垂直的白色半透明色块，里面有旋转了90度的微小文字（“2000 THE CRITERION COLLECTION”）。 画面最下方居中位置，用极简的白色无衬线字体写着：“A FILM BY EDWARD YANG”。 **风格与光影：** 电影海报风格，标准收藏DVD封面艺术，超现实主义，对称构图。影棚打光（Studio lighting），光线突出了黄色面具的粗糙质感和红色幕布的柔和反光。强烈的色彩对比（红、黄、黑、粉），高分辨率，极具艺术感。 --- ### 🇬🇧 英文提示词 (适合直接输入给 Midjourney / Stable Diffusion 等AI) **Copy-paste Prompt:** > A surreal cinematic movie poster in the style of The Criterion Collection cover art. Centered symmetrical composition. A figure viewed from directly behind, wearing a sharp black suit jacket with a white shirt collar peeking out. The figure's head is completely covered by a highly textured, bright yellow bull mask with short grey horns and outward-pointing ears. On the center back of the black jacket, there is a graphic consisting of a thin white square outline containing the text "NIU" stacked directly above "NIU" in bold white sans-serif typography. The background is a rich, deep red velvet theater curtain with heavy vertical folds. Smooth light pink balloons are visible in the lower left and lower right foreground. Top left corner features the classic white 'C' Criterion logo. Along the bottom center edge, clean white minimal text reads "A FILM BY EDWARD YANG". On the bottom left edge, a vertical translucent white strip with tiny sideways text. High contrast colors of red, yellow, black, and pink. Studio lighting highlighting the bumpy texture of the mask, sharp focus, ultra-detailed, artistic photography, 8k. --ar 3:4 ### 💡 提示词微调建议： * **关于文字生成：** 目前的AI绘画工具（如Midjourney V6, DALL-E 3）对文字的生成能力有了很大提升，但仍可能出现拼写错误。如果AI无法完美生成“NIU NIU”或底部文字，建议先生成没有文字的纯净底图，然后使用Photoshop或Canva自己加上去，效果会最完美。 * **长宽比：** 海报通常是竖版的，所以英文提示词末尾加了 `--ar 3:4` (Midjourney的比例参数)，你可以根据使用的AI工具调整比例设置。

【输入指令】 讲一个人一直在剧场演出中演一个小小的边角的角色；这个角色是当一个修行人的配角（跑龙套的角色）在角落里扫地，没有台词，也没有灯光，他想成为真正的主角儿的故事，当了主角之后，觥筹交错、每日酒会、饭局马不停蹄、灯光一直照耀着他，但时间长了，他发现这并不是自己想要的，然后选择退隐到山中修行，也在扫地，恍惚间仿佛回到了自己当配角的时候，然后忽然发现“人生就是一场修行，你所追寻的，在一开始便得到了，中间经历的种种，不过是流转之间膨胀的欲望 【生成内容】 这是一部极具禅意与哲学意味的叙事短篇。根据您的构思，我将这个故事进行了文学化的润色与结构重组，为您呈现出一个充满画面感与内心戏剧冲突的完整故事。 *** # 《流转与修行》 ### 第一幕：阴影中的执念 在市中心最繁华的大剧院里，每天都在上演一部关于得道高人修仙传道的经典话剧。舞台中央，主角身披飘逸的白袍，在追光灯的沐浴下吟唱着超脱世俗的台词，享受着台下雷鸣般的掌声。 而在舞台最左侧、灯光永远无法触及的阴暗角落里，站着一个跑龙套的配角。他的角色设定是主角所在道观里的一个扫地小童。没有一句台词，没有一个正脸，甚至没有一束属于他的光。他每天的任务，就是在长达两个小时的演出中，低着头，拿着一把破旧的竹扫帚，在角落里机械地重复着扫地的动作。 每次听见主角的慷慨陈词，他在暗影中的手便会不由自主地攥紧扫帚。他看着那束明晃晃的聚光灯，眼神里充满了炽热的渴望。 *“总有一天，我要站到舞台的正中央，我要让所有的灯光都打在我的身上，我要成为真正的角儿。”*他在心里无数次这样发誓。 ### 第二幕：光环下的迷失 命运终于给了他一次机会。凭借着多年的暗中观察与不懈的钻研，他在一次主角意外缺席的危机中顶替上场，一鸣惊人。 他如愿以偿地成为了剧院的首席男一号，成为了那个万众瞩目的“修行人”。 聚光灯终于毫无保留地笼罩了他。随之而来的，是如同潮水般涌来的名与利。曾经冰冷孤独的舞台后台，如今被鲜花和贺卡堆满；曾经演出后独自咽下的冷盒饭，变成了无休止的觥筹交错。每日的酒会、饭局马不停蹄，各路资本与粉丝将他捧上了神坛。 无论走到哪里，都有灯光一直照耀着他——剧场的追光、媒体的闪光灯、酒会上的水晶吊灯。 然而，时间久了，他却开始感到一种窒息的疲惫。在无数个醉意朦胧的深夜，他在豪宅的落地窗前看着城市的霓虹，突然觉得那些光芒太过刺眼。在推杯换盏的虚与委蛇中，他发现自己每天都在念着“清静无为”的台词，现实中却深陷名利的泥沼。这不是他想要的，他只是从一个角落里的木偶，变成了聚光灯下的提线木偶。 ### 第三幕：山林间的归途 在演艺事业如日中天的时候，他做出了一个让所有人都瞠目结舌的决定——息影。 他切断了所有的联系方式，离开了喧嚣的城市，孤身一人走进了一座真正的高山深处，寻了一处破败的古庙，做起了一名真正的修行人。 没有了剧本，没有了观众，也没有了刺眼的闪光灯。山里的日子清苦却宁静，每天伴随他的只有晨钟暮鼓、鸟鸣风声。 深秋的一个清晨，山里落满了黄叶。他穿着粗布麻衣，拿起一把竹扫帚，在古庙前的石阶上清扫落叶。 “沙……沙……沙……” 扫帚划过青石板的声音在空谷中回荡。 ### 终幕：重合的时光 太阳渐渐升起，一束晨曦穿透了山林间的晨雾，像极了剧院里那束熟悉的追光，不偏不倚地打在了他的身上。微尘在光柱中翻滚跳跃。 他停下手中的扫帚，拄着竹柄，微微抬起头。 恍惚之间，周围的参天大树似乎变成了剧院的幕布，山风变成了台下隐隐的低语。他仿佛又回到了多年前那个剧场的角落，那个穿着粗布戏服、在阴影里默默扫地的龙套演员。 他低头看了看手中的扫帚，又看了看照在身上的阳光。曾经那个在角落里满心愤懑、渴望成为“修行人”的自己，和此刻真正在深山中扫地修行的自己，在这一刻跨越了时空，完美地重叠在了一起。 他忽然笑了，笑得无比通透与释然。山风拂过，落叶随风起舞。 他终于明白了一个道理： **人生就是一场修行。你所苦苦追寻的最终归宿，其实在一开始便已经得到了；而中间经历的种种繁华、喧嚣与执念，不过是流转之间，不断膨胀又终将破灭的欲望罢了。** *** *如果您希望将这个故事转化为**微电影的分镜脚本**，或者需要提取其中某个极具张力的画面生成**配图/视频的AI提示词**，请随时告诉我！*

A bull character standing upright on two legs in a confident bipedal stance, full body visible, referencing the bull design from and the expressive painted bull face from and the 3D animated bull from . Chrome-yellow and orange-yellow body with thick crayon-like outlines, expressive face with amber eyes, standing pose — both feet planted on ground, body upright. Key visual: the bull has glitch clipping errors — one leg passes through its own torso, the tail connects near the wrong place, body semi-transparent in places with overlapping cobalt-blue construction lines showing through the body. Despite being broken and glitching, the bull stands with wild proud energy. Bold graphic design, colors overflow outlines, wild savage picture-book aesthetic. Background: Van Gogh swirling cobalt blue star-night sky with thick impasto brushstrokes. Centered full-body composition showing the complete standing figure.

A small bull character in bold picture-book illustration style, referencing the bull design from {{Image 1}} and the expressive painted bull face from {{Image 2}} and the 3D animated bull from {{Image 3}}. Chrome-yellow and orange-yellow body with thick crayon-like outlines, expressive face with amber eyes. Key visual: the bull has glitch clipping errors throughout its body — one hind leg passes through its own torso, the tail connects near the ear, body semi-transparent in places with overlapping cobalt-blue line-work visible through the body. Despite being broken and glitching, the bull has wild forward energy and fierce expression. Bold graphic design, colors overflow outlines, wild savage picture-book aesthetic. Background: Van Gogh swirling cobalt blue star-night sky with thick impasto brushstrokes. Centered composition.

Overall visual style reference for an animated picture-book film. Bold graphic design with strong color clashes — referencing the design sensibility of and and . Color palette: chrome yellow, cobalt blue, vermillion red, acid green, pure black — bold clashing colors, colors deliberately bleeding outside outlines. Art style: rough crayon picture-book illustration combined with Van Gogh thick impasto brushstrokes. Wild, savage, primal energy. Strong graphic shapes, thick outlines, uneven coloring. The feeling of a children's book that has gone feral and wild.

【输入指令】 根据图片生成提示词，要详细具体 【生成内容】 超现实复古电影海报。主体为长着黄色牛头、人类眼睛和红唇的拟人角色，穿着亮粉色毛绒露肩毛衣。背景为暗粉色室内。海报中央有大写白色标题“PARIS, LIAONING”及“UN FILM DE WIM WENDERS”字样。画面包含金棕榈奖标志、顶部演员名及底部演职员表。复古艺术电影质感。

把中间的粉色牛提取出来；【Image2角色表】提示词 创建一张艺术性的16:9的角色身份板。 【主体】使用参考图像 纯白色/柔和的米白色背景 无环境、无道具、无标志、无水印。 设计方向：
不要创建标准的角色参考表， 创建一张电影般的身份板，感觉像是高端动画工作室的角色研究与艺术书布局的结合。 布局应不对称、优雅且视觉上令人难忘， 使用大片留白、多样化的图像比例和有意的不平衡， 避免网格、蓝图设计、目录布局和重复的转场展示。 重要布局规则： 不要重叠任何角色图像， 每个视觉必须有清晰的分离和呼吸空间， 保持所有身体、肖像、轮廓和细节研究的视觉区分 无剪裁面部、无隐藏肢体、无堆叠人物、无合并姿势。 主要构图： 放置一个大型英雄全身视角，略微偏离中心作为视觉锚点 围绕它，以干净的间距排列较小的辅助研究： 中性全身视角、背面视角、侧面视角、坐姿、倾斜姿势、蹲姿、俯视身体角度、仰视身体角度、富有表现力的肖像研究。 每个视角应感觉像是一个独立的干净角色研究，而不是来自一个场景的帧。 身份锁定： 在所有视角中保持严格的身份一致性： 相同面部、相同面部比例、相同发型、相同服装、相同身体比例、相同姿势语言、相同视觉个性。 有用参考细节： 使角色便于未来的图像和视频生成： 清晰的面部形状、清晰的发型轮廓、清晰的服装轮廓、清晰的身体形状、清晰的手部、清晰的姿势、清晰的表情范围。 艺术性部分： 包含一个小轮廓研究区域，带有2-3个简化的黑色角色轮廓， 包含一个小表情研究区域，带有细微的情感变化， 包含一个小细节研究区域，展示面部、头部和服装的关键视觉特征。 文本设计： 添加一个时尚的角色ID块， 保持简洁、大胆且艺术导向。 仅使用： 名称： 角色： 核心情绪： 视觉标志： 仅在有帮助的地方使用小型手写风格标签， 允许使用细微的编辑箭头和标注标记，但保持简约和优雅。 风格： 简约、电影感、高端、艺术书般、干净、富有表现力、适用于制作。 最终图像应感觉像一张艺术性的角色身份板，旨在帮助AI模型理解角色的面部、轮廓、服装、姿势和情感范围

把中间的角色提取出来；不要改变手绘风格；人物改成站立姿势【Image2角色表】提示词 创建一张艺术性的16:9的角色身份板。 【主体】使用参考图像 纯白色/柔和的米白色背景 无环境、无道具、无标志、无水印。 设计方向：
不要创建标准的角色参考表， 创建一张电影般的身份板，感觉像是高端动画工作室的角色研究与艺术书布局的结合。 布局应不对称、优雅且视觉上令人难忘， 使用大片留白、多样化的图像比例和有意的不平衡， 避免网格、蓝图设计、目录布局和重复的转场展示。 重要布局规则： 不要重叠任何角色图像， 每个视觉必须有清晰的分离和呼吸空间， 保持所有身体、肖像、轮廓和细节研究的视觉区分 无剪裁面部、无隐藏肢体、无堆叠人物、无合并姿势。 主要构图： 放置一个大型英雄全身视角，略微偏离中心作为视觉锚点 围绕它，以干净的间距排列较小的辅助研究： 中性全身视角、背面视角、侧面视角、坐姿、倾斜姿势、蹲姿、俯视身体角度、仰视身体角度、富有表现力的肖像研究。 每个视角应感觉像是一个独立的干净角色研究，而不是来自一个场景的帧。 身份锁定： 在所有视角中保持严格的身份一致性： 相同面部、相同面部比例、相同发型、相同服装、相同身体比例、相同姿势语言、相同视觉个性。 有用参考细节： 使角色便于未来的图像和视频生成： 清晰的面部形状、清晰的发型轮廓、清晰的服装轮廓、清晰的身体形状、清晰的手部、清晰的姿势、清晰的表情范围。 艺术性部分： 包含一个小轮廓研究区域，带有2-3个简化的黑色角色轮廓， 包含一个小表情研究区域，带有细微的情感变化， 包含一个小细节研究区域，展示面部、头部和服装的关键视觉特征。 文本设计： 添加一个时尚的角色ID块， 保持简洁、大胆且艺术导向。 仅使用： 名称： 角色： 核心情绪： 视觉标志： 仅在有帮助的地方使用小型手写风格标签， 允许使用细微的编辑箭头和标注标记，但保持简约和优雅。 风格： 简约、电影感、高端、艺术书般、干净、富有表现力、适用于制作。 最终图像应感觉像一张艺术性的角色身份板，旨在帮助AI模型理解角色的面部、轮廓、服装、姿势和情感范围

图片节点 4

给人物换一个道具/武器，其他人物形象、衣着、身材、比例都不要改变【Image2角色表】提示词 创建一张艺术性的16:9的角色身份板。 【主体】使用参考图像 纯白色/柔和的米白色背景 无环境、无道具、无标志、无水印。 设计方向：
不要创建标准的角色参考表， 创建一张电影般的身份板，感觉像是高端动画工作室的角色研究与艺术书布局的结合。 布局应不对称、优雅且视觉上令人难忘， 使用大片留白、多样化的图像比例和有意的不平衡， 避免网格、蓝图设计、目录布局和重复的转场展示。 重要布局规则： 不要重叠任何角色图像， 每个视觉必须有清晰的分离和呼吸空间， 保持所有身体、肖像、轮廓和细节研究的视觉区分 无剪裁面部、无隐藏肢体、无堆叠人物、无合并姿势。 主要构图： 放置一个大型英雄全身视角，略微偏离中心作为视觉锚点 围绕它，以干净的间距排列较小的辅助研究： 中性全身视角、背面视角、侧面视角、坐姿、倾斜姿势、蹲姿、俯视身体角度、仰视身体角度、富有表现力的肖像研究。 每个视角应感觉像是一个独立的干净角色研究，而不是来自一个场景的帧。 身份锁定： 在所有视角中保持严格的身份一致性： 相同面部、相同面部比例、相同发型、相同服装、相同身体比例、相同姿势语言、相同视觉个性。 有用参考细节： 使角色便于未来的图像和视频生成： 清晰的面部形状、清晰的发型轮廓、清晰的服装轮廓、清晰的身体形状、清晰的手部、清晰的姿势、清晰的表情范围。 艺术性部分： 包含一个小轮廓研究区域，带有2-3个简化的黑色角色轮廓， 包含一个小表情研究区域，带有细微的情感变化， 包含一个小细节研究区域，展示面部、头部和服装的关键视觉特征。 文本设计： 添加一个时尚的角色ID块， 保持简洁、大胆且艺术导向。 仅使用： 名称： 角色： 核心情绪： 视觉标志： 仅在有帮助的地方使用小型手写风格标签， 允许使用细微的编辑箭头和标注标记，但保持简约和优雅。 风格： 简约、电影感、高端、艺术书般、干净、富有表现力、适用于制作。 最终图像应感觉像一张艺术性的角色身份板，旨在帮助AI模型理解角色的面部、轮廓、服装、姿势和情感范围

九宫格故事板，以下分别是镜号 类型 时间 时长 景别 镜头玩法 构图 转场 画面详细描述 音效 1 情节（必须） 00:00-00:06 6秒 远景（场景全貌） 无人机穿梭长镜头：从纯白空间的高处俯冲而下，运动轨迹呈“S”形——先水平右移→猛然下坠→再斜向左上拉起，拖影拖出淡金色的光轨。 对称式构图：绘本居中，左右留白均等 淡入 纯白无垠的空间中，一本巨大的绘本摊开在地面上。左页画满了稚拙的线条——草原、歪斜的太阳、用赭石色蜡笔涂出的河流，颜色溢出边界、涂出笔触的绒毛。右页完全空白。绘本书脊处有一道细微的裂痕。光线从上方打下来，绘本投下柔和的阴影。童声法语无伴奏：“Je suis seul avec ma main.”（我与我的手独自在此。）+ 翻页的微响 2 氛围（渲染） 00:06-00:08 2秒 特写（绘本角落） 慢门（王家卫效果）：镜头缓缓推近绘本右页的空白处，纸面纤维在慢门下呈柔焦虚化，边缘泛着暖光。 中心式构图：空白纸面居中 叠化 绘本右页空白的纸面特写——纸是米白色的、微微泛黄、边缘有磨损的痕迹。纸面上没有任何线条，只有光的阴影在缓慢移动。色彩：米白 + 暖黄光。 呼吸声（轻缓）+ 铅笔滚动的声音（远处）；【banana pro】 九宫格 <instruction> Role: Cinematic Director & Storyboard Artist Task: Create a 3x3 "Cinematic Montage Grid" based on the input image. Goal: Depict a progressive storyline (Time t=0s to t=5s) while simultaneously using diverse camera angles and focal lengths. Directive: Do NOT just show the same moment from different angles. Do NOT just show a static camera with moving subjects. YOU MUST combine "Time Progression" with "Camera Movement". The Narrative Arc (3x3 Grid Structure): Row 1: The Setup (Time: Start | Wide & Dynamic) * Panel 1 (Extreme Long Shot): Establishing the scene. The subject is entering the space or starting the action. * Panel 2 (Long Shot / Low Angle): The subject moves closer. Camera looks up to emphasize presence. Action is initiating. * Panel 3 (Full Shot / Tracking): Subject is in full motion. Camera tracks alongside them. Row 2: The Conflict/Action (Time: Middle | Mid-Range & Interaction) * Panel 4 (Medium Shot): The core action occurs (e.g., interacting with an object, talking, fighting). Focus on body language. * Panel 5 (Over-The-Shoulder / POV): A perspective shift. Seeing what the subject sees or facing the subject directly during the peak of action. * Panel 6 (Medium Close-Up): The action intensifies. Camera pushes in. Focus shifts to the upper body/reaction. Row 3: The Resolution/Detail (Time: End | Close & Intimate) * Panel 7 (Close-Up): Tight focus on the face or main focal point. Capturing the emotional reaction or effort. * Panel 8 (Extreme Close-Up / Macro): A specific detail of the action (e.g., a hand gripping, an eye widening, a foot landing). * Panel 9 (High Angle / Top Down): The aftermath or final state. Looking down at the subject as the action concludes. Visual Consistency Rules: 1. Subject Identity: The character's face, costume, and props must remain identical across all shots. 2. Lighting Continuity: The direction and mood of the light (e.g., sunset, neon, diffuse) must match the original image exactly. 3. Montage Flow: The sequence should feel like a professionally edited movie trailer where cuts are fast but logically connected. </instruction> <output_format> A photorealistic 3x3 storyboard grid. - Top Row: Wide shots, movement starting. - Middle Row: Medium shots, action peaking. - Bottom Row: Close-ups/Angles, action concluding. High contrast, cinematic composition, distinct depth of field for each shot type. </output_format>

把中间的角色提取出来；不要改变手绘风格；【Image2角色表】提示词 创建一张艺术性的16:9的角色身份板。 【主体】使用参考图像 纯白色/柔和的米白色背景 无环境、无道具、无标志、无水印。 设计方向：
不要创建标准的角色参考表， 创建一张电影般的身份板，感觉像是高端动画工作室的角色研究与艺术书布局的结合。 布局应不对称、优雅且视觉上令人难忘， 使用大片留白、多样化的图像比例和有意的不平衡， 避免网格、蓝图设计、目录布局和重复的转场展示。 重要布局规则： 不要重叠任何角色图像， 每个视觉必须有清晰的分离和呼吸空间， 保持所有身体、肖像、轮廓和细节研究的视觉区分 无剪裁面部、无隐藏肢体、无堆叠人物、无合并姿势。 主要构图： 放置一个大型英雄全身视角，略微偏离中心作为视觉锚点 围绕它，以干净的间距排列较小的辅助研究： 中性全身视角、背面视角、侧面视角、坐姿、倾斜姿势、蹲姿、俯视身体角度、仰视身体角度、富有表现力的肖像研究。 每个视角应感觉像是一个独立的干净角色研究，而不是来自一个场景的帧。 身份锁定： 在所有视角中保持严格的身份一致性： 相同面部、相同面部比例、相同发型、相同服装、相同身体比例、相同姿势语言、相同视觉个性。 有用参考细节： 使角色便于未来的图像和视频生成： 清晰的面部形状、清晰的发型轮廓、清晰的服装轮廓、清晰的身体形状、清晰的手部、清晰的姿势、清晰的表情范围。 艺术性部分： 包含一个小轮廓研究区域，带有2-3个简化的黑色角色轮廓， 包含一个小表情研究区域，带有细微的情感变化， 包含一个小细节研究区域，展示面部、头部和服装的关键视觉特征。 文本设计： 添加一个时尚的角色ID块， 保持简洁、大胆且艺术导向。 仅使用： 名称： 角色： 核心情绪： 视觉标志： 仅在有帮助的地方使用小型手写风格标签， 允许使用细微的编辑箭头和标注标记，但保持简约和优雅。 风格： 简约、电影感、高端、艺术书般、干净、富有表现力、适用于制作。 最终图像应感觉像一张艺术性的角色身份板，旨在帮助AI模型理解角色的面部、轮廓、服装、姿势和情感范围

给人物换一个道具/武器【Image2角色表】提示词 创建一张艺术性的16:9的角色身份板。 【主体】使用参考图像 纯白色/柔和的米白色背景 无环境、无道具、无标志、无水印。 设计方向：
不要创建标准的角色参考表， 创建一张电影般的身份板，感觉像是高端动画工作室的角色研究与艺术书布局的结合。 布局应不对称、优雅且视觉上令人难忘， 使用大片留白、多样化的图像比例和有意的不平衡， 避免网格、蓝图设计、目录布局和重复的转场展示。 重要布局规则： 不要重叠任何角色图像， 每个视觉必须有清晰的分离和呼吸空间， 保持所有身体、肖像、轮廓和细节研究的视觉区分 无剪裁面部、无隐藏肢体、无堆叠人物、无合并姿势。 主要构图： 放置一个大型英雄全身视角，略微偏离中心作为视觉锚点 围绕它，以干净的间距排列较小的辅助研究： 中性全身视角、背面视角、侧面视角、坐姿、倾斜姿势、蹲姿、俯视身体角度、仰视身体角度、富有表现力的肖像研究。 每个视角应感觉像是一个独立的干净角色研究，而不是来自一个场景的帧。 身份锁定： 在所有视角中保持严格的身份一致性： 相同面部、相同面部比例、相同发型、相同服装、相同身体比例、相同姿势语言、相同视觉个性。 有用参考细节： 使角色便于未来的图像和视频生成： 清晰的面部形状、清晰的发型轮廓、清晰的服装轮廓、清晰的身体形状、清晰的手部、清晰的姿势、清晰的表情范围。 艺术性部分： 包含一个小轮廓研究区域，带有2-3个简化的黑色角色轮廓， 包含一个小表情研究区域，带有细微的情感变化， 包含一个小细节研究区域，展示面部、头部和服装的关键视觉特征。 文本设计： 添加一个时尚的角色ID块， 保持简洁、大胆且艺术导向。 仅使用： 名称： 角色： 核心情绪： 视觉标志： 仅在有帮助的地方使用小型手写风格标签， 允许使用细微的编辑箭头和标注标记，但保持简约和优雅。 风格： 简约、电影感、高端、艺术书般、干净、富有表现力、适用于制作。 最终图像应感觉像一张艺术性的角色身份板，旨在帮助AI模型理解角色的面部、轮廓、服装、姿势和情感范围

给人物戴上炫酷的墨镜；穿上黑色的西装；【Image2角色表】提示词 创建一张艺术性的16:9的角色身份板。 【主体】使用参考图像 纯白色/柔和的米白色背景 无环境、无道具、无标志、无水印。 设计方向：
不要创建标准的角色参考表， 创建一张电影般的身份板，感觉像是高端动画工作室的角色研究与艺术书布局的结合。 布局应不对称、优雅且视觉上令人难忘， 使用大片留白、多样化的图像比例和有意的不平衡， 避免网格、蓝图设计、目录布局和重复的转场展示。 重要布局规则： 不要重叠任何角色图像， 每个视觉必须有清晰的分离和呼吸空间， 保持所有身体、肖像、轮廓和细节研究的视觉区分 无剪裁面部、无隐藏肢体、无堆叠人物、无合并姿势。 主要构图： 放置一个大型英雄全身视角，略微偏离中心作为视觉锚点 围绕它，以干净的间距排列较小的辅助研究： 中性全身视角、背面视角、侧面视角、坐姿、倾斜姿势、蹲姿、俯视身体角度、仰视身体角度、富有表现力的肖像研究。 每个视角应感觉像是一个独立的干净角色研究，而不是来自一个场景的帧。 身份锁定： 在所有视角中保持严格的身份一致性： 相同面部、相同面部比例、相同发型、相同服装、相同身体比例、相同姿势语言、相同视觉个性。 有用参考细节： 使角色便于未来的图像和视频生成： 清晰的面部形状、清晰的发型轮廓、清晰的服装轮廓、清晰的身体形状、清晰的手部、清晰的姿势、清晰的表情范围。 艺术性部分： 包含一个小轮廓研究区域，带有2-3个简化的黑色角色轮廓， 包含一个小表情研究区域，带有细微的情感变化， 包含一个小细节研究区域，展示面部、头部和服装的关键视觉特征。 文本设计： 添加一个时尚的角色ID块， 保持简洁、大胆且艺术导向。 仅使用： 名称： 角色： 核心情绪： 视觉标志： 仅在有帮助的地方使用小型手写风格标签， 允许使用细微的编辑箭头和标注标记，但保持简约和优雅。 风格： 简约、电影感、高端、艺术书般、干净、富有表现力、适用于制作。 最终图像应感觉像一张艺术性的角色身份板，旨在帮助AI模型理解角色的面部、轮廓、服装、姿势和情感范围

修行的角色，身着亮粉色道袍，头戴斗笠，衣服心脏处有朵可爱的刺绣的莲花，不要改变人物的手绘风格，完全保持现在的手绘画风【Image2角色表】提示词 创建一张艺术性的16:9的角色身份板。 【主体】使用参考图像 纯白色/柔和的米白色背景 无环境、无道具、无标志、无水印。 设计方向：
不要创建标准的角色参考表， 创建一张电影般的身份板，感觉像是高端动画工作室的角色研究与艺术书布局的结合。 布局应不对称、优雅且视觉上令人难忘， 使用大片留白、多样化的图像比例和有意的不平衡， 避免网格、蓝图设计、目录布局和重复的转场展示。 重要布局规则： 不要重叠任何角色图像， 每个视觉必须有清晰的分离和呼吸空间， 保持所有身体、肖像、轮廓和细节研究的视觉区分 无剪裁面部、无隐藏肢体、无堆叠人物、无合并姿势。 主要构图： 放置一个大型英雄全身视角，略微偏离中心作为视觉锚点 围绕它，以干净的间距排列较小的辅助研究： 中性全身视角、背面视角、侧面视角、坐姿、倾斜姿势、蹲姿、俯视身体角度、仰视身体角度、富有表现力的肖像研究。 每个视角应感觉像是一个独立的干净角色研究，而不是来自一个场景的帧。 身份锁定： 在所有视角中保持严格的身份一致性： 相同面部、相同面部比例、相同发型、相同服装、相同身体比例、相同姿势语言、相同视觉个性。 有用参考细节： 使角色便于未来的图像和视频生成： 清晰的面部形状、清晰的发型轮廓、清晰的服装轮廓、清晰的身体形状、清晰的手部、清晰的姿势、清晰的表情范围。 艺术性部分： 包含一个小轮廓研究区域，带有2-3个简化的黑色角色轮廓， 包含一个小表情研究区域，带有细微的情感变化， 包含一个小细节研究区域，展示面部、头部和服装的关键视觉特征。 文本设计： 添加一个时尚的角色ID块， 保持简洁、大胆且艺术导向。 仅使用： 名称： 角色： 核心情绪： 视觉标志： 仅在有帮助的地方使用小型手写风格标签， 允许使用细微的编辑箭头和标注标记，但保持简约和优雅。 风格： 简约、电影感、高端、艺术书般、干净、富有表现力、适用于制作。 最终图像应感觉像一张艺术性的角色身份板，旨在帮助AI模型理解角色的面部、轮廓、服装、姿势和情感范围

【输入指令】 根据图片生成提示词，要详细具体 【生成内容】 电影海报设计，亮红色背景。画面中央是一个3D渲染的黄色拟人化公牛，头戴黑色宽檐帽，双手紧握一把银色长剑竖立于面部正前方。公牛背后是一个风格化的太阳图案，拥有白色圆心和黄粉相间的旋转光芒。右上角有显眼的黑色葡萄牙语标题“deus e o diabo na terra do sol”，左上角和右侧分布着白色的演职员表文字。整体呈现复古平面排版与3D角色相结合的超现实风格，色彩对比强烈。

A mysterious figure wearing a black suit, standing in a slightly disapproving pose with head tilted. The head is replaced by the dark animal head from — a dark brown-black dog or bear-like creature head with glowing white face markings and a wide cartoon grin, eerie and unsettling. The body is a flat 2D pure black silhouette suit with no hands, no details — completely flat graphic shape. The head sits on top of the flat black suit body. Bold picture-book illustration style: thick black outlines, strong graphic contrast between the expressive animal head and the flat black suit body. Background: Van Gogh swirling cobalt blue Starry Night sky with thick impasto brushstrokes. The figure stands on the right side of frame. 16:9 wide composition.

给人物加个领结，换一个道具；其他人物形象、衣着、身材、比例都不要改变【Image2角色表】提示词 创建一张艺术性的16:9的角色身份板。 【主体】使用参考图像 纯白色/柔和的米白色背景 无环境、无道具、无标志、无水印。 设计方向：
不要创建标准的角色参考表， 创建一张电影般的身份板，感觉像是高端动画工作室的角色研究与艺术书布局的结合。 布局应不对称、优雅且视觉上令人难忘， 使用大片留白、多样化的图像比例和有意的不平衡， 避免网格、蓝图设计、目录布局和重复的转场展示。 重要布局规则： 不要重叠任何角色图像， 每个视觉必须有清晰的分离和呼吸空间， 保持所有身体、肖像、轮廓和细节研究的视觉区分 无剪裁面部、无隐藏肢体、无堆叠人物、无合并姿势。 主要构图： 放置一个大型英雄全身视角，略微偏离中心作为视觉锚点 围绕它，以干净的间距排列较小的辅助研究： 中性全身视角、背面视角、侧面视角、坐姿、倾斜姿势、蹲姿、俯视身体角度、仰视身体角度、富有表现力的肖像研究。 每个视角应感觉像是一个独立的干净角色研究，而不是来自一个场景的帧。 身份锁定： 在所有视角中保持严格的身份一致性： 相同面部、相同面部比例、相同发型、相同服装、相同身体比例、相同姿势语言、相同视觉个性。 有用参考细节： 使角色便于未来的图像和视频生成： 清晰的面部形状、清晰的发型轮廓、清晰的服装轮廓、清晰的身体形状、清晰的手部、清晰的姿势、清晰的表情范围。 艺术性部分： 包含一个小轮廓研究区域，带有2-3个简化的黑色角色轮廓， 包含一个小表情研究区域，带有细微的情感变化， 包含一个小细节研究区域，展示面部、头部和服装的关键视觉特征。 文本设计： 添加一个时尚的角色ID块， 保持简洁、大胆且艺术导向。 仅使用： 名称： 角色： 核心情绪： 视觉标志： 仅在有帮助的地方使用小型手写风格标签， 允许使用细微的编辑箭头和标注标记，但保持简约和优雅。 风格： 简约、电影感、高端、艺术书般、干净、富有表现力、适用于制作。 最终图像应感觉像一张艺术性的角色身份板，旨在帮助AI模型理解角色的面部、轮廓、服装、姿势和情感范围

换个斗笠，手里的也换一个道具；不要改变人物的手绘风格，完全保持现在的手绘画风【Image2角色表】提示词 创建一张艺术性的16:9的角色身份板。 【主体】使用参考图像 纯白色/柔和的米白色背景 无环境、无道具、无标志、无水印。 设计方向：
不要创建标准的角色参考表， 创建一张电影般的身份板，感觉像是高端动画工作室的角色研究与艺术书布局的结合。 布局应不对称、优雅且视觉上令人难忘， 使用大片留白、多样化的图像比例和有意的不平衡， 避免网格、蓝图设计、目录布局和重复的转场展示。 重要布局规则： 不要重叠任何角色图像， 每个视觉必须有清晰的分离和呼吸空间， 保持所有身体、肖像、轮廓和细节研究的视觉区分 无剪裁面部、无隐藏肢体、无堆叠人物、无合并姿势。 主要构图： 放置一个大型英雄全身视角，略微偏离中心作为视觉锚点 围绕它，以干净的间距排列较小的辅助研究： 中性全身视角、背面视角、侧面视角、坐姿、倾斜姿势、蹲姿、俯视身体角度、仰视身体角度、富有表现力的肖像研究。 每个视角应感觉像是一个独立的干净角色研究，而不是来自一个场景的帧。 身份锁定： 在所有视角中保持严格的身份一致性： 相同面部、相同面部比例、相同发型、相同服装、相同身体比例、相同姿势语言、相同视觉个性。 有用参考细节： 使角色便于未来的图像和视频生成： 清晰的面部形状、清晰的发型轮廓、清晰的服装轮廓、清晰的身体形状、清晰的手部、清晰的姿势、清晰的表情范围。 艺术性部分： 包含一个小轮廓研究区域，带有2-3个简化的黑色角色轮廓， 包含一个小表情研究区域，带有细微的情感变化， 包含一个小细节研究区域，展示面部、头部和服装的关键视觉特征。 文本设计： 添加一个时尚的角色ID块， 保持简洁、大胆且艺术导向。 仅使用： 名称： 角色： 核心情绪： 视觉标志： 仅在有帮助的地方使用小型手写风格标签， 允许使用细微的编辑箭头和标注标记，但保持简约和优雅。 风格： 简约、电影感、高端、艺术书般、干净、富有表现力、适用于制作。 最终图像应感觉像一张艺术性的角色身份板，旨在帮助AI模型理解角色的面部、轮廓、服装、姿势和情感范围

Character KORO from : black-and-white dog head with black sunglasses, wearing a sharp black suit with black tie, standing upright with hands in pockets, calm authoritative pose, slight disapproving head tilt. Full body visible. Art style exactly matching {{Image 1}} : thick bold black crayon outlines, colors bleeding outside lines, wild rough picture-book illustration style. Background: swirling concentric vortex of clashing colors — chrome yellow, cobalt blue, vermillion red, acid green, pure black — thick bold brushstrokes spinning outward from center, same wild swirling vortex background as the style reference. No starry sky. Strong graphic design, bold color clash, savage wild energy. 16:9 wide composition, character centered slightly right.

Three characters in a triangular composition. Center bottom: GAO the bull — yellow bull head with pink sweater and yellow pants, standing upright, body with cobalt-blue glitch clipping lines visible through semi-transparent torso, being born from a crack in the ground, body still forming with misplaced legs and tail. Left side: a disembodied hand reaching toward GAO trying to correct him. Right side: KORO — black dog in black suit with sunglasses, slowly shaking his head in disapproval. The three form an equilateral triangle. Art style matching : thick bold black crayon outlines, colors bleeding outside lines, wild picture-book illustration. Background: swirling concentric vortex of chrome yellow, cobalt blue, vermillion red, acid green, pure black. 16:9 wide.

Character KORO from : a black-and-white dog character wearing a sharp black suit with black tie, black sunglasses, standing in a calm authoritative pose with hands in pockets. Black fur with white face markings, round bear-like head, cool and mysterious expression. Full body visible, bipedal standing. Art style: bold picture-book illustration with thick crayon outlines, strong graphic design, colors bleeding slightly outside lines, wild and rough aesthetic. Background: Van Gogh swirling cobalt blue Starry Night sky with thick impasto brushstrokes, chrome yellow swirling stars. The character stands slightly right of center, slight disapproving head tilt. 16:9 wide composition.

Character GAO from : yellow bull head with large horns, wearing a pink fuzzy knit sweater and yellow pants, standing upright bipedal, fierce determined expression, hands at sides. Full body from head to hooves. Key visual: body has glitch clipping errors — one leg passes through its own torso, cobalt-blue construction line-work visible through semi-transparent body parts, tail connects to wrong position. Art style exactly matching : thick bold black crayon outlines, colors bleeding outside lines, wild rough picture-book illustration. Background: swirling concentric vortex of clashing colors — chrome yellow, cobalt blue, vermillion red, acid green, pure black — thick bold brushstrokes spinning outward from center, same wild swirling vortex background as the style reference. No starry sky. Strong graphic design, bold color clash, savage wild energy. 16:9 wide composition, character centered.

Character GAO from : a yellow bull character with large horns, wearing a pink fuzzy knit sweater and yellow pants, standing upright in a strong bipedal pose, fierce determined expression, holding nothing — hands at sides. Full body visible from head to hooves. Key visual feature: the bull's body has glitch clipping errors — one leg passes through its own torso, overlapping cobalt-blue construction line-work visible through semi-transparent body parts, tail connects to wrong position, like a 3D model with clipping issues. Despite being broken and glitching, GAO stands with fierce proud wild energy. Art style: bold picture-book illustration with thick crayon outlines, strong graphic design, colors bleeding outside lines, wild savage aesthetic. Background: Van Gogh swirling cobalt blue Starry Night sky with thick impasto brushstrokes. Full body centered, 16:9 wide composition.

Wide action shot. GAO the bull — yellow bull head with pink sweater and yellow pants — running wildly across an open picture book page , leaving cobalt-blue motion trail residue behind him. His body clipping errors are worse while running: left hind leg extends in front of his body, tail connects to his ear. He runs through crayon-drawn rivers and suns on the book page, trampling them. Behind him on the left: a disembodied hand reaching forward trying to grab his tail. Far right: KORO stands still, watching coldly with hands in pockets. Rule-of-thirds: GAO in lower third, hand in middle, KORO upper right. Art style matching : thick bold black crayon outlines, wild picture-book illustration, colors bleeding outside lines. Background: swirling vortex of chrome yellow, cobalt blue, vermillion red, acid green, pure black. 16:9 wide.

换一套现代的简约的服装，不要改变人物的手绘风格，完全保持现在的手绘画风【Image2角色表】提示词 创建一张艺术性的16:9的角色身份板。 【主体】使用参考图像 纯白色/柔和的米白色背景 无环境、无道具、无标志、无水印。 设计方向：
不要创建标准的角色参考表， 创建一张电影般的身份板，感觉像是高端动画工作室的角色研究与艺术书布局的结合。 布局应不对称、优雅且视觉上令人难忘， 使用大片留白、多样化的图像比例和有意的不平衡， 避免网格、蓝图设计、目录布局和重复的转场展示。 重要布局规则： 不要重叠任何角色图像， 每个视觉必须有清晰的分离和呼吸空间， 保持所有身体、肖像、轮廓和细节研究的视觉区分 无剪裁面部、无隐藏肢体、无堆叠人物、无合并姿势。 主要构图： 放置一个大型英雄全身视角，略微偏离中心作为视觉锚点 围绕它，以干净的间距排列较小的辅助研究： 中性全身视角、背面视角、侧面视角、坐姿、倾斜姿势、蹲姿、俯视身体角度、仰视身体角度、富有表现力的肖像研究。 每个视角应感觉像是一个独立的干净角色研究，而不是来自一个场景的帧。 身份锁定： 在所有视角中保持严格的身份一致性： 相同面部、相同面部比例、相同发型、相同服装、相同身体比例、相同姿势语言、相同视觉个性。 有用参考细节： 使角色便于未来的图像和视频生成： 清晰的面部形状、清晰的发型轮廓、清晰的服装轮廓、清晰的身体形状、清晰的手部、清晰的姿势、清晰的表情范围。 艺术性部分： 包含一个小轮廓研究区域，带有2-3个简化的黑色角色轮廓， 包含一个小表情研究区域，带有细微的情感变化， 包含一个小细节研究区域，展示面部、头部和服装的关键视觉特征。 文本设计： 添加一个时尚的角色ID块， 保持简洁、大胆且艺术导向。 仅使用： 名称： 角色： 核心情绪： 视觉标志： 仅在有帮助的地方使用小型手写风格标签， 允许使用细微的编辑箭头和标注标记，但保持简约和优雅。 风格： 简约、电影感、高端、艺术书般、干净、富有表现力、适用于制作。 最终图像应感觉像一张艺术性的角色身份板，旨在帮助AI模型理解角色的面部、轮廓、服装、姿势和情感范围

去掉斗笠

视频截图视频节点 1

模仿瞬息全宇宙的经典镜头，主体一直保持在画面中间，人物衣着和环境不断的快速变化着，参考的这九个场景依次展现，营造出一种瞬时间不断穿越在不同的世界的效果

模仿电影《瞬息全宇宙》的经典镜头，人物主体一直保持在画面中间，人物衣着和环境不断的快速变化着，营造出一种瞬时间不断穿越在不同的世界的效果，创造出眼花缭乱却又内在统一的“多重宇宙”感，快速蒙太奇

A mountain bamboo landscape in Wes Anderson film aesthetic, matching the visual style of {{Image 1}}. Perfectly symmetrical composition. Powder blue sky (upper third). Warm ivory/cream-yellow ground (lower third). Precisely arranged bamboo stalks — perfectly vertical, evenly spaced, mint green and deep teal. A horizontal band of semi-transparent white mist crossing the middle. Golden yellow diagonal morning light rays. Lower left: a tiny golden yellow bull character in black suit holding a broom, sweeping. Color palette strictly: powder blue sky, ivory-yellow ground, mint green bamboo, white mist, golden yellow light and bull character, black outlines. Matte pastel, flat perspective, Wes Anderson symmetry and order. 16:9 wide.

A bull character as the main protagonist, referencing the golden yellow low-polygon bull from {{Image 1}} — same golden yellow textured body, same grey curved horns, same round face with expressive eyes. The bull is wearing a perfectly tailored black suit with a white shirt, styled in Wes Anderson film aesthetic matching {{Image 2}}. Standing in a perfectly symmetrical front-facing pose, centered in frame. The bull's golden yellow face and horns contrast elegantly with the black suit. Background: powder blue, flat and clean. Color palette strictly: golden yellow bull body, pure black suit, powder blue background, pale pink small details. Matte quality, precise and orderly, Wes Anderson symmetry. Full body visible, 16:9 wide.

A bamboo mountain landscape, Wes Anderson aesthetic referencing {{Image 1}}. Perfect symmetry and order. VIVID HIGH CONTRAST colors: saturated bright sky blue sky (upper third), bright chrome yellow warm ground (lower third), vivid mint green and teal bamboo stalks perfectly vertical and evenly spaced, crisp white horizontal mist band in the middle, bright golden yellow diagonal light rays. Lower left: tiny golden yellow bull in black suit holding a broom, sweeping. Colors are bold and punchy — bright sky blue vs chrome yellow vs mint green creating strong visual contrast. Highly saturated, clean matte finish. 16:9 wide.

A bull character referencing {{Image 1}} — golden yellow low-polygon textured bull head, grey curved horns, expressive heavy-browed face. Wearing a perfectly tailored black suit, crisp white shirt, bright pink pocket square. Wes Anderson aesthetic matching {{Image 2}}. Standing perfectly centered, symmetrical front-facing pose. VIVID HIGH CONTRAST colors: saturated sky blue background, bright chrome yellow bull head, deep black suit, hot pink pocket square — colors are bold and punchy, highly saturated. Clean matte finish, precise Wes Anderson symmetry. Full body visible. 16:9 wide.

Wes Anderson film aesthetic style reference, exactly matching the visual language of {{Image 1}}. Powder blue and steel blue as dominant colors, mint green accents, warm ivory interior light. Perfect symmetrical composition, flat perspective, precise geometric framing. Matte pastel color palette — no saturation spikes. Retro art deco details, meticulous set design, every element perfectly placed. The color palette is strictly limited to: powder blue, steel blue, mint green, warm ivory/cream, deep crimson red (from NIU NIU poster {{Image 2}}), golden yellow, pale pink, pure black. No other colors. 16:9 wide, symmetrical center composition.

A theater interior in Wes Anderson film aesthetic, matching the visual style of {{Image 1}}. Perfectly symmetrical composition. Powder blue walls with precise art deco molding details. Deep crimson red velvet curtains framing the stage (referencing the red curtain from {{Image 2}}). Rows of identical seats in muted tones. A single golden spotlight cone from directly above center stage. Lower left corner: a small janitor figure (the golden yellow bull in black suit) holding a broom, sweeping. Chrome yellow dust particles floating. Every element meticulously placed. Color palette: powder blue walls, deep crimson curtains, golden yellow spotlight and bull, black seats and outlines, pale pink accents. Matte pastel, flat symmetrical perspective, Wes Anderson precision. 16:9 wide.

Wes Anderson film aesthetic, referencing {{Image 1}} and {{Image 2}}. Perfect bilateral symmetry, flat perspective, precise geometric framing, retro art deco details. Color palette VIVID and HIGH CONTRAST: saturated sky blue, hot pink/rose, bright chrome yellow, deep crimson red, mint green, ivory white, pure black. Colors are bold and punchy — think a Wes Anderson film with the saturation dialed up significantly. Each color block is clean and distinct, no muddy mixing. Strong color contrast between adjacent elements. 16:9 wide, symmetrical center composition.

A theater interior, Wes Anderson aesthetic referencing {{Image 1}} and {{Image 2}}. Perfect bilateral symmetry. VIVID HIGH CONTRAST colors: bright sky blue walls with crisp white art deco molding, deep saturated crimson red velvet curtains, bright chrome yellow spotlight cone from above center stage. Rows of identical deep black seats. Lower left: small golden yellow bull character in black suit holding a broom, sweeping — bright chrome yellow dust particles floating around him. Colors are bold, saturated, punchy — sky blue vs crimson red vs chrome yellow creating strong visual contrast. Every element precisely placed. 16:9 wide.

Wes Anderson aesthetic, vivid saturated colors, perfect symmetry. Extreme close-up of a white champagne coupe glass perfectly centered against deep cobalt blue background. The liquid inside is vivid hot-pink, perfectly still and mirror-like — reflecting the golden yellow low-polygon bull face clearly in the liquid surface. Camera very slowly pushes in toward the liquid surface, the bull face reflection grows larger. Slow-shutter feel: glass rim sharp, background softly blurred. Sound effects only, no BGM: gentle liquid surface ripple, crystal glass resonance hum. No BGM

Extreme close-up of a broom, centered in frame. Original prop design. Wes Anderson aesthetic, flat frontal view. The broom: a long straight black handle (vertical line), a bright hot-pink semicircular bristle head at the bottom. Along the bristle edges, small chrome yellow circular dots — dust particles. Background: flat saturated cobalt blue, no gradients. The broom fills the vertical center of the ultra-wide frame. Clean geometric shapes, high color contrast: black handle vs hot-pink bristles vs cobalt blue background vs chrome yellow dots. Matte finish, precise and orderly. Ultra-wide 21:9, broom centered.

Flat graphic illustration style reference. Hard-edge color blocks, no gradients, pure geometric shapes. Color palette strictly: cyan-blue, magenta/hot-pink, chrome yellow, pure black, pure white. Bold Bauhaus-meets-pop-art aesthetic. Shapes are clean rectangles, triangles, circles — no soft edges, no shadows. Strong graphic contrast. Think constructivist poster design. 16:9 wide composition showing the style system.

Wes Anderson aesthetic. Extreme close-up of a broom centered against cobalt blue background. The broom — black straight handle, hot-pink semicircular bristle head — slowly rotates slightly left then right, as if being held and examined. Chrome yellow dust dots drift gently upward from the bristle edges. Camera static, centered. No BGM, sound: soft bristle rustle, tiny dust particle sounds. No BGM

A mountain landscape, hard-edge flat illustration style, no gradients. Cyan-blue sky (upper third), chrome-yellow ground (lower third). Bamboo forest: pure black vertical lines for bamboo stalks, magenta/hot-pink triangular shapes for bamboo leaves. A semi-transparent horizontal white band of mist/fog crossing the middle third. Chrome-yellow diagonal lines representing morning sunlight. Lower-left: a small sweeper character (white body, white oval face, black dot eyes) holding a broom (black line handle, white semicircle bristles). Pure flat colors, bold black outlines, strong geometric shapes. Three-thirds composition: sky / mist / ground. 16:9 wide.

Wes Anderson aesthetic, vivid saturated colors, perfect bilateral symmetry. Medium close-up of the golden yellow low-polygon bull in chrome yellow suit, centered against hot-pink background. He slowly raises one hand to rub his nose — a small solid black triangle appears at the nose tip. The background begins RGB chromatic aberration glitch: red channel shifts left, blue shifts right, pulsing and intensifying. Two pure black silhouette figures on left and right slowly extend their arms toward the bull symmetrically. Hitchcock zoom effect: background enlarges while bull face stays perfectly still. Builds to flash white cut. Sound effects only, no BGM: rising electronic glitch buzz, building sneeze inhale, tension hum crescendo. No BGM

First-person POV tunnel shot — flying through a particle dimension. Pure black background. Colorful geometric fragments — cobalt blue triangles, hot-pink rectangles, chrome yellow circles — flying past at high speed from center outward, creating motion blur trails. Each fragment leaves a semi-transparent ghost trail in its own color, trail length about one-third of the frame width. The movement path curves: first upper-right, then sharp turn lower-left, then a dive. The composition creates a strong sense of speed and dimensional travel. At the very center: a faint circular portal (the pupil/eye we entered through) receding into the distance. Wes Anderson color palette: cobalt blue, hot-pink, chrome yellow, pure black. Ultra-wide 21:9.

Medium shot, side profile of the golden yellow low-polygon bull character {{Image 1}}, original framing. Wes Anderson aesthetic. The bull faces left in a three-quarter profile view — golden yellow low-polygon textured face, grey curved horns, heavy expressive brows, wearing a deep cobalt blue suit. Bright magenta/hot-pink background — a flat solid color block. Chrome yellow small circular dust particles drift slowly past his face from right to left. Rule of thirds: his right eye positioned at the upper-right intersection point. Slight horizontal motion blur on the background color block giving a slow-shutter feel, while the bull's face remains sharp. Ultra-wide 21:9 composition.

Close-up of the golden yellow low-polygon bull face {{Image 1}}, original framing, front-facing. Wes Anderson aesthetic. The bull's face fills the center: golden yellow low-polygon texture, grey horns at top. Expression: eyes wide open and round (surprised), pupils slightly closer together. At the nose position: a small solid black triangle shape indicating an incoming sneeze. Background: flat hot-pink color, but with horizontal glitch artifact bands — thin stripes of cyan, yellow, magenta misaligned horizontally across the background, like a VHS glitch. Triangular composition: the black nose triangle and two wide eyes form a triangle. Ultra-wide 21:9, face centered with wide empty space on both sides.

Wide establishing shot of a grand theater interior, original production design (not copying any reference). Wes Anderson aesthetic: perfect bilateral symmetry, flat frontal perspective. Bright cobalt blue walls with white geometric molding panels. Deep crimson red stage curtains parted symmetrically. A bright chrome yellow triangular spotlight beam cuts diagonally from upper-right down to lower-left, illuminating golden dust particles floating in the air. Rows of identical black velvet seats receding symmetrically. On the far left corner: a small figure — the golden yellow low-polygon bull {{Image 1}} wearing a deep cobalt blue suit with white shirt, holding a broom, sweeping. Chrome yellow dust motes float around him. The stage center is empty and dark. Diagonal composition: spotlight from upper-right to lower-left, bull at lower-left intersection. Ultra-wide 21:9, fade in from black.

Wes Anderson aesthetic, referencing style of {{Image 1}}: vivid saturated colors, perfect bilateral symmetry, flat frontal perspective, cinematic whimsy. Original scene design. The golden yellow low-polygon bull {{Image 2}} wearing a bright cobalt blue action suit, leaping mid-air in a heroic action pose against a vivid cobalt blue background. Symmetrical chrome yellow starburst explosion shapes radiate outward from behind him — jagged geometric rays perfectly mirrored left and right. Bottom right corner: a small hot-pink broom icon (the bull's signature prop). The bull is centered, suspended in mid-air, arms spread wide. High contrast: golden bull vs cobalt blue background vs chrome yellow burst. Ultra-wide 21:9, symmetrical composition.

Wes Anderson aesthetic, referencing style of {{Image 1}}: vivid saturated colors, perfect bilateral symmetry, flat frontal perspective, cinematic whimsy. Original scene design. The golden yellow low-polygon bull {{Image 2}} wearing a bright chrome yellow suit, standing in a heroic swordsman pose holding a thin white sword (straight vertical line), against a vivid chrome yellow background. Behind him: perfectly symmetrical cobalt blue vertical bamboo stalks (evenly spaced, precise). On the ground: hot-pink curved arc lines — broom sweep marks. Canvas tilted 12 degrees clockwise. Diagonal composition: bamboo stalks cross the sword line. High contrast: golden bull vs chrome yellow suit vs cobalt blue bamboo vs hot-pink ground marks. Ultra-wide 21:9.

Wes Anderson aesthetic, referencing style of {{Image 1}}: vivid saturated colors, perfect bilateral symmetry, flat frontal perspective, cinematic whimsy. Original scene design. The golden yellow low-polygon bull {{Image 2}} wearing a deep hot-pink suit, standing centered under a large black umbrella (perfect semicircle). Vivid hot-pink background. Bright chrome yellow vertical rain lines fall symmetrically on both sides. Behind him: a large glass window with a white reflection silhouette of a broom. The umbrella frames his golden head perfectly from above. High contrast: golden bull vs hot-pink suit vs black umbrella vs chrome yellow rain. Ring composition: umbrella and rain form a circular frame. Ultra-wide 21:9.

Wes Anderson aesthetic, referencing style of {{Image 1}}: vivid saturated colors, perfect symmetry, cinematic whimsy. Original scene design. A four-panel split screen — four equal quadrants, each showing the same golden yellow low-polygon bull {{Image 2}} in the same pose: rubbing nose with one hand, mouth open wide mid-sneeze. Each quadrant has a different vivid background color: top-left cobalt blue, top-right hot-pink, bottom-left chrome yellow, bottom-right deep crimson red. The bull's golden head and expression are identical in all four panels. Thin white dividing lines between panels. Perfect four-equal-grid composition. Ultra-wide 21:9, all four panels equal size.

Wes Anderson aesthetic referencing {{Image 1}}: vivid saturated colors, perfect bilateral symmetry, flat frontal perspective, cinematic whimsy. Original scene design. Medium shot in front of a bamboo house. Chrome yellow ground with a clean geometric pattern. Cobalt blue bamboo stalks perfectly vertical and evenly spaced on both sides, framing the scene symmetrically. Hot-pink triangular bamboo leaf clusters overhead forming a natural arch. The golden yellow low-polygon bull {{Image 2}} in a crisp white suit, centered, sweeping the ground with a broom — hot-pink curved arc sweep marks on the chrome yellow ground. Bamboo shadows create ring-like circular patterns around the bull. Slow-shutter feel: bamboo leaves have slight horizontal motion blur, bull is sharp. Ultra-wide 21:9, ring composition.

Wes Anderson aesthetic referencing {{Image 1}}: vivid saturated colors, perfect bilateral symmetry, flat frontal perspective, cinematic whimsy. Original scene design. Medium close-up of the golden yellow low-polygon bull {{Image 2}} in chrome yellow suit, centered. He is rubbing his nose with one hand — a small solid black triangle at the nose tip. Eyes slightly narrowed. Background: vivid hot-pink with strong RGB chromatic aberration glitch effect — the entire background has red channel shifted left and blue channel shifted right, creating color fringe misalignment. Left and right: two pure black silhouette figures reaching their arms toward the bull symmetrically. Symmetrical composition: bull centered, two silhouettes flanking equally. Ultra-wide 21:9.

Wes Anderson aesthetic referencing {{Image 1}}: vivid saturated colors, perfect symmetry, cinematic whimsy. Original scene design. Extreme close-up of a champagne coupe glass, perfectly centered. The glass is pure white, an elegant inverted trapezoid shape. The liquid inside is vivid hot-pink (champagne). The liquid surface is perfectly still and mirror-like — reflecting the golden yellow low-polygon bull face {{Image 2}}: golden triangular face, grey horns, expressive eyes visible in the reflection. Background: deep cobalt blue, completely flat. Slow-shutter feel: the glass rim is tack-sharp, background slightly soft. Center composition, glass fills the vertical center of the ultra-wide frame. High contrast: white glass vs hot-pink liquid vs cobalt blue background. Ultra-wide 21:9.

Wes Anderson aesthetic referencing : vivid saturated colors, perfect bilateral symmetry, flat frontal perspective, cinematic whimsy. Original scene design. Wide mountain landscape shot, original composition. Vivid cobalt blue sky (upper third). Bright chrome yellow ground/earth (lower third). Center: a horizontal band of semi-transparent pure white mist. Perfectly symmetrical arrangement of bamboo: vivid mint green bamboo stalks, evenly spaced vertical lines, with hot-pink triangular bamboo leaf clusters. Bright chrome yellow diagonal morning light rays cutting across from upper left. Lower left corner: the golden yellow low-polygon bull wearing a crisp white suit, holding a broom, sweeping — small chrome yellow dust particles around him. Three-thirds composition: sky / mist / ground. Ultra-wide 21:9, slow drone arc movement implied.

Wes Anderson aesthetic referencing {{Image 1}}: vivid saturated colors, perfect bilateral symmetry, flat frontal perspective, cinematic whimsy. Original scene design. Over-the-shoulder shot: a pure black silhouette figure in the foreground (back to camera, shoulders visible as dark frame), looking at the golden yellow low-polygon bull {{Image 2}} wearing a chrome yellow suit. The bull stands center-right, expression tired and deflated — eyes smaller and drooping, mouth curved downward. Behind the bull on the wall: a large cobalt blue rectangular poster with the words "主角" written in bold hot-pink letters, but the bull's golden face is obscured by a bright chrome yellow circle shape covering it on the poster. Rule of thirds: poster occupies right third of frame. Ultra-wide 21:9.

Wes Anderson aesthetic referencing {{Image 1}}: vivid saturated colors, perfect symmetry, cinematic whimsy. Original scene design. Extreme close-up tracking shot of a broom sweeping across a vivid cobalt blue tiled floor. The broom: black straight handle (diagonal across frame), hot-pink semicircular bristle head. As it sweeps, it leaves a clean hot-pink curved arc line on the cobalt blue floor. On the floor near the sweep path: a single small chrome yellow circle — a pebble or dust particle. The broom moves from right to left, the arc mark trails behind it. Diagonal composition: broom handle cuts diagonally across the ultra-wide frame. High contrast: hot-pink broom vs cobalt blue floor vs chrome yellow dot. Ultra-wide 21:9.

Wes Anderson aesthetic, referencing style of {{Image 1}}: vivid saturated colors, perfect bilateral symmetry, flat frontal perspective, cinematic whimsy. Original scene design. A grand celebration banquet hall. The golden yellow low-polygon bull {{Image 2}} wearing a bright chrome yellow suit stands perfectly centered. Vivid hot-pink walls with symmetrical white geometric molding. Cobalt blue floor with white tile grid. Above: a chandelier radiating symmetrical chrome yellow light rays in all directions like a sunburst. Left and right: two perfectly symmetrical groups of pure black silhouette figures, each raising a white champagne glass. Foreground center: a champagne tower — white trapezoid shapes stacked in a perfect pyramid. Triangular composition: silhouette crowds form two flanking triangles. Ultra-wide 21:9, perfect symmetry.

A theater interior, hard-edge flat illustration style, no gradients. Cyan-blue walls, magenta floor. A bright chrome-yellow triangular spotlight beam cuts diagonally from upper-right to lower-left. The audience seats are rows of repeated black rectangles — simple, flat, geometric. Center stage: a single black silhouette figure standing in the spotlight. Lower-left corner: the sweeper character (white oval face, black dot eyes, magenta top, black pants) holding a broom, small chrome-yellow dot dust particles floating around him. Strong diagonal composition: spotlight diagonal from upper-right to lower-left, sweeper at the lower-left intersection point. Pure flat colors, bold black outlines, Bauhaus poster aesthetic. 16:9 wide.

视频截图

Wes Anderson aesthetic. First-person POV flying through a particle dimension tunnel. Pure black background. Colorful geometric fragments — cobalt blue triangles, hot-pink rectangles, chrome yellow circles — fly past at extreme speed from center outward, leaving long semi-transparent motion blur trails in their own colors. The camera path curves: first upper-right, then sharp turn lower-left, then a steep dive. At the very center: a faint circular portal receding into the distance. Speed intensifies toward the end. No BGM, sound: whooshing dimensional travel sound, geometric fragments zipping past, deep resonant boom. No BGM

Wes Anderson aesthetic. The golden yellow low-polygon bull in cobalt blue suit stands in three-quarter side profile against a vivid hot-pink background. Chrome yellow small circular dust particles drift slowly past his face from right to left. Slight horizontal motion blur on the background color block — slow-shutter effect — while the bull's face remains perfectly sharp. The bull's eyes blink slowly once. Camera is static. No BGM, ambient sound: soft whoosh of dust particles drifting past. No BGM

Wes Anderson aesthetic referencing {{Image 1}}: vivid saturated colors, perfect bilateral symmetry, flat frontal perspective, cinematic whimsy. Same theater interior as the opening shot but with 30% reduced saturation — slightly more muted and melancholic. Wide theater interior, perfect bilateral symmetry. HOT PINK walls (not blue — vivid hot-pink/magenta) with white geometric molding. Deep crimson curtains on stage. Chrome yellow spotlight shining from upper right diagonal. Black velvet seats in rows. Lower left: the golden yellow low-polygon bull {{Image 2}} wearing a soft grey suit — head bowed down looking at his broom, not looking at the spotlight. Gentle smile on face. Chrome yellow dust motes slowly spiraling around him. Triangular composition: stage arch, seating, bull form a large triangle. Ultra-wide 21:9.

Wes Anderson aesthetic referencing {{Image 1}}: vivid saturated colors, perfect bilateral symmetry, flat frontal perspective, cinematic whimsy. Wide establishing shot of a grand theater interior. The scene, characters, elements and positions must match exactly the style and layout of {{Image 2}}: cobalt blue as the dominant background color, white architectural details, the golden yellow low-polygon bull {{Image 3}} is the central figure. Theater interior: cobalt blue walls with white geometric molding, deep crimson red stage curtains parted symmetrically, chrome yellow spotlight beam cutting diagonally from upper-right to lower-left. Rows of identical black seats. Lower left: the golden yellow bull in cobalt blue suit holding a broom, sweeping — chrome yellow dust motes floating around him. Diagonal composition: spotlight upper-right to lower-left, bull at lower-left intersection. Ultra-wide 21:9, fade in from black.

Wes Anderson aesthetic. The golden yellow low-polygon bull in hot-pink suit stands centered under a large black umbrella against hot-pink background. Chrome yellow vertical rain lines fall symmetrically. Camera slowly orbits 360 degrees around the bull — front to right to back revealing glass window with white broom reflection, then back to front. The bull stands perfectly still, dignified. Sound effects only, no BGM: gentle rain pattering, umbrella flutter, soft ambient rain. No BGM

Wes Anderson aesthetic. The golden yellow low-polygon bull in chrome yellow suit holds a thin white sword against chrome yellow background with cobalt blue bamboo stalks. Frame tilted 12 degrees clockwise. The bull slowly raises the sword from waist height to a dramatic overhead pose. Hot-pink curved arc sweep marks on the ground glow briefly. Cobalt blue bamboo stalks sway gently in the breeze. Sound effects only, no BGM: sword whoosh, bamboo rustling, dramatic impact sound. No BGM

Wes Anderson aesthetic. Four-panel split screen. All four golden yellow low-polygon bulls simultaneously rub their noses and open their mouths wide in a synchronized sneeze. Top-left cobalt blue, top-right hot-pink, bottom-left chrome yellow, bottom-right deep crimson. All four bulls sneeze in perfect unison — heads snap forward, mouths wide open. Ends with flash white. Sound effects only, no BGM: four simultaneous sneeze sounds layered together, comedic flash-white sound. No BGM

视频截图

Wes Anderson aesthetic, vivid saturated colors, perfect symmetry. Over-the-shoulder shot: a pure black silhouette figure in the foreground with shoulders framing the scene. The golden yellow low-polygon bull in chrome yellow suit stands center-right, expression tired and deflated — eyes drooping, mouth curved downward. On the cobalt blue wall behind him: a large poster reading STAR in bold hot-pink letters, but a bright chrome yellow circle covers where the face should be. Camera completely static. Sound effects only, no BGM: quiet ambient hum, distant crowd murmur fading away. No BGM

Wes Anderson aesthetic, vivid saturated colors, perfect bilateral symmetry. Medium close-up of the golden yellow low-polygon bull in chrome yellow suit, centered against hot-pink background. He slowly raises one hand to rub his nose — a small solid black triangle appears at the nose tip. The background begins RGB chromatic aberration glitch: red channel shifts left, blue shifts right, pulsing and intensifying. Two pure black silhouette figures on left and right slowly extend their arms toward the bull symmetrically. Hitchcock zoom effect: background enlarges while bull face stays perfectly still. Builds to flash white cut. Sound effects only, no BGM: rising electronic glitch buzz, building sneeze inhale, tension crescendo. No BGM

Wes Anderson aesthetic, vivid saturated colors, perfect bilateral symmetry. Medium shot in front of a bamboo house. Chrome yellow ground, cobalt blue bamboo stalks perfectly vertical framing both sides symmetrically, hot-pink triangular bamboo leaf clusters forming a natural arch overhead. The golden yellow low-polygon bull in crisp white suit sweeps the ground rhythmically — hot-pink curved arc sweep marks trail behind the broom on the chrome yellow floor. Bamboo circular shadow rings surround the bull. Slow-shutter feel: bamboo leaves have slight horizontal motion blur, bull remains sharp. Camera static. Sound effects only, no BGM: rhythmic broom sweeping, bamboo leaves rustling, peaceful morning ambience. No BGM

Wes Anderson aesthetic, vivid saturated colors. Extreme close-up tracking shot of a broom sweeping across vivid cobalt blue tiled floor. Black straight handle cuts diagonally across the frame, hot-pink semicircular bristle head sweeps left to right. A clean hot-pink curved arc line is left behind on the cobalt blue floor. A single small chrome yellow circle — a pebble — sits near the sweep path. Camera follows the broom steadily. Sound effects only, no BGM: rhythmic broom bristle scrape on tiles, satisfying sweep sound. No BGM

Wes Anderson aesthetic referencing {{Image 1}}: vivid saturated colors, perfect symmetry, cinematic whimsy. Original scene design. Wide shot split exactly down the center by a bold black vertical line. Left half: mountain bamboo scene — vivid cobalt blue sky, chrome yellow ground, mint green bamboo, white mist band — the golden bull {{Image 2}} in white suit sweeping, facing right. Right half: theater interior — hot-pink walls, deep crimson curtains, chrome yellow spotlight — the same golden bull in hot-pink suit sweeping, facing left. Both bulls are in identical sweeping poses, mirror images of each other. The broom on the left and the broom on the right almost touch at the black center dividing line. Perfect bilateral symmetry across the split. Ultra-wide 21:9.

Wes Anderson aesthetic referencing {{Image 1}}: vivid saturated colors, perfect symmetry, cinematic whimsy. Original scene design. Medium close-up of the golden yellow low-polygon bull {{Image 2}} in a crisp white suit, face centered and filling the frame. Expression: eyes gently half-closed, mouth curved upward in a subtle serene smile. Behind him: vivid cobalt blue background with perfectly symmetrical vertical mint green bamboo lines. Suddenly, a large white bull head silhouette shape — hollow/outline only, like a ghost or watermark — appears superimposed over the background, centered behind him, as if materializing for a brief moment. The white bull outline glows faintly. Hitchcock zoom feel: bamboo lines slightly enlarged, bull face perfectly still. Center composition, face fills frame. Ultra-wide 21:9.

Wes Anderson aesthetic referencing {{Image 1}}: vivid saturated colors, perfect symmetry, cinematic whimsy. Original scene design. Six-panel grid split screen (2 rows × 3 columns), thin white dividing lines. Each panel shows the same golden yellow low-polygon bull {{Image 2}} in identical pose: stopped sweeping, one hand raised to rub nose, mouth slightly open. Each panel has a different vivid background: top-left cobalt blue, top-center hot-pink, top-right chrome yellow, bottom-left pure white, bottom-center pure black, bottom-right medium grey. The bull's golden face and pose are identical across all six panels — only the background color changes. Perfect 2×3 grid composition with equal panel sizes. Ultra-wide 21:9.

Wes Anderson aesthetic referencing {{Image 1}}: same composition as the opening theater shot but with 30% reduced saturation — colors are slightly more muted and melancholic. Original scene design. Wide theater interior, perfect bilateral symmetry. Muted cobalt blue walls with white geometric molding. Deep crimson curtains slightly faded. Chrome yellow spotlight still shining from upper right. Black velvet seats. Lower left: the golden yellow low-polygon bull {{Image 2}} now wearing a soft grey suit — he stands still, head bowed down looking at his broom, not looking at the spotlight. His face has a gentle smile. Around him: chrome yellow dust motes slowly spiraling in a circular orbit. Long shot: camera framing from high up at the theater ceiling, slowly tilting down toward the bull. Triangular composition: stage arch, audience seating, and bull form a large triangle. Ultra-wide 21:9, fade to black implied.

Wes Anderson aesthetic referencing {{Image 1}}: vivid saturated colors, perfect bilateral symmetry, flat frontal perspective, cinematic whimsy. Original scene design. The golden yellow low-polygon bull {{Image 2}} wearing a bright cobalt blue action suit, leaping mid-air in a heroic action pose. HOT PINK background (not blue — vivid saturated hot-pink/magenta). Symmetrical chrome yellow starburst explosion shapes radiate outward from behind him — jagged geometric rays perfectly mirrored left and right. Bottom right corner: a small hot-pink broom icon. The bull is centered, suspended in mid-air, arms spread wide. High contrast: golden bull vs cobalt blue suit vs hot-pink background vs chrome yellow burst. Ultra-wide 21:9, symmetrical composition.

Wes Anderson aesthetic referencing {{Image 1}}: vivid saturated colors, perfect bilateral symmetry, flat frontal perspective, cinematic whimsy. Grand celebration banquet hall. The golden yellow low-polygon bull {{Image 2}} wearing a bright chrome yellow suit stands perfectly centered. DEEP SATURATED RED walls (not pink, not crimson — pure bold red) with symmetrical white geometric molding panels. Cobalt blue floor with white tile grid. Above: a chandelier radiating symmetrical chrome yellow light rays in all directions like a sunburst. Left and right: two perfectly symmetrical groups of pure black silhouette figures, each raising a white champagne glass. Foreground center: a champagne tower — white trapezoid shapes stacked in a perfect pyramid. Triangular composition: silhouette crowds form two flanking triangles. Ultra-wide 21:9, perfect symmetry.

Wes Anderson aesthetic referencing {{Image 1}}: vivid saturated colors, perfect symmetry, cinematic whimsy. Close-up of the golden yellow low-polygon bull face {{Image 2}}, front-facing. The bull is wearing a DEEP CRIMSON RED suit (not cobalt blue — rich saturated red). Expression: eyes wide open and round (surprised), pupils slightly closer together. At the nose position: a small solid black triangle shape indicating an incoming sneeze. Background: flat hot-pink with horizontal glitch artifact bands — thin stripes of cyan, yellow, magenta misaligned horizontally, like a VHS glitch. Triangular composition: the black nose triangle and two wide eyes form a triangle. Ultra-wide 21:9, face centered with wide empty space on both sides.

Wes Anderson aesthetic referencing {{Image 1}}: vivid saturated colors, perfect symmetry, cinematic whimsy. Six-panel grid split screen (2 rows × 3 columns), thin white dividing lines. Each panel shows the same golden yellow low-polygon bull {{Image 2}} in identical pose: stopped sweeping, one hand raised to rub nose, mouth slightly open. Each panel has a different vivid background AND a different suit color: top-left cobalt blue background + hot-pink suit, top-center hot-pink background + chrome yellow suit, top-right chrome yellow background + cobalt blue suit, bottom-left white background + deep red suit, bottom-center black background + white suit, bottom-right grey background + mint green suit. The bull's golden face and pose are identical across all six panels — only background and suit color changes. Perfect 2×3 grid composition with equal panel sizes. Ultra-wide 21:9.

视频截图

Wes Anderson aesthetic, vivid saturated colors, perfect symmetry, flat perspective. Wide mountain bamboo landscape. Cobalt blue sky upper third, chrome yellow warm ground lower third, mint green bamboo stalks perfectly vertical and evenly spaced, hot-pink triangular bamboo leaf clusters, a semi-transparent white horizontal mist band crossing the middle, chrome yellow diagonal morning light rays from upper left. Lower left: the golden yellow low-polygon bull in crisp white suit sweeps the ground with a broom, chrome yellow dust particles float around him. Camera moves in a slow gentle drone arc from upper-right, sweeping slowly down and left across the full landscape. The mist band drifts gently. Sound effects only, no BGM: gentle morning breeze, soft rhythmic broom sweeping, distant birdsong, peaceful mist ambience. No BGM

Wes Anderson aesthetic theater interior. The golden yellow low-polygon bull in cobalt blue suit sweeps the floor between theater seats with a broom. Chrome yellow dust sparkles fly around him. The chrome yellow spotlight beam from upper-right slowly sweeps across the stage. Camera slowly drifts from upper-right down toward the bull in the lower-left — a long gentle establishing shot. Fade in from black. No BGM, ambient theater sound: distant echo, soft broom sweeping sound, golden dust motes tinkling. No BGM

Wes Anderson aesthetic, vivid saturated colors slightly muted 30 percent, perfect bilateral symmetry. Wide theater interior — hot-pink walls with white geometric molding, deep crimson red stage curtains, chrome yellow spotlight from upper-right. Rows of black theater seats. The golden yellow low-polygon bull in soft grey suit stands in the lower-left, head bowed down looking at his broom — not looking at the spotlight. His face has a gentle smile. Chrome yellow dust motes slowly spiral in a circular orbit around him. Camera starts from high up at the theater ceiling and slowly tilts down toward the bull in one long continuous shot — a single unbroken take. The spotlight remains steady. Slow fade to black at the very end. Sound effects only, no BGM: soft broom handle resting sound, gentle dust motes tinkling, quiet theater ambience, slow fade to silence. No BGM

Wes Anderson aesthetic, vivid saturated colors, perfect symmetry. Medium close-up of the golden yellow low-polygon bull in crisp white suit, face centered. Eyes gently half-closed, mouth curved upward in a subtle serene smile. Behind him: vivid cobalt blue background with symmetrical mint green vertical bamboo lines. Suddenly a large white bull head silhouette outline materializes behind him — hollow and glowing faintly, like a ghost appearing for one brief moment, then fading away. Hitchcock zoom feel: bamboo lines slightly enlarge, bull face perfectly still. Sound effects only, no BGM: soft ethereal shimmer sound as the white bull outline appears, gentle breeze. No BGM

Wes Anderson aesthetic. The golden yellow low-polygon bull in cobalt blue action suit is frozen mid-leap against vivid hot-pink background. Bullet-time effect: the chrome yellow starburst explosion shapes around him are perfectly still while the bull slowly rotates a few degrees in mid-air. Then time resumes and the explosion bursts outward symmetrically. The small broom icon in the bottom-right corner spins once. Sound effects only, no BGM: bullet-time slow whoosh, explosion burst, heroic landing thud. No BGM

视频截图

Wes Anderson aesthetic. Close-up of the golden yellow low-polygon bull face wearing deep crimson red suit, front-facing against hot-pink background with horizontal glitch artifact stripes. The bull's eyes go wide and round, pupils draw closer together. A small black triangle appears at the nose tip. The background glitch stripes intensify and vibrate. The bull's nostrils flare. Camera applies Hitchcock zoom: background color blocks enlarge while bull face stays perfectly still. Builds to a flash-white cut. No BGM, sound: rising tension hum, glitch electronic noise, building sneeze inhale sound. No BGM

Wes Anderson aesthetic. Grand celebration banquet hall. The golden yellow low-polygon bull in chrome yellow suit stands perfectly centered. Deep red walls, cobalt blue floor, chrome yellow chandelier with symmetrical light rays. Black silhouette figures on both sides raise white champagne glasses. Champagne tower in foreground. Camera slowly orbits 180 degrees horizontally around the bull — front to right revealing the full symmetrical crowd, then back to center. The bull raises one arm in a toast. Sound effects only, no BGM: champagne glasses clinking, crowd murmur, celebratory ambience. No BGM

Wes Anderson aesthetic. Theater interior scene exactly matching the style, layout, color and architecture of {{Image 1}}: hot-pink walls with white geometric molding panels, deep crimson red velvet stage curtains, chrome yellow spotlight beam from upper-right shining diagonally onto the stage, rows of dark black theater seats in the foreground. Same spatial composition and perspective as {{Image 1}}. The only difference: the golden yellow low-polygon bull {{Image 2}} is wearing a COBALT BLUE suit (not grey), standing upright with alert energetic posture, sweeping the floor between the seat rows with a broom — chrome yellow dust sparkles flying around him. The bull looks forward with a focused expression — this is the OPENING shot, full of energy. Ultra-wide 21:9.

Wes Anderson aesthetic, vivid saturated colors, perfect symmetry. Six-panel grid split screen (2 rows x 3 columns). All six golden yellow low-polygon bulls simultaneously stop sweeping and raise one hand to rub their noses — perfectly synchronized across all six panels with different vivid backgrounds and different suit colors. Each bull's expression is identical: puzzled, nose-rubbing, mouth slightly open. Ends with a simultaneous flash white across all six panels. Sound effects only, no BGM: six synchronized stopping sounds, six nose-rub sounds layered, building to flash-white boom. No BGM

Wes Anderson aesthetic, vivid saturated colors, perfect bilateral symmetry. Wide shot split exactly down the center by a bold black vertical line. Left half: mountain bamboo scene — cobalt blue sky, chrome yellow ground, mint green bamboo, white mist — the golden bull in white suit sweeping, facing right. Right half: theater interior — hot-pink walls, deep crimson curtains, chrome yellow spotlight — the same golden bull in hot-pink suit sweeping, facing left. Both bulls sweep in perfect mirror synchronization. Their brooms almost meet at the black center dividing line. Camera slowly orbits 180 degrees around the center line, the two worlds gradually blend. Sound effects only, no BGM: two broom sweeping sounds in stereo — left channel mountain breeze, right channel theater echo. No BGM

A simple cartoon character: the sweeper/janitor. White oval face, two black dot eyes spaced far apart, a horizontal straight line for a mouth — minimal and expressive. Body is magenta/hot-pink top, black pants. Hands hold a broom: straight black line handle, magenta semicircle bristles at the bottom, chrome yellow small dots at the bristle edges representing dust particles. Hard-edge flat illustration style, no gradients, bold black outlines. Pure flat colors: cyan-blue background behind the character. The character is centered, full body visible. Clean geometric shapes throughout. 16:9 wide composition.

Wes Anderson aesthetic, vivid saturated colors, perfect symmetry, flat frontal perspective. Over-the-shoulder shot: a pure black silhouette figure in the foreground with shoulders framing the scene. The golden yellow low-polygon bull in chrome yellow suit stands center-right, expression tired and deflated — eyes drooping, mouth curved downward. On the cobalt blue wall behind him: a large poster reading STAR in bold hot-pink letters, but a bright chrome yellow circle covers where the face should be. Camera completely static. Sound effects only, no BGM: quiet ambient hum, distant crowd murmur fading away. No BGM

视频截图

Wes Anderson aesthetic, vivid saturated colors, perfect symmetry. Wide mountain bamboo landscape exactly matching the scene of {{Mixed 3}} , starting from the same first frame composition as {{Mixed 1}} : cobalt blue sky upper third, chrome yellow warm ground lower third, mint green bamboo stalks perfectly vertical and evenly spaced, hot-pink triangular bamboo leaf clusters, a semi-transparent white horizontal mist band crossing the middle, chrome yellow diagonal morning light rays from upper left. Camera moves in the same slow gentle drone arc from upper-right sweeping slowly down and left across the full landscape — identical camera movement to the original. The mist band drifts gently. In the lower-left corner: the golden yellow low-polygon bull character from {{Mixed 2}} — wearing a crisp white suit, holding a broom, sweeping the ground — chrome yellow dust particles float around him. Same framing, same camera motion, same scene — only the bull character is replaced. Sound effects only, no BGM: gentle morning breeze, soft rhythmic broom sweeping, distant birdsong, peaceful mist ambience. No BGM

Say this in a light, humorous male voice with comedic timing and a slight theatrical flair — like a witty movie narrator: "Multiverse of the Bull. All things are created by the mind." Deliver it with a warm smile in the voice, punchy and memorable.

Create a complete song with sung vocals in French. The song should have a cinematic, whimsical, slightly melancholic yet warm tone — like a Wes Anderson film soundtrack meets French chanson. Male vocalist, warm and slightly theatrical voice. Lyrics in French (translate faithfully from the original Chinese poem about a sweeper who finds meaning in his humble work across multiple universes): Verse 1: J'ai balayé ma vie entière La lumière était ailleurs Un éternuement brise les sphères Me voilà héros par erreur Verse 2: J'ai été chevalier, j'ai été sage Tout n'était que songe et nuage Au fond du cosmos, mon balai chante Une chanson douce et errante Verse 3: Dans la montagne, nul écho Les feuilles tombent, douces et belles Je balaie comme avant, comme il faut Ce que je balaie, ce n'est pas la poussière Verse 4: Avant je balayais la cendre Maintenant je me balaie, moi Qui suis-je donc, qui peut comprendre Qui est mon corps, qui est ma loi Style: French chanson with orchestral Wes Anderson-style arrangement — accordion, strings, light percussion, playful brass. Warm, intimate, slightly quirky. Full song with intro, verses, and outro. Duration around 90 seconds.