「原初的底色」| 眼影tvc

图片节点 19

<instruction> **Role:** Cinematic Director & Storyboard Artist **Task:** Create a 3x3 "Cinematic Montage Grid" based on the input image. **Goal:** Depict a **progressive storyline** (Time t=0s to t=5s) while simultaneously using **diverse camera angles and focal lengths**. **Directive:** Do NOT just show the same moment from different angles. Do NOT just show a static camera with moving subjects. **YOU MUST combine "Time Progression" with "Camera Movement".** **The Narrative Arc (3x3 Grid Structure):** **Row 1: The Setup (Time: Start | Wide & Dynamic)** * **Panel 1 (Extreme Long Shot):** Establishing the scene. The subject is entering the space or starting the action. * **Panel 2 (Long Shot / Low Angle):** The subject moves closer. Camera looks up to emphasize presence. Action is initiating. * **Panel 3 (Full Shot / Tracking):** Subject is in full motion. Camera tracks alongside them. **Row 2: The Conflict/Action (Time: Middle | Mid-Range & Interaction)** * **Panel 4 (Medium Shot):** The core action occurs (e.g., interacting with an object, talking, fighting). Focus on body language. * **Panel 5 (Over-The-Shoulder / POV):** A perspective shift. Seeing what the subject sees or facing the subject directly during the peak of action. * **Panel 6 (Medium Close-Up):** The action intensifies. Camera pushes in. Focus shifts to the upper body/reaction. **Row 3: The Resolution/Detail (Time: End | Close & Intimate)** * **Panel 7 (Close-Up):** Tight focus on the face or main focal point. Capturing the emotional reaction or effort. * **Panel 8 (Extreme Close-Up / Macro):** A specific detail of the action (e.g., a hand gripping, an eye widening, a foot landing). * **Panel 9 (High Angle / Top Down):** The aftermath or final state. Looking down at the subject as the action concludes. **Visual Consistency Rules:** 1. **Subject Identity:** The character's face, costume, and props must remain identical across all shots. 2. **Lighting Continuity:** The direction and mood of the light (e.g., sunset, neon, diffuse) must match the original image exactly. 3. **Montage Flow:** The sequence should feel like a professionally edited movie trailer where cuts are fast but logically connected. </instruction> <output_format> A photorealistic 3x3 storyboard grid. - **Top Row:** Wide shots, movement starting. - **Middle Row:** Medium shots, action peaking. - **Bottom Row:** Close-ups/Angles, action concluding. High contrast, cinematic composition, distinct depth of field for each shot type. </output_format>

<instruction> **Role:** Cinematic Director & Storyboard Artist **Task:** Create a 3x3 "Cinematic Montage Grid" based on the input image. **Goal:** Depict a **progressive storyline** (Time t=0s to t=5s) while simultaneously using **diverse camera angles and focal lengths**. **Directive:** Do NOT just show the same moment from different angles. Do NOT just show a static camera with moving subjects. **YOU MUST combine "Time Progression" with "Camera Movement".** **The Narrative Arc (3x3 Grid Structure):** **Row 1: The Setup (Time: Start | Wide & Dynamic)** * **Panel 1 (Extreme Long Shot):** Establishing the scene. The subject is entering the space or starting the action. * **Panel 2 (Long Shot / Low Angle):** The subject moves closer. Camera looks up to emphasize presence. Action is initiating. * **Panel 3 (Full Shot / Tracking):** Subject is in full motion. Camera tracks alongside them. **Row 2: The Conflict/Action (Time: Middle | Mid-Range & Interaction)** * **Panel 4 (Medium Shot):** The core action occurs (e.g., interacting with an object, talking, fighting). Focus on body language. * **Panel 5 (Over-The-Shoulder / POV):** A perspective shift. Seeing what the subject sees or facing the subject directly during the peak of action. * **Panel 6 (Medium Close-Up):** The action intensifies. Camera pushes in. Focus shifts to the upper body/reaction. **Row 3: The Resolution/Detail (Time: End | Close & Intimate)** * **Panel 7 (Close-Up):** Tight focus on the face or main focal point. Capturing the emotional reaction or effort. * **Panel 8 (Extreme Close-Up / Macro):** A specific detail of the action (e.g., a hand gripping, an eye widening, a foot landing). * **Panel 9 (High Angle / Top Down):** The aftermath or final state. Looking down at the subject as the action concludes. **Visual Consistency Rules:** 1. **Subject Identity:** The character's face, costume, and props must remain identical across all shots. 2. **Lighting Continuity:** The direction and mood of the light (e.g., sunset, neon, diffuse) must match the original image exactly. 3. **Montage Flow:** The sequence should feel like a professionally edited movie trailer where cuts are fast but logically connected. </instruction> <output_format> A photorealistic 3x3 storyboard grid. - **Top Row:** Wide shots, movement starting. - **Middle Row:** Medium shots, action peaking. - **Bottom Row:** Close-ups/Angles, action concluding. High contrast, cinematic composition, distinct depth of field for each shot type. </output_format>

把图中女人的皮外衣去掉，露出里面的无袖长裙，去除相机，把皮靴换成白色运动鞋，三视图，纯白背景。

Full body shot, a cool and elegant female traveler standing in a vast, dry loess plateau. She has a strong bone structure, aloof expression, natural skin texture with slight freckles. She is wearing a vintage distressed brown leather jacket over a flowing beige linen dress, wind-blown messy dark wavy hair. She has a vintage film camera hanging around her neck. Her makeup is minimal except for deep, earthy-toned eyeshadow (ochre and terracotta). Cinematic lighting, golden hour, strong wind, dust in the air. Shot on 35mm film, travel documentary aesthetic, raw and poetic, muted colors, Kodak Portra 400, swirly bokeh background, masterpiece, highly detailed.

Extreme macro photography of eyeshadow powder, earth tones, burnt orange and terracotta colors. The surface of the pressed powder is sculpted to look like wind-blown sand dunes and eroded canyons, mimicking geological strata. Fine powder texture, shimmering mineral particles catching the light. Warm golden hour sunlight grazing the surface, creating deep micro-shadows. Highly detailed, tactile, satisfying textures, 8k, focus stacking, macro lens, commercial beauty shot. --ar 16:9

Commercial product photography, a high-end eyeshadow palette named "TERRA ORIGIN" resting on dry, cracked yellow earth. The outer packaging features a raw, matte sandstone texture with irregular, wind-eroded edges, wabi-sabi aesthetic. Inside, the layout is unique: 9 elongated, sleek rectangular pans placed side-by-side, resembling geological strata or piano keys. The powder in these long rectangular slots are strictly earth tones: ochre, terracotta, burnt sienna, matte beige, and shimmering golden sand. Natural harsh sunlight, sharp shadows, cinematic lighting, extreme detail, 8k resolution, shot on Hasselblad X1D, macro lens, photorealistic, Vogue beauty editorial style. --ar 16:9

Commercial product photography, a high-end 9-color eyeshadow palette named "TERRA ORIGIN" resting on dry, cracked yellow earth. The palette packaging features a raw, matte sandstone texture with irregular, wind-eroded edges, wabi-sabi aesthetic. Inside, the 9 colors are strictly earth tones: ochre, terracotta, burnt sienna, matte beige, and shimmering golden sand. Natural harsh sunlight, sharp shadows, cinematic lighting, extreme detail, 8k resolution, shot on Hasselblad X1D, macro lens, photorealistic, Vogue beauty editorial style. --ar 16:9

Wide shot, a woman standing beside a parked vintage off-road vehicle at the edge of a vast, magnificent dry loess plateau and red canyon. She appears small against the massive geological formations. Golden hour lighting, warm ochre and terracotta environmental colors. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, natural lighting, realistic shadows. 说明：图1是女人参考 图2是车辆参考

图片节点 5

提取并补全图中女生的全身形象，穿和皮衣一样颜色的靴子，纯正面，白色背景。

Extreme wide shot, a vintage off-road vehicle driving on a straight, empty highway leading towards a vast, dry landscape. The sky is transitioning from cloudy grey to warm sunlight. Cinem atic road trip aesthetic, dynamic tracking shot. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, natural lighting, realistic shadows, background motion blur. --ar 16:9 图1是女人形象参考

提取途中车辆的三视图，白色背景，车是白灰色的

Prompt: Commercial product photography, an avant-garde eyeshadow palette named "TERRA ORIGIN" resting on dry, cracked yellow earth. The outer packaging features a raw, matte sandstone texture with irregular, wind-eroded edges, wabi-sabi aesthetic. Inside, the layout breaks tradition: 9 geometric rectangular pans of varying lengths and widths, arranged in a staggered, asymmetrical pattern like cracked tectonic plates. The powder inside these rectangular wells features earth tones: ochre, terracotta, burnt sienna, matte beige, and shimmering golden sand. Natural harsh sunlight, sharp shadows, cinematic lighting, extreme detail, 8k resolution, shot on Hasselblad X1D, macro lens, photorealistic. --ar 16:9

修改图1的背景，把图1的替换成图2的背景颜色

帮我提取眼影，白色背景。

做出图中女孩的三视图，纯白背景。

删除车和女人，其他场景不变

Extreme close-up, a woman's fingers swiping across the textured, earthy terracotta powder of a high-end eyeshadow palette. The powder texture resembles dry, cracked earth. Warm natural sunlight, sharp macro shadows. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, hyperrealistic skin texture, visible pores, wrinkles, natural flaws, zero retouching, true human skin texture, environmental light fully affecting skin tone, natural lighting, realistic shadows. --ar 16:9 说明：图1是眼影盘参考 图2是女人参考

Medium shot, a woman running and smiling freely and wildly in the middle of a desert landscape. Her dress and hair are flowing in the wind. She has bold earthy eyeshadow applied. Strong cinematic backlight, beautiful golden sun flare hitting the lens. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, hyperrealistic skin texture, visible pores, wrinkles, natural flaws, zero retouching, true human skin texture, environmental light fully affecting skin tone, natural lighting, realistic shadows, cinematic motion blur. --ar 16:9 说明：图1是女人参考，图2是车参考，图3是眼影盘参考 图4是场景参考

<instruction> **Role:** Cinematic Director & Storyboard Artist **Task:** Create a 3x3 "Cinematic Montage Grid" based on the input image. **Goal:** Depict a **progressive storyline** (Time t=0s to t=5s) while simultaneously using **diverse camera angles and focal lengths**. **Directive:** Do NOT just show the same moment from different angles. Do NOT just show a static camera with moving subjects. **YOU MUST combine "Time Progression" with "Camera Movement".** **The Narrative Arc (3x3 Grid Structure):** **Row 1: The Setup (Time: Start | Wide & Dynamic)** * **Panel 1 (Extreme Long Shot):** Establishing the scene. The subject is entering the space or starting the action. * **Panel 2 (Long Shot / Low Angle):** The subject moves closer. Camera looks up to emphasize presence. Action is initiating. * **Panel 3 (Full Shot / Tracking):** Subject is in full motion. Camera tracks alongside them. **Row 2: The Conflict/Action (Time: Middle | Mid-Range & Interaction)** * **Panel 4 (Medium Shot):** The core action occurs (e.g., interacting with an object, talking, fighting). Focus on body language. * **Panel 5 (Over-The-Shoulder / POV):** A perspective shift. Seeing what the subject sees or facing the subject directly during the peak of action. * **Panel 6 (Medium Close-Up):** The action intensifies. Camera pushes in. Focus shifts to the upper body/reaction. **Row 3: The Resolution/Detail (Time: End | Close & Intimate)** * **Panel 7 (Close-Up):** Tight focus on the face or main focal point. Capturing the emotional reaction or effort. * **Panel 8 (Extreme Close-Up / Macro):** A specific detail of the action (e.g., a hand gripping, an eye widening, a foot landing). * **Panel 9 (High Angle / Top Down):** The aftermath or final state. Looking down at the subject as the action concludes. **Visual Consistency Rules:** 1. **Subject Identity:** The character's face, costume, and props must remain identical across all shots. 2. **Lighting Continuity:** The direction and mood of the light (e.g., sunset, neon, diffuse) must match the original image exactly. 3. **Montage Flow:** The sequence should feel like a professionally edited movie trailer where cuts are fast but logically connected. </instruction> <output_format> A photorealistic 3x3 storyboard grid. - **Top Row:** Wide shots, movement starting. - **Middle Row:** Medium shots, action peaking. - **Bottom Row:** Close-ups/Angles, action concluding. High contrast, cinematic composition, distinct depth of field for each shot type. </output_format> 图2是女人全身参考

图片节点 100

提取第三列第三行的分镜，保证画面细节构图尺寸内容不变。

Wide shot, a cold and modern city street corner at dusk, towering concrete buildings, heavy traffic and crowds heavily blurred indicating fast motion. Cold cyber-blue and grey tones, high contrast, melancholic mood. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, natural lighting, realistic shadows, cinematic motion blur. --ar 16:9

Medium shot, a woman walking through a crowded, cold city street, pulling a sleek travel suitcase. The crowd around her is blurred, while she and the suitcase remain in sharp focus. Cold cyber-blue and grey tones, high contrast. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, hyperrealistic skin texture, visible pores, wrinkles, natural flaws, zero retouching, true human skin texture, environmental light fully affecting skin tone, natural lighting, realistic shadows, cinematic motion blur. --ar 16:9 说明：图1是女人形象参考图

Medium close-up, shot through a dirty, rain-streaked glass pane serving as a heavy foreground element, partially obscuring a woman wearing a minimalist sleeveless top standing on a classic city street. She has a completely bare face, zero makeup, looking exhausted but resolute. Summer season. Muted color palette, low saturation, raw candid street photography. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, hyperrealistic skin texture, natural lighting, realistic shadows, shallow depth of field focusing on her face beyond the glass. 图1是女人参考

Close-up, a woman sitting in the back seat of a moving car, looking out the window at the blurred city lights. Reflections of neon lights passing across the glass and her face. Tired but determined body language. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, hyperrealistic skin texture, visible pores, wrinkles, natural flaws, zero retouching, true human skin texture, environmental light fully affecting skin tone, natural lighting, realistic shadows. --ar 16:9 说明：图1是女人形象参考图

Point of view shot, looking over the steering wheel of a vintage car, hands gripping the wheel. The windshield shows a vast loess plateau rapidly approaching. Warm golden hour sunlight flooding into the car cabin. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, hyperrealistic skin texture, visible pores, wrinkles, natural flaws, zero retouching, true human skin texture, environmental light fully affecting skin tone, natural lighting, realistic shadows. --ar 16:9 图1是女人形象参考

Medium shot, a woman standing in the desert, holding a vintage film camera up to her eye, taking a photo of the landscape. Warm golden hour sunlight, strong environmental reflections on her clothes. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, hyperrealistic skin texture, visible pores, wrinkles, natural flaws, zero retouching, true human skin texture, environmental light fully affecting skin tone, natural lighting, realistic shadows. 说明：图1是女人参考 图2是车辆参考 图3是场景参考

Close-up, a woman lowering the vintage camera from her face, looking thoughtfully at the distant horizon. Wind blowing her hair gently. The warm terracotta and ochre colors of the earth reflect strongly on her skin. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, hyperrealistic skin texture, visible pores, wrinkles, natural flaws, zero retouching, true human skin texture, environmental light fully affecting skin tone, natural lighting, realistic shadows. 说明：图1是女人参考 图2是车辆参考

图片节点 6

Extreme close-up, a woman's fingers swiping across the textured, earthy terracotta powder of a high-end eyeshadow palette. The powder texture resembles dry, cracked earth. Warm natural sunlight, sharp macro shadows. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, hyperrealistic skin texture, visible pores, wrinkles, natural flaws, zero retouching, true human skin texture, environmental light fully affecting skin tone, natural lighting, realistic shadows. --ar 16:9 说明：图1是女人参考，图2是车参考，图3是眼影盘参考

Close-up, a woman applying bold, earthy terracotta and ochre eyeshadow to her eyelid with her fingers. The application is raw and unblended, wabi-sabi aesthetic. Strong cinematic backlight, warm golden hour. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, hyperrealistic skin texture, visible pores, wrinkles, natural flaws, zero retouching, true human skin texture, environmental light fully affecting skin tone, natural lighting, realistic shadows. 说明：图1是女人参考，图2是车参考，图3是眼影盘参考

Medium close-up, side angle, a woman driving a vintage off-road vehicle, looking out the open window. Strong wind blowing her messy hair. Warm golden hour sunlight hitting her face through the window, creating beautiful chiaroscuro. Cinematic road trip aesthetic. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, hyperrealistic skin texture, visible pores, wrinkles, natural flaws, zero retouching, true human skin texture, environmental light fully affecting skin tone, natural lighting, realistic shadows, background motion blur. --ar 16:9 图1是女人参考

提取第三行第一列的分镜，保证画面尺寸细节构图不变。

提取第二行第三列的分镜，保证构图尺寸细节不变。

提取第三行第一列的分镜，保证画面细节构图尺寸不变。

修改图1，参考图2的场景修改图1的场景，不改变图1的构图，人物细节，光影等等。

Medium wide shot, from behind, a woman wearing a minimalist sleeveless top walking down a classic city street with vintage stone buildings. Wind blowing her hair wildly. Summer season, sparse pedestrians in light summer clothing are heavily blurred indicating fast motion. Muted color palette, low saturation, almost monochromatic, raw street photography aesthetic. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, natural lighting, realistic shadows, cinematic motion blur. 说明：图1是女人参考

图片节点 13

Close-up, a woman wearing a minimalist sleeveless top turning her head to look back on a classic city street. Wind sweeping her messy hair across her face. Candid moment, summer season. Muted color palette, low saturation, raw cinematic aesthetic. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, hyperrealistic skin texture, visible pores, wrinkles, natural flaws, zero retouching, true human skin texture, environmental light fully affecting skin tone, natural lighting, realistic shadows. 说明：图1是女人参考

提取第一行第三列的图片，保证尺寸细节不变。

提取第三行第三列的图片，保证尺寸细节不变。

提取第一行第一列的图片，保证尺寸细节不变。

提取第二行第三列的图片，保证尺寸细节不变。

Low-angle shot, a woman wearing a minimalist sleeveless top taking large strides forward, pulling a sleek travel suitcase on a classic city street. Wind blowing her hair wildly. Summer season, vintage stone buildings towering in the background. Muted color palette, low saturation, raw candid street photography. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, hyperrealistic skin texture, visible pores, wrinkles, natural flaws, zero retouching, true human skin texture, environmental light fully affecting skin tone, natural lighting, realistic shadows, cinematic motion blur. 说明：图1是女人参考

Extreme low-angle close-up shot, focusing only on the lower half of a woman's body taking large, urgent strides forward on a classic city stone pavement, pulling a sleek travel suitcase. She is wearing light summer clothing. The wheels of the suitcase are in sharp focus. In the heavily blurred background, the legs of sparse pedestrians walking by can be seen, creating a realistic, busy street atmosphere. Muted color palette, low saturation, raw candid street photography. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, shallow depth of field, natural lighting, realistic shadows, cinematic motion blur. 图1是女人参考

Close-up, profile angle, a woman sitting in the back seat of a moving taxi, looking out the window. She has a completely bare face, zero makeup, raw unpolished beauty, wearing a minimalist sleeveless top. Reflections of the fading city passing across the glass and her face. Tired but relieved expression. Muted color palette, low saturation, raw cinematic aesthetic. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, hyperrealistic skin texture, visible pores, wrinkles, natural flaws, zero retouching, true human skin texture, environmental light fully affecting skin tone, natural lighting, realistic shadows, background cinematic motion blur. 说明，图1是女人参考

Medium tracking shot, a woman wearing a minimalist sleeveless top carrying a shoulder bag, walking hurriedly through a classic city street after work. Summer season, sparse pedestrians in light summer clothing are heavily blurred indicating fast motion. Muted color palette, low saturation, raw street photography aesthetic. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, hyperrealistic skin texture, visible pores, wrinkles, natural flaws, zero retouching, true human skin texture, environmental light fully affecting skin tone, natural lighting, realistic shadows, cinematic motion blur. 说明 图1是女人参考

<instruction> **Role:** Cinematic Director & Storyboard Artist **Task:** Create a 3x3 "Cinematic Montage Grid" based on the input image. **Goal:** Depict a **progressive storyline** (Time t=0s to t=5s) while simultaneously using **diverse camera angles and focal lengths**. **Directive:** Do NOT just show the same moment from different angles. Do NOT just show a static camera with moving subjects. **YOU MUST combine "Time Progression" with "Camera Movement".** **The Narrative Arc (3x3 Grid Structure):** **Row 1: The Setup (Time: Start | Wide & Dynamic)** * **Panel 1 (Extreme Long Shot):** Establishing the scene. The subject is entering the space or starting the action. * **Panel 2 (Long Shot / Low Angle):** The subject moves closer. Camera looks up to emphasize presence. Action is initiating. * **Panel 3 (Full Shot / Tracking):** Subject is in full motion. Camera tracks alongside them. **Row 2: The Conflict/Action (Time: Middle | Mid-Range & Interaction)** * **Panel 4 (Medium Shot):** The core action occurs (e.g., interacting with an object, talking, fighting). Focus on body language. * **Panel 5 (Over-The-Shoulder / POV):** A perspective shift. Seeing what the subject sees or facing the subject directly during the peak of action. * **Panel 6 (Medium Close-Up):** The action intensifies. Camera pushes in. Focus shifts to the upper body/reaction. **Row 3: The Resolution/Detail (Time: End | Close & Intimate)** * **Panel 7 (Close-Up):** Tight focus on the face or main focal point. Capturing the emotional reaction or effort. * **Panel 8 (Extreme Close-Up / Macro):** A specific detail of the action (e.g., a hand gripping, an eye widening, a foot landing). * **Panel 9 (High Angle / Top Down):** The aftermath or final state. Looking down at the subject as the action concludes. **Visual Consistency Rules:** 1. **Subject Identity:** The character's face, costume, and props must remain identical across all shots. 2. **Lighting Continuity:** The direction and mood of the light (e.g., sunset, neon, diffuse) must match the original image exactly. 3. **Montage Flow:** The sequence should feel like a professionally edited movie trailer where cuts are fast but logically connected. </instruction> <output_format> A photorealistic 3x3 storyboard grid. - **Top Row:** Wide shots, movement starting. - **Middle Row:** Medium shots, action peaking. - **Bottom Row:** Close-ups/Angles, action concluding. High contrast, cinematic composition, distinct depth of field for each shot type. </output_format> 图2是女主参考

<instruction> **Role:** Cinematic Director & Storyboard Artist **Task:** Create a 3x3 "Cinematic Montage Grid" based on the input image. **Goal:** Depict a **progressive storyline** (Time t=0s to t=5s) while simultaneously using **diverse camera angles and focal lengths**. **Directive:** Do NOT just show the same moment from different angles. Do NOT just show a static camera with moving subjects. **YOU MUST combine "Time Progression" with "Camera Movement".** **The Narrative Arc (3x3 Grid Structure):** **Row 1: The Setup (Time: Start | Wide & Dynamic)** * **Panel 1 (Extreme Long Shot):** Establishing the scene. The subject is entering the space or starting the action. * **Panel 2 (Long Shot / Low Angle):** The subject moves closer. Camera looks up to emphasize presence. Action is initiating. * **Panel 3 (Full Shot / Tracking):** Subject is in full motion. Camera tracks alongside them. **Row 2: The Conflict/Action (Time: Middle | Mid-Range & Interaction)** * **Panel 4 (Medium Shot):** The core action occurs (e.g., interacting with an object, talking, fighting). Focus on body language. * **Panel 5 (Over-The-Shoulder / POV):** A perspective shift. Seeing what the subject sees or facing the subject directly during the peak of action. * **Panel 6 (Medium Close-Up):** The action intensifies. Camera pushes in. Focus shifts to the upper body/reaction. **Row 3: The Resolution/Detail (Time: End | Close & Intimate)** * **Panel 7 (Close-Up):** Tight focus on the face or main focal point. Capturing the emotional reaction or effort. * **Panel 8 (Extreme Close-Up / Macro):** A specific detail of the action (e.g., a hand gripping, an eye widening, a foot landing). * **Panel 9 (High Angle / Top Down):** The aftermath or final state. Looking down at the subject as the action concludes. **Visual Consistency Rules:** 1. **Subject Identity:** The character's face, costume, and props must remain identical across all shots. 2. **Lighting Continuity:** The direction and mood of the light (e.g., sunset, neon, diffuse) must match the original image exactly. 3. **Montage Flow:** The sequence should feel like a professionally edited movie trailer where cuts are fast but logically connected. </instruction> <output_format> A photorealistic 3x3 storyboard grid. - **Top Row:** Wide shots, movement starting. - **Middle Row:** Medium shots, action peaking. - **Bottom Row:** Close-ups/Angles, action concluding. High contrast, cinematic composition, distinct depth of field for each shot type. </output_format> 图2是女主参考

提取第二行第三列的分镜，保证画面细节内容构图不变

图片节点 58

Medium tracking shot, a woman running wildly and smiling towards the camera in a desert landscape. She has bold earthy eyeshadow applied and is wearing a sleeveless top. The camera is positioned low behind tall, dry, swaying wild grass that acts as a dynamic foreground, partially obscuring her as she runs. Strong cinematic backlight, beautiful golden sun flare hitting the lens through the grass. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, hyperrealistic skin texture, natural lighting, realistic shadows, cinematic motion blur on the foreground grass. 图1是女人参考 图2是女人妆容参考 图3是场景参考

提取第三行第二列的分镜，保证画面细节构图尺寸。

<instruction> **Role:** Cinematic Director & Storyboard Artist **Task:** Create a 3x3 "Cinematic Montage Grid" based on the input image. **Goal:** Depict a **progressive storyline** (Time t=0s to t=5s) while simultaneously using **diverse camera angles and focal lengths**. **Directive:** Do NOT just show the same moment from different angles. Do NOT just show a static camera with moving subjects. **YOU MUST combine "Time Progression" with "Camera Movement".** **The Narrative Arc (3x3 Grid Structure):** **Row 1: The Setup (Time: Start | Wide & Dynamic)** * **Panel 1 (Extreme Long Shot):** Establishing the scene. The subject is entering the space or starting the action. * **Panel 2 (Long Shot / Low Angle):** The subject moves closer. Camera looks up to emphasize presence. Action is initiating. * **Panel 3 (Full Shot / Tracking):** Subject is in full motion. Camera tracks alongside them. **Row 2: The Conflict/Action (Time: Middle | Mid-Range & Interaction)** * **Panel 4 (Medium Shot):** The core action occurs (e.g., interacting with an object, talking, fighting). Focus on body language. * **Panel 5 (Over-The-Shoulder / POV):** A perspective shift. Seeing what the subject sees or facing the subject directly during the peak of action. * **Panel 6 (Medium Close-Up):** The action intensifies. Camera pushes in. Focus shifts to the upper body/reaction.

提取第三行第三列的分镜，保证画面构图细节尺寸不变。

提取第三行第三列的分镜，保证分镜构图细节尺寸不变。

提取第三行第二列的分镜，保证画面细节内容构图不变

把图片改成仰拍下半身和行李箱的特写

修改图1，把图1的主体人物下半部分替换成图2女生的下半部分特写，不改变图 1的构图和原本细节

<instruction> **Role:** Cinematic Director & Storyboard Artist **Task:** Create a 3x3 "Cinematic Montage Grid" based on the input image. **Goal:** Depict a **progressive storyline** (Time t=0s to t=5s) while simultaneously using **diverse camera angles and focal lengths**. **Directive:** Do NOT just show the same moment from different angles. Do NOT just show a static camera with moving subjects. **YOU MUST combine "Time Progression" with "Camera Movement".** **The Narrative Arc (3x3 Grid Structure):** **Row 1: The Setup (Time: Start | Wide & Dynamic)** * **Panel 1 (Extreme Long Shot):** Establishing the scene. The subject is entering the space or starting the action. * **Panel 2 (Long Shot / Low Angle):** The subject moves closer. Camera looks up to emphasize presence. Action is initiating. * **Panel 3 (Full Shot / Tracking):** Subject is in full motion. Camera tracks alongside them. **Row 2: The Conflict/Action (Time: Middle | Mid-Range & Interaction)** * **Panel 4 (Medium Shot):** The core action occurs (e.g., interacting with an object, talking, fighting). Focus on body language. * **Panel 5 (Over-The-Shoulder / POV):** A perspective shift. Seeing what the subject sees or facing the subject directly during the peak of action. * **Panel 6 (Medium Close-Up):** The action intensifies. Camera pushes in. Focus shifts to the upper body/reaction. **Row 3: The Resolution/Detail (Time: End | Close & Intimate)** * **Panel 7 (Close-Up):** Tight focus on the face or main focal point. Capturing the emotional reaction or effort. * **Panel 8 (Extreme Close-Up / Macro):** A specific detail of the action (e.g., a hand gripping, an eye widening, a foot landing). * **Panel 9 (High Angle / Top Down):** The aftermath or final state. Looking down at the subject as the action concludes. **Visual Consistency Rules:** 1. **Subject Identity:** The character's face, costume, and props must remain identical across all shots. 2. **Lighting Continuity:** The direction and mood of the light (e.g., sunset, neon, diffuse) must match the original image exactly. 3. **Montage Flow:** The sequence should feel like a professionally edited movie trailer where cuts are fast but logically connected. </instruction> <output_format> A photorealistic 3x3 storyboard grid. - **Top Row:** Wide shots, movement starting. - **Middle Row:** Medium shots, action peaking. - **Bottom Row:** Close-ups/Angles, action concluding. High contrast, cinematic composition, distinct depth of field for each shot type. </output_format> 说明：图2是女主参考

<instruction> **Role:** Cinematic Director & Storyboard Artist **Task:** Create a 3x3 "Cinematic Montage Grid" based on the input image. **Goal:** Depict a **progressive storyline** (Time t=0s to t=5s) while simultaneously using **diverse camera angles and focal lengths**. **Directive:** Do NOT just show the same moment from different angles. Do NOT just show a static camera with moving subjects. **YOU MUST combine "Time Progression" with "Camera Movement".** **The Narrative Arc (3x3 Grid Structure):** **Row 1: The Setup (Time: Start | Wide & Dynamic)** * **Panel 1 (Extreme Long Shot):** Establishing the scene. The subject is entering the space or starting the action. * **Panel 2 (Long Shot / Low Angle):** The subject moves closer. Camera looks up to emphasize presence. Action is initiating. * **Panel 3 (Full Shot / Tracking):** Subject is in full motion. Camera tracks alongside them. **Row 2: The Conflict/Action (Time: Middle | Mid-Range & Interaction)** * **Panel 4 (Medium Shot):** The core action occurs (e.g., interacting with an object, talking, fighting). Focus on body language. * **Panel 5 (Over-The-Shoulder / POV):** A perspective shift. Seeing what the subject sees or facing the subject directly during the peak of action. * **Panel 6 (Medium Close-Up):** The action intensifies. Camera pushes in. Focus shifts to the upper body/reaction. **Row 3: The Resolution/Detail (Time: End | Close & Intimate)** * **Panel 7 (Close-Up):** Tight focus on the face or main focal point. Capturing the emotional reaction or effort. * **Panel 8 (Extreme Close-Up / Macro):** A specific detail of the action (e.g., a hand gripping, an eye widening, a foot landing). * **Panel 9 (High Angle / Top Down):** The aftermath or final state. Looking down at the subject as the action concludes. **Visual Consistency Rules:** 1. **Subject Identity:** The character's face, costume, and props must remain identical across all shots. 2. **Lighting Continuity:** The direction and mood of the light (e.g., sunset, neon, diffuse) must match the original image exactly. 3. **Montage Flow:** The sequence should feel like a professionally edited movie trailer where cuts are fast but logically connected. </instruction> <output_format> A photorealistic 3x3 storyboard grid. - **Top Row:** Wide shots, movement starting. - **Middle Row:** Medium shots, action peaking. - **Bottom Row:** Close-ups/Angles, action concluding. High contrast, cinematic composition, distinct depth of field for each shot type. </output_format> 图2是女人参考

把人物身上的围巾删掉

图片节点 45

Extreme low-angle wide shot, framed through a narrow gap between two massive, rough-textured terracotta rocks acting as a heavy dark foreground. Through the gap, a woman in the distance is standing on a vast dry loess plateau, holding a vintage film camera up to her eye. She is wearing a minimalist sleeveless top. Warm golden hour sunlight hitting her, while the foreground rocks are in deep shadow. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, natural lighting, high contrast. 图1是女人参考 图2是车辆参考 图3是场景参考

<instruction> **Role:** Cinematic Director & Storyboard Artist **Task:** Create a 3x3 "Cinematic Montage Grid" based on the input image. **Goal:** Depict a **progressive storyline** (Time t=0s to t=5s) while simultaneously using **diverse camera angles and focal lengths**. **Directive:** Do NOT just show the same moment from different angles. Do NOT just show a static camera with moving subjects. **YOU MUST combine "Time Progression" with "Camera Movement".** **The Narrative Arc (3x3 Grid Structure):** **Row 1: The Setup (Time: Start | Wide & Dynamic)** * **Panel 1 (Extreme Long Shot):** Establishing the scene. The subject is entering the space or starting the action. * **Panel 2 (Long Shot / Low Angle):** The subject moves closer. Camera looks up to emphasize presence. Action is initiating. * **Panel 3 (Full Shot / Tracking):** Subject is in full motion. Camera tracks alongside them. **Row 2: The Conflict/Action (Time: Middle | Mid-Range & Interaction)** * **Panel 4 (Medium Shot):** The core action occurs (e.g., interacting with an object, talking, fighting). Focus on body language. * **Panel 5 (Over-The-Shoulder / POV):** A perspective shift. Seeing what the subject sees or facing the subject directly during the peak of action. * **Panel 6 (Medium Close-Up):** The action intensifies. Camera pushes in. Focus shifts to the upper body/reaction. 图2是女人全身参考

提取第三行第三列的图片，保证细节和尺寸

提取第二行第一列的分镜，保证细节尺寸不变

<instruction> **Role:** Cinematic Director & Storyboard Artist **Task:** Create a 3x3 "Cinematic Montage Grid" based on the input image. **Goal:** Depict a **progressive storyline** (Time t=0s to t=5s) while simultaneously using **diverse camera angles and focal lengths**. **Directive:** Do NOT just show the same moment from different angles. Do NOT just show a static camera with moving subjects. **YOU MUST combine "Time Progression" with "Camera Movement".** **The Narrative Arc (3x3 Grid Structure):** **Row 1: The Setup (Time: Start | Wide & Dynamic)** * **Panel 1 (Extreme Long Shot):** Establishing the scene. The subject is entering the space or starting the action. * **Panel 2 (Long Shot / Low Angle):** The subject moves closer. Camera looks up to emphasize presence. Action is initiating. * **Panel 3 (Full Shot / Tracking):** Subject is in full motion. Camera tracks alongside them. **Row 2: The Conflict/Action (Time: Middle | Mid-Range & Interaction)** * **Panel 4 (Medium Shot):** The core action occurs (e.g., interacting with an object, talking, fighting). Focus on body language. * **Panel 5 (Over-The-Shoulder / POV):** A perspective shift. Seeing what the subject sees or facing the subject directly during the peak of action. * **Panel 6 (Medium Close-Up):** The action intensifies. Camera pushes in. Focus shifts to the upper body/reaction. **Row 3: The Resolution/Detail (Time: End | Close & Intimate)** * **Panel 7 (Close-Up):** Tight focus on the face or main focal point. Capturing the emotional reaction or effort. * **Panel 8 (Extreme Close-Up / Macro):** A specific detail of the action (e.g., a hand gripping, an eye widening, a foot landing). 图2是女人参考

<instruction> **Role:** Cinematic Director & Storyboard Artist **Task:** Create a 3x3 "Cinematic Montage Grid" based on the input image. **Goal:** Depict a **progressive storyline** (Time t=0s to t=5s) while simultaneously using **diverse camera angles and focal lengths**. **Directive:** Do NOT just show the same moment from different angles. Do NOT just show a static camera with moving subjects. **YOU MUST combine "Time Progression" with "Camera Movement".** **The Narrative Arc (3x3 Grid Structure):** **Row 1: The Setup (Time: Start | Wide & Dynamic)** * **Panel 1 (Extreme Long Shot):** Establishing the scene. The subject is entering the space or starting the action. * **Panel 2 (Long Shot / Low Angle):** The subject moves closer. Camera looks up to emphasize presence. Action is initiating. * **Panel 3 (Full Shot / Tracking):** Subject is in full motion. Camera tracks alongside them. **Row 2: The Conflict/Action (Time: Middle | Mid-Range & Interaction)** * **Panel 4 (Medium Shot):** The core action occurs (e.g., interacting with an object, talking, fighting). Focus on body language. * **Panel 5 (Over-The-Shoulder / POV):** A perspective shift. Seeing what the subject sees or facing the subject directly during the peak of action. * **Panel 6 (Medium Close-Up):** The action intensifies. Camera pushes in. Focus shifts to the upper body/reaction. 图2是女人参考

把女人手中的方形物体缩小一点

<instruction> **Role:** Cinematic Director & Storyboard Artist **Task:** Create a 3x3 "Cinematic Montage Grid" based on the input image. **Goal:** Depict a **progressive storyline** (Time t=0s to t=5s) while simultaneously using **diverse camera angles and focal lengths**. **Directive:** Do NOT just show the same moment from different angles. Do NOT just show a static camera with moving subjects. **YOU MUST combine "Time Progression" with "Camera Movement".** **The Narrative Arc (3x3 Grid Structure):** **Row 1: The Setup (Time: Start | Wide & Dynamic)** * **Panel 1 (Extreme Long Shot):** Establishing the scene. The subject is entering the space or starting the action. * **Panel 2 (Long Shot / Low Angle):** The subject moves closer. Camera looks up to emphasize presence. Action is initiating. * **Panel 3 (Full Shot / Tracking):** Subject is in full motion. Camera tracks alongside them. **Row 2: The Conflict/Action (Time: Middle | Mid-Range & Interaction)** * **Panel 4 (Medium Shot):** The core action occurs (e.g., interacting with an object, talking, fighting). Focus on body language. * **Panel 5 (Over-The-Shoulder / POV):** A perspective shift. Seeing what the subject sees or facing the subject directly during the peak of action. * **Panel 6 (Medium Close-Up):** The action intensifies. Camera pushes in. Focus shifts to the upper body/reaction. **Row 3: The Resolution/Detail (Time: End | Close & Intimate)** * **Panel 7 (Close-Up):** Tight focus on the face or main focal point. Capturing the emotional reaction or effort. * **Panel 8 (Extreme Close-Up / Macro):** A specific detail of the action (e.g., a hand gripping, an eye widening, a foot landing). 图2是女人参考，图3是车辆参考

提取第三行第三列的分镜，保证画面内容细节构图不变。

<instruction> **Role:** Cinematic Director & Storyboard Artist **Task:** Create a 3x3 "Cinematic Montage Grid" based on the input image. **Goal:** Depict a **progressive storyline** (Time t=0s to t=5s) while simultaneously using **diverse camera angles and focal lengths**. **Directive:** Do NOT just show the same moment from different angles. Do NOT just show a static camera with moving subjects. **YOU MUST combine "Time Progression" with "Camera Movement".** **The Narrative Arc (3x3 Grid Structure):** **Row 1: The Setup (Time: Start | Wide & Dynamic)** * **Panel 1 (Extreme Long Shot):** Establishing the scene. The subject is entering the space or starting the action. * **Panel 2 (Long Shot / Low Angle):** The subject moves closer. Camera looks up to emphasize presence. Action is initiating. * **Panel 3 (Full Shot / Tracking):** Subject is in full motion. Camera tracks alongside them. **Row 2: The Conflict/Action (Time: Middle | Mid-Range & Interaction)** * **Panel 4 (Medium Shot):** The core action occurs (e.g., interacting with an object, talking, fighting). Focus on body language. * **Panel 5 (Over-The-Shoulder / POV):** A perspective shift. Seeing what the subject sees or facing the subject directly during the peak of action. * **Panel 6 (Medium Close-Up):** The action intensifies. Camera pushes in. Focus shifts to the upper body/reaction. **Row 3: The Resolution/Detail (Time: End | Close & Intimate)** * **Panel 7 (Close-Up):** Tight focus on the face or main focal point. Capturing the emotional reaction or effort. * **Panel 8 (Extreme Close-Up / Macro):** A specific detail of the action (e.g., a hand gripping, an eye widening, a foot landing).

提取第一行第二列的分镜，保证尺寸细节不变

提取第二行第三列的分镜，保证细节尺寸不变

提取第二行第一列的分镜，保证画面细节内容构图尺寸不变。

图片节点 66

提取第三列第三行的分镜，保证构图细节不变，把手中的方形盒子变小。

提取第三行第二列的分镜，保证构图尺寸细节不变。

提取第三行第一列的分镜，保证细节尺寸不变

提取第一行第三列的分镜，保证画面细节构图尺寸

提取第二行第二列的分镜，保证画面细节构图尺寸不变。

<instruction> **Role:** Cinematic Director & Storyboard Artist **Task:** Create a 3x3 "Cinematic Montage Grid" based on the input image. **Goal:** Depict a **progressive storyline** (Time t=0s to t=5s) while simultaneously using **diverse camera angles and focal lengths**. **Directive:** Do NOT just show the same moment from different angles. Do NOT just show a static camera with moving subjects. **YOU MUST combine "Time Progression" with "Camera Movement".** **The Narrative Arc (3x3 Grid Structure):** **Row 1: The Setup (Time: Start | Wide & Dynamic)** * **Panel 1 (Extreme Long Shot):** Establishing the scene. The subject is entering the space or starting the action. * **Panel 2 (Long Shot / Low Angle):** The subject moves closer. Camera looks up to emphasize presence. Action is initiating. * **Panel 3 (Full Shot / Tracking):** Subject is in full motion. Camera tracks alongside them. **Row 2: The Conflict/Action (Time: Middle | Mid-Range & Interaction)** * **Panel 4 (Medium Shot):** The core action occurs (e.g., interacting with an object, talking, fighting). Focus on body language. * **Panel 5 (Over-The-Shoulder / POV):** A perspective shift. Seeing what the subject sees or facing the subject directly during the peak of action. * **Panel 6 (Medium Close-Up):** The action intensifies. Camera pushes in. Focus shifts to the upper body/reaction. **Row 3: The Resolution/Detail (Time: End | Close & Intimate)** * **Panel 7 (Close-Up):** Tight focus on the face or main focal point. Capturing the emotional reaction or effort. * **Panel 8 (Extreme Close-Up / Macro):** A specific detail of the action (e.g., a hand gripping, an eye widening, a foot landing). 图2是场景参考 图3是女人妆容参考 图4是车辆参考

提取第三行第三列的分镜，保证分镜画面细节内容尺寸构图不变。

提取第一行第二列的分镜，保证画面细节内容构图尺寸不变。

提取第三行第三列的分镜，保证画面细节构图尺寸不变。

修改图1，把图1手中的眼影盘替换成图2的眼影盘

提取第一行第一列的分镜，保证画面细节内容构图尺寸不变。

Extreme close-up of a woman's face, slowly lowering a vintage camera away from her eye. Her expression is transitioning from a lingering sense of gloomy exhaustion to sudden relief. Warm golden hour sunlight beautifully illuminates her face, creating a stark contrast with the dark memory. Wind gently blowing her hair. Cinematic lighting, shallow depth of field, hyper-detailed eye reflection. 图1是女人参考 图2是全景场景参考

删除画面中心的女人，其他不变

图片节点 128

把这张图片左右镜像一下

Cinematic B-roll empty shot, no cars, no people. A low angle view of dry, golden desert brush swaying violently in the wind. In the heavily blurred background, the landscape transitions into rugged, towering red sandstone rock formations. Warm, dramatic sunset lighting with beautiful sun flares hitting the lens. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, shallow depth of field, realistic shadows.

提取第二行第一列的图片，保证尺寸细节不变。

Medium close-up of a woman standing on a high cliff edge, camera lowered in her hand. Her eyes are closed, taking a deep breath, feeling the wild breeze. A subtle, genuine smile of true liberation and inner peace on her face. Bathed in the warm, majestic glow of the setting sun. Cinematic, emotional release, 35mm film grain, Kodak Vision3 500T aesthetic. 图1是女人参考 图2是全景场景参考

提取第三行第三列的分镜，保证画面细节尺寸构图不变。

调转车辆朝向，改成往画面远处开

提取第三行第二列的分镜，保证画面细节内容构图尺寸不变。

Extreme close-up shot, a woman's hand firmly grabbing and pulling the exterior door handle of a car. Subtle reflections of the muted city street on the car's metallic surface. Cold, cinematic atmosphere. Muted color palette, low saturation, raw street photography aesthetic. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, natural lighting, realistic shadows, shallow depth of field. 图1是女人参考，图2是车辆参考

把图片扩充成21：9的，保证细节不变。

Medium shot, side profile of a pale woman with long dark hair wearing a simple beige sleeveless dress, standing on the right side of the frame looking left. She is standing on a high-rise balcony. The background is a realistic, dense modern metropolis with towering glass and concrete skyscrapers. Overcast, gloomy, and oppressive atmosphere. Cold, steely blue and gray color palette, but with realistic lighting. Shallow depth of field, the city background is slightly blurred with cinematic bokeh, realistic reflections on the distant glass facades. Shot on ARRI Alexa 65, 35mm film grain, Kodak Vision3 500T aesthetic, photorealistic, highly detailed, avoiding CGI or plastic look.

提取第二行第二列的分镜，保证画面内容细节构图不变。

修改图1，在图1女人脸上加上图2的妆容

把这张图左右镜像一下，不改变其他内容细节。

调转车辆行驶方向

图片节点 145

提取第二行第一列的分镜，保证内容细节构图不变。

其他不变，把颧骨上多余的眼影去掉

提取第三行第二列的分镜，保证画面细节构图尺寸不变。

删去手上的戒指

Extreme low angle shot, cinematic B-roll empty shot, no cars, no people. An empty, weathered asphalt road stretching infinitely towards towering red Danxia mountains in the distant background. Visible heat haze distortion rising from the ground surface. Warm, blazing late afternoon sun. Shot on ARRI Alexa 65, 35mm film grain, Kodak Vision3 500T aesthetic, shallow depth of field focusing on the cracked road texture in the foreground, cinematic blur on the distant mountains.

Extreme close-up, an unconventional angle focusing entirely on the side rearview mirror of a vintage off-road vehicle driving fast. Inside the mirror's reflection, a woman with a completely bare face and messy hair blowing in the wind is visible, wearing a sleeveless top. The background outside the mirror shows a heavily blurred, fast-moving vast red canyon and loess plateau. Warm golden hour sunlight. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, natural lighting, realistic shadows, cinematic motion blur. 图1是女人参考 图2是车辆参考

修改图1，根据图2的妆容，去掉脸上多余的眼影，不改变图1的构图

提取第三行第二列的分镜，保证画面内容细节构图不变。

提取第三行第二列的分镜，保证细节内容尺寸构图不变。

Extreme wide aerial shot, a vintage white off-road vehicle driving alone on a seemingly endless, straight asphalt highway cutting through a vast, desolate, and barren desert plain. Warm golden hour sunlight casting long shadows. Majestic, lonely, and liberating atmosphere. Cinematic landscape photography. Shot on ARRI Alexa 65, 35mm film grain, Kodak Vision3 500T aesthetic, hyper-detailed, natural lighting

Extreme wide aerial shot, epic cinematic B-roll empty shot, no cars, no people. A breathtaking, endless expanse of majestic red Danxia landforms from a God's-eye view. Massive rolling sandstone mountains, deep winding canyons, and rugged plateaus stretching all the way to the horizon. Dramatic golden hour sunlight casting long, deep shadows across the valleys, highlighting the fiery crimson and orange geological textures. Majestic, epic scale, awe-inspiring nature. Shot on ARRI Alexa 65, 12mm ultra-wide lens, 35mm film grain, Kodak Vision3 500T aesthetic, photorealistic masterpiece.

不改变图片，把左下角右下角白色字体去除。

图片节点 120

Extreme close-up, cinematic B-roll empty shot, no cars, no people. Intricate, wind-eroded layers of red sandstone rock in a spectacular Danxia landform. Rich textures of terracotta, deep orange, and crimson. Warm golden hour sunlight grazing the rough surface, creating deep, dramatic micro-shadows. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, highly detailed, photorealistic nature photography.

Extreme close-up of a woman's face bathed in warm golden hour sunlight. Terracotta and deep orange eyeshadow is applied to her cheeks and eyes, resembling wild, beautiful tribal war paint. She wears a confident, uninhibited, and wild smile looking into the distance. Wind blowing her messy dark hair. Cinematic lighting, highly detailed skin texture, 35mm film grain, Kodak Vision3 500T aesthetic. 图1是女人参考 图2是妆容参考 图3是全景参考

Medium tracking shot from the side profile. A woman running wildly and freely across a vast red Danxia plateau. Her head is thrown back in a hearty, uninhibited, and joyous laugh. Her messy hair is blowing violently in the wind. The rugged red mountains in the background are slightly blurred due to the fast panning motion. Golden hour backlighting creating a glowing rim light around her. Cinematic, pure joy, Kodak Vision3 500T aesthetic. 图1是女人参考 图2是妆容参考 图3是全景参考

Cinematic B-roll empty shot, no cars, no people. A low angle view of dry, golden desert brush swaying violently in the wind. In the heavily blurred background, the landscape transitions into rugged, towering red sandstone rock formations. Warm, dramatic sunset lighting with beautiful sun flares hitting the lens. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, shallow depth of field, realistic shadows. 图1是女人参考 图2是车辆参考

<instruction> **Role:** Cinematic Director & Storyboard Artist **Task:** Create a 3x3 "Cinematic Montage Grid" based on the input image. **Goal:** Depict a **progressive storyline** (Time t=0s to t=5s) while simultaneously using **diverse camera angles and focal lengths**. **Directive:** Do NOT just show the same moment from different angles. Do NOT just show a static camera with moving subjects. **YOU MUST combine "Time Progression" with "Camera Movement".** **The Narrative Arc (3x3 Grid Structure):** **Row 1: The Setup (Time: Start | Wide & Dynamic)** * **Panel 1 (Extreme Long Shot):** Establishing the scene. The subject is entering the space or starting the action. * **Panel 2 (Long Shot / Low Angle):** The subject moves closer. Camera looks up to emphasize presence. Action is initiating. * **Panel 3 (Full Shot / Tracking):** Subject is in full motion. Camera tracks alongside them. **Row 2: The Conflict/Action (Time: Middle | Mid-Range & Interaction)** * **Panel 4 (Medium Shot):** The core action occurs (e.g., interacting with an object, talking, fighting). Focus on body language. * **Panel 5 (Over-The-Shoulder / POV):** A perspective shift. Seeing what the subject sees or facing the subject directly during the peak of action. * **Panel 6 (Medium Close-Up):** The action intensifies. Camera pushes in. Focus shifts to the upper body/reaction. **Row 3: The Resolution/Detail (Time: End | Close & Intimate)** * **Panel 7 (Close-Up):** Tight focus on the face or main focal point. Capturing the emotional reaction or effort. * **Panel 8 (Extreme Close-Up / Macro):** A specific detail of the action (e.g., a hand gripping, an eye widening, a foot landing). * **Panel 9 (High Angle / Top Down):** The aftermath or final state. Looking down at the subject as the action concludes. **Visual Consistency Rules:** 1. **Subject Identity:** The character's face, costume, and props must remain identical across all shots. 2. **Lighting Continuity:** The direction and mood of the light (e.g., sunset, neon, diffuse) must match the original image exactly. 3. **Montage Flow:** The sequence should feel like a professionally edited movie trailer where cuts are fast but logically connected. </instruction> <output_format> A photorealistic 3x3 storyboard grid. - **Top Row:** Wide shots, movement starting. - **Middle Row:** Medium shots, action peaking. - **Bottom Row:** Close-ups/Angles, action concluding. High contrast, cinematic composition, distinct depth of field for each shot type. </output_format> 图1是女人参考 图2是车辆参考

<instruction> **Role:** Cinematic Director & Storyboard Artist **Task:** Create a 3x3 "Cinematic Montage Grid" based on the input image. **Goal:** Depict a **progressive storyline** (Time t=0s to t=5s) while simultaneously using **diverse camera angles and focal lengths**. **Directive:** Do NOT just show the same moment from different angles. Do NOT just show a static camera with moving subjects. **YOU MUST combine "Time Progression" with "Camera Movement".** **The Narrative Arc (3x3 Grid Structure):** **Row 1: The Setup (Time: Start | Wide & Dynamic)** * **Panel 1 (Extreme Long Shot):** Establishing the scene. The subject is entering the space or starting the action. * **Panel 2 (Long Shot / Low Angle):** The subject moves closer. Camera looks up to emphasize presence. Action is initiating. * **Panel 3 (Full Shot / Tracking):** Subject is in full motion. Camera tracks alongside them. **Row 2: The Conflict/Action (Time: Middle | Mid-Range & Interaction)** * **Panel 4 (Medium Shot):** The core action occurs (e.g., interacting with an object, talking, fighting). Focus on body language. * **Panel 5 (Over-The-Shoulder / POV):** A perspective shift. Seeing what the subject sees or facing the subject directly during the peak of action. * **Panel 6 (Medium Close-Up):** The action intensifies. Camera pushes in. Focus shifts to the upper body/reaction. **Row 3: The Resolution/Detail (Time: End | Close & Intimate)** * **Panel 7 (Close-Up):** Tight focus on the face or main focal point. Capturing the emotional reaction or effort. * **Panel 8 (Extreme Close-Up / Macro):** A specific detail of the action (e.g., a hand gripping, an eye widening, a foot landing). * **Panel 9 (High Angle / Top Down):** The aftermath or final state. Looking down at the subject as the action concludes. **Visual Consistency Rules:** 1. **Subject Identity:** The character's face, costume, and props must remain identical across all shots. 2. **Lighting Continuity:** The direction and mood of the light (e.g., sunset, neon, diffuse) must match the original image exactly. 3. **Montage Flow:** The sequence should feel like a professionally edited movie trailer where cuts are fast but logically connected. </instruction> <output_format> A photorealistic 3x3 storyboard grid. - **Top Row:** Wide shots, movement starting. - **Middle Row:** Medium shots, action peaking. - **Bottom Row:** Close-ups/Angles, action concluding. High contrast, cinematic composition, distinct depth of field for each shot type. </output_format> 图2是女人参考 图3是车辆参考

POV shot looking through a vintage camera viewfinder with subtle frame lines. Framing a magnificent, vast red Danxia canyon. Warm golden hour sunlight, rich terracotta and orange tones, feeling of immense freedom and open space. Cinematic landscape photography, 35mm film grain, Kodak Vision3 500T aesthetic. 图1是女人参考 图2是全景参考

Extreme close-up shot, a woman's finger pressing the engine start button on a car dashboard. Dim interior lighting with a subtle, warm glow emitting from the dashboard instruments, illuminating the hand. Muted color palette, low saturation, raw cinematic aesthetic. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, highly detailed textures, realistic shadows, shallow depth of field. 说明：图1是女人参考 图2是车辆参考

Wide establishing shot, a vintage white off-road vehicle parked on the edge of a high, rugged dirt plateau. The camera is positioned behind the vehicle, looking out over a breathtaking, vast expanse of red Danxia landform valleys and canyons stretching to the horizon under a magnificent sunset sky. Sense of arrival and ultimate freedom. Cinematic lighting. Shot on ARRI Alexa 65, 35mm film grain, Kodak Vision3 500T aesthetic, high contrast.

Medium close-up shot from inside the car, framed through the dark, out-of-focus silhouette of the steering wheel and dashboard acting as a heavy foreground obstruction. Focus on a woman's tense hand and arm forcefully pulling the heavy car door shut. Dynamic motion blur on the swinging door panel. Through the rapidly narrowing gap of the closing door, a glimpse of the bleak, muted city street is visible before being shut out. High tension, claustrophobic atmosphere. Muted color palette, low saturation, raw cinematic aesthetic. Shot on ARRI Alexa 65 with Cooke vintage cinema lenses, 35mm film grain, Kodak Vision3 500T aesthetic, natural window light, deep shadows, shallow depth of field. 图1是女人参考，图2是车辆参考

图片节点 124

Epic wide establishing shot, extreme low angle, cinematic B-roll empty shot, no cars, no people. Colossal, towering red sandstone cliffs of a Danxia canyon rising dramatically into a vast, expansive sky. The sky is filled with sweeping, majestic cinematic clouds catching the fiery colors of the sunset. The sheer scale of the rock formations makes the viewer feel incredibly small. Ancient, silent, and overwhelming atmosphere. Shot on ARRI Alexa 65, wide-angle lens, 35mm film grain, Kodak Vision3 500T aesthetic, hyper-detailed geological textures, high contrast.

视频截图视频节点 5

高角度俯拍(High Angle)，中景，女人靠在窗边向下俯视，身体微微前倾，窗外雨水顺着玻璃流淌。

侧方平移跟拍(Tracking Shot)，全景，女人在拥挤的街道上穿行，步伐坚定，周围的行人呈现动态模糊的流逝感。

低角度侧方跟拍(Low Angle Tracking)，近景，女人迈着轻快有力的步伐走过石板路，拖着的行李箱轮子快速滚动，画面带有轻微的手持呼吸感。

特写跟拍(Close-up Tracking)，手部特写，手自然垂落搭在挎包上随步伐晃动，背景的城市灯光呈现失焦的光斑闪烁。

弧形跟拍(Arc Shot)，中景，女人在斑马线上快步疾走，猛然回头看向镜头，发丝随风飞舞，背景的城市街道呈现动态模糊的流逝感。

快速推镜头(Quick Dolly In)，特写，手果断拉开越野车车门，车身反光中映出周围环境的快速变形，动作干脆利落。

车内主观退拍(POV Dolly Back)，中景，女人动作敏捷地跨入驾驶室并顺势带上车门，光影随着车门的关闭在车厢内迅速变幻。

手持过肩推拍(Handheld OTS Dolly In)，近景，女人双手紧握方向盘驾驶，窗外模糊的树影和道路飞速向后掠过，斑驳的光影在她的手臂和仪表盘上快速交替闪烁，画面带有真实的行驶颠簸感。

高空俯视跟拍(Top-down Tracking)，远景，女人独自走在铺满石砖的空旷街道上，裙摆随步伐轻微摆动。

微距急推(Macro Crash Zoom)，特写，手指用力按下引擎启动键，伴随引擎发动的暗示，镜头产生瞬间的震颤感。

手持特写(Handheld Close-up)，特写，手掌紧握汽车排挡杆迅速推入挡位，动作充满力量与决断，画面带有真实的轻微晃动。

视频截图视频节点 4

微距推镜头(Macro Dolly In)，特写，手掌贴在布满雨滴的玻璃上，水汽模糊了背后的面孔，指尖轻微滑动。

固定镜头(Static)，中景侧脸，女人隔着玻璃凝视雨中街道，雨滴在玻璃上滑落，人物保持静止，眼神透出疲惫。

侧方中景环绕(Mid-shot Orbit)，女人手持相机伫立在悬崖边，微风吹拂她的长发，镜头缓慢向她的正侧面环绕，背景是沐浴在夕阳暖光中的辽阔峡谷。

缓慢平移退拍(Slow Pan and Dolly Back)，黑白画面，女人站在高楼阳台边缘眺望冰冷的城市钢铁森林，画面呈现出一种抽离感与压抑的静谧，与旷野形成强烈反差。

极近特写微推(Extreme Close-up Dolly In)，特写女人的眼部，眼神深邃而坚定，瞳孔中清晰地反射出峡谷落日的余晖，睫毛随风轻颤。

手持特写跟拍(Handheld Close-up Tracking)，特写女人的手掌轻轻抚摸粗糙的红褐色岩壁，指尖缓缓划过岩石的纹理，感受大自然的原始触感，伴随真实的光影掠动。

摇臂高空平移 (Crane Slow Pan) 大远景，摇臂镜头在半空中缓慢横向平移，俯瞰女人独自站在悬崖之巅。壮丽的红岩峡谷在夕阳下绵延不绝，将人物完全置身于宏大的自然肌理中，天地间的辽阔将个体的自由感彻底释放。

主观视角缓慢推镜头(POV Slow Dolly In)，透过复古相机的取景框看向壮丽的红岩峡谷，取景框边缘带有轻微的暗角与胶片质感，画面随着呼吸微微起伏。

岩缝后退拉拍 (Dolly Back through Natural Framing) 远景，镜头从巨大的暗色岩石缝隙中缓慢向后拉出，形成天然的画框（Framing）。前景巨大的岩壁阴影，与远处沐浴在金色余晖中渺小的人与车，形成极具戏剧张力的体量反差，史诗感拉满。

微距细腻平移 (Macro Slow Pan) 极近特写，镜头在女人的脸庞与金属相机镜头间进行极其缓慢、细腻的平移。她轻轻闭上一只眼睛，沉浸在取景框的世界里，落日的余晖在相机镜片上折射出迷人的耀斑（Lens Flare），定格下这充满内在力量的瞬间。

手持特写推镜头 (Handheld Close-up Dolly In) 近景，女人举起复古胶片相机贴近脸颊，狂风肆意扬起她的黑发。镜头带有真实手持的轻微晃动（呼吸感）并缓缓推近，聚焦于她专注而充满生命力的神态，背景的峡谷呈现柔和的焦外虚化。

视频截图视频节点 3

低角度环绕跟拍 (Low Angle Orbiting Shot) 全景，镜头以女人为中心进行缓慢的半环绕拍摄。展现她迎风伫立在壮阔的峡谷边缘，身后的越野车与无垠的橘色天空交相辉映，画面洋溢着无拘无束的自由气息。

弧形微推跟拍 (Arc Dolly In) 中景，女人推开车门，迈步跨出越野车。镜头伴随她的动作画出一道流畅的弧线并微微向前推进，夕阳的暖光勾勒出她的轮廓，动作舒展，充满抵达旷野的释然与呼吸感。

远景航拍侧向平移(Aerial Lateral Tracking)，大远景，镜头在高空伴随越野车同步侧向平移飞行，车辆在红褐色的荒漠中划出自由的轨迹，长长的车影投射在地面上。

侧面平行跟拍(Parallel Tracking)，中景，白色越野车在红褐色的荒漠中疾驰，硬朗的车身与背景强烈的横向动态模糊(Motion Blur)形成极具张力的动静对比，展现出挣脱束缚的速度感。

车内侧方平移跟拍(Side Tracking Shot)，近景，女主姿态舒展地驾驶着车辆，温暖的夕阳余晖洒在她的侧脸上，微风肆意吹拂着她的卷发，背景是快速后退的荒野。

贴地快速推镜头(Ground-level Fast Dolly In)，空镜头，贴近粗糙的柏油路面快速向前推进，远处的山脉沐浴在金色夕阳中，路面残留着车辆疾驰而过的微尘

低角度缓慢推拍(Low Angle Slow Dolly In)，空镜头，透过随风摇曳的枯草看向壮丽的红岩峡谷，夕阳的逆光在画面边缘产生耀眼的镜头光晕(Lens Flare)，充满原始的自然张力与呼吸感。

侧方平移跟拍(Side Tracking Shot)，近景，女人在驾驶座上目视前方，狂风肆意吹乱她的黑色卷发，夕阳温暖的余晖勾勒出她自由舒展的侧脸，车窗外的荒野呈现极速流动的动态模糊。

大范围航拍推进(Aerial Wide Dolly In)，大远景，连绵起伏的峡谷在夕阳低角度的照射下，呈现出如大地肌理般强烈的明暗交界，浩瀚无垠的旷野将自由的意境推向高潮。

高空俯视跟拍(High Angle Drone Tracking)，全景，无人机视角跟拍越野车在广袤的红棕色戈壁公路上疾驰，车身在粗犷的地貌中穿梭，展现旷野的宏大体量。

侧前方低角度跟拍(Low Angle Front-Side Tracking)，中景，越野车在公路上高速行驶，车轮卷起阵阵沙尘，暖黄色的阳光勾勒出硬朗的车身线条，充满狂野动感。

高空俯冲跟拍(High Angle Dive Tracking)，远景，越野车沿着崎岖的土路驶入深邃的峡谷腹地，巨大的暗色岩壁与渺小的白色车身形成强烈的视觉反差，画面极具史诗感与探索的纵深感。

视频截图视频节点 19

低角度迎面推拍(Low Angle Dolly In)，远景，越野车在绚丽的火烧云下沿着笔直的公路迎面驶来，天空呈现温暖的橘粉色渐变，画面充满向前的延伸感。

特写锁定跟拍(Lock-on Tracking Close-up)，特写，后视镜中清晰映出女人冷峻的脸庞与飞舞的发丝，而镜框外的峡谷岩壁则化作极速向后掠过的模糊残影，视觉冲击力极强。

正面低角度退拍(Low Angle Tracking Back)，中景，越野车如猛兽般迎面疾驰而来，车轮卷起滚滚黄沙，暖黄色的阳光穿透漫天沙尘，画面充满扑面而来的野性力量与视觉压迫感。

正面特写微拉(Frontal Close-up Dolly Out)，女人化着充满野性生命力的眼妆，迎着夕阳露出明媚自信的微笑，眼角的橘色眼影在阳光下熠熠生辉，发丝在微风中轻轻飘动。

正面近景微推(Close-up Dolly In)，女人站在空旷的荒漠中，低头微笑着打开手中的眼影盘，阳光勾勒出她柔和的轮廓，眼影盘元素与原始粗犷的自然背景形成微妙的视觉碰撞。

过肩特写微推(Over-the-shoulder Dolly In)，镜头越过女人的肩膀，特写她手中打开的大地色眼影盘，背景是干裂模糊的红土地，阳光洒在眼影的粉质上凸显出细腻的纹理，画面质感温润且充满故事性。

高空俯视缓慢旋转拉高(High Angle Spiral Dolly Out)，全景，女人独自站在荒凉的红土地上，低头专注地摆弄手中的复古相机，画面充满原始的粗犷与史诗感。

俯视特写微拉(Top-down Close-up Dolly Out)，刻有字迹的粗糙石块与精致的大地色眼影盘并排静置在干裂的红土地上，几片枯叶在风中微微颤动，强烈的日光投下锐利的阴影，展现出自然肌理与产品质感的强烈碰撞。

正面近景微推(Close-up Dolly In)，女人放下手中的相机，看向镜头露出释然且充满生命力的微笑，夕阳的暖光打在她的脸庞上，发丝在风中肆意飞舞。

侧方近景手持跟拍(Handheld Side Close-up)，女人用指尖将橘棕色的眼影随性地涂抹在眼皮上，动作轻柔，夕阳的暖光打在她的侧脸上，将大地色妆容与荒野气息完美融合。

弧形微推跟拍(Arc Dolly In)，近景，女人停下脚步伫立在旷野中，镜头缓慢向她推进并微微旋转，夕阳柔和地打在她的脸上，神态从奔跑的狂放转为内心的宁静与释然。

视频截图视频节点 29

第一人称主观推镜头(POV Dolly In)，单手举起打开的大地色眼影盘，背景是壮阔且虚化的红岩峡谷，夕阳余晖在眼影盘的镜面上折射出耀眼的反光，画面焦点在眼影盘与远方峡谷间微妙流转。

侧方近景缓慢平移(Side Close-up Slow Pan)，特写女人手持相机眺望远方，脸上洋溢着温暖而释然的微笑，夕阳柔和的光影在她脸庞上细腻流转，黑色卷发随风轻舞，充满内在的生命力。

正面特写微推(Frontal Close-up Dolly In)，女人举起复古相机半遮面庞，深邃的眼眸直视镜头，落日的金色余晖在画面右侧形成巨大的耀眼光晕(Lens Flare)，眼神中透出野性与极致的自信。

高空俯视缓慢拉远(High Angle Dolly Out)，大远景，女人独自站在突出的悬崖尖端，镜头缓缓向高空拉远，展现人在宏大自然面前的渺小与灵魂的极度自由。

低角度仰拍微推(Low Angle Dolly In)，中景，女人闭上双眼，微微仰起头感受旷野的晚风，整个人沉浸在温暖的橘色暮光中，画面充满宁静与自我和解的力量。

微距特写微推(Macro Close-up Dolly In)，极近距离特写手指轻轻摩挲眼影盘中带有颗粒质感的橘棕色粉末，粉质在指尖细腻晕开，光影凸显出强烈的微观纹理与物质感。

俯视特写微推(Top-down Close-up Dolly In)，双手举起一块刻有字迹的粗糙石块，背景是干旱龟裂的红褐色土地，强烈的日光在手背投下清晰的阴影，画面充满原始的粗犷质感。

俯视特写平移(Top-down Close-up Pan)，双手捧着一盘大地色系眼影盘，背景依然是干裂的红土，眼影的橘棕色块与大自然的色彩肌理形成巧妙的视觉呼应。

低角度侧方拉拍(Low Angle Dolly Out)，中景，女人手持相机站在壮阔的红岩峡谷边缘，迎着耀眼的落日余晖开怀大笑，强烈的镜头光晕(Lens Flare)穿透画面，定格下人与自然交融的极致自由瞬间。

正面低角度退拍(Low Angle Tracking Back)，全景，女人手持复古相机朝镜头奔跑而来，背景是停在旷野中的越野车，阳光穿透漫天飞舞的黄沙，人物与宏大环境的结合极具视觉张力与生命力。

侧方平行跟拍(Parallel Tracking)，中景，女人在红褐色的峡谷背景前轻盈跑动，微微仰起头感受风的吹拂，笑容明媚，光影在她的皮衣和裙摆上流转，展现出无拘无束的洒脱。

视频截图视频节点 23

侧方跟拍微推(Side Tracking Dolly In)，中景，女人在峡谷边缘迎着夕阳欢快奔跑，黑色长发随风肆意飞舞，脚步卷起地上的沙尘，强烈的逆光产生温暖的镜头光晕，画面充满极强的动感与自由气息。

镜头1（0.0-5.0s） 画面描述：一名留着黑色长发的女子，身着棕色上衣和米白色长裙，背对镜头伫立在嶙峋的红色岩石悬崖边缘。背景是延绵不绝、沟壑纵横的巨大峡谷，天空呈现出浑浊的橙红色，仿佛置身于异星荒漠或极端干旱的地理环境。 内容意图：表达了人类在宏大自然面前的渺小、孤独以及对未知世界的探索欲。画面充满史诗感与电影质感，隐喻着审视内心或面对人生困境的境遇。 景别：全景 机位：平视（略带俯角） 运镜：缓慢推镜头 景深：深景深 光影：温暖的金色时刻光线，漫射光，低对比度，具有浓厚的沙尘雾霾感。 音乐：低沉的氛围音或呼啸的风声 人声：无 ▼ 图片生成提示词： Back view of a woman with long black hair standing on the edge of a sharp rocky cliff, wearing a brown sweater and a cream pleated skirt, overlooking a vast and intricate canyon landscape with reddish-brown rock formations, hazy orange sunset sky, cinematic lighting, atmospheric perspective, high detail, 8k. ▼ 视频动作提示词： Back view of a woman standing on a cliff edge overlooking a massive canyon, the camera slowly zooms in, subtle hair movement in the wind, hazy atmosphere with floating dust particles, cinematic camera push.