当某种强大的力量游走于世，人类称之为末日。
ultra-realistic cinematic portrait of a young infected zombie boy standing silently in a rain-soaked dystopian street at night, medium cinematic shot, photographed like a real live-action feature film frame, shot on ARRI Alexa 65 with an 85mm anamorphic lens, grounded photorealistic post-apocalyptic cinematography a small boy around 8 years old with subtle but clearly recognizable zombie infection features, pale grayish skin with faint cold blue undertones, slightly sunken cheeks, hollow tired eyes with lingering innocence and sadness, faint dark veins beneath translucent skin, lightly cracked lips, subtle infection marks around the neck and jawline, damp unhealthy skin texture, messy wet black hair sticking softly to his forehead and cheeks from rain the child should still feel emotionally human and vulnerable, not like a horror monster, expression quiet, emotionally empty, confused, exhausted, lonely, as if he does not fully understand what he has become. no aggressive behavior, no exaggerated gore, no terrifying monster face he wears worn-out dirty clothes from a collapsed futuristic world, oversized hoodie soaked by rain, small trembling posture, subtle emotional sadness, realistic child proportions ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, emotionally lonely atmosphere, documentary-style sci-fi realism, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, A24-style post-apocalyptic mood, high-end feature film still practical cinematic lighting only, sodium-vapor street lights, soft holographic reflections on wet pavement, realistic atmospheric fog, restrained lighting contrast, physically believable optics and exposure, natural lens compression, shallow depth of field extremely realistic skin pores, wet hair strands, subtle infection textures, tactile wet fabric detail, realistic cinematic clarity, minimal film grain, ultra-clean image quality, no heavy noise, no cartoon zombie design, no fantasy horror style, no glossy CGI skin, no game-render aesthetic, no exaggerated neon glow, no AI-generated look hyper-realistic live-action realism, razor-sharp detail, ultra-clear 4K, cinematic emotional realism, 16:9 widescreen aspect ratio --ar 16:9 --style raw --v 7 --q 2
corpse-like pale gray-blue skin, sunken cheeks, hollow lifeless eyes, faint dark veins spreading beneath translucent infected skin, cracked lips stained with dried blood, subtle exposed teeth, wet necrotic skin texture, fungal infection details around the jaw and neck, gaunt skeletal facial structure, clammy rain-soaked skin, emotionally broken expression with lingering traces of humanity
ultra-realistic cinematic portrait of a female zombie standing in a rain-soaked futuristic alley at night, medium close-up cinematic shot, 85mm anamorphic lens compression, photographed like a real live-action feature film frame, shot on ARRI Alexa 65 and IMAX 70mm cameras, grounded photorealistic horror-drama cinematography clearly recognizable infected zombie woman with disturbing but realistic undead appearance, pale corpse-like skin with cold gray-blue undertones, sunken hollow cheeks, visible dark veins spreading beneath translucent skin, lifeless milky eyes with subtle human sadness remaining, slightly decomposed flesh around the mouth and jawline, torn cracked lips stained with dried blood, subtle exposed teeth detail, damp infected skin texture, realistic necrotic details around the neck and collarbone, thin skeletal facial structure, unhealthy skin discoloration, faint fungal infection textures, realistic wet decay wet tangled black hair hanging heavily over her face and shoulders, soaked by rain, strands sticking to cold skin, torn dirty clothing soaked with water and grime from a collapsed dystopian city her expression feels emotionally tragic and terrifying at the same time, like a person trapped inside an undead body, silent grief mixed with predatory emptiness, emotionally haunting rather than cartoonishly aggressive ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, A24-style post-apocalyptic mood, high-end feature film still practical cinematic lighting only, sodium-vapor street lights, subtle holographic billboard reflections, atmospheric rain haze, deep cinematic shadow falloff, physically believable optics and exposure, realistic lens rendering, restrained neon lighting, subtle environmental fog extremely detailed realistic zombie makeup effects inspired by practical Hollywood prosthetics, realistic skin pores, wet textures, subtle film grain, natural optical imperfections, razor-sharp detail, ultra-clear 4K, hyper-realistic live-action realism no cartoon zombie style, no fantasy monster design, no anime horror, no glossy CGI skin, no game-render aesthetic, no exaggerated sci-fi glow, no HDR bloom, no over-stylized cyberpunk colors, no AI-generated look --ar 16:9 --style raw --v 7 --q 2
Create an ultra-realistic live-action cinematic image of a sorrowful female zombie standing silently inside a rain-soaked futuristic dystopian alley at night. The image must feel like a real frame captured from a high-budget feature film, not concept art, not CGI, not a game render, and absolutely no AI-generated appearance. The zombie woman still retains traces of human emotion and beauty. Pale cold skin with subtle gray undertones, faint infected veins beneath realistic skin texture, exhausted hollow eyes filled with sadness and emotional pain, slightly cracked lips, restrained realistic zombie infection details around the mouth and neck without exaggerated gore. Wet tangled black hair sticks naturally to her cheeks and neck, with rainwater dripping slowly from strands of hair and worn clothing. Her emotional state should feel tragic, lonely, emotionally broken, and deeply melancholic, as if fragments of memory still remain inside her mind. The atmosphere should emphasize existential sadness rather than horror aggression. Visual style: ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, A24-style post-apocalyptic mood, high-end feature film still, restrained cinematic realism. Use realistic filmmaking logic: shot on ARRI Alexa 65 and IMAX 70mm cameras, 85mm anamorphic lens, medium close-up cinematic framing, shallow depth of field, practical lighting only, sodium-vapor street lights, holographic billboard bounce light kept subtle and physically believable, realistic atmospheric fog and rain haze, natural shadow transitions, realistic optical imperfections, physically accurate exposure and contrast. EXTREMELY IMPORTANT: the image must be ultra-clean and noise-free with pristine cinematic clarity, minimal film grain only, no heavy noise, no chromatic noise, no digital artifacts, no muddy textures, no oversharpening, no artificial detail enhancement, no compressed image look, no blurry facial textures, no waxy skin, no noisy dark areas, no AI texture crawling. Skin pores, wet hair strands, rain droplets, fabric fibers, and metal reflections must appear razor-sharp and physically realistic. The lighting should remain soft, cinematic, controlled, and natural. Avoid: exaggerated neon glow, fantasy zombie makeup, monster eyes, cartoon horror style, game-art aesthetic, glossy CGI surfaces, HDR bloom, volumetric god rays, over-stylized cyberpunk colors, plastic skin texture, synthetic rendering artifacts, AI-generated feeling. Hyper-realistic live-action feature film realism, ultra-clear 4K, razor-sharp detail, realistic cinematic atmosphere, 16:9 widescreen composition.
ultra-realistic cinematic portrait of a sorrowful zombie woman standing in a rain-soaked futuristic alley at night, medium close-up cinematic shot, 85mm anamorphic lens compression, photographed like a real live-action feature film frame, shot on ARRI Alexa 65 and IMAX 70mm cameras, grounded photorealistic horror-drama cinematography beautiful but emotionally devastated female zombie, remnants of humanity still visible in her expression, pale cold skin with subtle gray undertones, hollow exhausted eyes filled with sadness rather than rage, faint dark veins beneath wet translucent skin, slightly cracked lips, subtle zombie infection textures around the mouth and neck, realistic decaying skin detail without exaggerated gore, damp tangled black hair sticking to her face and neck, rainwater dripping from strands of hair and torn clothing her facial expression feels tragic and emotionally broken, as if she still remembers fragments of her human life, silent grief, existential loneliness, emotional horror instead of monster aggression practical cinematic lighting only, wet asphalt reflections, distant holographic advertisements softly illuminating her silhouette, sodium-vapor street lights, cold environmental fog, realistic rain interaction, physically believable lighting behavior, deep cinematic shadow falloff, restrained blue-gray cyberpunk palette with subtle warm skin highlights photorealistic cinematic short film style, realistic skin pores and micro-texture, tactile wet material surfaces, natural film grain, subtle ISO noise, realistic lens rendering, shallow depth of field, atmospheric realism, no fantasy makeup, no cartoon zombie design, no exaggerated gore, no glossy CGI skin, no game-render look, no artificial HDR glow, no over-stylized neon, hyper-realistic live-action realism, razor-sharp detail, ultra-clear 4K, 16:9 widescreen aspect ratio --ar 16:9 --style raw --v 7 --q 2
照片级渲染，黑底，机甲上要有锈迹斑斑，比较老旧。
黑底，照片级渲染，保持一致性，尝试各种动作。
两只脚不一样。一只脚是机械脚，另一只就是鞋，可以是有些破烂的红皮鞋。
ultra-realistic live-action cinematic frame, futuristic Blade Runner-inspired mech standing inside a rain-soaked megacity at night, medium-wide cinematic shot, 65mm anamorphic lens compression, shot on ARRI Alexa 65 and IMAX 70mm film cameras, grounded photorealistic feature-film photography, colossal humanoid combat mech with overwhelming physical presence, realistic industrial military design, heavy armored titanium body, exposed hydraulic pistons, worn brushed steel surfaces, scratched mechanical plating, subtle carbon fiber textures, rainwater dripping down armor seams, cold white eye sensors glowing faintly through mist a tiny human figure standing beneath the mech for scale reference, dense futuristic urban environment filled with layered architecture, holographic advertisements reflecting softly on wet asphalt, practical industrial lighting only, sodium-vapor street lights, distant police spinner headlights cutting through rain haze, atmospheric moisture and cold environmental fog, physically accurate lighting behavior, realistic cinematic exposure, restrained color palette with deep cobalt blue shadows and warm amber highlights the mech feels emotionally oppressive and psychologically dominant, silent mechanical intimidation, existential dread, militarized urban atmosphere, cinematic realism over stylization, no fantasy armor, no anime mech proportions, no exaggerated sci-fi glow, no concept-art feeling, no game-render aesthetic, no artificial HDR bloom, no volumetric god rays photorealistic cinematic short film style, desaturated cold color palette with warm skin tone contrast, low-key industrial lighting, deep shadow falloff, tactile worn material textures, natural film grain, subtle ISO noise, realistic lens rendering, organic light falloff, hyper-detailed mechanical engineering, realistic atmospheric depth, ultra-clear 4K, razor-sharp detail, 16:9 widescreen aspect ratio --ar 16:9 --v 7 --style raw --q 2
特写工作室人像写真：一位浅肤色女子，深棕近黑色秀发，双目轻闭，温柔怀抱着五只青绿色与明黄色相间的小鹦鹉。鹦鹉毛色鲜亮统一，橙喙黑眸，眼周环绕白色羽圈。鸟儿错落栖落在她的肩头与手臂上，安然静卧。她身着米白色衣物，面料似为蕾丝质地。背景为纯净浅灰色，柔和衬出鹦鹉黄绿青亮羽色，也烘托出女子白皙温润的肤色层次。
修改这只义眼要高科幻金属感，细节有电路元件的纹路，有微光，银翼杀手风格。
massive futuristic street scene, neo-noir cyberpunk metropolis, cinematic urban chaos, enormous layered megacity architecture, crowded rainy streets, reflective wet asphalt, giant holographic advertisements, chaotic cable systems, brutalist industrial structures mixed with retro-futuristic design, atmospheric perspective, deep environmental storytelling, dramatic foreground-middle-background layering, Guy Ritchie-style cinematic composition, asymmetrical framing, dynamic visual tension, cinematic blocking, lived-in realism, visual density with controlled composition, emotionally cold but visually luxurious atmosphere Blade Runner-inspired mood without direct replication, philosophical loneliness, monumental city scale, tiny human silhouettes overwhelmed by architecture, subtle motion blur from crowds, drifting steam, rain particles illuminated by practical lights, realistic volumetric haze, physically accurate night lighting, sodium-vapor orange mixed with cyan-blue tones, restrained neon accents, realistic exposure, natural shadow falloff, wet reflections behaving physically correctly shot like a high-budget arthouse sci-fi epic, IMAX 70mm realism, ultra-photorealistic feature film still, grounded realism, no cartoon stylization, no exaggerated sci-fi glow, no game-art feeling, no CGI look, authentic cinematic texture, subtle film grain, imperfect optics, deep blacks with layered shadow detail, Roger Deakins-level environmental lighting, cinematic color grading, haunting atmosphere, masterpiece composition, ultra-detailed, razor-sharp focus, 16:9, ultra-clear 4K --ar 16:9 --v 7 --style raw --q 2
生成一个末世小姑娘，带着一只义眼的真实电影版本，超写实电影风格。银翼杀手画面风格。
Create an ultra-realistic cinematic cyberpunk street panorama inspired by philosophical neo-noir science fiction cinema and Guy Ritchie-style visual composition. The scene should depict an immense futuristic city at night during rainfall, with towering megastructures disappearing into fog and atmospheric depth. Streets are crowded yet emotionally distant, filled with layered architectural detail, glowing practical signage, elevated train systems, reflective puddles, steam vents, tangled electrical cables, retro-futurist storefronts, and massive urban density. Composition must feel artistic and deliberate rather than generic cyberpunk spectacle: dynamic asymmetrical framing, strong foreground-midground-background layering, visual storytelling hidden throughout the environment, cinematic negative space, organic crowd movement, small isolated human figures overwhelmed by gigantic architecture. The image should feel like a real frame from a premium feature film shot on physical IMAX 70mm cameras. Visual language: grounded photorealism, Blade Runner-inspired emotional atmosphere, Guy Ritchie cinematic blocking and framing, Roger Deakins-level environmental lighting, natural lens imperfections, subtle atmospheric haze, wet asphalt reflections, controlled neon lighting, physically believable rain behavior, realistic shadow depth, authentic exposure balance, cold cyan shadows mixed with warm tungsten practical lights. Avoid generic sci-fi aesthetics. Avoid oversaturated neon. Avoid game-art feeling. Avoid futuristic fantasy design. Avoid artificial glow and overprocessed CGI rendering. Everything should feel tactile, lived-in, heavy, industrial, emotionally lonely, and cinematically intelligent. Ultra-high-definition 4K, hyper-realistic film texture, organic grain, realistic material response, cinematic depth, masterpiece-level composition, 16:9 widescreen.
生成一个末世小姑娘，带着一只义眼的真实电影版本，超写实电影风格。银翼杀手画面风格。Create a cinematic multi-angle character action board showing the same original character across multiple dynamic movie-style shots within one unified composition. This is NOT a traditional turnaround sheet or static concept art sheet. The image should feel like a collection of live-action feature film frames capturing the character in different moments, emotions, body movements, and cinematic camera perspectives. The same character must remain perfectly consistent across every shot: identical face, same body proportions, same hairstyle, same costume design, same accessories, same age, same identity, same color palette. Include a variety of cinematic poses and actions: standing in strong wind, walking toward camera, turning back while looking over shoulder, running dynamically, crouching, sitting quietly, close-up emotional portrait, low-angle heroic shot, high-angle vulnerable shot, reaching hand forward, side-profile contemplative shot, environmental interaction pose. Every pose must feel alive, natural, emotionally driven, and physically believable. Avoid mannequin poses. Avoid duplicated body language. Avoid stiff symmetry. Camera language: feature film cinematography, dynamic framing, cinematic blocking, real lens compression, natural perspective distortion, documentary realism mixed with blockbuster character photography, movie production stills. Composition: multiple cinematic frames arranged organically across the canvas, like a premium film production character presentation board, not evenly spaced reference-sheet layout. Visual style: ultra-realistic live-action cinematic feature film realism, shot on IMAX 70mm film camera aesthetic, Christopher Nolan-level grounded realism, physical lighting behavior, natural environmental bounce light, realistic shadow falloff, subtle atmospheric depth, authentic skin pores, fabric physics, realistic material response, ultra-detailed clothing folds, natural hair movement, organic imperfections. Image quality: ultra-clear 4K, high-detail cinematic clarity, realistic anatomy, sharp focus with natural lens softness, high-end movie production quality. Negative prompts: no anime, no cartoon, no stylized illustration, no concept-art look, no duplicated poses, no inconsistent face, no AI-generated plastic skin, no deformed anatomy, no floating limbs, no incorrect hands, no symmetry repetition, no T-pose, no mannequin stiffness, no random costume changes, no noisy image, no fantasy glow, no overexposed lighting.
ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
第一视角镜头：一名战士被一头巨型赛博朋克蜈蚣巨兽追击，巨兽滴落黏液，身上刻有中式符文。场景设定在奇幻东方世界，空中悬浮着建筑，倒挂生长着树木，霓虹灯光闪烁。8K 分辨率，虚幻引擎渲染，超写实、极致写实。
不要可爱风，要原子朋克风，超写实电影画面。红色警戒，一名携带维修工具和建筑头盔的工程师，正站在一辆受损车辆旁，照片，16K分辨率，蒸汽朋克风格，机械美学，实用工具，工业元素，柔和色调，细腻纹理，超精细细节，最佳品质。
current_weather in a gravity-defying city_name. The asphalt street curves seamlessly upwards, physically bending 90 degrees to become a vertical wall, then arching directly overhead. Not a reflection, but a solid continuous loop of architecture. Iconic buildings and roads protrude perpendicularly from the curved surface all around. city_name's landmarks hang upside down above. Realistic lighting matching the weather, vivid details, photorealistic 8k. --hd --v 8.1
fully body ，Portrait of a high-ranking officer in a white, kind yet dignified，2 meters tall，**double-breasted greatcoat** with high collar, shoulder epaulettes with three stars, a rigid and intimidating posture, **polished brass buttons**, low-key lighting, realistic textures, moody and heavy atmosphere --profile f8m2l7x --hd --v 8.1
colossal abandoned futuristic megacity completely overgrown by lush green vegetation and vibrant flowers, ultra-wide cinematic environmental shot, 35mm anamorphic lens, photographed like a real large-scale feature film set, shot on ARRI Alexa 65 and IMAX 70mm cameras, grounded photorealistic eco-brutalist dystopian cinematography towering steel skyscrapers covered in thick vines, hanging gardens, moss, wild flowers, giant tropical trees growing through rusted industrial structures, decaying iron bridges overtaken by dense vegetation, oxidized steel surfaces with heavy rust textures, cracked concrete covered in emerald-green moss, nature reclaiming a fallen industrial civilization massive cinematic scale with overwhelming environmental depth, huge contrast between vibrant living greenery and cold ruined steel megastructures, layered futuristic architecture disappearing beneath forests and flowers, abandoned rail systems swallowed by plant life, atmospheric humidity, realistic fog drifting between ruined buildings, rainwater flowing down rusted metal surfaces emotionally peaceful yet haunting atmosphere, lonely post-human world, quiet beauty after the collapse of civilization, environmental storytelling inspired by Blade Runner 2049, The Last of Us, and high-end A24 post-apocalyptic cinematography practical natural lighting only, overcast daylight mixed with soft warm sunlight breaking through clouds, physically accurate environmental lighting, realistic atmospheric haze, wet reflections, restrained cinematic contrast, natural shadow transitions, realistic optical depth ultra-realistic live-action cinematic photography, documentary-style realism, tactile rust textures, detailed foliage realism, realistic plant ecology, subtle natural film grain, organic lens imperfections, realistic atmospheric perspective, no fantasy city design, no cartoon style, no glossy CGI surfaces, no game-art look, no exaggerated sci-fi neon, no HDR glow, no AI-generated feeling razor-sharp detail, ultra-clear 4K, cinematic environmental realism, 16:9 widescreen aspect ratio --ar 16:9 --style raw --v 7 --q 2
Create an ultra-realistic cinematic environmental image of a gigantic abandoned futuristic city completely reclaimed by nature. The scene should feature a breathtaking contrast between dense vibrant greenery and rusted industrial megastructures. Towering steel skyscrapers are covered with thick vines, hanging gardens, moss, wild flowers, and giant trees growing through decaying architecture. Massive rusted iron bridges, oxidized steel panels, abandoned railways, and broken industrial platforms are slowly disappearing beneath overwhelming vegetation. Nature has fully invaded the city, creating an emotionally powerful balance between beauty and decay. The environment should feel realistic, grounded, and physically believable, not fantasy artwork. The city must resemble a real collapsed industrial civilization overtaken by ecological growth over decades. Include realistic rust textures, weathered metal surfaces, cracked concrete, rainwater stains, dense plant ecology, atmospheric humidity, drifting fog, and soft environmental haze between distant structures. Use a massive cinematic large-scale composition photographed with a 35mm anamorphic lens on ARRI Alexa 65 and IMAX 70mm cameras. Ultra-wide environmental framing with strong spatial depth and realistic lens compression. The image should feel like a frame from a high-budget live-action feature film. Lighting must remain natural and physically accurate: overcast daylight, soft diffused sky light, restrained warm sunlight filtering through clouds, realistic atmospheric perspective, natural shadow falloff, subtle wet reflections, documentary-style realism. Visual style: ultra-realistic eco-brutalist dystopian cinematography, grounded post-apocalyptic realism, Blade Runner 2049 atmosphere mixed with The Last of Us environmental storytelling, emotionally lonely yet peaceful mood, realistic environmental scale, tactile material realism, cinematic environmental depth. EXTREMELY IMPORTANT: the image must be ultra-clean and noise-free with pristine cinematic clarity. Minimal natural film grain only. No heavy image noise, no muddy shadows, no oversharpening, no artificial HDR glow, no game-render appearance, no CGI plastic textures, no fantasy oversaturation, no AI-generated artifacts. Hyper-realistic live-action feature film realism, razor-sharp detail, ultra-clear 4K, realistic atmospheric depth, cinematic environmental photography, 16:9 widescreen composition.
镜头修改成末日废土，原子朋克风格，画面要清晰，不要有噪点，路上的车要变老旧不堪，锈迹斑斑。
要超清8k效果的！！！把图片风格改成末日废土风。ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
去噪点！！！！不要图中有很多噪点！！！！模糊后面的楼房，还是不清晰，索性就虚化吧。要这个车和前面两个人特别清晰。去掉画面中的噪点。超清8k
俯拍镜头，地上横七竖八躺着很多丧尸。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
来个全身镜头。画风要一样。这个小女孩的脚，一只是金属的，手也有一只是金属手。金属手和金属脚要有强科幻感。不要廉价金属感。但是金属脚可以是锈迹斑斑的，就是比较老旧的零件。
这个金属手更改成高科技感，有微弱电子元件光，独特造型。别的不变。
一个绿色的树叶和颜色绚丽的鲜花覆盖的钢筋铁皮的城市，有极致的绿植美景和钢铁破败锈迹斑斑未来赛博朋克城市的反差感。
这个花的颜色再绚丽一点儿，然后场景要非常写实的风格。有两只鸟从地面起飞向空中飞去。地表没有绿色的草和树叶，地表是钢筋水泥混合的冷冰冰的金属质感。
ultra-realistic cinematic mech visual development board, photographed like a real feature-film production design document, multiple cinematic camera setups capturing the same futuristic Blade Runner-inspired mech from many dynamic perspectives and emotional states, not a simple orthographic turnaround, not a technical blueprint, not a game concept sheet the mech appears as a physically real industrial machine existing inside a grounded cyberpunk world, heavy militarized humanoid combat mech with realistic engineering logic, massive armored titanium body, exposed hydraulic pistons, layered mechanical joints, worn brushed steel textures, scratched armor plating, carbon fiber structural elements, subtle oil stains, rain-soaked metal surfaces, dense mechanical complexity with believable industrial construction multiple cinematic compositions shown together: front three-quarter hero angle, low-angle intimidation shot, side profile under industrial lighting, rear mechanical structure detail, over-the-shoulder perspective, combat-ready stance, walking slowly through rain, crouching tactical posture, idle dormant pose, weapon deployment sequence, close-up hydraulic hand detail, macro lens mechanical eye sensor detail, cockpit entrance detail, human standing beneath mech for scale reference shot using different realistic camera systems and focal lengths: 35mm environmental cinematic shot, 50mm medium shot, 65mm anamorphic perspective, 85mm compression portrait, macro mechanical photography, shot on ARRI Alexa 65 and IMAX 70mm cameras, grounded photorealistic feature-film cinematography, physically believable optics and exposure, practical industrial lighting only, wet street reflections, cold atmospheric fog, sodium-vapor industrial lights, holographic billboard bounce light, deep cinematic shadow falloff, realistic atmospheric depth emotionally oppressive and psychologically dominant atmosphere, existential sci-fi realism, silent mechanical intimidation, brutal industrial futurism, realistic cinematic scale, no fantasy mech design, no anime proportions, no exaggerated neon overload, no concept-art aesthetic, no plastic CGI feeling, no glossy game-render look, no artificial HDR glow, no volumetric god rays photorealistic cinematic short film style, desaturated cold color palette with restrained warm highlights, tactile worn material textures, realistic lens rendering, natural film grain, subtle ISO noise, authentic optical imperfections, ultra-detailed mechanical engineering, razor-sharp detail, ultra-clear 4K, realistic cinematic realism
把这只金属手修正为五根手指，笨拙古老的大机械手，比例比正常的手掌大。ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
抠图这些丧尸
一群丧尸从马路对面向冰激凌车歪着脖子走过来。
末日废土的情绪感，让这些车在路上缓缓行驶，有垃圾飘起来。固定镜头。
abandoned quadruped industrial mech walking slowly through a vast field of wildflowers at sunset, ultra-realistic cinematic sci-fi photography, melancholic post-apocalyptic atmosphere, rusted weathered steel armor covered with vines and tiny plants, exposed mechanical joints and hanging cables, massive heavy industrial walker inspired by retro-futuristic military engineering, subtle vegetation growing from the mech body, realistic worn paint and oxidized metal textures low-angle cinematic shot, medium-wide environmental composition, 50mm anamorphic lens, photographed like a real feature film frame shot on ARRI Alexa 65 and IMAX 70mm cameras, shallow atmospheric haze, dreamy pastel sunset sky with soft pink and cyan tones, giant glowing sun near the horizon, soft volumetric mist across the flower field, cinematic lens compression, realistic depth of field dense colorful wildflowers in foreground, delicate pink and purple blossoms moving in the wind, lonely peaceful atmosphere, emotional contrast between abandoned war machine and fragile natural beauty, quiet existential sci-fi mood, Blade Runner 2049 meets Simon Stålenhag aesthetic, grounded photorealistic realism, tactile material textures, natural optical imperfections, subtle film grain, realistic environmental lighting, physically accurate sunset illumination high-end cinematic environmental storytelling, no glossy CGI look, no game-art aesthetic, no anime mech design, no exaggerated sci-fi glow, no HDR bloom, no oversharpening, no AI-generated appearance, hyper-realistic live-action feature film still, ultra-clear 4K, razor-sharp detail, 16:9 widescreen aspect ratio --ar 16:9 --style raw --v 7 --q 2,ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
来一张人类重新恢复文明社会的场景。超写实电影画质，豪华酒店里彬彬有礼吃饭的客人。
手持镜头跟随，让这个大机械为主题，一直向前运动，周围的景色从草和花自然转场到白雪皑皑的地方。超写实电影画质。机械的运动有笨重感和老重金属的感觉。
{{Image 2}} 手里牵着 {{Image 1}} 走在 {{Image 3}} 的一群人里。 {{Image 1}} 好像很害怕的紧紧贴着 {{Image 2}} ，去掉图片中的噪点，保持超清
{{Image 2}}整体呈现 {{Image 2}} ， {{Image 1}} 中这个金属手替代 {{Image 2}}
这个机械脚，不是鞋，直接就是脚，有五个脚趾那种。ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
这只脚和 {{Image 1}} 这脚上的红皮鞋站在雨里，红皮鞋也非常破旧，有些破露了。做出两只脚向前走的样子。
太大了，调小到四分之一。
/
这条街的街角上有一辆冰激凌车，很破旧的样子，有个穿着很破的人在卖冰激凌。
整体用 {{Image 2}} 中的背景，让 {{Image 1}} 中这一群人走在路上走向 {{Image 2}} 中的冰激凌车。 {{Image 2}} 中的整场景内容都不需要变化，只需要把 {{Image 1}} 中的这一群丧尸放进画面，从远处走向冰激凌车就行。
{{CameraPreset 1}}这个酒店里人交杯换盏，互相说话的自然情景。
{{Panorama720}}
去掉这个图片的噪点！！！
女人回头看向冰激凌车，画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
Vertical composition, a low angle shot of a massive, colossal 300-meter radio telescope antenna towering atop a jagged, snow-dusted mountain peak, formidable presence. In the immediate foreground, a solitary woman in a heavy, weathered extreme winter coat stands with her back to the camera, looking towards the massive structure. The sky is a natural, yet dramatic, fiery gold and deep red sunset burnished behind the dish, with thin, high-altitude cirrus clouds. Natural volumetric sun rays (God rays) filter through the intricate steel girders, lattice work, panels, feed horn, and complex cabling of the antenna. The metal is highly textured, showing years of weathering, rust, and frost accretion. High dynamic range, capturing both the bright sunset and the deep industrial details in shadow. Photorealistic, incredibly detailed, no painterly effect, complex industrial complexity, masterpiece, 8k cinematic composition
dead mecha droid, sunset, minimal, distant, decadent garden, memory machine, iridescent, chromatic
给这只机械脚在雨中的特写镜头。脚上要是锈迹斑斑的。ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
旭日缓缓地从远方升起来，这个机器人机械地向前迈着锈迹斑斑的步伐，一步步行走到了 {{Portrait 2}} 这个地方。它机械地趴在地上，跟一直小狗一样看向面前的女孩。
让这个机械人中间的那个小门打开，它身体的周围覆盖更多的青草。画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
整体呈现 {{Image 1}} ，但是楼上的树都留着，构图绿树的构图也留着。
把这双脚和腿都不要了。去掉。
雨水打在地面上，这一双脚在缓慢地向前走，走着走着突然加快了脚步。一只脚锈迹斑斑，雨水把铁锈都冲下来了，另一只脚上的红皮鞋开裂了。整个的镜头是手持镜头，表达一种压抑的情绪。
镜头推进天空的到底城市的特写，要真实电影镜头，画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
{{Image 1}} 爬在地上，在 {{Image 2}} 两只脚的前方，表情木讷地看着这双脚。
把这只脚变小， {{Image 1}} ，符合物理规律大小。就是一个正常人站在小男孩面前。
这个药瓶和钥匙掉在地上的近景特写镜头，画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
镜头反打到这个女人的正脸，她的身后也是废土末世的景象。还要在雪山上。图片风格：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
这个机械人转到女人面前，从机械嘴里吐出了两个东西，一个是一瓶小药瓶，另一个是一把钥匙。
药瓶和钥匙都太大了，不符合物理规律，调整小一点，跟女人的大小成比例。画面风格符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
画面风格改成：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
两张照片融合在一起。 {{Image 1}} 机器人出现在 {{Image 2}} 的场景中。
用 {{Image 1}} 的街景修饰 {{Image 2}} ，整体要呈现 {{Image 2}} 的场景。
固定镜头拍摄，丧尸恐怖的情绪，这几个丧尸正向前走，女人突然回头看了身后面的冰激凌车一眼，转过身向冰激凌车走去，拉着孩子踉踉跄跄，姿势僵硬地特别缓慢
给冰激凌车内部特写，里面是几罐脏脏的冰激凌，一个穿着破旧的带着一只假眼的老人正拿着勺子挖冰激凌。这都是透过冰激凌车的窗户看到的情景，超写实电影画质。画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
{{CameraPreset 1}}展示这一批人从冰激凌车旁边走过的场景。
{{Image 2}} 这个人站在小男孩面前。整体要呈现 {{Image 1}} 的场景，画风要符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
{{Image 1}} 的背景要改成 {{Image 2}} 的背景，不要调整背景！！！！！
这个笨重的金属机械好像小狗一样的跪下摔在地面，把地面上的雪都溅起来，它整体的坠落好像是生锈了的零件坏了的感觉坍塌到小女孩的面前。超写实电影风格，赛博朋克风格。
{{Image 1}} 替换掉 {{Image 2}} 中的这个女人
这个机器中间的一个小门机械方式地弹开了，机械小门的里面放着 {{Mixed 2}} 这两个东西。机械小门的弹开有卡顿感和金属质感。
抠图，留下这个女孩。
抠图这个小孩儿
{{Portrait 2}} 这个老头在左右忙活着做冰激凌，突然发现窗外看着冰激凌的两个人 {{Portrait 1}} 表情僵住了，有些害怕地不敢看向他们。
把女人去掉
{{Image 1}} 的老人，老人和冰激凌在车里，女人和小孩在窗外，隔着窗户，窗户的前面是 {{Image 2}} 和 {{Image 3}} 正眼神渴望地看着窗户里的老人手中的冰激凌。
镜头拉远到城市远景，城市中的车在缓缓行驶着，垃圾随风飞起到处飘荡。赛博朋克末世的感觉。
抠图这个女人
几只黑色的大鸟从地面起飞向空中的远处飞去。不要掉下很多羽毛。
让 {{Image 1}} 和 {{Image 4}} 两个人站在 {{Image 2}} 的场景中。参考 {{Image 3}} 的方位姿势。
老人正操作着冰激凌，突然看到窗户边上的两个人，表情有些害怕，手里的挖冰激凌的速度也放慢了。超写实电影镜头，颗粒质感。
{{Image 2}} 中的这个人替换 {{Image 1}} 中这个人，让 {{Image 2}} 抬头向上看。
让这个女孩扶起这个小男孩。
让这个女人手里拿着美元，对着老人敲窗户。画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
这个场景中突然几只黑鸟飞起来，飞向空中。整体的情绪神秘肃穆，有深深的宿命感。
孩子看向冰激凌，眼神渴望，女人看向孩子，表情温柔。老人不动地方，画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
近景特写，让这个小姑娘先是有些高兴，接着是怀疑的表情，仰着头问：“Is there really a cure for zombies?”
小男孩倒在女人的胳膊上，臂弯里。
{{Image 2}} 和 {{Image 3}} 两个人坐在 {{Image 1}} 的地面上，画面不要有任何噪点，要特别清晰。画风要符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
仰视视角，让这个女孩拿着 {{Image 1}} 的钥匙和药瓶。
小男孩原本是坐在地上的，很瘫软很没力气的样子。
镜头给这个女人近景特写，怜爱地向下看着左边的孩子。眼睛的黑眼圈很重。画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
镜像反转180度，让女孩在左边，男孩在右边。
小男孩眼神渴望地看着冰激凌，又仰头看了看老人。
让这个女人机械地敲了敲车玻璃，举起手里的钱晃了晃，突然露出很害怕的表情。
老人机械地挖着冰激凌，有些害怕的不敢看窗外 {{Portrait 1}} ，而窗外的小男孩 {{Portrait 2}} 眼神特别渴望地看了看冰激凌，又抬头看了看老人，露出纯真的表情
在这个场景中 {{Image 1}} 这个女人 {{Image 4}} 过肩{{Image 2}}镜头，看向坐在地上的 {{Image 3}} 小男孩。给 {{Image 3}} 近景特写镜头
{{Image 2}} 模仿 {{Image 1}} 中的两个人的姿势。整体要呈现 {{Image 2}} ，需求无噪点，超清画面。小孩的脸上有一些番茄汁。
让这个 旁边也有 这种蓝色框，上面是“已感染，非人类”
让 {{Image 1}} 这个女人的表情和神态参考 {{Image 2}} ，整体要呈现 {{Image 1}} 的场景，只是表情参考了 {{Image 2}}
{{CameraPreset 1}}让这个女人心疼地看着下面，逐渐露出了一个慈爱的微笑。
给左边小孩看向冰激凌的近景特写，眼神很渴望的感觉。画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
让这个孩子的黑眼圈再重一点
让 {{Portrait 1}} 右边的蓝色框非人类这个，出现在 {{Image 2}} 的右边人的旁边。
参考 {{Image 2}} 和 {{Image 3}} 的人物形象修改 {{Image 1}} 中的女孩。
镜头反打到女孩，女孩身后的背景参考 {{Image 2}}
老人放下冰激凌勺子，瞬间拿起激光武器对准女人开始连续射击，女人中了科幻武器的子弹直直向后倒下。
镜头反打到女孩 {{Image 1}} ，女孩身后的背景参考 {{Image 2}}
背景不变，还是这个街景！！！这个小男孩非常伤心的嚎啕大哭，用双手使劲儿敲击着面前已经破碎的玻璃。
镜头反打 {{Image 1}} 到女孩脸上。女孩的长相是 {{Image 2}} 。超写实电影画质。ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
有个铁的小石头打在小孩头部，他的头歪向旁边。
去掉左边这个女人。
用 {{Image 1}} 这个女人替换 {{Image 2}} 这个。
用 {{Image 1}} 这个女孩的替换掉 {{Image 2}} 中的女孩。
男孩的脸上头部留下红色番茄汁。倒在地上。
小男孩去掉，女人站起来。仰头向上看
用 {{Image 2}} 替代 {{Image 1}} 的原来蓝框里的内容。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
{{Image 1}} 中的右侧蓝框里的内容换成 {{Image 2}} 中的这个蓝框，整体呈现 {{Image 1}} ， {{Image 1}} 中的女孩的形象不变。画风符合。ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
这个老人手里的科幻武器越来越亮，按照图片不要改他手里他对着窗外大喊“Stay back, or you'll end up just like her. I won't show any mercy, not even to a child.”
让这个小孩儿做了半天嘴型，很怪异地喊出了一声奇怪的声音“Mom！”
整体呈现 {{Image 1}} 的场景，让这个 {{Image 2}} {{Image 3}} 女孩出现在 {{Image 1}} 的身后，拉着他离开。超写实电影画质。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
小男孩右边脸上有一点点番茄汁
用 {{Image 1}} 替换 {{Image 2}} 这个人，近景特写
这只脚和 这脚上的红皮鞋站在雨里，红皮鞋也非常破旧，有些破露了。做出两只脚向前走的样子。
女人伸手拉住了男孩的手。
让图中的 {{Image 2}} 的两个人参考 {{Image 1}} 图中的姿势。女孩弯腰要拉起男孩，男孩坐在地上。
去掉男孩头上的番茄。
这个老人准备射击。
ultra-realistic cinematic eco-cyberpunk megacity reclaimed by nature, colossal abandoned industrial city canyon covered with lush green vegetation, hanging vines, moss, wet steel structures and flowering trees, towering rusted megastructures stretching endlessly upward, rainy futuristic alley illuminated by warm practical street lights and subtle neon reflections, emotionally lonely but beautiful dystopian atmosphere massive environmental cinematic shot, 40mm large-format anamorphic lens, photographed like a real feature film frame shot on ARRI Alexa 65 and IMAX 70mm cameras, grounded photorealistic environmental storytelling, realistic urban decay merged with dense ecological overgrowth, rainwater flowing across reflective asphalt streets, soft atmospheric fog and steam drifting near the ground the flowers and lighting must feel artistically balanced and physically believable: deep magenta flowering tree with elegant color harmony, warm amber street lamps, subtle cyan and teal reflections, soft pink neon accents, restrained cinematic color palette with rich tonal separation, no oversaturated colors, no artificial rainbow neon overload natural cinematic lighting only, realistic overcast rainy daylight mixed with practical city lighting, physically accurate light bounce, realistic shadow falloff, realistic wet-surface reflections, cinematic atmospheric depth, documentary-style realism extremely clean image quality with pristine cinematic clarity, ultra-sharp textures, realistic steel rust detail, detailed wet foliage, tactile concrete and oxidized metal surfaces, soft natural film grain only, absolutely minimal digital noise, no muddy dark areas, no AI texture crawling, no oversharpening, no blurry details, no waxy textures hyper-realistic live-action feature film realism, high-end environmental cinematography, quiet existential atmosphere, Blade Runner 2049 meets The Last of Us eco-brutalist aesthetic, cinematic realism over fantasy NO excessive image noise, NO game-render aesthetic, NO CGI plastic textures, NO exaggerated cyberpunk glow, NO HDR bloom, NO artificial volumetric god rays, NO low-resolution texture artifacts, NO AI-generated look ultra-clear 8K, razor-sharp detail, natural optical imperfections, cinematic depth of field, 16:9 widescreen composition
抠图
这个女人从 {{Portrait 1}} 到 {{Portrait 2}} 坐下来，紧紧抱着小孩儿，这时候开始环绕运镜，体现女人伤心的心情。
让后面这个小姑娘拉着小男孩一起向前使劲儿奔跑。超写实电影画质，手持镜头跟随。
{{CameraPreset 1}} 从远景镜头 {{Portrait 2}} 切换到 {{Portrait 1}} 近景镜头，镜头连贯，中间不要跳跃。一镜到底，表达小男孩非常惊讶的表情。
镜头从 {{Mixed 1}} 拉远到这双腿的主人出现在画面里 {{Portrait 2}} ，然后女人对小男孩伸出手想要拉他起来。小男孩犹豫地把手伸过去，拉住女人。
女人的过肩反打镜头，让 {{Image 2}} {{Image 1}} 出现在她的对面，很高大很有压迫感。画风是符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
女人把小男孩平放在地上，站起来仰头看去。
突然有个铁块飞过来小那还头歪了一下，挡在女人的臂弯中。
在 {{Image 3}} 的场景中， {{Image 1}} 和 {{Image 2}} 这两个人一前一后走在路上，女孩紧张地抬头观望。画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
将图中的这双鞋全部替换成一双男孩的小破球鞋，走路的方向还是从左向右走，鞋很破，已经露脚指头了。
整体要呈现 {{Image 3}} 这张图片，背景用 {{Portrait 2}} ，女孩的背影用 {{Image 1}} 参考。修改 {{Image 3}} 的画面
让这双脚僵硬地缓缓地好像拖着那样向前走着。
她的右手没有拿钥匙，右手放下，不用举着。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
把这个女人去掉。
{{CameraPreset 1}} 一镜到底从 {{Mixed 3}} 推进到 {{Mixed 2}} 再推进到 {{Portrait 1}} ,最后定格在男人有些犹豫的表情上。
镜头反打 {{Portrait 1}} 这个男人看着机甲中的电脑屏幕，屏幕上是 {{Portrait 2}} 这个画面。
让这个机械脚的旁边有很多破碎的机械零件，比如大螺丝钉，螺丝螺母等等。
让这个 {{Image 1}} 旁边也有 {{Image 2}} 这种蓝色框，上面是“已感染，非人类”
去掉这张图片的噪点，画面风格符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
让这个女人身边出现一个淡蓝色的对话框，主要意思是“未被感染，人类”，不要那个绿色的人头，要女孩儿的照片。
把药瓶从手里去掉，然后抬头，画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
{{Image 1}} 的背景换成 {{Image 2}} 的场景。
她拿着药瓶，抬头看了看天空下起的雨，表情非常严肃，好像在回忆着什么。 {{CameraPreset 1}}
让 {{Image 2}} 这个小男孩进入 {{Image 1}} 的场景中。超写实电影画质，画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
让这只机械脚又踢了旁边的零件一下，踢到远处，力量很大，传来叮当一声巨响。
{{Portrait 2}} 出现在 {{Portrait 1}} 的屏幕里。有一些雪花点儿。
这个机甲的两个眼睛之间坐着一个男人。他坐在机甲的里面，隔着玻璃看向外面。近景特写镜头。
录像中的图像要是从高处俯瞰的视角。不是平视的视角。
让这个视频好像是电视信号中的场景，然后右边缓慢出现了那个蓝框，显示时隐时现。
要 {{Image 2}} 替代图片中的女人，背景换成 {{Image 1}}
{{Image 1}} 这个高大的机甲出现在 {{Image 2}} 这个场景中，要符合物理比例，机甲有二层楼那么高。画风要符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
聚焦这个女人近景特写。超写实电影风格，ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
这两个人面对面站着，超写实电影风格。ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
仰视视角，让 {{Image 1}} 这两个人仰视 {{Image 2}} 中的大机械人的头部。背对镜头。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
整体呈现 {{Portrait 1}} ，把接过药瓶的人变成 {{Image 2}} 的小男孩。中景镜头，平行视角。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
调整一下，女人比小男孩高一头。画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
镜头从 {{Portrait 2}} 反打到 {{Portrait 1}} ，让这个男人看认真地看着监视器上的图像。
镜头反打从 {{Portrait 2}} 到 {{Portrait 1}} ，这个男人所处的位置很高，在机甲上面。镜头推进到 {{Portrait 1}} 电脑视频中的画面 ，然后电脑视频中切换画面到 ，在电脑上显示 {{Portrait 3}} 和 的画面的时候要有电脑屏幕上看电视的那种感觉。
设计一个转场镜头，天上下雨了，女人抬起头看天上，然后天上的雨变成了雪花飘下来，先飘下雪花，场景也慢慢转成 {{Image 2}} 的场景。有一种悲伤的宿命感的情绪。
小男孩拿着药瓶的正脸近景特写，表情有些诧异地看着镜头。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
{{Image 2}} 这个图像视频里的人用 {{Image 1}} 替代。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
图片镜像180度，让两个人换个位置，小男孩在右边。
在这个景色中，让这个机械人从远处向镜头跑过来。超写实电影画质，真实电影镜头。要提现出跑步过程中的地面震动的感觉，与此同时有雨水落下来。
{{Image 1}} 这个图片的背景用 {{Image 2}} 图片的背景替换。机器人是同一个。只要一个机器人就行。
让这个女人对小孩说：“Don't worry. Take this and you'll be safe.”自然运镜。超写实电影风格。
这个机甲的右手变化出了激光武器，对准了小男孩的头部。画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
这个图片的背景用 图片的背景替换。机器人是同一个。只要一个机器人就行。
红色激光对准右边这个矮一点的，画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
{{Image 1}} 小孩的视角一样是仰着头的，参考 {{Image 2}} 这个视角。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
{{CameraPreset 1}} {{CameraPreset 2}}镜头上升同时变焦推进到坐在机甲中的战士。超写实电影画质。体现一种恐怖压抑的情绪。
小男孩疑惑的表情问：“Can this keep me safe?”自然切换镜头
让这个人在 {{Image 3}} 的背景中，仰着头看着头顶天空的方向，愤怒地大喊着。左眼要符合 {{Image 1}} 中的机械左眼特征。画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look，中景镜头。
把 {{Image 2}} 中小孩脸上的番茄汁去掉，然后把 {{Image 2}} 中的两人的背景切换成 {{Image 1}} 中的场景。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
近景特写，让这个 {{Image 1}} 药瓶出现在 {{Image 2}} 地面上，真实电影画质，超写实电影画面，画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
让 {{Mixed 2}} 这个机械人突然变化一只手变成 {{Portrait 1}} 中的武器，红光照在黑衣服的人的身上，黑衣服整体发出通红的红光，然后倒在地上。超写实电影画面。
小男孩右上角的蓝色字体改成“已感染，非人类。”其它全部不变化，画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
把那个蓝色的字体“已感染，非人类”改成红色的字体和红色的框。
聚焦这个内容，画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
这个小孩犹犹豫豫地拿起一片药放进嘴里，仰起头对着镜头机械地微笑了一下。
仰角镜头，画风要符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
让 {{Image 2}} {{Image 1}} 抱着睡着的小孩 {{Image 4}} ，伤心地坐在地上哭泣着。小孩手里还拿着 {{Image 5}} 这个药瓶。画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
让这个药打开，药片散落一地。雨水浇在地面上。
{{CameraPreset 1}}让这个女孩愤怒地抬头大喊“He has nothing left. They are just like us—capable of thought and love. Why kill him?”同时镜头变焦推进女孩悲伤又愤怒的表情。
{{Portrait 1}} 镜头反打让这个人在机甲里面看向屏幕，屏幕上先是这个女人 {{Portrait 2}} ，她旁边的蓝框闪烁后稳定了，然后是 {{Portrait 3}} 这个人，他旁边的红色的框闪烁后发出的警报。
让他用笨拙的，好像是刚刚学说话的小婴儿的，有些机械的，嘴巴似乎有些僵硬的口气，抬着头问：“Am I safe now? How do you know this medicine works?”
让他用笨拙的，好像是刚刚学说话的小婴儿的，有些机械的，嘴巴似乎有些僵硬的口气，抬着头问：“Am I safe now? How do you know this medicine works?” {{CameraPreset 1}}
小男孩听到了警报声捂住耳朵，表情很害怕的蹲下来，他旁边的红色警报框还在不停地闪烁着。
近景特写 {{Image 1}} 中躺在地上的这个人 {{Image 2}} ，颗粒质感，自然光线，画风符合。ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
右边这个躺在地上的人站了起来。看着机器人的方向。
{{Image 2}} 右边这个人用 {{Image 1}} 这个的背影代替。
把小男孩旁边那个红框去掉。
让这个男人对着机械设备说：“ you have been identified as a close contact of the infected. I am going to carry out the death penalty on you.”说话的同时他在操作着手里的设备。
{{Image 1}} 替代 {{Image 2}} 左边的人的背影。同时把右边人的衣服颜色改成黑色。
右边这个人再矮一点，衣服破旧一点。画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
让 {{Image 1}} 这个东西，靠在 {{Image 2}} 墙边的角落里，好像在看着眼前的电脑屏幕。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
雨水打在药上，药片逐渐溶解了。超写实电影画质。
{{Image 1}} 这两个东西放在 {{Image 2}} 的台阶上。超写实电影画质，画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
把这两个东西缩小的正常大小，现在太大了。 {{Image 2}}
右边这个人倒在地上，画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
去掉这图片中的钥匙。
massive underground cyberpunk doomsday mechanical bunker, ultra-realistic cinematic atompunk-industrial interior, gigantic abandoned AI command basement hidden beneath a collapsed megacity, dense mechanical environment filled with exposed pipes, analog control panels, vacuum tubes, giant reactor cores, retro-futuristic machinery, rusted industrial catwalks, suspended cables, old CRT terminals, flickering holographic interfaces, cold-war atompunk engineering mixed with dystopian cyberpunk technology towering underground chamber with colossal scale, brutalist concrete architecture fused with retro nuclear-era sci-fi machinery, gigantic cooling systems releasing steam into the air, glowing reactor light deep in the background, broken AI server clusters still partially operational, mechanical robotic arms hanging from the ceiling, flickering emergency warning lights, abandoned maintenance drones scattered across the wet floor post-apocalyptic atmosphere, civilization-collapse feeling, humanity long gone but machines still functioning autonomously, lonely existential sci-fi mood, dark industrial decay mixed with subtle warm tungsten practical lights and cold cyan reactor glow, realistic environmental storytelling inspired by Blade Runner 2049, Fallout atompunk aesthetics, Alien industrial design language, Tarkovsky sci-fi atmosphere cinematic environmental composition, 35mm anamorphic lens, shot on ARRI Alexa 65 and IMAX 70mm film cameras, realistic large-format cinematography, grounded photorealistic feature-film realism, physically accurate lighting behavior, natural shadow falloff, wet reflective metal surfaces, atmospheric fog and drifting steam, realistic dust particles illuminated by practical lighting extremely detailed mechanical textures, oxidized steel, peeling paint, oil stains, worn cables, realistic aging and corrosion, tactile industrial surfaces, realistic electrical flicker, natural film grain, subtle ISO texture, realistic lens rendering, shallow atmospheric depth, cinematic contrast, ultra-clean image quality, razor-sharp detail NO glossy CGI look NO cartoon sci-fi NO game-art aesthetic NO overdesigned futuristic fantasy NO exaggerated neon overload NO HDR bloom NO plastic textures NO AI-generated look NO anime mech style hyper-realistic live-action cinematic realism, ultra-clear 8K, dark atompunk cyberpunk apocalypse atmosphere, IMAX-scale environmental storytelling, 16:9 widescreen aspect ratio --ar 16:9 --style raw --v 7 --q 2
让 {{Mixed 1}} 在 {{Mixed 2}} 这个环境里缓缓走出了这个房间 {{Portrait 4}} ，大铁门上插着 {{Mixed 3}} 中的钥匙。 {{Mixed 1}} 伸出一只机械爪拧了一下门锁，拔下钥匙，给钥匙特写，把钥匙和 {{Mixed 3}} 小药品都放进了肚子里。
让 中的这个 {{Mixed 2}} 缓缓走进 {{Portrait 1}} 的场景中，安静地看着中的药瓶。然后缓缓走到药瓶的前面去，蹲了下来。赛博朋克场景，末世情绪。
参考 {{Image 1}} 这个衣服修改 {{Image 2}} 中右边这个人的衣服，衣服颜色深灰色。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
这个房间有一个厚重的大铁门，从大铁门看向这个房间的角度。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
让 {{Image 2}} 这个机械人在 {{Image 1}} 这个房间里向外走。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
从这个房间的门的视角向里面看的场景，加上门。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
近景特写 中躺在地上的这个人 ，颗粒质感，自然光线，画风符合。ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
雨夜中，小男孩虚弱地趴在冰冷积水里，身体几乎一动不动。镜头缓慢贴近他的脸，只能听见沉重微弱的呼吸声和雨声。几秒后，他的手指在积水中轻轻抽动一下，像大病初愈的人艰难恢复知觉。过了片刻，他才缓缓睁开疲惫的眼睛，视线模糊，呼吸急促。 他尝试撑起身体，却因为虚弱再次差点倒下。镜头始终保持真实电影感和克制节奏，不允许角色突然爬起或动作利落。男孩艰难地用手撑着湿滑地面，身体微微发抖，像刚从濒死状态苏醒。最后才缓慢、吃力地站起身，带着明显的大病初愈感。 超写实电影镜头，真实人体惯性，虚弱感，缓慢恢复意识，真实呼吸与停顿，绝不夸张动作。
luxury Antarctic expedition cruise ship cutting through icy polar waters at sunset, ultra-realistic cinematic photography, elegant post-apocalyptic-modern exploration aesthetic, massive white polar cruise liner surrounded by colossal Antarctic glaciers and drifting icebergs, dramatic frozen ocean landscape stretching endlessly into the horizon a group of beautiful men and women standing together on the open observation deck, wearing luxurious cold-weather fashion, long coats, scarves, layered expedition clothing blowing in the icy wind, emotionally captivated while admiring the breathtaking Antarctic scenery, realistic human interaction and subtle movement, cinematic atmosphere of wonder and existential beauty towering ice cliffs glowing softly under cold polar sunlight, floating sea ice reflecting pastel sky colors, distant snow-covered mountains disappearing into atmospheric fog, gentle snow drifting through the air, seabirds flying above icy waters cinematic environmental storytelling inspired by Blade Runner 2049 realism mixed with high-end luxury fashion photography and Denis Villeneuve cinematic scale, emotionally quiet and awe-inspiring atmosphere, humanity observing the end of the world’s beauty large-scale cinematic composition, 40mm anamorphic lens, shot on ARRI Alexa 65 and IMAX 70mm cameras, grounded photorealistic feature-film realism, realistic Antarctic lighting, cold desaturated blue-white palette balanced with subtle warm golden sunset highlights, realistic ocean reflections, physically accurate environmental lighting extremely detailed textures: wet ship surfaces, wind-blown hair, ice crystals, luxury fabrics, frozen railings, realistic skin tones under cold lighting, natural atmospheric haze, soft snowfall, subtle ocean mist ultra-clean image quality, minimal natural film grain, no heavy noise, no CGI plastic textures, no game-art look, no oversharpening, no fantasy cruise ship design, no exaggerated neon glow, no AI-generated appearance hyper-realistic cinematic realism, ultra-clear 8K, razor-sharp detail, premium feature film still, majestic Antarctic atmosphere, 16:9 widescreen aspect ratio --ar 16:9 --style raw --v 7 --q 2
抠图这个机械人
让 {{Portrait 2}} 出现在 {{Image 1}} 的场景中，跟他面对面站着，一只手放在男人的胳膊上。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
small post-apocalyptic utility robot working alone on the frozen surface of Antarctica, ultra-realistic cinematic sci-fi photography, lonely end-of-civilization atmosphere, compact industrial exploration robot with weathered metal body, rusted joints, exposed cables, frost-covered armor plating, small mechanical arms digging through ancient ice layers, subtle blinking sensors glowing faintly in the cold vast Antarctic wasteland stretching endlessly into the distance, colossal cracked ice sheets, abandoned frozen research structures barely visible beneath snowstorms, icy winds carrying snow particles across the surface, remnants of collapsed human civilization buried beneath ice, emotionally quiet and melancholic atmosphere the tiny robot feels fragile against the overwhelming scale of Antarctica, existential loneliness, poetic environmental storytelling, Tarkovsky sci-fi mood mixed with Blade Runner 2049 realism and Simon Stålenhag melancholy cinematic environmental composition, low-angle medium-wide shot, 50mm anamorphic lens, photographed like a real feature film frame shot on ARRI Alexa 65 and IMAX 70mm film cameras, grounded photorealistic realism, realistic Antarctic lighting, soft overcast polar daylight, cold blue-gray palette with restrained warm industrial indicator lights snow and ice textures must feel physically real: frozen metal surfaces, wind erosion, ice crystals on mechanical joints, subtle steam from internal heating systems, realistic frost accumulation, wet reflective ice, soft atmospheric haze, minimal snowfall drifting through frame ultra-clean image quality, subtle natural film grain only, no heavy noise, realistic lens rendering, cinematic depth of field, tactile material textures, realistic environmental scale, natural optical imperfections, no glossy CGI surfaces, no game-art aesthetic, no cartoon robot design, no exaggerated sci-fi glow, no HDR bloom, no AI-generated look hyper-realistic live-action feature film realism, ultra-clear 8K, razor-sharp detail, cinematic post-apocalyptic beauty, 16:9 widescreen aspect ratio --ar 16:9 --style raw --v 7 --q 2
让这个小机器人 {{Image 2}} 的眼睛跟 {{Image 1}} 她的眼球一样,蓝色的，形状也一样。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
让 这个小孩站起来，仰头看着这个 ，形成对峙的场面。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
让 {{Mixed 2}} 从房间里非常缓慢地走了出来，轻轻拉上门，拔掉了门上的钥匙。固定镜头拍摄，表达这个机械神秘又落寞的情绪。
{{Image 1}} 这个门上插着 {{Image 2}} 图片里的这把钥匙。
{{Image 1}} 中的机器人替代 {{Image 2}} 中的这个，让它的小机械手高高举着一个小小的试管。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
让这个机械人的手爪子和钥匙都同步变小，符合物理规律，超清画面，颗粒质感，画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
去掉中间这个人，只剩下一堆机甲残片。
让这个机器人微微转动钥匙锁门，然后拿着钥匙离开。
让这个 {{Portrait 2}} 机甲操作者从 {{Image 1}} 这些机甲残余中站起来。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
让这个 机甲操作者从 这些机甲残余中站起来。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
让 {{Image 2}} 这个机械人站在这个门的外面，一只爪子放在门边的钥匙上。
让 {{Image 1}} 这个小孩站起来，仰头看着这个 {{Image 2}} ，形成对峙的场面。画风符合：ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
让这个机械人缓缓地向门外走出来。脚步很沉重，超写实电影风格。
这个小机器人把这个蓝色瓶子倒进自己的眼睛中，眼睛变成了蓝色。它说了一句“The cruise ship virus has been retrieved from Antarctica. Mission accomplished.”
去掉这个男人，
在 {{Mixed 4}} 这个场景中， {{Portrait 3}} 这个小孩 {{Portrait 2}} 仰头对着屏幕的镜头说“I will destroy all of you!” {{Portrait 1}} 惊讶地表情看着镜头说“What the heck is going on?”
{{Image 2}} 让这个女孩出现在 {{Image 1}} 这个场景中，近景特写她的脸部，着急的表情。画风符合ultra-realistic neo-noir dystopian cinematic photography, grounded cyberpunk realism, Blade Runner 2049 atmosphere, rainy industrial future city, cold desaturated blue-gray palette with subtle warm practical lights, wet asphalt reflections, realistic urban decay, lived-in futuristic poverty, emotionally lonely atmosphere, documentary-style sci-fi realism, natural lens compression, cinematic environmental storytelling, physically accurate lighting, realistic steam and rain interaction, subtle film grain, A24-style post-apocalyptic mood, high-end feature film still, no exaggerated neon glow, no game-art feeling, no CGI look
镜头推进女孩的脸部近景特写，她举起双手，一边大喊着“Don't hurt him! Please don't!”