隐藏在eva漫画里的【碇真嗣的童年】

图片节点 3

将画面修改成9:16的比例，不要出现黑边或者白边，将画面填满，比例适中，角色在画面中的核心位置。

将画面修改成3:4的比例，不要出现黑边或者白边，将画面填满，比例适中，角色在画面中的核心位置。

将画面修改成4:3的比例，不要出现黑边或者白边，将画面填满，比例适中，角色在画面中的核心位置。

将画面修改成16:9的比例，不要出现黑边或者白边，将画面填满，比例适中，角色在画面中的核心位置。

图片节点 3

修改为幼年碇真嗣的全身造型，风格为1995 年《新世纪福音战士》美学，复古赛璐璐动画，电影质感。

根据参考图中的角色形象生成角色的全身正视图、全身侧视图、全身后视图，背景为纯白色。

【生成内容】 # 一间坐落在院子角落、孤零零的新建小木屋。木屋周围有几株灌木和植物。伯父（戴眼镜）和伯母出现在画面两侧。伯父正伸出手指向木屋。6岁的真嗣，中景，他穿着横条纹衫，背着手，站在两个大人的黑影之间，显得异常瘦小。真嗣的近景特写，他面向镜头，非常有礼貌的道谢，只有一种“必须接受”的温顺，然后他的表情又迅速的回归冰点。黑夜小木屋的窗口透出一丁点微弱、孤独的灯光。

天气改为的阴天，将伯父、伯母的年龄为50岁，看起来有些刻板，微笑的十分僵硬，他们的形象为新世纪福音战士中的角色风格。其他内容保持不变

图片节点 8

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE NEW GARDEN SHACK A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 vintage anime aesthetic. High-quality 1990s Japanese cel animation style. Sharp, clean black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Bright, clear summer day. Lighting is brilliant, sharp, and direct. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). A newly built wooden shack in a vibrant garden, lush green bushes, flowers, and bright atmosphere. NO plain colors. CHARACTERS: - A YOUNG BOY: 6 years old, school uniform. Slender physique, sharp, angular facial features. - ADULT MAN: Middle-aged, sharp jawline, gaunt features, glasses, stern expression. (Avoid rounded or cartoony features). - ADULT WOMAN: Middle-aged, slender build, sharp facial lines, conservative clothes, neutral expression. PANEL 1 (Top Left): Wide shot. A clean, newly built wooden shack in the corner of a sunny yard. Vibrant green bushes, flowers, and lush vegetation. Background: 100% filled with a bright blue sky and clear summer day. PANEL 2 (Top Right): Medium shot. Man (sharp, gaunt, glasses) and Woman (slender, sharp lines) stand on both sides, gesturing towards the new shack. They look like realistic, mature background characters. Background: Lush garden foliage under bright sunlight. PANEL 3 (Mid Left): Mid-shot. The boy stands between the two sharp-featured adults. He is lean and slender, hands clasped behind his back, looking down towards the ground. Background: Bright, sun-drenched yard. PANEL 4 (Mid Right): Extreme close-up of the boy's face. He is listening with a polite, attentive expression, nodding slightly to show he is respectful. Background: Bright, clear daylight exposing fine facial details. PANEL 5 (Bottom Left): Extreme close-up of the boy's face. His expression shifts to a quiet, neutral gaze, looking serious and deep in thought. Background: Sharp shadows and clear details. PANEL 6 (Bottom Right): Wide shot. The wooden shack stands in the bright sun. A calm, beautiful summer day, clear blue sky, emphasizing the stark contrast between the peaceful surroundings and the boy's quiet isolation. Background: Bright blue sky and vibrant garden. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, SHARP ANGULAR CHARACTER DESIGN.

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE LONELY SHACK A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Twilight transitioning into dark night. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). An isolated, weathered wooden shack in the yard corner, sparse bushes, cold atmosphere. NO plain colors. CHARACTERS & PROPS: - SHINJI IKARI: 14 years old, wearing a striped t-shirt, looking small and fragile. - UNCLE: Middle-aged, wearing glasses. - AUNT: Middle-aged, standing beside the uncle. PANEL 1 (Top Left): Wide shot. An isolated, lonely wooden shack sits in the corner of a yard. Sparse, dead bushes surround the hut. Background: 100% filled with a gloomy twilight sky and decaying yard details. PANEL 2 (Top Right): Medium shot. The Uncle (with glasses) and Aunt stand on both sides of the frame. The Uncle extends a finger, pointing coldly toward the small shack. Background: The yard and the shack in the background. PANEL 3 (Mid Left): Mid-shot. Shinji stands between the dark, looming shadows of the two adults. He is abnormally thin and small, wearing his striped t-shirt, with his hands clasped behind his back. Background: The dark silhouettes of the adults framing Shinji. PANEL 4 (Mid Right): Extreme close-up of Shinji's face. He is wearing a fake, polite, and submissive mask, nodding with a "must accept" expression. Background: Faded, desaturated background colors. PANEL 5 (Bottom Left): Extreme close-up. Shinji's face shifts instantly. The polite mask drops, eyes becoming completely vacant, hollow, and icy cold, returning to his default state of emotional detachment. Background: Deep shadows engulfing his face. PANEL 6 (Bottom Right): Wide shot. Deep night. The wooden shack stands alone in the dark. A single, weak, and lonely light glows from the tiny window, emphasizing the cold isolation. Background: Dark night sky and silhouette of the yard. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, COLD ATMOSPHERE.

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE NEW SHACK A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Bright, clear summer day. Lighting is brilliant, sharp, and direct. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). A newly built, clean wooden shack in a vibrant garden, lush green bushes, flowers, and bright atmosphere. NO plain colors. CHARACTERS & PROPS: - SHINJI IKARI: 14 years old, wearing a striped t-shirt, looking small and fragile. - UNCLE: Middle-aged, wearing glasses. - AUNT: Middle-aged, standing beside the uncle. PANEL 1 (Top Left): Wide shot. A clean, newly built wooden shack in the corner of a sunny yard. Vibrant green bushes, blooming flowers, and lush vegetation surround the hut. Background: 100% filled with a bright blue sky and clear summer day. PANEL 2 (Top Right): Medium shot. The Uncle (with glasses) and Aunt stand on both sides, gesturing towards the clean new shack. Background: Lush garden foliage under bright sunlight. PANEL 3 (Mid Left): Mid-shot. Shinji stands between the adults in the bright garden. He is abnormally thin and small, wearing his striped t-shirt, hands clasped behind his back. Background: Bright, sun-drenched yard. PANEL 4 (Mid Right): Extreme close-up of Shinji's face. He is wearing a fake, polite, and submissive mask, nodding with a "must accept" expression. Background: Bright, clear daylight exposing every detail of his face. PANEL 5 (Bottom Left): Extreme close-up. Shinji's face shifts instantly. The polite mask drops, eyes becoming completely vacant, hollow, and icy cold, returning to his default state of emotional detachment. Background: Harsh, bright sunlight illuminating his cold expression. PANEL 6 (Bottom Right): Wide shot. The new wooden shack stands in the bright sun. A calm, beautiful summer day, clear blue sky, emphasizing the stark contrast between the peaceful surroundings and Shinji's cold isolation. Background: Bright blue sky and vibrant garden. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, BRIGHT DAYLIGHT.

【生成内容】 # 画面快速从0.02秒处快切。 # 被放逐的「小屋」(15s) # 【全局風格與環境設定】 音效控制： 全程無 BGM。僅保留環境物理音效：夏日午後單調的蟬鳴聲、伯父指點時衣料的摩擦聲、真嗣輕微的腳步聲、夜晚木屋傳來細微的木材乾裂聲。 畫面風格： 1995 年 Gainax 傳統賽璐璐動畫風格。色彩鮮艷但陰影厚重（強調大人黑影的壓迫感）。帶有明顯的 VHS 錄像帶噪點、褪色膠片感。 # 【分鏡腳本指令：從禮貌的偽裝到靈魂的冰點】 # 第 1-2 格分鏡：大人的「慈悲」（0-5s） # 鏡頭： 中景。畫面參考 \[第2格分鏡\]，戴眼鏡的伯父（藍色短袖）和伯母（紫色短袖）分立兩側。伯父伸手指向 \[第1格分鏡\] 那間孤零零的小木屋。 # 音效/對白： 伯父語音：「シンジ、お前のために勉強部屋を建てたんだよ。」 伯母語音：「今日からそこで勉強しなさい。自分ひとりの部屋が欲しかったんだろう？」 # 動態： 伯父指點的動作緩慢而僵硬，背景的雲朵靜止。 # 第 3 格分鏡：黑影中的幼苗（5-8s） # 鏡頭： 畫面切換至 \[第3格分鏡\]。6 歲的少年真嗣站在畫面正中。 # 視覺細節： 鏡頭緩慢推近。真嗣穿著橫條紋衫，背著手，兩側大人的黑影投射在他身上，將他瘦小的身軀幾乎淹沒。他低著頭，看不清表情，顯得極其渺小且孤立。 # 第 4-5 格分鏡：碎裂的溫順（8-12s） # 鏡頭： 近景特寫。畫面參考 \[第4格分鏡\]。真嗣面向鏡頭，露出一個勉強、懂事且卑微的微笑，微微欠身。 # 對白： 幼年真嗣語音：「……ありがとうございます、伯父さん、伯母さん。」 # 動態轉折： 說完對白的一瞬間，畫面無縫銜接至 \[第5格分鏡\]。真嗣的笑容瞬間消失，眼神迅速回歸到一種空洞、死寂的冰點狀態，視線轉向一側，臉上沒有任何情緒起伏。 # 第 6 格分鏡：孤島（12-15s） # 鏡頭： 畫面平滑轉場至夜晚，場景參考 \[第6格分鏡\]。 # 視覺細節： 漆黑的院子角落，唯有那座小木屋佇立。窗口透出一丁點暗淡、發黃且孤獨的燈光。漫天星斗與寂靜的夜晚，突顯出這是一座名為「書房」的監獄。画外音：幼年真嗣：「僕は一人で、ちゃんと勉強するよ。」 # 音效： 蟬鳴消失，只剩風吹過灌木叢的沙沙聲。 # 導演指令重點解析： # 光影隱喻（Shadow Play）： 提示詞中強調了「大人的黑影」，在 Seedance 2.0 中這會生成強烈的明暗對比，視覺化地呈現真嗣受到的心理壓迫。 # 表情突變（Micro-expression）： 指令第 4-5 秒的轉折是核心。從「必須接受」的偽裝笑容瞬間切換到「冰點」，這是還原貞本義行原畫中那種深刻憂鬱感的關鍵。 # 場景一致性： 透過引用 \[第1格\] 與 \[第6格\] 的木屋，鎖定了地理位置的一致性，同時完成了從晝到夜的情緒升華。 # 去中心化敘事： 大人的臉在鏡頭中總是不完整的（或處於邊緣），將中心完全留給瘦小的真嗣，增強觀眾的共情。

【生成内容】 # 极近距离特写。一只苍白的手握着琴弓，在粗重的琴弦上机械地拉动。松香的粉末在微弱的光线下震动。 缓慢拉远。14岁的真嗣坐在没有屋顶的建筑废墟的房间中央拉大提琴，建筑周围是积水、茂盛的树木和植物，同时能够看到远处的第三东京市。他的眼神空洞，视线没有聚焦，像一台上好发条的精密仪器。

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE SUNLIT RUINS A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Bright, clear summer day. Lighting is brilliant, sharp, and direct. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). A vibrant, deep azure blue sky filled with beautiful, detailed cirrocumulus clouds (mackerel sky). An open-air ruined building, sun-drenched flooded concrete floors, lush green vines. Distant, skeletal city skyline clearly visible under bright light. NO plain colors. CHARACTERS & PROPS: - SHINJI IKARI: 14 years old, school uniform, empty and vacant expression, eyes unfocused. - CELLO: A worn-out wooden cello. - PROPS: Rosin dust particles, bow hair, strings. PANEL 1 (Top Left): Extreme close-up. A pale, young hand holding a cello bow. The hand is pulling the bow across the thick strings, illuminated by brilliant, sharp direct sunlight. Background: Dark, out-of-focus background. PANEL 2 (Top Right): Macro close-up. Tiny particles of white rosin dust vibrating and floating, beautifully illuminated in a intense beam of warm sunlight. Background: The ruin's cracked concrete wall. PANEL 3 (Mid Left): Wide shot. The ruined building with no roof. Brilliant sunlight streams into the flooded concrete floors. Lush green plants and saplings thrive in the bright light. Background: 100% filled with overgrowth and a bright azure sky with cirrocumulus clouds. PANEL 4 (Mid Right): Close-up of Shinji's face. Strong direct sunlight illuminates one side of his face. Eyes completely vacant and unfocused. He looks like a precision instrument wound up to perform. Background: Exposed, broken concrete walls under a clear summer sky. PANEL 5 (Bottom Left): Medium shot. Shinji sitting alone on a flooded, mossy concrete floor, playing the cello. Bright, sharp sunlight creates high-contrast shadows. Lush vines hang from exposed rafters. Background: The sunlit, open-air structure. PANEL 6 (Bottom Right): Wide panoramic shot. Shinji is a small, lonely figure within the roofless, flooded ruin. Through the large gaps in the broken walls, the skeletal remains of a ruined city skyline loom clearly under a vibrant azure sky and beautiful cirrocumulus clouds. Background: Fully realized environmental ruin. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, BRIGHT SUMMER DAY.

图片节点 2

# SEAMLESS FULL-SCENE ANIME STORYBOARD: RUINS RECLAIMED A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Overcast daylight. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). An open-air ruined building with no roof, flooded concrete floors with shallow puddles, lush green vines and small trees reclaiming the interior. Far background visible through broken walls shows a distant, skeletal city skyline in ruins. NO plain colors. CHARACTERS & PROPS: - SHINJI IKARI: 14 years old, school uniform, empty and vacant expression, eyes unfocused. - CELLO: A worn-out wooden cello. - PROPS: Rosin dust particles, bow hair, strings. PANEL 1 (Top Left): Extreme close-up. A pale, young hand holding a cello bow. The hand is pulling the bow across the thick, taut strings with mechanical, stiff precision. Background: Dark, out-of-focus background. PANEL 2 (Top Right): Macro close-up. Tiny particles of white rosin dust vibrating and floating in a beam of light. Background: The ruin's cracked, mossy concrete wall. PANEL 3 (Mid Left): Wide shot. The ruined building with no roof. Sunlight streams onto flooded concrete floors covered in shallow puddles. Lush green plants and saplings grow through the floor cracks. Background: 100% filled with overgrowth and ruined structure. PANEL 4 (Mid Right): Close-up of Shinji's face. Eyes completely vacant and unfocused. He looks like a precision instrument wound up to perform. Background: Exposed, broken concrete walls under an overcast sky. PANEL 5 (Bottom Left): Medium shot. Shinji sitting alone on a flooded, mossy concrete floor, playing the cello. Lush vines hang from the exposed rafters. Background: The ruined, open-air structure filled with greenery. PANEL 6 (Bottom Right): Wide panoramic shot. Shinji is a small, lonely figure within the roofless, flooded ruin. Through the large gaps in the broken walls, the skeletal remains of a ruined city skyline loom in the misty distance. Background: Fully realized environmental ruin. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, VACANT EXPRESSION, OVERGROWN RUINS.

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE SUNLIT RUINS OF TOKYO-3 A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Bright, clear summer day. Lighting is brilliant, sharp, and direct. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). A vibrant, deep azure blue sky filled with massive, majestic, towering cumulonimbus clouds (huge summer thunderclouds). An open-air ruined building, sun-drenched flooded concrete floors, lush green vines. Distant, skeletal ruins of Tokyo-3 city skyline clearly visible under bright light. NO plain colors. CHARACTERS & PROPS: - SHINJI IKARI: 14 years old, school uniform, empty and vacant expression, eyes unfocused. - CELLO: A worn-out wooden cello. - PROPS: Rosin dust particles, bow hair, strings. PANEL 1 (Top Left): Extreme close-up. A pale, young hand holding a cello bow. The hand is pulling the bow across the thick strings, illuminated by brilliant, sharp direct sunlight. Background: Dark, out-of-focus background. PANEL 2 (Top Right): Macro close-up. Tiny particles of white rosin dust vibrating and floating, beautifully illuminated in a beam of warm sunlight. Background: The ruin's cracked concrete wall. PANEL 3 (Mid Left): Wide shot. The ruined building with no roof. Brilliant sunlight streams into the flooded concrete floors. Lush green plants and saplings thrive in the bright light. Background: 100% filled with overgrowth and a bright azure sky with massive, majestic towering cumulonimbus clouds. PANEL 4 (Mid Right): Close-up of Shinji's face. Strong direct sunlight illuminates one side of his face. Eyes completely vacant and unfocused. He looks like a precision instrument wound up to perform. Background: Exposed, broken concrete walls under a clear summer sky. PANEL 5 (Bottom Left): Medium shot. Shinji sitting alone on a flooded, mossy concrete floor, playing the cello. Bright, sharp sunlight creates high-contrast shadows. Lush vines hang from exposed rafters. Background: The sunlit, open-air structure. PANEL 6 (Bottom Right): Wide panoramic shot. Shinji is a small, lonely figure within the roofless, flooded ruin. Through the large gaps in the broken walls, the skeletal remains of the ruined Tokyo-3 city skyline loom clearly under a vibrant azure sky and massive towering cumulonimbus clouds. Background: Fully realized environmental ruin of the ruined Tokyo-3. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, BRIGHT SUMMER DAY, TOKYO-3 RUINS.

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE CELLO OF RUINS A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading. TIME: Dim, cold light filtered through broken windows. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). An empty, ruined interior with moss-covered concrete, shallow puddles on the floor, no furniture, decayed industrial atmosphere. NO plain colors. CHARACTERS & PROPS: - SHINJI IKARI: 14 years old, empty and vacant expression, eyes unfocused, playing with mechanical, emotionless precision. - CELLO: A worn-out wooden cello. - PROPS: Rosin dust particles, bow hair, strings. PANEL 1 (Top Left): Extreme close-up. A pale, young hand holding a cello bow. The hand is pulling the bow across the thick, taut strings with mechanical, stiff precision. Background: Dark, out-of-focus background. PANEL 2 (Top Right): Macro close-up. Tiny particles of white rosin dust vibrating and floating in a single beam of dim, cold light piercing through the ruin. Background: Dark, dusty air. PANEL 3 (Mid Left): Mid-shot. A wide view of the ruined, empty room. Moss growing on cracked concrete, shallow stagnant water puddles reflecting the dim ceiling. Background: Decayed, empty industrial-style room. PANEL 4 (Mid Right): Close-up of Shinji's face. Eyes completely vacant and unfocused, mouth set in a thin, rigid line. He looks like a precision instrument wound up to perform. Background: Grimy, peeling wall texture. PANEL 5 (Bottom Left): Medium shot. Shinji sitting alone on the floor in the center of the ruins, playing the cello. His posture is stiff and robotic. Background: The crumbling, abandoned room filled with structural decay. PANEL 6 (Bottom Right): Wide shot. Shinji small in the vast, desolate room. Shadows are long and oppressive. The room is silent and cold. The cello music is the only thing that exists. Background: The empty, ruinous environment filling the entire panel. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, VACANT EXPRESSION.

【生成内容】 # 廢墟中的機械變奏曲 (15s)，快速从0.02秒处剪切画面。 # 【全局風格與環境設定】 音效控制： 全程無 BGM。僅保留物理音效：琴弓摩擦琴弦的乾澀「吱呀」聲、微弱的呼吸聲、水滴落入積水的「咚」聲、遠處廢墟中的風聲。 畫面風格： 1995 年 Gainax 傳統賽璐璐動畫風格。高對比度、細膩膠片顆粒、VHS 錄像帶色散。色彩呈現出憂鬱的深藍與生機盎然的翠綠對比。 # 【分鏡腳本指令：從機械動作到宏大荒無的連續拉遠】 # 第 1-2 格分鏡：微觀的機械性（0-4s） # 鏡頭： 極近距離特寫。畫面聚焦於 \[第1格分鏡\] 中那隻蒼白、骨感的手。手部機械地、毫無感情地拉動琴弓，琴弦隨之產生物理震動。 # 細節： 隨後切入 \[第2格分鏡\]，在穿透廢墟的強烈束光中，微小的松香粉末因琴弦震動而劇烈跳躍、飛舞。 # 音效： 乾澀、單調的大提琴單音循環，伴隨粉末震動的極微弱沙沙聲。 # 第 4 格分鏡：空洞的靈魂（4-8s） # 鏡頭： 鏡頭緩慢平滑地拉遠，揭示出 \[第4格分鏡\] 中 14 歲少年的面部。少年眼神空洞，瞳孔收縮，視線完全沒有聚焦，像是注視著虛無。 # 動態： 他的面部肌肉如石雕般僵硬，只有拉弓的動作在持續，呈現出一種極度不協調的「精密儀器感」。真嗣内心独白：「先生に言われたから、弾いているだけだ。そうしていれば、間違いはないから。」 # 音效： 少年微弱且頻率穩定的呼吸聲。 # 第 3 & 5 格分鏡：被自然收回的空間（8-12s） # 鏡頭： 鏡頭持續拉遠。展現 \[第5格分鏡\]，少年孤零零地坐在沒有屋頂的建築框架中央。腳下是 \[第3格分鏡\] 描繪的清澈積水，水面完美倒映著殘破的橫樑與茂盛的藤蔓植物。 # 細節： 翠綠的植物在混凝土縫隙中瘋狂生長，微風吹過，葉片輕輕搖曳。 # 音效： 積水被微風吹動的泛起漣漪的聲音。 # 第 6 格分鏡：宏大的終局（12-15s） # 鏡頭： 鏡頭最終拉至遠景 \[第6格分鏡\]。少年在巨大的工業遺蹟中縮小為一個黑點。背景是傾斜的第三新東京市摩天大樓群，在湛藍的天空與巨大的積雨雲下顯得無比寂靜。 # 結尾： 畫面呈現絕對的靜謐 # 音效： 遠處空曠建築中迴盪的風哨聲，琴聲逐漸低沉消失。

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE AWAKENING OF THE BEAST A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Nighttime, eerie, surreal industrial lighting. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). Dark, cavernous GeoFront interior, industrial biomechanical structures, shadows. NO plain colors. CHARACTERS & PROPS: - SHINJI IKARI: 14 years old, school uniform. Expression of extreme emotional intensity. - BANDAGED EVA-01: A colossal, terrifying organic-mechanical entity wrapped in tattered white bandages, resembling a twisted, eldritch statue. - YUI IKARI: A ghostly, translucent apparition, smiling gently. PANEL 1 (Top Left): Wide shot. Shinji Ikari stands in the dark, cavernous NERV chamber. A ghostly, translucent 6-year-old silhouette overlaps his figure. A colossal, bandaged entity looms behind him, half-hidden in the abyss. Background: Industrial GeoFront structure. PANEL 2 (Top Right): Close-up. The head of the bandaged creature emerging from the dark. The bandages are layered like shackles. Background: Shadowy cavern walls with pulsating organic cables. PANEL 3 (Mid Left): Extreme close-up. A giant, biological eye suddenly opens, staring intensely into the lens. Background: Pulsating organic skin texture and tattered bandages. PANEL 4 (Mid Right): Extreme close-up of Shinji's face. Pupils sharply contracting, lips trembling, intense dramatic lighting. Background: Stark, high-contrast shadows. PANEL 5 (Bottom Left): Detail shot. The creature's jagged, serrated, icy-cold teeth forming a twisted, eerie smile. Cables and tubes like veins connected to its back. Background: Dark industrial abyss. PANEL 6 (Bottom Right): Entry plug view. Shinji clutching his chest in emotional pain. Overlaid with a ghostly, translucent image of Yui Ikari, who is smiling gently as she fades away. Background: Soft, ethereal light and VHS static artifacts. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, SURREAL HORROR, PSYCHOLOGICAL TENSION.

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# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE TWISTED BUDDHA A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Nighttime, eerie, surreal lighting. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). Dark, cavernous GeoFront interior, industrial decay, organic biomechanical structures. NO plain colors. CHARACTERS & PROPS: - SHINJI IKARI: 14 years old, school uniform. Expression of extreme emotional strain. - BANDAGED EVA-01: A colossal, terrifying organic-mechanical entity wrapped in tattered white bandages, resembling a twisted, eldritch Buddha statue. - YUI IKARI: A ghostly, translucent apparition, smiling gently. PANEL 1 (Top Left): Wide shot. 14-year-old Shinji stands dwarfed in the dark, cavernous NERV chamber. A colossal, bandaged entity looms over him, half-hidden in the abyss. Background: Dark, industrial GeoFront structure. PANEL 2 (Top Right): Close-up. The head of the bandaged creature emerging from the dark. Eyes are unsettling and glowing. Background: Shadowy cavern walls with pulsating organic cables. PANEL 3 (Mid Left): Extreme close-up of the creature. A giant, biological eye suddenly opens, staring intensely. Jagged, serrated teeth form a gruesome, unearthly smile. Background: Pulsating organic skin and tattered bandages. PANEL 4 (Mid Right): Wide shot. The "Twisted Buddha" Eva-01 monster standing in a prayer-like posture, cables trailing from its back like veins. It dominates the screen. Background: Deep, dark industrial abyss. PANEL 5 (Bottom Left): Mid-shot. Shinji inside the red, fluid-filled entry plug. He is clutching his chest in extreme emotional pain. Background: Technical, mechanical entry plug details. PANEL 6 (Bottom Right): Close-up/Overlay. Shinji's distressed face overlaid with a ghostly, translucent image of Yui Ikari, who is smiling gently as she fades away. Background: Soft, ethereal light and VHS static artifacts. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, SURREAL HORROR.

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE AWAKENING OF UNIT-01 A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Nighttime, surreal biomechanical atmosphere. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). Dark, cavernous GeoFront interior, industrial structures, organic biomechanical textures. NO plain colors. CHARACTERS & PROPS: - SHINJI IKARI: 14 years old. Panels 1 & 4 show him in his school uniform. Panels 5 & 6 show him in his iconic purple Unit-01 plugsuit. Expression of profound solemnity. - BANDAGED EVA-01: A colossal organic-mechanical entity wrapped in tattered white bandages, resembling an eldritch statue. - YUI IKARI: Iconic short dark-brown bob haircut, gentle features, wearing her signature white lab coat, serene and elegant expression. PANEL 1 (Top Left): Wide shot. 14-year-old Shinji stands dwarfed in the dark, cavernous NERV chamber. A colossal, bandaged entity looms behind him, half-hidden in the abyss. Background: Industrial GeoFront structure. PANEL 2 (Top Right): Close-up. The head of the bandaged creature emerging from the dark. The bandages are layered like shackles. Background: Shadowy cavern walls with pulsating organic cables. PANEL 3 (Mid Left): Extreme close-up. A giant, biological eye suddenly opens in the bandages, staring intensely into the lens. Background: Pulsating organic skin texture and tattered bandages. PANEL 4 (Mid Right): Extreme close-up of Shinji's face (school uniform). Pupils sharply contracting, lips trembling, intense dramatic lighting. Background: Stark, high-contrast shadows. PANEL 5 (Bottom Left): Detail shot. The creature's jagged, serrated teeth forming a twisted, eerie smile. Cables and tubes like veins connected to its back. Background: Dark industrial abyss. PANEL 6 (Bottom Right): Entry plug view. Shinji (wearing his purple Unit-01 plugsuit) clutching his chest in emotional tension. Overlaid with a ghostly, translucent image of Yui Ikari; she has her signature short dark-brown bob haircut, gentle eyes, and is wearing her white lab coat, smiling as she fades into light. Background: Soft, ethereal light and VHS static artifacts. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, SURREAL HORROR, YUI IKARI CHARACTER DESIGN.

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE AWAKENING OF UNIT-01 A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Nighttime, biomechanical atmosphere. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). Dark, cavernous GeoFront interior, industrial structures, organic biomechanical textures. NO plain colors. CHARACTERS & PROPS: - SHINJI IKARI: 14 years old. Panels 1 & 4 show him in his school uniform. Panels 5 & 6 show him in his iconic purple Unit-01 plugsuit. Expression of extreme emotional intensity. - BANDAGED EVA-01: A colossal organic-mechanical entity wrapped in tattered white bandages, resembling an eldritch statue. - YUI IKARI: A ghostly, translucent apparition, smiling gently. PANEL 1 (Top Left): Wide shot. 14-year-old Shinji stands dwarfed in the dark, cavernous NERV chamber. A colossal, bandaged entity looms behind him, half-hidden in the abyss. Background: Industrial GeoFront structure. PANEL 2 (Top Right): Close-up. The head of the bandaged creature emerging from the dark. The bandages are layered like shackles. Background: Shadowy cavern walls with pulsating organic cables. PANEL 3 (Mid Left): Extreme close-up. A giant, biological eye suddenly opens in the bandages, staring intensely into the lens. Background: Pulsating organic skin texture and tattered bandages. PANEL 4 (Mid Right): Extreme close-up of Shinji's face (school uniform). Pupils sharply contracting, lips trembling, intense dramatic lighting. Background: Stark, high-contrast shadows. PANEL 5 (Bottom Left): Detail shot. The creature's jagged, serrated, icy-cold teeth forming a twisted, eerie smile. Cables and tubes like veins connected to its back. Background: Dark industrial abyss. PANEL 6 (Bottom Right): Entry plug view. Shinji (wearing his purple Unit-01 plugsuit) clutching his chest in emotional tension. Overlaid with a ghostly, translucent image of Yui Ikari, who is smiling gently as she fades away into light. Background: Soft, ethereal light and VHS static artifacts. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, SURREAL HORROR, PSYCHOLOGICAL TENSION.

【生成内容】 # 14岁的真嗣呆立在中央。特写，一个巨大的、缠满白色绷带的EVA头颅猛然从黑暗中探出。它的眼睛令人不安。特写： 真嗣的脸部特写。他的瞳孔急剧收缩，嘴唇微微颤动。 绷带EVA（初号机原型）的局部特写。绷带层层叠叠，像是束缚野兽的枷锁。一只巨大的、充满生物感的眼球突然睁开，死死盯着镜头。露出的排牙像锯齿一样整齐且冰冷，带着一种诡异的“微笑”感。整个画面被那个巨大的、缠满绷带的“EVA”占据。它非常巨大，矗立在渺小的真嗣面前。大量的管线像血管一样连接着它的背部。真嗣站在那个庞然大物面前。怪物的阴影彻底覆盖了他的全身。母亲碇唯消失前的笑容。真嗣在初号机插入栓中，双手按在胸口，表情痛苦。

【生成内容】 # 【立即從 0.02 秒處剪切】\\ # 【全局風格與環境設定】\\ # 音效/環境音： 全程無 BGM。環境音為深層地下設施的低頻嗡鳴聲、巨大生物器官蠕動的黏稠聲、繃帶受力斷裂的「吱呀」聲、插入栓內 LCL 液體流動的咕嘟聲、少年急促且短促的驚恐呼吸聲。\\ # 畫面風格： 1995 年 Gainax 傳統賽璐璐動畫風格（貞本義行筆觸）。極高對比度、陰冷壓抑的影調。帶有明顯的 VHS 錄像帶噪點、強烈的畫面震動感（Impact frames）、褪色膠片感。\\ # 【根據六宮格分鏡腳本順序，創作一段關於「禁忌覺醒」與「母性殘影」的蒙太奇。】\ 第 1-2 格分鏡：巨大的陰影（0-4s）\ 鏡頭 1： 低角度仰拍全景（參考圖 1）。14 歲的少年渺小地呆立在中心，面前是矗立在黑暗中的巨型纏滿白色繃帶的 EVA 原型機。無數像血管一樣的粗重管線連接其背部。\ 鏡頭 2： 特寫。EVA 頭顱猛然從黑暗中探出（參考圖 2）。繃帶像是鎖鏈一樣層層疊疊，露出的排牙像鋸齒一樣整齊冰冷，呈現出一種詭異的「微笑」感。\ 第 3 格分鏡：不安的視線（4-7s）\ 鏡頭 3： 物理特寫（參考圖 3）。一隻巨大的、充滿血絲的生物眼球突然在繃帶縫隙中睜開。\ 動態： 眼球不安地左右快速轉動，瞳孔放大後猛地收縮，最後死死盯住鏡頭，帶來極強的生理壓迫感。\ 第 4 格分鏡：認知的崩潰（7-10s）\ 鏡頭 4： 少年臉部特寫（參考圖 4）。他的瞳孔因恐懼而縮小成點狀，嘴唇微微顫動。EVA 巨大的陰影將他徹底吞噬。\ 語音（少年，顫抖）：「ママ……」\ 語音（少年，否認）：「違う。これ……は、エヴァだ。」\ 第 5 格分鏡：枷鎖中的野獸（10-12s）\ 鏡頭 5： 微距特寫（參考圖 5）。特寫 EVA 的嘴部。在那種詭異的「微笑」中，牙齦處滲出暗紅色的液體，繃帶因其張嘴的動作而緊繃、斷裂。\ 第 6 格分鏡：結局——痛苦的重疊（12-15s）\ 鏡頭 6： 雙重曝光特效（參考圖 6）。畫面背景是母親消失前溫柔、聖潔的微笑；前景是真嗣在插入栓中，雙手死死按住胸口，表情極度痛苦。\ 語音（母親，空靈耳語）：「シンジ……」\ 結尾： 少年與母親的臉在白光中交替閃現，最終 Fade to white（淡入純白）。\ Seedance 2.0 操作建議：\ 物理細節控制： 在鏡頭 3 中，指令「Eye movement: jittery/erratic」，確保那種令人不安的轉動感。\ 光影層次： 鏡頭 1 設置「High shadow contrast」，確保 EVA 的巨大感是透過「負空間（陰影）」來展現的，而非看清全貌。\ 情感對位： 鏡頭 6 採用「Ghosting effect（殘影）」，將母親的溫柔與少年的痛苦疊加，這在 Seedance 2.0 中能通過設置層級透明度來實現。\ 一致性： 鎖定「14 歲少年（白襯衫/黑長褲）」與「纏滿繃帶的生物巨人（EVA）」作為核心資產 Token。

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE GEOFRONT ENCOUNTER A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Dim, cold underground facility lighting. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). Massive NERV GeoFront brutalist concrete corridors, metallic piping, cold blue-grey industrial tones, shadows. NO plain colors. CHARACTERS: - YOUNG SHINJI IKARI: 3 years old, simple clothes. Slender, fragile, small stature. - GENDO IKARI: Adult male, sharp features (Sadamoto style), glasses, NERV commander uniform. PANEL 1 (Top Left): Wide shot. A massive, cold, brutalist NERV underground corridor. 3-year-old Shinji follows Gendo from behind. The scale of the concrete architecture makes Shinji appear tiny. Background: Impressive GeoFront industrial corridor. PANEL 2 (Top Right): Medium shot. Gendo stops and turns his head slightly. His glasses catch a cold light reflection, half his face submerged in deep, sharp-edged shadow. Background: Cold industrial wall. PANEL 3 (Mid Left): Macro close-up. Gendo's hands in a ritualistic motion, slowly pulling tight a white glove on his other hand. Precision and coldness. Background: Dark, industrial texture. PANEL 4 (Mid Right): Medium shot. Shinji stands alone in the vast hall, his expression solemn and small. The environment feels heavy and oppressive. Background: Massive concrete pillars and steel pipes. PANEL 5 (Bottom Left): Medium shot. Gendo extends one finger, pointing toward the darkness behind Shinji. Shinji turns his head, his face showing a look of bewildered curiosity. Background: Looming, dark GeoFront architecture. PANEL 6 (Bottom Right): Wide panoramic shot. From Shinji's perspective, looking into the deep darkness. The colossal, organic, beast-like silhouette of Evangelion Unit-01's head emerges from the shadows. Background: Giant cavernous space of the NERV facility. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, NERV GEOFRONT ATMOSPHERE.

【生成内容】 # 巨大的、冰冷的实验室长廊。3岁的真嗣踉踉跄跄地追在碇源堂身后，他的身影在宽阔的走廊里显得极其渺小。碇源堂停下脚步，侧过脸，眼镜反射着冷光，半张脸完全沉入阴影中。幼年真嗣站在原地，脸上挂满泪水。碇源堂缓缓转过身。他的一只手正用力拉紧另一只手上的白手套。这是一个极其冰冷、仪式化的动作。碇源堂伸出一根手指，指向真嗣的背后。真嗣转过头。在他身后巨大的黑暗中，初号机巨大的头颅轮廓若隐若现，像一头蛰伏的野兽。真嗣伸出的、抓不住任何东西的小手。

【生成内容】 # 【立即從 0.02 秒處剪切】 # 【全局風格與環境設定】 # 音效/環境音： 全程無 BGM。環境音為空曠基地內的重工業低頻嗡鳴、金屬導管的氣壓噴發聲、幼童在水泥地上踉蹌的腳步聲、皮革手套摩擦的「吱呀」聲、EVA 沉重的生物呼吸感。 # 畫面風格： 1995 年 Gainax 傳統賽璐璐動畫風格（貞本義行筆觸）。強烈的高對比度（Chiaroscuro），光影界限分明。帶有明顯的 VHS 錄像帶噪點、褪色膠片感、以及畫面邊緣的輕微色散。 # 【根據六宮格分鏡腳本順序，創作一段關於「父權崩塌」與「宿命覺醒」的蒙太奇。】 # 第 1 格分鏡：冰冷的追逐（0-3s） # 鏡頭 1： 遠景（參考圖 1）。NERV 巨大的實驗室長廊，灰藍色調。一名身著黑色長風衣的成熟男子（碇源堂）邁步向前，身後是一個 3 歲、穿著橫條紋衫的幼童（真嗣）正踉蹌地追趕。兩人的身影在寬闊的工業空間中顯得極其孤立。 # 語音（幼年少年，帶哭腔）：「お父さん、行かないで！ 僕を置いていかないでよ！」 # 第 2-3 格分鏡：儀式化的冷漠（3-7s） # 鏡頭 2： 近景特寫（參考圖 2）。成熟男子停下腳步側過臉，黃色鏡片反射著刺眼的冷光，半張臉完全陷入黑暗陰影中。 # 鏡頭 3： 物理微距特寫（參考圖 3）。一隻手用力拉緊另一隻手上的白色手套，指關節受力處產生褶皺。 # 語音（成熟男子，毫無感情）：「我儘を言うな。伯父さんの家では大人しくしていろ。」 # 第 4 格分鏡：碎裂的童年（7-10s） # 鏡頭 4： 中景正面（參考圖 4）。幼年少年站在長廊中央，雙手抓著書包背帶，臉上掛滿大顆淚水，眼神中充滿恐懼。 # 語音（幼年少年）：「お母さんは？ お母さんはどこなの？」 # 語音（成熟男子，畫外音）：「母さんは死んだ。」 # 語音（幼年少年，尖叫）：「嘘だ！ お父さんの嘘つき！」 # 第 5-6 格分鏡：野獸的注視（10-15s） # 鏡頭 5： 組合鏡頭（參考圖 5）。成熟男子伸出戴著白手套的手指，冰冷地指向少年身後的黑暗。 # 語音（成熟男子）：「嘘ではない。お前も見たはずだ。あそこを……後ろを見てみろ。」 # 鏡頭 6： 低角度仰拍全景（參考圖 6）。少年轉過頭。在他背後巨大的陰影中，紫色巨大機體（初號機）的頭顱輪廓若隱若現，一對細長的眼睛在黑暗中閃爍著幽光，如同蟄伏的野獸。 # 結尾： 少年伸出小手試圖抓握，卻只抓到冰冷的空氣。 # Seedance 2.0 操作建議： # 物體 Token 鎖定： 確保\*\*「白色手套（White gloves）」\*\*在鏡頭 3 與鏡頭 5 之間的物理質感完全一致。 # 動態頻率： 鏡頭 3 的「拉緊手套」動作建議設置 Motion intensity 為 4，呈現一種緩慢、沉重且具壓迫感的節奏。 # 光影設置： 鏡頭 6 需使用「Backlighting」和「Shadow occlusion」，只露出 EVA 的眼睛和尖銳的頭角輪廓，增強未知生物的恐怖感。 # 角色一致性： 鎖定幼年少年為「橫條紋短袖衫、深色短褲、白襪、白球鞋」。

图片节点 8

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE RAINY OUTSKIRTS & INTERROGATION A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Overcast day, heavy rain. Harsh, sterile fluorescent lighting in the police station. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). Muddy countryside path, industrial outskirts, and a stark, cold police interrogation room with concrete walls. NO plain colors. CHARACTERS & PROPS: - SHINJI IKARI: 6 years old, wearing a striped t-shirt and an oversized school backpack. Drenched in rain. - POLICE OFFICER: Wearing a yellow rain poncho, standing in the rain. - AUNT: Middle-aged woman, stern expression, dressed in formal attire. - BICYCLE: A severely rusted, bent, and mangled vintage bicycle. PANEL 1 (Top Left): Wide shot. A dismal, rainy countryside path. Young Shinji, drenched in rain, struggles to push a rusted, crooked bicycle. He wears a large school backpack. Background: 100% filled with rainy atmosphere and industrial ruins. PANEL 2 (Top Right): Close-up detail. Shinji’s pale, water-soaked fingers tightly gripping the cold, wet rubber handle of the rusted bicycle. Background: Muddy path texture. PANEL 3 (Mid Left): Mid-shot. A police officer in a yellow rain poncho stands behind Shinji, gesturing to stop the bike. Rain falls heavily between them. Background: Overcast, dreary countryside road. PANEL 4 (Mid Right): Close-up shot. Shinji’s face, looking back at the officer, soaked and anxious, holding the crooked handlebars. Background: Rain-streaked dark textures. PANEL 5 (Bottom Left): Medium shot. A cold, stark police interrogation room with bare concrete walls and a single metal table. The Aunt stands near the table, gesturing sternly at Shinji. Shinji stands with his head bowed down, soaked clothes dripping on the floor. Background: Dim, sterile interrogation room interior. PANEL 6 (Bottom Right): Extreme close-up of Shinji's face in the interrogation room. He is bowed low, silent, and motionless. A single raindrop slides down his nose. The lighting is harsh and sterile. Background: Dark and somber interrogation room corner. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, OPPRESSIVE ATMOSPHERE.

书包的造型修改成日本小学生用的大书包

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE RAINY AFTERNOON A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Heavy rain, overcast day. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). Muddy countryside path, industrial outskirts, and a dim, weathered interior room. NO plain colors. CHARACTERS & PROPS: - SHINJI IKARI: 14 years old, wearing a striped t-shirt and an oversized school backpack. Drenched in rain. - POLICE OFFICER: Wearing a yellow rain poncho, standing in the rain. - AUNT: Middle-aged woman, stern expression. - BICYCLE: A severely rusted, bent, and mangled vintage bicycle. PANEL 1 (Top Left): Wide shot. A dismal, rainy countryside path. Young Shinji, drenched in rain, struggles to push a rusted, crooked bicycle. He wears a large school backpack. Background: 100% filled with rainy atmosphere. PANEL 2 (Top Right): Close-up detail. Shinji’s pale, water-soaked fingers tightly gripping the cold, wet rubber handle of the rusted bicycle. Background: Muddy path texture. PANEL 3 (Mid Left): Mid-shot. A police officer in a yellow rain poncho stands behind Shinji, gesturing to stop the bike. Rain falls heavily between them. Background: Overcast, dreary countryside road. PANEL 4 (Mid Right): Close-up shot. Shinji’s face, looking back at the officer, soaked and anxious, holding the crooked handlebars. Background: Rain-streaked dark textures. PANEL 5 (Bottom Left): Mid-shot. An indoor scene. The Aunt stands near a wooden table, gesturing sternly at Shinji. Shinji stands with his head bowed down, soaked clothes. Background: Dim, weathered Japanese room interior. PANEL 6 (Bottom Right): Extreme close-up of Shinji's face. He is bowed low, silent, and motionless. A single raindrop slides down his nose. Background: The dark and somber interior of the room. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, OPPRESSIVE RAIN.

【生成内容】 # 真嗣背着日本小学生的大书包，在泥泞中吃力地推着一辆锈迹斑斑、扭曲的破自行车（对应你提供的漫画图）。侧拍，真嗣全身湿透，眼神中带着一种卑微的、想要通过“修好它”来获得某种寄托的期待。一名穿着雨衣的警察从后方喊住了推车的真嗣，询问他车子是否是他的。侧拍，询问室内桌子的左右两端，伯母在质问真嗣，真嗣低着头不语。

图片节点 21

将6岁的真嗣修改为推着自行车正面面向镜头，真嗣的位置不要变，他半身在画面前景，其他内容保持不变

【生成内容】 # 画面快速从0.02秒处快切。 # 生鏽的寄託 (15s) # 【全局風格與環境設定】 音效控制： 全程無 BGM。僅保留環境物理音效：密集的雨聲、戰術鞋（或小皮鞋）在泥濘中行走的「噗滋」聲、生鏽鏈條摩擦的「嘎吱」聲、警察威嚴的呼喊、室內日光燈管的微弱電流聲。 畫面風格： 1995 年 Gainax 傳統賽璐璐動畫風格（貞本義行筆觸）。低飽和度、陰冷灰調、高對比度。帶有明顯的 VHS 錄像帶噪點、褪色膠片感。 # 【分鏡腳本指令：從微弱的希望到冰冷的審判】 # 第 1-2 格分鏡：泥濘中的負重（0-5s） # 鏡頭： 全景轉側拍。畫面參考 \[第一張圖的第5格\] 與 \[第二張圖的第2格\]。 # 細節：矮小的少年背著沉重的黑色 Randoseru 書包，在暴雨中吃力地推著一輛巨大的、鏽跡斑斑的扭曲自行車。他在泥泞的道路上艰难前行，他的手\*\*\[第一張圖第4格\]\*\*被雨水打濕，指甲縫裡嵌著泥土。 # 動態： 車輪在泥濘中艱難轉動，少年瘦小的肩膀隨著推車動作劇烈起伏，眼神中帶著一種卑微的期待（希望能修好它）。 # 第 3 格分鏡：突如其來的威脅（5-8s） # 鏡頭： 過肩鏡頭（參考 \[第二張圖第3格\]）。一名穿著亮黃色雨衣的警察突然在真嗣后方出现，他伸出手大喊示意真嗣停止。 # 對白/語音： 警察（威嚇語氣）：「おい！そこのお前、ちょっと止まれ。その自転車、お前のものか？」 # 細節： 少年被喊住的一瞬間，肩膀猛地一縮，整個人僵在原地。 # 第 4 格分鏡：碎裂的自尊（8-11s） # 鏡頭： 近景特寫（參考 \[第二張圖第4格\]）。少年猛地回頭，臉色蒼白，雨水順著髮絲流進眼睛裡，他的瞳孔因恐懼而震顫。 # 對白/語音： 幼年少年（聲音顫抖）：「違います……橋の下に捨ててあったから、だから……」 警察（畫外音）：「嘘をついちゃいかんぞ！」 # 第 5 格分鏡：冷酷的訊問室（11-13s） # 鏡頭： 側拍中景（參考 \[第二張圖第5格\]）。昏暗的詢問室，左右兩端分立。伯母穿著紫色套裝，憤怒地指著少年進行質問。 # 細節： 少年像罪犯一樣低著頭，書包還背在身上，雨水滴落在乾淨的木質地板上，形成一圈水漬。 # 對白/語音： 伯母：「どうしてそんなにいい加減なの！自転車が欲しいなら、そう言ってくれればよかったのに！」 # 第 6 格分鏡：結局——無力的辯白（13-15s） # 鏡頭： 俯拍特寫（參考 \[第二張圖第6格\]）。少年低垂的側臉，特寫他緊閉的雙眼和顫抖的嘴唇。 # 對白/語音： 幼年少年（低聲呢喃）：「違うんです……そうじゃないんです……」 # 結尾： 隨著雨聲蓋過人聲。 # 導演指令重點解析： # 物理交互（Texture Interaction）： 提示詞特別描述了「雨水在手上的反光」與「泥濘的阻力感」，這在 Seedance 2.0 中能通過流體與動力學模擬，增強 90 年代動畫特有的厚重細節。 # 空間壓迫感： 利用伯母高大的站姿與少年蜷縮的低頭姿勢形成強烈對比，視覺化「不被理解的痛苦」。 # 色彩與情緒的連續性： 從室外「冷藍色的雨」轉場到室內「慘白色的日光燈」，保持了一種令人窒息的壓抑感，這是還原 EVA 童年回憶錄的核心氛圍。 # 去名化處理： 遵循您的要求使用代稱，同時透過「 Randoseru 書包」與「橫條紋衫」等強視覺 Token 鎖定人物形象一致性。

【生成内容】 # 6岁的真嗣在杂草丛的垃圾堆中发现了一辆自行车。他伸手将自行车从垃圾中拉出。幼小的他在泥泞中吃力地推着一辆锈迹斑斑、扭曲的破自行车（对应你提供的漫画图）。侧拍，真嗣全身湿透，眼神中带着一种卑微的、想要通过“修好它”来获得某种寄托的期待。

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE RAINY OUTSKIRTS A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Overcast day, heavy rain, dark atmosphere. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). A desolated urban outskirts, wet asphalt, rusted metal fences, rain-soaked weeds. NO plain colors. CHARACTERS: - A small, solitary silhouette of a child in a simple striped shirt, standing near an abandoned object. PANEL 1 (Top Left): Wide shot. A dismal, rainy urban outskirts path. A small figure in a striped shirt stands near a patch of weeds, looking at an abandoned bicycle. Background: 100% filled with rainy atmosphere and industrial ruins. PANEL 2 (Top Right): Close-up of the bicycle. The focus is on the rusted chain, pedals, and the mechanical form of the old bike half-hidden in the weeds. Background: Dark, rain-slicked ground and wet grass. PANEL 3 (Mid Left): Mid-shot of the bicycle being pulled from the weeds. The composition emphasizes the mechanical details of the bike and the rainy environment. Background: Dreary, wet countryside outskirts. PANEL 4 (Mid Right): Detail shot. A close-up of the bicycle's rubber handle grips and the metal structure, seen through the heavy rain. Atmospheric lighting. Background: Rain-streaked dark urban textures. PANEL 5 (Bottom Left): Medium shot of the figure standing in the rain, hands resting on the bicycle handles. The figure is viewed from the side, isolated in the vast, grey landscape. Background: Cold, misty rain falling in the dark alley. PANEL 6 (Bottom Right): Wide panoramic shot. The figure pushing the bicycle into the distance. The silhouette is small and lonely against the vast, grey, industrial landscape under a heavy sky. Background: Distant skeletal buildings and heavy rain. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, CINEMATIC SOLITUDE.

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE ABANDONED BICYCLE A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Overcast day, heavy rain, dark, moody atmosphere. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). A desolated urban outskirts dump site filled with trash: discarded old sofas, broken CRT televisions, and rusted washing machines mixed with rain-soaked weeds. NO plain colors. CHARACTERS & PROPS: - SHINJI IKARI: 6 years old, wearing a striped t-shirt and a classic, boxy, structured Japanese elementary school randoseru (leather satchel) on his back. Expression of quiet, solemn hope. - BROKEN BICYCLE: A severely rusted, bent, and mangled vintage bicycle. PANEL 1 (Top Left): Wide shot. A dismal, rainy urban outskirts dump. Shinji (wearing a classic, boxy Japanese randoseru satchel) stands in tall weeds near a pile of trash featuring an old sofa, a broken CRT TV, and a rusted washing machine. He looks down at a half-buried, broken bicycle. Background: 100% filled with industrial ruins and rain. PANEL 2 (Top Right): Close-up of the bicycle. The focus is on the rusted chain, pedals, and the mechanical form of the bike buried under discarded household appliances and wet weeds. Background: Dark, rain-slicked junk pile. PANEL 3 (Mid Left): Mid-shot of Shinji pulling the bicycle from the junk pile. He wears his rigid, boxy Japanese randoseru satchel on his back. The composition emphasizes the mechanical details of the bike being dragged out of the sofa and weeds. Background: Dreary, wet urban outskirts. PANEL 4 (Mid Right): Detail shot. A close-up of the bicycle's rubber handle grips and the rusted metal structure, seen through heavy rain. Shinji's hands are gripping them. Background: Rain-streaked dark urban textures. PANEL 5 (Bottom Left): Medium shot of Shinji standing in the rain, hands resting on the bicycle handles, his boxy, structured Japanese randoseru clearly visible on his back. He is viewed from the side, isolated. Background: Cold, misty rain falling in the dark, trash-filled alley. PANEL 6 (Bottom Right): Wide panoramic shot. Shinji pushing the bicycle away into the distance. His silhouette is small and lonely against the vast, grey, industrial landscape under a heavy sky. His randoseru satchel is prominent on his back. Background: Distant skeletal buildings and heavy rain. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, SHINJI WITH RANDOSERU, INDUSTRIAL JUNK PILE.

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE ABANDONED BICYCLE A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Overcast day, heavy rain, dark, moody atmosphere. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). A desolated urban outskirts dump site filled with trash: discarded old sofas, broken CRT televisions, and rusted washing machines mixed with rain-soaked weeds. NO plain colors. CHARACTERS & PROPS: - SHINJI IKARI: 14 years old, wearing a striped t-shirt and an oversized school bag (backpack) on his back. Expression of quiet, desperate hope. - BROKEN BICYCLE: A severely rusted, bent, and mangled vintage bicycle. PANEL 1 (Top Left): Wide shot. A dismal, rainy urban outskirts dump. Shinji (wearing an oversized school bag) stands in tall weeds near a pile of trash featuring an old sofa, a broken CRT TV, and a rusted washing machine. He looks down at a half-buried, broken bicycle. Background: 100% filled with industrial ruins and rain. PANEL 2 (Top Right): Close-up of the bicycle. The focus is on the rusted chain, pedals, and the mechanical form of the bike buried under discarded household appliances and wet weeds. Background: Dark, rain-slicked junk pile. PANEL 3 (Mid Left): Mid-shot of Shinji pulling the bicycle from the junk pile. He wears his oversized school bag on his back. The composition emphasizes the mechanical details of the bike being dragged out of the sofa and weeds. Background: Dreary, wet urban outskirts. PANEL 4 (Mid Right): Detail shot. A close-up of the bicycle's rubber handle grips and the rusted metal structure, seen through heavy rain. Shinji's hands are gripping them. Background: Rain-streaked dark urban textures. PANEL 5 (Bottom Left): Medium shot of Shinji standing in the rain, hands resting on the bicycle handles, his school bag clearly visible on his back. He is viewed from the side, isolated. Background: Cold, misty rain falling in the dark, trash-filled alley. PANEL 6 (Bottom Right): Wide panoramic shot. Shinji pushing the bicycle away into the distance. His silhouette is small and lonely against the vast, grey, industrial landscape under a heavy sky. Background: Distant skeletal buildings and heavy rain. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, SHINJI WITH BACKPACK, INDUSTRIAL JUNK PILE.

【生成内容】 # 画面快速从0.02秒处快切。 # 泥濘中的寄托 (15s) # 【全局風格與環境設定】 # 音效控制： 全程無 BGM。僅保留物理音效：密集的雨聲拍打在生鏽金屬上的「噠噠」聲、戰術鞋（或球鞋）踩在泥濘地裡的「噗呲」聲、生鏽鏈條摩擦的乾澀「吱呀」聲、沉重的呼吸聲。 # 畫面風格： 1995 年 Gainax 傳統賽璐璐動畫風格，貞本義行原畫筆觸。陰鬱的深灰色調，帶有明顯的 VHS 錄像帶噪點、褪色膠片感、細長的雨絲特效。 # 【分鏡腳本指令：從垃圾堆中的發現到無盡荒野的遠行】 # 第 1-2 格分鏡：廢墟中的遺物（0-4s） # 鏡頭： 中景。畫面參考 \[第1格分鏡\]，矮小的少年（穿著橫條紋衫，背著深色書包）站在大雨中，低頭注視著一堆廢棄的生活垃圾（老式電視、洗衣機、破沙發）。 # 細節： 切入 \[第2格分鏡\] 的微距特寫，展现草叢中鏽跡斑斑、沾滿泥水的自行車鏈條與齒輪。 # 動態： 雨水不斷從生鏽的零件上滑落。 # 第 3-4 格分鏡：用力的拉扯（4-8s） # 鏡頭： 特寫。畫面參考 \[第3格分鏡\] 與 \[第4格分鏡\]。少年的雙手緊緊握住佈滿鐵鏽、扭曲的自行車把手，手背上有雨水流下。 # 動作： 少年吃力地向上提拉，自行車從糾纏的雜草與泥土中被強行拽出。伴隨著金屬摩擦垃圾的刺耳聲。 # 第 5 格分鏡：迷茫的侧臉（8-12s） # 鏡頭： 側拍近景。畫面參考 \[第5格分鏡\]。少年淋著雨，在泥濘的廢墟小路上吃力地推著這輛搖搖欲墜的自行車。 # 神情： 他的眼神空洞而迷茫，透出一種與年齡不符的憂鬱。儘管身體因負重而前傾，但他雙手死死抓著車把，彷彿這輛廢車是他此刻唯一的心理寄託。 # 音效： 伴隨自行車輪胎滾過泥淖的「咕唧」聲和鏈條的吱呀聲。 # 第 6 格分鏡：宏大的寂寥（12-15s） # 鏡頭： 鏡頭緩慢拉遠至遠景。畫面參考 \[第6格分鏡\]。 # 視覺細節： 少年的背影在廣袤、荒涼的城市廢墟中顯得極其渺小。四周是倒塌的混凝土大樓和電線桿，天空中烏雲翻滾，大雨如注。少年推著車，孤獨地走向深邃的未知遠方。 # 結尾： 畫面呈現強烈的視覺壓迫感，最終在雨聲中 Fade to black。 # 導演指令重點解析： # 物理交互（Physics Interaction）： 提示詞中強調了「生鏽鏈條摩擦」、「泥濘阻力」和「雨水流下」。這會引導 Seedance 2.0 生成更具質感的動作，展現出自行車的「沉重感」。 # 情緒視覺化（Atmosphere）： 通過側拍特寫（第5格）表現真嗣內心的迷茫與「獲得寄託」的執著，這種心理層面的描寫是讓 AI 視頻具備靈魂的關鍵。 # 場景一致性： 嚴格鎖定少年的服裝（藍白橫條紋衫、深色短褲、白色襪子）以及背景的廢墟風格，確保在 15 秒的拉遠過程中，畫風和角色特徵始終如一。 # 冷暖質感： 利用雨天的冷調與生鏽金屬的紅褐色形成對比，還原 90 年代 Gainax 動畫特有的美學。

图片节点 8

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE AWAKENING OF THE PILOT A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Nighttime, biomechanical atmosphere. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). Evangelion Entry Plug interior, sleek silver contoured pilot seats, glowing green panoramic HUDs. NO plain colors. CHARACTERS & PROPS: - PROTAGONIST (PILOT): 14-year-old boy, wearing a white and blue plugsuit with red and black accents. Intense, driven focus. - COMMANDER: Adult male, dark high-collar uniform, reflective glasses, cold expression. - YOUTH FIGURE: A younger version of the pilot in a striped shirt, rainy landscape. PANEL 1 (Top Left): Wide shot. Inside the sleek silver Evangelion Entry Plug. Flashing red warning lights contrast with the glowing green HUD. The pilot (in white/blue plugsuit) sits in the contoured silver seat, body tensed. Background: Detailed 90s anime Entry Plug interior. PANEL 2 (Top Right): Close-up of the pilot's face. Extreme emotional intensity. Sharp ink lines defining his facial structure. Background: Pulsating red warning lights and green panoramic screens. PANEL 3 (Mid Left): Action shot. The pilot's fist thrusting forward with force, trailing wind lines and motion blur. Background: High-contrast, blurred Entry Plug interior. PANEL 4 (Mid Right): Close-up of the Commander's cold face. Glasses reflecting sharp monitor light. Background: Dark, industrial NERV control room. PANEL 5 (Bottom Left): Flashback memory. View from behind. A young figure in a striped shirt pushing a rusted bicycle away from the camera in a heavy rain. A cold, isolated silhouette seen from the back. Background: Moody, rainy 90s rural scenery. PANEL 6 (Bottom Right): Medium shot. The pilot stands alone inside the open metallic hatch of the Entry Plug. He is framed by the open circular doorway in the dim light, preparing to enter the shadows. Background: Dark metallic entry plug tunnel interior. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, CINEMATIC TENSION.

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE AWAKENING OF THE PILOT A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Nighttime, biomechanical atmosphere. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). Evangelion Entry Plug interior, sleek silver contoured pilot seats, glowing green panoramic HUDs. NO plain colors. CHARACTERS & PROPS: - PROTAGONIST (PILOT): 14-year-old boy, wearing a white and blue plugsuit with red and black accents (matching the reference). Intense, driven focus. - COMMANDER: Adult male, dark high-collar uniform, reflective glasses, cold expression. - YOUTH FIGURE: A younger version of the pilot in a striped shirt, rainy landscape. PANEL 1 (Top Left): Wide shot. Inside the sleek silver Evangelion Entry Plug. Flashing red warning lights contrast with the glowing green HUD. The pilot (in white/blue plugsuit) sits in the contoured silver seat, body tensed. Background: Detailed 90s anime Entry Plug interior. PANEL 2 (Top Right): Close-up of the pilot's face. Extreme emotional intensity. Sharp ink lines defining his facial structure. Background: Pulsating red warning lights and green panoramic screens. PANEL 3 (Mid Left): Action shot. The pilot's fist thrusting forward with force, trailing wind lines and motion blur. Background: High-contrast, blurred Entry Plug interior. PANEL 4 (Mid Right): Close-up of the Commander's cold face. Glasses reflecting sharp monitor light. Background: Dark, industrial NERV control room. PANEL 5 (Bottom Left): Flashback memory. A young figure pushing a rusted bicycle in a rainy, dark rural landscape. Background: Moody, rainy 90s rural scenery. PANEL 6 (Bottom Right): Medium shot. The metallic hatch of the Entry Plug slowly closing, encasing the pilot in shadows. Background: Dark metallic entry plug tunnel fading into black. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, CINEMATIC TENSION.

THE AWAKENING OF THE PILOT — Seamless Anime Storyboard A professional 6-panel anime storyboard on a vertical 9:16 canvas. Seamless 2x3 layout with absolutely NO gaps, NO borders, NO gutters, NO white space. Every panel is FULL-BLEED artwork extending completely to the edge. Each of the 6 panels must be a perfectly aligned vertical rectangle with a strict 27:32 aspect ratio. VISUAL STYLE Authentic mid-1990s Japanese sci-fi mecha anime aesthetic. Traditional hand-painted cel animation look. Sharp black ink outlines. Classic 2-step cel shading with hard-edge shadows only. NO modern digital painting. NO soft gradients. Heavy analog 35mm film grain, VHS scanlines, subtle chromatic aberration, vintage broadcast anime texture. ENVIRONMENT Nighttime biomechanical cockpit environment. Dark industrial megastructure interiors. Massive mechanical systems, warning monitors, hydraulic machinery, cables, steel structures, and dim emergency lighting. All backgrounds must be fully illustrated detailed anime background art in authentic 90s style. NO empty backgrounds. NO flat color fills. MAIN CHARACTER A 14-year-old anime boy pilot wearing a purple biomechanical pilot suit. Slim build, tense posture, emotionally overwhelmed yet determined. Messy dark hair, expressive eyes, cinematic dramatic lighting. SECONDARY CHARACTER An older male commander in a dark high-collar military-style uniform. Cold, emotionless demeanor. Reflective glasses obscuring part of his eyes. Harsh overhead lighting emphasizing isolation and authority. PANEL 1 — TOP LEFT Wide cinematic shot inside a massive biomechanical cockpit chamber. Red emergency warning lights flashing across metallic surfaces. The teenage pilot sits restrained in the pilot seat, body tense with determination. Detailed mechanical interior filled with cables, monitors, warning symbols, and industrial textures. PANEL 2 — TOP RIGHT Extreme close-up of the pilot’s face. Emotionally intense expression with trembling eyes and dramatic shadow contrast. Harsh red warning lights pulse rhythmically across his face and cockpit walls. Strong ink line detail and classic cel animation facial rendering. PANEL 3 — MID LEFT Dynamic action shot of the pilot thrusting his fist forward with explosive force. Strong motion lines, speed streaks, impact framing, dramatic perspective distortion. Mechanical cockpit environment blurred from motion intensity. PANEL 4 — MID RIGHT Close-up portrait of the commander observing silently. Cold expression. Glasses reflecting sharp white monitor light. Dark industrial control room in the background with dim illuminated panels and steel structures. PANEL 5 — BOTTOM LEFT Melancholic memory sequence. A small child silhouette pushing an old bicycle through a rainy rural road at night. Wet pavement reflections, distant utility poles, foggy countryside atmosphere. Strong nostalgic 90s anime mood. PANEL 6 — BOTTOM RIGHT Medium shot of a large mechanical hatch slowly closing. The teenage pilot stands alone inside the dim metallic chamber as shadows consume the space. The doorway frames the silhouette dramatically. Dark tunnel perspective with industrial lighting and deep atmospheric tension. OVERALL MOOD Psychological tension. Loneliness, emotional pressure, existential dread. Cinematic sci-fi anime atmosphere inspired by classic 1990s Japanese television animation. Ultra-detailed hand-painted anime backgrounds. Vintage analog anime texture throughout.

【生成内容】 # 初号机的驾驶舱内，红色警示灯闪烁。真嗣的脸部特写，愤怒已取代空洞，肌肉扭曲。驾驶舱内，红色警示灯闪烁。真嗣的脸部特写，愤怒已取代空洞，肌肉扭曲。真嗣挥出的拳头。拳头带着风声击向前方，画面定格在拳头挥出的轨迹上。源堂冷漠的脸。幼年真嗣在雨中推着自行车的背影。驾驶舱的门缓缓关闭，真嗣独自一人在阴影中。

【生成内容】 # 【立即從 0.02 秒處剪切】\\ # 【全局風格與環境設定】\\ # 環境音/音效： 全程無 BGM。環境音為：駕駛艙內尖銳的「WARNING」電子蜂鳴聲、LCL 液體高壓灌注的噴射聲、少年窒息時的乾嘔與喉音、揮拳時撕裂空氣的呼嘯聲、雨水密集的拍打聲、插入栓艙門關閉的重金屬撞擊聲。\ 畫面風格： 1995 年 Gainax 傳統賽璐璐動畫風格（貞本義行筆觸）。高對比度影調，強烈的紅色警報閃爍光。帶有明顯的 VHS 錄像帶噪點、褪色膠片感、重影與強烈的衝擊幀（Impact frames）。\ 【根據六宮格分鏡腳本順序，創作一段關於「弒父衝動」與「孤獨輪迴」的蒙太奇。】\ 1 號宮格：崩潰的起點（0-3s）\ 鏡頭 1： 駕駛艙（Entry Plug）全景。如 \[1 號宮格\] 所示，紅色警告燈在四周瘋狂閃爍。14 歲的少年穿著藍色作戰服，雙手死死扣住操縱桿，眼神從空洞轉向極端憤怒。\ 2 號宮格：窒息的憤怒（3-6s）\ 鏡頭 2： 近景特寫。如 \[2 號宮格\] 所示，少年表情扭曲，他單手用力掐住自己的脖子，彷彿要窒息一般。額頭青筋暴起，冷汗直流。\ 語音（成熟男子，畫外音冷靜）：「シンジ、やめろ！ L.C.Lの圧縮濃度を最大まで上げろ！」\ 語音（少年，極度痛苦）：「くそっ！……くそっ！……トウジ！」\ 3 號宮格：\*\*爆發（6-8s）\ 鏡頭 3： 動作特寫（快剪）。如 \[3 號宮格\] 所示，少年猛地揮出右拳（藍色手套特寫），動作帶有極強的動態模糊與速度感。\ 語音（少年，尖銳咆哮）：「父さん……あの男だけは、絶対に許さない！」\ 4 號宮格：冰冷的對位（8-10s）\ 鏡頭 4： 成熟男子臉部特寫。如 \[4 號宮格\] 所示，碇源堂身處指揮室，眼鏡片完全反射出慘白的冷光，遮住了雙眼，神情如石雕般冷漠。\ 5 號宮格：記憶的殘影（10-12s）\ 鏡頭 5： 閃回背影。如 \[5 號宮格\] 所示，切換至深夜大雨。幼年少年推著自行車獨自走在路上的背影，畫面帶有褪色的淡入質感與 VHS 跳幀。\ 語音（幼年少年，空靈混響）：「僕はここにいていいの？」\ 6 號宮格：結局——幽閉恐懼（12-15s）\ 鏡頭 6： 保持 4 秒。如 \[6 號宮格\] 所示，插入栓艙門伴隨氣動聲緩慢關閉。少年站在黑暗入口，身體逐漸沉入陰影，眼神重歸死寂。\ Seedance 2.0 操作建議：\ 動態設置： 在 3 號宮格 的區間設置「Motion Intensity: 8-9」，以確保揮拳動作的震撼力。\ 光影調節： 確保 2 號宮格 到 4 號宮格 之間有劇烈的色溫切換（鮮紅至冷灰藍）。\ 物理反饋： 鏡頭 2 的「\*\*\*」動作需有明顯的頸部肌肉收縮細節。\ 素材連結： 鎖定「14 歲少年（作戰服）」與「幼年橫條紋衫少年」為同一角色的不同資產 Token。

背景更换成日本的乡村间的街道

图片节点 8

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE RAINY RURAL ROAD A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Heavy rain, overcast day. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). A quiet Japanese rural street, wet asphalt, traditional houses with tiled roofs, streetlights, and power lines. NO ruins, NO decay. NO plain colors. CHARACTERS: - YOUNG SHINJI IKARI: 6 years old, striped t-shirt. Drenched, small silhouette, solemn expression. - AUNT: Middle-aged woman, stern, formal attire, holding a dark umbrella. PANEL 1 (Top Left): Wide shot. A dismal, rainy path through a Japanese country village. On the left, the Aunt walks ahead under a dark umbrella. On the right, Shinji trails 3 meters behind. Background: 100% filled with traditional houses, fences, and rain. PANEL 2 (Top Right): Close-up detail. Raindrops hitting a traditional wooden fence and wet gravel. Background: The clean, weathered textures of a rural fence. PANEL 3 (Mid Left): Side profile shot. Shinji drenched in rain, small and vulnerable, walking past a traditional Japanese gate. Background: Cold, misty rain falling in the quiet village. PANEL 4 (Mid Right): Extreme close-up of Shinji's face. Raindrops stream down his forehead and eyes, expression serious and solemn. Background: Rain-streaked dark textures of a wooden house wall. PANEL 5 (Bottom Left): Macro close-up. Focus on the muddy puddle. Shinji’s soaked shoes stepping into the freezing water near a garden edge. Background: Reflective, dark wet soil texture. PANEL 6 (Bottom Right): Wide panoramic shot. Shinji’s small silhouette against the vast, dark landscape of a rural road. Background: Distant traditional houses fading into the heavy rain. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, CINEMATIC SOLITUDE, RURAL RAINY ROAD.

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE UNBRIDGEABLE GAP A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Nighttime, torrential rain. Lighting is cold, dim, and moody. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). Dark industrial outskirts, rain-slicked asphalt, puddles reflecting city lights. NO plain colors. CHARACTERS: - YOUNG SHINJI IKARI: 6 years old, wearing a striped t-shirt and shorts. Drenched, pale skin, vacant eyes. - AUNT: Middle-aged woman, sharp features (Sadamoto style), stern, holding a dark umbrella. PANEL 1 (Top Left): Wide shot. Torrential rain creates an impenetrable curtain. On the left, the Aunt walks ahead under a dark umbrella. On the right, Shinji trails 3 meters behind, low-hanging head. Background: 100% filled with dark, rainy industrial landscape. PANEL 2 (Top Right): Close-up of the Aunt's umbrella. It is held entirely over her own head, leaving the trailing Shinji completely exposed to the downpour. Background: Rain-streaked dark textures. PANEL 3 (Mid Left): Side profile shot. Shinji drenched in rain, small and vulnerable. His side profile shows a hollow expression. Background: Cold, misty rain falling in the dark alley. PANEL 4 (Mid Right): Extreme close-up of Shinji's face. Raindrops stream down his forehead and eyes, but he does not blink. His eyes are wide, vacant, staring into nothingness, revealing a terrifying, dead silence. Background: Dramatic shadow and rain. PANEL 5 (Bottom Left): Macro close-up. Focus on the muddy puddle. Shinji’s feet in soaked, white-ish, waterlogged shoes stepping into the freezing water. Background: Reflective, dark asphalt texture. PANEL 6 (Bottom Right): Medium-long shot. Camera slowly pans up from Shinji's soaked, shivering shoulders to his small silhouette in the distance. He is a lonely, isolated figure in the vast, cold rain. Background: Dark, industrial city outskirts fading into the rain. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, CINEMATIC ISOLATION.

【生成内容】 # 倾盆大雨，画面左侧是伯母撑着深色雨伞、迈步前行的背影；画面右侧，真嗣低着头，淋着雨走在三米开外的后方。伯母的伞完全没有遮向真嗣，两人的距离感象征着无法逾越的心理鸿沟。真嗣的侧脸。雨水顺着额头流进眼睛，但他没有眨眼。眼神中没有悲伤，只有一种看透了什么的死寂。积水的路面，真嗣被水泡得发白的鞋。镜头缓慢上移。6岁真嗣在雨中颤抖的肩膀。

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE RAINY RURAL RUINS A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Heavy rain, overcast day. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). A desolate Japanese rural street in the rain, featuring dilapidated wooden houses, moss-covered stone walls, and overgrown vegetation reclaiming the ruins. NO plain colors. CHARACTERS: - YOUNG SHINJI IKARI: 6 years old, striped t-shirt. Drenched, small silhouette, solemn expression. - AUNT: Middle-aged woman, stern, formal attire, holding a dark umbrella. PANEL 1 (Top Left): Wide shot. A dismal, rainy path through a ruined Japanese country village. On the left, the Aunt walks ahead under a dark umbrella. On the right, Shinji trails 3 meters behind. Background: 100% filled with decaying wooden houses and rain. PANEL 2 (Top Right): Close-up detail. Raindrops hitting mossy, cracked stone walls and wet gravel. Background: The weathered textures of the rural ruin. PANEL 3 (Mid Left): Side profile shot. Shinji drenched in rain, small and vulnerable, walking past a broken traditional gate. Background: Cold, misty rain falling in the ruined village. PANEL 4 (Mid Right): Extreme close-up of Shinji's face. Raindrops stream down his forehead and eyes, expression serious and solemn. Background: Dramatic shadows and rain-streaked walls of a wooden shack. PANEL 5 (Bottom Left): Macro close-up. Focus on the muddy puddle. Shinji’s soaked shoes stepping into the freezing water near a rusted metal pipe. Background: Reflective, dark wet soil texture. PANEL 6 (Bottom Right): Wide panoramic shot. The camera pans out to show Shinji's small silhouette against the vast, skeletonized ruins of a country village under a heavy sky. Background: Distant skeletal remains of traditional houses fading into the heavy rain. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, CINEMATIC SOLITUDE, RURAL RUINS.

【生成内容】 # 【立即從 0.02 秒處剪切】 # 【全局風格與環境設定】 # 音效/環境音： 全程無 BGM。環境音為極其厚重、壓抑的暴雨轟鳴聲、雨水擊打傘面的「砰砰」聲、球鞋踩在積水中的「啪嗒」聲、少年劇烈的牙齒打顫聲。 # 畫面風格： 1995 年 Gainax 傳統賽璐璐動畫風格（貞本義行筆觸）。極高對比度、冷調藍灰色影調。帶有明顯的 VHS 錄像帶噪點、強烈的細長雨絲特效、畫面邊緣的褪色膠片感。 # 【根據六宮格分鏡腳本順序，創作一段關於「被隔絕的親情」與「內心死寂」的蒙太奇。】 # 第 1-2 格分鏡：無法逾越的鴻溝（0-5s） # 鏡頭 1： 遠景（參考圖 1）。昏暗的鄉間小路，傾盆大雨。畫面左側是中年女性撐著深藍色雨傘快步前行的背影；畫面右側，少年（橫條紋衫）低頭淋雨走在三米開外的後方。傘完全沒有偏向少年，空間切割感極強。 # 鏡頭 2： 中景側拍（參考圖 2）。特寫中年女性冷漠的側臉，傘下的陰影完全遮住了她的眼神。 # 語音（少年內心獨白）： 「違うんです、伯母さん……」 # 第 3-4 格分鏡：看透現實的死寂（5-10s） # 鏡頭 3： 側拍近景（參考圖 3）。少年的側臉。冰冷的雨水順著額頭流進他微張的眼睛，但他始終沒有眨眼。眼神空洞、毫無生氣，像是一具行屍走肉。 # 鏡頭 4： 正面特寫（參考圖 4）。少年濕透的面部。雨水像淚水般流淌，但他臉上沒有悲傷，只有一種看透了世界後的絕對安靜。 # 語音（少年內心獨白）： 「父さんは……こんな時でさえ、僕を迎えに来てはくれないんだ。」 # 第 5 格分鏡：被浸泡的尊嚴（10-12s） # 鏡頭 5： 俯拍微距（參考圖 5）。積水的黑色路面，雨滴擊起無數水花。少年的白球鞋被泥水浸泡得發白、變形。 # 語音（少年內心獨白）： 「お母さん……もしお母さんが生きていたら、迎えに来てくれたのかな……？」 # 第 6 格分鏡：結局——顫抖的孤島（12-15s） # 鏡頭 6： 保持 4 秒。背影遠景（參考圖 6）。鏡頭從腳部緩慢上移至少年的肩膀。少年在無盡的雨幕中顯得極其渺小，他的肩膀因寒冷與恐懼而劇烈顫抖。 # 語音（少年內心獨白，極其微弱）： 「お母さん。」 # 結尾： 少年的身影逐漸模糊在雨幕中。隨著一聲雷鳴，镜头结束。 # Seedance 2.0 操作建議： # 物理模擬： 特別強化「雨水流進眼睛不眨眼」的物理細節，這在 Seedance 2.0 中能通過設置「Eye expression: static/frozen」來實現，增加非人感的衝擊力。 # 構圖技巧： 在鏡頭 1 中，手動設定女性角色與少年角色的運動路徑（Woman path: fast; Boy path: heavy/slow），體現兩人在心理與生理上的脫節。 # 光影層次： 使用「Rim lighting from street lamps（路燈邊緣光）」勾勒出雨絲與少年的輪廓，模仿《新世紀福音戰士》第 15、16 集那種壓抑的高級美學。

让第二张的日本警察带着警察帽子，把登记表和登记内容改为日文

图片节点 8

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE INTERROGATION A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Evening, artificial lighting. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). A stark police station interrogation room with concrete walls, fluorescent lighting, and wooden furniture. NO plain colors. CHARACTERS & PROPS: - YOUNG SHINJI IKARI: 6 years old, wearing a striped t-shirt. Small, fragile, and silent. - POLICE OFFICER: Middle-aged man, professional, shadowed profile. - AUNT: Middle-aged woman, stern, formal attire. - PROPS: Ballpoint pen, official police form, wooden chair. PANEL 1 (Top Left): Macro close-up. A rough, weathered hand using a ballpoint pen to write quickly on the "Guardian" line of an official police form. Paper texture visible. Background: The surface of a worn metal desk. PANEL 2 (Top Right): Close-up shot of a police officer. His profile is half-hidden in the shadows of the room, face serious and expressionless, speaking in a mechanical tone. Background: Sterile concrete walls of the police station. PANEL 3 (Mid Left): Wide shot. 6-year-old Shinji sitting on a large, heavy wooden chair in the middle of the room, his feet dangling above the floor. He is wearing a striped t-shirt, hands clutching his hem, looking small and isolated. Background: The cold, sparse interrogation room. PANEL 4 (Mid Right): Medium shot. The Aunt stands over Shinji, leaning down with a stern, impatient expression. She firmly grips his shoulders, interrupting his silence. Background: The harsh fluorescent light casting shadows on the walls. PANEL 5 (Bottom Left): Extreme close-up of Shinji's face. His brow is deeply furrowed, his lips trembling slightly as he experiences high emotional tension. Background: Shadows of the room creating a dramatic contrast. PANEL 6 (Bottom Right): Extreme close-up of Shinji's face. He remains silent, struggling to find words, his expression solemn and quiet. A drop of water/tears creates a subtle highlight on his skin. Background: Deep, somber shadows. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, DRAMATIC NARRATIVE TENSION.

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE INTERROGATION A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Evening, artificial lighting. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). A stark police station interrogation room with concrete walls, fluorescent lighting, and wooden furniture. NO plain colors. CHARACTERS & PROPS: - YOUNG SHINJI IKARI: 6 years old, striped t-shirt. Small, fragile, and silent. - POLICE OFFICER: Middle-aged man, professional, shadowed profile, wearing a traditional Japanese police peaked cap (policeman hat). - AUNT: Middle-aged woman, stern, formal attire. - PROPS: Ballpoint pen, official Japanese police form with legible Japanese kanji characters, wooden chair. PANEL 1 (Top Left): Macro close-up. A rough, weathered hand using a ballpoint pen to write quickly on the "Guardian" line (written in Japanese Kanji as 監護人) of an official Japanese police form. Background: The surface of a worn metal desk. PANEL 2 (Top Right): Close-up shot of a police officer. His profile is half-hidden in the shadows, wearing a classic Japanese police peaked cap. Face serious and expressionless, speaking in a mechanical tone. Background: Sterile concrete walls of the police station. PANEL 3 (Mid Left): Wide shot. 6-year-old Shinji sitting on a large, heavy wooden chair in the middle of the room, feet dangling. Wearing a striped t-shirt, hands clutching his hem. Background: The cold, sparse interrogation room. PANEL 4 (Mid Right): Medium shot. The Aunt stands over Shinji, leaning down with a stern, impatient expression. She firmly grips his shoulders. Background: The harsh fluorescent light casting shadows on the concrete walls. PANEL 5 (Bottom Left): Extreme close-up of Shinji's face. His brow is deeply furrowed, his lips trembling slightly as he experiences high emotional tension. Background: Sharp shadows and dramatic contrast. PANEL 6 (Bottom Right): Extreme close-up of Shinji's face. He remains silent, struggling to find words, expression solemn and quiet. A single raindrop slides down his nose. Background: The dark and somber interior of the room. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, JAPANESE POLICE STATION DETAIL.

【生成内容】 # 一只粗糙的手拿着圆珠笔，在表格的“监护人”一栏飞快地书写。纸张发出沙沙的声响。警察的侧脸隐藏在阴影中，语气平板而机械。真嗣（6岁）坐在巨大的木椅子上，双脚悬空。他低着头，双手局促地抓着横条纹衬衫的下摆。 伯母冲到真嗣面前，镜头快速切换，展现她焦躁、带有责备意味的神情。她并没有抱住真嗣，而是抓住了他的肩膀。 真嗣的脸部特写。他由于极度委屈而眉头紧锁，嘴唇颤抖，但一句话也说不出来。

【生成内容】 # 【立即從 0.02 秒處剪切】\\ # 【全局風格與環境設定】\\ # 音效/環境音： 全程無 BGM。環境音為圓珠筆在粗糙紙張上游走的「沙沙」聲、老舊日光燈管發出的微弱嗡鳴聲、伯母急促的腳步聲、少年因委屈而產生的急促吞嚥聲。\\ # 畫面風格： 1995 年 Gainax 傳統賽璐璐動畫風格（貞本義行筆觸）。高對比度、陰暗的室內採光。帶有明顯的 VHS 錄像帶噪點、褪色膠片感、以及畫面邊緣的輕微模糊。\\ # 【根據六宮格分鏡腳本順序，創作一段關於「被誤解的孤獨」與「缺席的父權」的蒙太奇。】\\ 第 1-2 格分鏡：機械式的審查（0-4s）\ 鏡頭 1： 物理特寫（參考圖 1）。一隻粗糙的成年男性的手握著圓珠筆，在表格「監護人」一欄飛快寫下「碇ゲンドウ」（碇源堂）。\ 音效： 刺耳的紙張摩擦聲。\ 鏡頭 2： 警察側臉特寫（參考圖 2）。警察隱藏在警帽的陰影下，語氣平板。\ 語音（警察）：「どこに住んでいる？名前は？保護者の名前は？」\ 語音（幼年少年，低聲）：「碇シンジです……碇ゲンドウ……」\ 第 3 格分鏡：渺小的存在（4-7s）\ 鏡頭 3： 遠景（參考圖 3）。昏暗的詢問室中心。6 歲的少年坐在巨大的木製辦公椅上，雙腳夠不到地、懸空晃動。\ 視覺細節： 少年雙手局促地抓著橫條紋襯衫的下擺，整個人被黑暗與巨大的家具包圍，顯得極其無助。\ 第 4 格分鏡：焦躁的「關懷」（7-10s）\ 鏡頭 4： 快速切換中景（參考圖 4）。伯母穿著紫色套裝衝到畫面中。她並沒有擁抱少年，而是雙手用力抓住他的肩膀。\ 動作細節： 伯母神情焦慮、帶有明顯的責備。\ 語音（伯母）：「シンちゃん！どうしてそんなにバカなことを！？自転車が欲しかったら、私に言えばよかったじゃない！」\ 語音（幼年少年）：「違うんです……」\ 第 5-6 格分鏡：無聲的崩潰（10-15s）\ 鏡頭 5： 近景特寫（參考圖 5、6）。少年的面部特寫。他由於極度委屈而眉頭緊鎖（眉心有明顯褶皺），嘴唇劇烈顫抖。\ 語音（伯母，畫外音）：「そんな小銭、お父さんからもらえば済むことでしょう！」\ 語音（幼年少年，帶着哭腔）：「違うんです……伯母さん……」\ 結尾： 少年的眼神逐漸失去焦距，眼眶中打轉的淚水始終沒有流下。畫面在伯母連續的嘮叨聲中淡入純黑。\ Seedance 2.0 操作建議：\ 物理交互（Physics）： 特別指令鏡頭 4 的「抓住肩膀」動作，少年身體應隨伯母的力度產生輕微的後仰震動。\ 特寫細節： 鏡頭 5 使用微距鏡頭捕捉「嘴唇顫抖」與「瞳孔震顫」，這是還原貞本義行原畫情緒張力的靈魂。\ 字跡生成： 在鏡頭 1 中，確保圓珠筆尖在「監護人」欄位書寫時有墨水流出的物理動態。\ 一致性： 鎖定「橫條紋襯衫」與「短褲、白襪子、白球鞋」作為少年的強視覺 Token。

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE URBAN COMMUTE A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Bright, cold winter morning. Harsh, brilliant sunlight creating long, dramatic shadows. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). An empty, quiet urban street with power lines, utility poles, and tiled pavement. NO plain colors. CHARACTERS: - YOUNG SHINJI IKARI: School-aged student, striped t-shirt, classic boxy Japanese elementary school randoseru (leather satchel) on his back. - PEDESTRIANS: Middle-aged people walking on the sidewalk near utility poles. PANEL 1 (Top Left): Wide shot. A vast, urban street on a bright, cold morning. Young Shinji walks in the center, his shadow cast long across the pavement. Background: Urban streetscape with power lines. PANEL 2 (Top Right): Close-up. Two middle-aged people stand near a utility pole on the sidewalk, observing the street. Background: The concrete utility pole and urban street details. PANEL 3 (Mid Left): Mid-shot. Shinji walks with his head bowed slightly, his classic boxy Japanese randoseru visible on his back. A calm, observant posture. Background: Bright but sterile city street. PANEL 4 (Mid Right): Macro close-up. Shinji’s hand tightly gripping the shoulder strap of his randoseru. His knuckles are firm from the grip. Background: Close-up of his striped shirt fabric. PANEL 5 (Bottom Left): Extreme close-up of Shinji's face. He has a serious, contemplative expression, eyes looking forward with deep focus. Background: Stark, high-contrast concrete wall texture. PANEL 6 (Bottom Right): Wide shot. Shinji continues walking away, a solitary figure in the vast, cold light. His long shadow dominates the foreground. Background: The empty, long perspective of the urban road. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE,

【生成内容】 # 阳光刺眼但显得寒冷。6岁的真嗣背着双肩书包，低着头走在空旷的街道上。他的影子被拉得很长，显得孤零零。两个邻居妇女站在电线杆或围栏后，手遮着嘴，正对着真嗣的背影指指点点。她们的脸部被阴影遮盖，看不清表情。真嗣的脚步顿了一下，但没有停下。他的手紧紧抓着书包带子，指节发白。真嗣猛地闭上眼睛，眉头紧锁，露出了痛苦且愤怒的表情。6岁真嗣在邻居议论中低头行走

【生成内容】 # 【立即從 0.02 秒處剪切】 # 【全局風格與環境設定】 # 環境音/音效： 全程無 BGM。環境音為乾冷、空曠的風聲，少年沉悶且規律的腳步聲（在空曠街道有輕微回響），以及如同毒蛇吐信般、帶有強烈氣息感的低聲耳語。 # 畫面風格： 1995 年 Gainax 傳統賽璐璐動畫風格（貞本義行筆觸）。高飽和度但影調冰冷，極高的明暗對比（Chiaroscuro）。帶有明顯的 VHS 錄像帶噪點、褪色膠片感、光影呈現出因過曝而產生的邊緣暈染。 # 【根據六宮格分鏡腳本順序，創作一段關於「公眾壓迫」與「內心防禦」的蒙太奇。】 # 第 1-2 格分鏡：冰冷的注視（0-5s） # 鏡頭 1： 全景（參考圖 1）。明媚但顯得蒼白的陽光灑在空曠街道。6 歲的少年（橫條紋衫）背著沉重的 Randoseru 書包，低頭獨自走在路中央。他的影子被拉得細長、歪斜。 # 鏡頭 2： 中景遮擋（參考圖 2）。真嗣从形象各异的路人身旁边路过，他们都注视着真嗣，他们有的用手遮住嘴，有的交头接耳，有的低声议论。他们的眼神中透出扭曲的廉價同情。 # 語音（路人甲，耳語）：「あの子……可哀想に。あんな残酷な父親を持ったものね。」 # 語音（路人乙，附和）：「母親を実験台にしたって噂よ。ひどいわよね……」 # 第 3-4 格分鏡：指節的憤怒（5-10s） # 鏡頭 3： 側拍近景（參考圖 3）。少年的腳步微不可察地頓了一下。他的頭垂得更低，黑髮遮住了大半臉龐。 # 鏡頭 4： 物理微距特寫（參考圖 4）。少年稚嫩的手緊緊抓著書包藍色背帶。 # 動作細節： 隨著路人的議論，手指猛地發力收緊，指關節因為極度用力而變得慘白，手背上的青筋微凸。 # 語音（路人甲乙混響）：「……捨てられたのよ。一度も会いに来ないなんて。」 # 第 5 格分鏡：無效的吶喊（10-12s） # 鏡頭 5： 正面仰拍特寫（參考圖 5）。少年猛地閉上雙眼，眼皮劇烈顫動，眉頭鎖成一個痛苦的川字。 # 神情： 他的表情在憤怒與絕望間拉扯，嘴唇緊抿成一條線，忍受著靈魂被流言凌遲的痛苦。 # 語音（少年內心獨白，帶有強烈情緒壓抑）：「黙れ！ 黙れ……！ 父さんのことなんて、何も知らないくせに……！」 # 第 6 格分鏡：結局——無盡的長街（12-15s） # 鏡頭 6： 保持 4 秒。拉遠全景（參考圖 6）。少年的背影繼續向著街道深處走去，兩旁的電線桿與水泥牆如同牢籠。 # 結尾：在最後一聲長嘆中，畫面快速淡出，歸於死寂。 # Seedance 2.0 操作建議： # 角色一致性控制： 特別鎖定「橫條紋襯衫」與「深藍色 Randoseru 書包」。在鏡頭 4 的微距中，確保衣領的條紋密度與整體場景相符。 # 光影設置： 鏡頭 2 需設置「Shadow opacity: 30%」，營造出非人的惡意感。 # 動態頻率： 鏡頭 5 的「眼皮顫動」建議設置微小但高頻的動態（Motion intensity: low but high frequency），以體現少年內心的極限忍耐。

图片节点 8

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE CONSCIOUSNESS VOID A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Nighttime/Subconscious Void. Lighting is clinical and ethereal. Heavy analog 35mm film grain BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). A stark, white-walled hospital room, a dark infinite void, and flickering memory fragments. NO plain colors. CHARACTERS & PROPS: - SHINJI IKARI: 14 years old. Resting in a hospital bed, simple medical tunic, expression is serene and still. - MEMORY FRAGMENTS: Translucent, ethereal visual projections of a garden shack and a rusted bicycle. PANEL 1 (Top Left): Wide shot, bird's-eye view. Shinji rests motionless on a stark hospital bed, covered by a white sheet. Room is minimalist and sterile. Background: 100% filled with pale, white hospital wall textures. PANEL 2 (Top Right): Close-up detail. A clinical IV drip bag hanging on a stand, the liquid inside dripping with rhythmic precision. Background: Bright, white clinical environment. PANEL 3 (Mid Left): Extreme close-up of Shinji's face. His eyes are gently closed, skin is pale and still, breathing rhythmically. Background: Shadow cast on a white pillow. PANEL 4 (Mid Right): Wide panoramic shot. The hospital room environment dissolves into an endless, infinite dark void. In the center, a tiny, fuzzy point of white light glows. Background: Deep, infinite black space. PANEL 5 (Bottom Left): Macro shot. Through the glowing light point, a translucent, flickering memory of the new garden shack in the sunlight appears. Artistic symbolism, vibrant colors in fragments. Background: Soft, ethereal light fragments in a void. PANEL 6 (Bottom Right): Macro shot. Through the glowing light point, a translucent, flickering memory of a rusted, mangled vintage bicycle lying in a trash pile appears. Dream-like,Background: Deep, infinite void with static noise. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, CLINICAL STILLNESS, SURREAL SYMBOLISM, MEMORY FRAGMENTS.

【生成内容】 # 俯视镜头，14岁的真嗣赤裸上身，盖着白被单，静静地躺在病床上。点滴管里的液体有节奏地滴落。画面色彩极其惨白。特写真嗣闭着的眼睛。在无尽的黑暗中，出现了一个微小的、散发着毛糙白光的光点。透过光点，隐约看到了那件小木屋、垃圾堆里的那辆自行车。

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE CONSCIOUSNESS VOID A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Nighttime, abstract subconscious void. Lighting is cinematic, ethereal, and atmospheric. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). A minimalist interior space, transition to an infinite cosmic void, and abstract memory fragments. NO plain colors. CHARACTERS & PROPS: - SHINJI IKARI: 14 years old, wearing a standard medical patient tunic. Resting peacefully in a minimalist setting. - PROPS: Symbolic light points, translucent memory fragments. PANEL 1 (Top Left): Wide shot. A young man rests motionless in a minimalist setting, wearing a simple patient tunic. The composition is clean, serene, and cinematic. Background: 100% filled with clean, architectural textures. PANEL 2 (Top Right): Close-up detail. A rhythmic visual element representing the passage of time, depicted in a cinematic, abstract style. Background: Bright, ethereal lighting. PANEL 3 (Mid Left): Extreme close-up of the character's face. Eyes gently closed, facial features serene and still, breathing rhythmically. Background: Soft, atmospheric lighting and shadows. PANEL 4 (Mid Right): Wide panoramic shot. The minimalist environment dissolves into an endless, infinite dark void. In the center, a tiny, glowing point of light emerges. Background: Deep, infinite cosmic space. PANEL 5 (Bottom Left): Macro shot. Through the glowing light point, a translucent, flickering memory of a sunlit garden house appears. Artistic symbolism. Background: Soft, ethereal light fragments. PANEL 6 (Bottom Right): Macro shot. Through the glowing light point, a translucent, flickering memory of a vintage bicycle silhouette appears. Dream-like, . Background: Deep, infinite void. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, CINEMATIC SYMBOLISM, SURREAL DREAMSCAPE.

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE STERILE VOID A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Quiet, sterile hospital room. Lighting is flat, cold, and pale. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). A stark, white-walled hospital room, sterile medical equipment, and an abstract, infinite dark void. NO plain colors. CHARACTERS & PROPS: - SHINJI IKARI: 14 years old, resting in a hospital bed, covered by a white sheet, bare shoulders visible. Expression is serene and still. - IV DRIP: A classic hospital IV bag and stand. - PROPS: White sheet, hospital bed, medical tube, glowing light point. PANEL 1 (Top Left): Wide shot. Bird's-eye view. Shinji rests motionless on a stark hospital bed, covered in a crisp white sheet, the room is minimalist and sterile. Background: 100% filled with pale, white hospital wall textures. PANEL 2 (Top Right): Detail shot. A clinical IV drip bag hanging on a stand, the liquid inside dripping with rhythmic precision. Background: Bright, white clinical environment. PANEL 3 (Mid Left): Extreme close-up of Shinji's face. His eyes are gently closed, skin is pale and still, breathing rhythmically. Background: Soft white pillow and shadow casting. PANEL 4 (Mid Right): Macro close-up. The medical tube connecting to the drip, focusing on the mechanical, clinical nature of the environment. Background: Cold, pale blue-tinted medical equipment. PANEL 5 (Bottom Left): Abstract shot. The transition into a vast, infinite dark void. The hospital room environment dissolves into pure darkness. Background: Deep, empty black void. PANEL 6 (Bottom Right): Extreme macro close-up. A single, tiny, fuzzy point of white light glowing in the vast, dark void. It radiates a soft, organic fuzziness. Background: Deep, infinite black space. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, CLINICAL STILLNESS, SURREAL SYMBOLISM.

【生成内容】 # 【立即從 0.02 秒處剪切】\\ # 【全局風格與環境設定】\ 環境音/音效： 全程無 BGM。環境音為點滴液體規律墜落的「滴答」聲（帶有金屬回響）、遙遠且空靈的耳鳴聲、意識深處不穩定的電流雜訊（Static noise）。\ 畫面風格： 1995 年 Gainax 傳統賽璐璐動畫風格（貞本義行筆觸）。高對比度影調，醫院場景色彩極其慘白、冷調；意識空間呈現深邃的墨黑。帶有強烈的 VHS 錄像帶噪點、褪色膠片感、以及記憶邊緣的紫色晶體碎裂特效。\ 【根據六宮格分鏡腳本順序，創作一段從「肉體靜止」向「心靈深處」俯衝的意識蒙太奇。】\ 第 1-2 格分鏡：冰冷的現世（0-4s）\ 鏡頭 1： 俯視全景（參考圖 1）。14 歲的少年蓋著單薄的白被單，靜靜躺在慘白的病床上。環境呈現出一種近乎死亡的寧靜。\ 鏡頭 2： 物理特寫（參考圖 2）。點滴管內的液體以精確的節奏滴落。\ 語音（少年內心獨白）： 「ここは……どこだ？ ここは一体どこなんだ？」\ 第 3-4 格分鏡：靈魂的探入（4-9s）\ 鏡頭 3： 極近距離特寫（參考圖 3）。聚焦少年閉著的雙眼。關鍵動作： 鏡頭從少年的眉心（兩眼之間）極速推進，畫面產生一種穿透皮膚進入黑暗的物理感。\ 鏡頭 4： 意識空間全景（參考圖 4）。進入無盡的、帶有星塵感的宇宙黑暗。中心出現一個微小的、散發著「毛糙」白光的星點。\ 動態： 隨著鏡頭加速前移，白光點在視野中迅速變大，散發出刺眼的光芒。\ 語音（少年內心獨白）： 「真っ暗で、何も見えない……」\ 第 5-6 格分鏡：記憶的具象（9-15s）\ 鏡頭 5： 幻象入口（參考圖 5）。鏡頭快速進入光點內部。光圈邊緣伴隨著紫色晶體碎片（參考圖底部的晶體特效）。光圈中心顯現出小時候伯父家的小木屋，色彩鮮艷但帶有不真實的懷舊感。\ 鏡頭 6： 幻象閃回（參考圖 6）。畫面迅速切換至另一個紫色發光光圈，中心是那輛在雨天泥濘中、生鏽扭曲的自行車。\ 結尾： 光點爆發遮蔽全屏。伴隨一聲尖銳的電子音，畫面快速 Fade to white（淡入純白）。\ Seedance 2.0 操作建議：\ 連續運鏡指令： 在鏡頭 3 到鏡頭 4 之間，指令設定為「Seamless zoom-in transition through the brow into the cosmic void」。Seedance 2.0 能很好地處理這種空間維度的跨越。\ 物理動態（Physics）： 鏡頭 4 的光點應有「Pulsing intensity」（脈衝式亮度變化），模擬大腦神經放電的視覺感。\ 資產鎖定： 確保 \[圖片 5\] 與 \[圖片 6\] 中的「小木屋」與「自行車」形象與之前章節中出現的完全一致。\ 對白生成： 日文台詞需設置為「Monologue/Inner thought」語氣，帶有輕微的混響與迷茫感。

# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE RAINY RURAL PATH A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED with artwork extending to edges. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Evening, torrential rain, rural environment. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). A rural Japanese street, wet asphalt, mossy stone walls, traditional houses, rain-soaked weeds. NO plain colors. CHARACTERS & PROPS: - YOUNG SHINJI IKARI: 6 years old, striped t-shirt, oversized school bag. Drenched, pale, solitary. - AUNT: Middle-aged woman, formal attire, holding a large dark umbrella. - BICYCLE: A severely rusted, bent, and mangled vintage bicycle. PANEL 1 (Top Left): Wide shot. A dismal, rainy rural Japanese street. The Aunt walks ahead under a dark umbrella. Shinji trails 3 meters behind, soaked, pushing a rusted, crooked bicycle. Background: Traditional wooden houses and mossy stone walls. PANEL 2 (Top Right): Close-up detail. The rusted bicycle chain and mangled frame half-buried in wet gravel. Rain splashes heavily onto the metal. Background: Wet rural roadside weeds. PANEL 3 (Mid Left): Mid-shot of Shinji pulling the bicycle through a muddy patch. He wears his striped t-shirt and large school bag. The composition emphasizes the heavy rain. Background: Dreary, wet Japanese country road. PANEL 4 (Mid Right): Detail shot. Close-up of the bicycle's rubber handle grips and rusted metal, seen through heavy rain. Shinji's pale, soaked fingers are gripping them. Background: Rain-streaked rural textures. PANEL 5 (Bottom Left): Medium shot of Shinji standing in the rain, hands on handles, backpack visible. He is isolated, viewed from the side. Background: Cold, misty rain falling in the dark rural village. PANEL 6 (Bottom Right): Wide panoramic shot. Shinji pushing the bicycle into the distance. His silhouette is small against the vast, dark rural landscape. Background: Distant traditional houses and heavy, oppressive rain. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, RURAL RAINY NIGHT.

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# SEAMLESS FULL-SCENE ANIME STORYBOARD: THE RAINY REJECTION A professional 6-panel storyboard grid on a 9:16 vertical canvas. Seamless 2x3 layout with ZERO GAPS, no borders, no gutters, and NO blank spaces. Each panel MUST be FULL-BLEED. FIXED PANEL RATIO: Each of the 6 panels MUST be a precise vertical rectangle with a 27:32 aspect ratio. STYLE & TEXTURE: AUTHENTIC 1995 Neon Genesis Evangelion TV/Movie aesthetic. Vintage 1990s Japanese cel animation. Sharp black ink lines. Traditional 2-step flat cel-shading with hard-edge shadows. NO digital gradients. TIME: Heavy rain, dark, leaden grey atmosphere. Heavy analog 35mm film grain, VHS artifact. BACKGROUNDS: 100% hand-painted 90s anime background art (Haikei). Muddy countryside grass, rusted porch, dim interior shadows. NO plain colors. CHARACTERS: - YOUNG SHINJI IKARI: Elementary school age, wearing an oversized striped t-shirt, carrying a bag way too big for him. - UNCLE & AUNT: Middle-aged, cold, impatient expressions. PANEL 1 (Top Left): Wide shot. A dense, heavy curtain of rain cutting through a muddy countryside path. Young Shinji, in a striped t-shirt and oversized school bag, struggles to push a rusted, crooked bicycle. Background: Muddy grass and dark grey sky. PANEL 2 (Top Right): Extreme macro close-up. The rusted bicycle chain and crooked handlebars. Shinji’s pale, water-soaked fingers tightly gripping the cold, wet rubber handle. Background: Muddy path texture. PANEL 3 (Mid Left): Low-angle shot. Shinji drenched in rain, pushing the bicycle with great effort. The heavy rain creates an oppressive, dark atmosphere. Background: Cluttered, rainy countryside outskirts. PANEL 4 (Mid Right): Medium shot from Shinji's perspective, looking up at the dark porch shadow. A middle-aged man and woman (Uncle & Aunt) stand in the shadow, looking down. Background: Dark, weathered wooden porch architecture. PANEL 5 (Bottom Left): Close-up. The woman's face, mouth slightly open as she speaks, her expression filled with annoyance and disdain. Background: The dim, shadowed interior of the house entryway. PANEL 6 (Bottom Right): Extreme close-up. Shinji's head bowed low, dripping wet. A clear drop of rainwater slides down the tip of his nose, ready to fall onto his soaked shoes. Background: Muddy ground and damp shoe texture. Visuals: Full frame 9:16, SEAMLESS borderless grid, AUTHENTIC 90s CEL ANIMATION STYLE, OPPRESSIVE RAIN.