.
首帧 {{Mixed 1}} ，固定镜头，一镜到底。 手工蜡泥定格动画，冷月光与车灯。镜间仅使用硬切，无对白、字幕、配乐，仅保留同期音。 男主从车左侧的主驾驶位开门走出来后关上车门，从车后方绕车半圈走向副驾开门
首帧 {{Image 1}} ，固定镜头，一镜到底。 手工蜡泥定格动画，冷月光与车灯。镜间仅使用硬切，无对白、字幕、配乐，仅保留同期音。 男主从主驾驶位开门走出来后关上车门，从车后方绕车半圈走向副驾开门
首帧 {{Image 1}} ，不要bgm，只要同期音效。 男主从主驾驶位开门走出来后关上车门，从车后方绕车半圈走向副驾开门
手工蜡泥定格动画，冷月光与车灯。镜间仅使用硬切，无对白、字幕、配乐，仅保留同期音。 首帧，乌鸦主观pov视角，乌鸦在悬崖中快速下坠，然后努力扑腾翅膀且嘎嘎急切的叫了几声后，终于把姿态调整好恢复滑翔， 切镜，跟随视角，乌鸦看着悬崖底部滑了一会儿，发现了悬崖底部的什么东西，快速调整飞行方向，朝悬崖底部极速飞行过去。
手工蜡泥定格动画，冷月光与车灯。一镜到底，无对白、字幕、配乐，仅保留同期音。 画面从一个大远景开始，模拟乌鸦的主观视角pov镜头，乌鸦在很高的空中滑翔，远远看到公路上有灯光闪烁，于是开始朝着公路上加速飞行，边飞行边嘎嘎叫个不停，最终画面到 {{Mixed 1}} 的视角时，乌鸦开始朝着车子快速飞行过去，准备撞击车的前挡风玻璃。 乌鸦始终不入画。只能听到风声，扇动翅膀的声音，车从远到近的声音。
男主 {{Mixed 5}} {{Mixed 6}} 女主 {{Mixed 3}} {{Mixed 4}} 女主外套 {{Mixed 7}} {{Mixed 8}} 汽车 {{Mixed 9}} 手工蜡泥定格动画，冷月光与车灯。男主始终微笑，女主始终昏迷。镜间仅使用硬切，无对白、字幕、配乐，仅保留同期音。 固定机位 {{Mixed 1}} 一镜到底，女主在副驾上坐着处于睡着状态，且没有系安全带，车辆是停止的，男主从主驾驶位上下车从车头前方走过来打开副驾驶门，男主把女主身上的外套脱下来放在车顶上然后把女主拖出车外，之后走回来从车顶上拿下衣服整齐的放在副驾上 {{Mixed 2}} ，似乎在放什么很重要的东西非常小心翼翼，和前面拖女主形成反差。 硬切 {{Mixed 10}} 男主一只手轻松的拖着没穿外套的女主到画面左侧的栏杆切口处，然后蹲下身公主抱抱起女主。 硬切 {{Mixed 11}} 男主仿佛扔垃圾一样吧女主扔下悬崖然后拍了拍手上的灰。 硬切 {{Mixed 12}} 男主走到副驾拿打开车门拿起前面放在副驾上的女主的外套 {{Mixed 8}} 硬切特写男主一脸沉醉地把头埋进衣服里贪婪的吸着衣服上的香味。
男主 {{Mixed 2}} {{Mixed 3}} 乌鸦 {{Mixed 4}} {{Mixed 5}} 场景与位置参考 {{Mixed 8}} 手工蜡泥定格动画，冷月光与车灯。男主始终微笑。镜间仅使用硬切，无对白、字幕、配乐，仅保留同期音。 首帧 {{Mixed 12}} 倒悬乌鸦的主观视角，男人和环境均倒置，画面起初轻微摇晃，当男人开始说话的时候画面开始剧烈摇晃，乌鸦自身不入画。男主看着镜头微笑着用不熟练的发音（因为男主是乌鸦变成的，不熟练人类的发音和语言）吞吞吐吐咬字不清晰地说：“既然你反悔了，那我们的约定作废，你就好好做个乌鸦吧，嘎嘎……嘎嘎。”末尾嘎嘎是男人模仿乌鸦发出的怪异的叫声。 硬切，固定镜头， {{Mixed 10}} 乌鸦被男人用一只手倒提在手上，乌鸦扇动翅膀扑腾，越扑腾越快，同时伴有乌鸦真实的嘎嘎嘎嘎的叫声，乌鸦很着急很害怕。男主领着乌鸦的双脚，一个蓄力之后用力朝画面左侧把乌鸦扔出画面。然后男主毫不眷恋笑着朝画面右侧走出画面。（画面左侧传来乌鸦扑腾的声音，右侧传来车辆开门然后关门的声音）
乌鸦 {{Mixed 5}} {{Mixed 11}} 男主 {{Mixed 1}} {{Mixed 3}} 女主 {{Mixed 2}} {{Mixed 4}} 手工蜡泥定格动画，冷月光与车灯。男主始终微笑，女主不笑。镜间仅使用硬切，无对白、字幕、配乐，仅保留同期音。 首帧，乌鸦主观视角从高处发现迎面快速驶来的酒红车，嘎嘎着急地叫了两声迅速俯冲，乌鸦自身不入画。 硬切 {{Mixed 6}} 车内机位，副驾上的女主正疑惑地看向微笑开车的男主，似乎想开口说点什么，车外的景色快速掠过。 硬切 {{Mixed 7}} 机位，车辆快速行驶，之前俯冲的那只乌鸦撞到前挡风玻璃外，溅出黑色液体；玻璃不裂。 硬切 俯瞰机位，车从同一路线上急刹，随着刺耳的刹车音效后急停在路边装上了路边的护栏，四轮在路。参考图 {{Mixed 8}} 的停车位置用于本镜结束。 硬切 {{Mixed 9}} ，男左女右，副驾的女主昏迷朝前垂着头，只露后脑。前雨刮器没有动，乌鸦昏迷也没有动，男主笑着看一眼左侧悬崖，轻晃女主肩膀，女主没有回应；乌鸦在外雨刷处不动。 硬切 {{Mixed 10}} 插扣特写，女主在画左系着安全带、男主在画面右侧主驾驶位伸手，按扣解开女主的安全带。 硬切 {{Mixed 13}} 固定视角。固定长镜头，男主从主驾驶位下车后关上主驾驶位的门走到副驾外开门并双手把女主从车里公主抱出来。从画面左侧离开画面。同步撞击、刹车、怠速与咔嗒声。
男主 {{Mixed 2}} {{Mixed 3}} 乌鸦 {{Mixed 10}} {{Mixed 11}} 场景与位置参考 {{Mixed 5}} 手工蜡泥定格动画，冷月光与车灯。男主始终微笑。镜间仅使用硬切，无对白、字幕、配乐，仅保留同期音。 首帧 {{Mixed 6}} 车内固定镜头，旋钮特写，男主蓝袖右手入画拧动收音机，车内开始播放轻快舒缓的车载广播音乐。 硬切 {{Mixed 8}} 俯瞰，车先后退少许脱离护栏，再转回公路驶远；尾灯、引擎和车内音乐逐渐远去。 硬切 {{Mixed 9}} 斜俯深渊，前景乌鸦清楚嘎叫两声，主动向悬崖下方快速飞下（叫声和姿态都显得非常的着急，好像要去悬崖下方找什么东西），最后乌鸦逐渐缩小消失。轻微俯摇后停在深渊与风声中结束，不切黑、不出字。
男主 {{Mixed 2}} {{Mixed 3}} 乌鸦 {{Mixed 4}} {{Mixed 5}} 场景与位置参考 {{Mixed 9}} 手工蜡泥定格动画，冷月光与车灯。男主始终微笑。镜间仅使用硬切，无对白、字幕、配乐，仅保留同期音。 首帧，延续上一段视频 尾帧，男主眨了眨眼 硬切， {{Mixed 7}} 倒悬乌鸦的主观视角，男人和环境均倒置，画面轻微摇晃，乌鸦自身不入画。男主看着镜头微笑着用不熟练的发音（因为男主是乌鸦变成的，不熟练人类的发音和语言）吞吞吐吐咬字不清晰地说：“既然你反悔了，那我们的约定作废，你就好好做个乌鸦吧，嘎……嘎……嘎。”末尾嘎嘎是男人模仿乌鸦发出的怪异的叫声。 硬切，固定镜头， {{Mixed 11}} 乌鸦在男人的手上扑腾，越扑腾越快，同时伴有乌鸦真实的嘎嘎嘎嘎的叫声，乌鸦很着急很害怕。男主把乌鸦举起来，然后一个蓄力之后用力朝画面左侧把乌鸦扔出画面。然后男主毫不眷恋笑着朝画面右侧走出画面。（画面左侧传来乌鸦扑腾的声音，右侧传来车辆开门然后关门的声音） 硬切， 最后两秒，{{Mixed 12}}固定镜头，男主从主驾驶位伸手按车载收音机开关，手停留在收音机按钮上。
男主 {{Mixed 3}} {{Mixed 4}} 乌鸦 {{Mixed 5}} {{Mixed 6}} 场景与位置参考 {{Mixed 10}} 手工蜡泥定格动画，冷月光与车灯。男主始终微笑。镜间仅使用硬切，无对白、字幕、配乐，仅保留同期音。 首帧，固定镜头特写男主正脸，延续上一段视频 {{Mixed 1}} 尾帧，男主陶醉的猛吸外套 {{Mixed 2}} 。 切镜，固定镜头，近景 {{Mixed 11}} 男主恋恋不舍的把埋在衣服里的头抬起来看着外套 {{Mixed 2}} ，然后走向车前方。 硬切，固定镜头车内视角，男主拿起衣服用衣服背面有鸽子花纹的那一面开始擦拭前挡风玻璃上的黑色液体，始终笑着，偶尔模仿乌鸦嘎嘎叫两声，直到把玻璃完全擦拭干净，男主嫌弃的把手臂伸直，拎着衣服，面带微笑从画面左侧出画。期间画面左下方躺着的乌鸦始终处于昏迷状态一动不动。 {{Mixed 8}} 。 硬切， {{Mixed 9}} ，男主不入画，男主拎着衣服到悬崖边上，然后松手，衣服掉落悬崖。 硬切， {{Mixed 12}} 固定镜头，乌鸦缓缓睁眼，眨了眨眼睛，从昏迷状态中慢慢醒来，突然男主用左手攥紧乌鸦双脚，倒提使鸟头朝下拎了起来。 硬切， {{Mixed 13}} 倒悬乌鸦的主观视角，男人和环境均倒置，画面轻微摇晃，乌鸦自身不入画。男主看着镜头笑说：“既然你反悔了，那我们的约定也作废了，以后你就好好做个乌鸦吧，嘎嘎。”末尾嘎嘎是男人模仿。
男主 {{Mixed 5}} {{Mixed 6}} 女主 {{Mixed 3}} {{Mixed 4}} 女主外套 {{Mixed 7}} {{Mixed 8}} 汽车 {{Mixed 9}} 手工蜡泥定格动画，冷月光与车灯。男主始终微笑，女主始终昏迷。镜间仅使用硬切，无对白、字幕、配乐，仅保留同期音。 固定机位 {{Mixed 1}} 一镜到底，女主在副驾上坐着处于睡着状态，且没有系安全带，车辆是停止的，男主从主驾驶位上下车从车头前方走过来打开副驾驶门，男主把女主身上的外套脱下来放在车顶上然后把女主拖出车外，之后走回来从车顶上拿下衣服整齐的放在副驾上，似乎在放什么很重要的东西非常小心翼翼，和前面拖女主形成反差。 硬切 {{Mixed 10}} 男主一只手轻松的拖着没穿外套的女主到画面左侧的栏杆切口处，然后蹲下身公主抱抱起女主。 硬切 {{Mixed 11}} 男主仿佛扔垃圾一样吧女主扔下悬崖然后拍了拍手上的灰。 硬切 {{Mixed 12}} 男主走到副驾拿打开车门拿起前面放在副驾上的女主的外套 {{Mixed 8}} 硬切特写男主一脸沉醉地把头埋进衣服里贪婪的吸着衣服上的香味。
乌鸦 {{Mixed 5}} {{Mixed 12}} 男主 {{Mixed 1}} {{Mixed 3}} 女主 {{Mixed 2}} {{Mixed 4}} 手工蜡泥定格动画，冷月光与车灯。男主始终微笑，女主不笑。镜间仅使用硬切，无对白、字幕、配乐，仅保留同期音。 0—3秒： {{Mixed 6}} 乌鸦主观视角从高处发现迎面快速驶来的酒红车，嘎嘎着急地叫了两声迅速俯冲，乌鸦自身不入画。 3—6秒：切 {{Mixed 7}} 车内机位，副驾上的女主正疑惑地看向微笑开车的男主，似乎想开口说点什么，车外的景色快速掠过。 6—8秒：切 {{Mixed 8}} 机位，车辆快速行驶，之前俯冲的那只乌鸦撞到前挡风玻璃外，溅出黑色液体；玻璃不裂。 8—13秒：切镜 俯瞰机位，车从同一路线上急刹，随着刺耳的刹车音效后急停在路边装上了路边的护栏，四轮在路。参考图 {{Mixed 9}} 的停车位置用于本镜结束。 13—18秒：切 {{Mixed 10}} ，男左女右，副驾的女主昏迷朝前垂着头，只露后脑。男主笑着看一眼左侧悬崖，轻晃女主肩膀，女主没有回应；乌鸦在外雨刷处不动。 18—20秒：切 {{Mixed 11}} 插扣特写，女主在画左系着安全带、男主在画面右侧主驾驶位伸手，按扣解开女主的安全带。同步撞击、刹车、怠速与咔嗒声。 20-30秒：切 {{Mixed 14}} 视角。固定长镜头，男主从主驾驶位下车后关上主驾驶位的门走到副驾外开门并双手把女主从车里公主抱出来。从画面左侧离开画面。
For the target video, at 0.00 seconds into the target video, {{Image 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Image 2}} / {{Image 3}} , jacket {{Image 4}} / {{Image 5}} , cliff-road plate {{Image 6}} , matching background plate {{Image 7}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. A low-angle 65mm tight view frames the man's smiling eyes above the clean pink jacket collar he has just raised to his nose. The jacket's back folds naturally toward the camera and the small white dove remains visibly clean on its back panel. He presses his face softly into the collar and inhales once, slowly and deeply. He lowers the cloth enough to reveal an even more satisfied grin. Focus moves a short distance from cotton fibres to his delighted eyes. The cloth keeps moving gently in his hands; the black-liquid-stained windshield and motionless crow remain offscreen. overall_soundscape: One close, deep inhalation, soft fabric friction, faint engine idle and wind. No spoken words. non_diegetic_music: N/A No BGM
从上传图片 {{Image 1}} 所示的确切首帧继续，生成6秒的视频。实体微缩定格摄影，手塑哑光蜡陶面孔、小玻璃眼、纤维头发、真实缝制棉布和手工场景，保留青年比例。保持首帧人物、服装、车辆结构、乌鸦比例与光源方向。男人只要露出脸就一直带笑；不新增人或鸟，乌鸦不落肩、不说人话。无字幕、Logo或画外配乐。 画面起始于后排中央偏右朝前看，男人在左驾驶位侧脸带笑；右副驾女主昏迷朝车前软垂，只露后脑与头发，脸和眼睛完全不见。外前挡有黑液、唯一乌鸦伏外雨刷，车辆已斜停稳。 接着，男人看一眼身旁峡谷，再笑着转向女主的后脑方向；女主不抬头也不转脸。保留后排向前机位，小幅慢推，以笑男侧脸、女主后脑与染黑前挡形成三层；镜头和女主头部不绕转，不揭露她的脸。 动作发展到他伸手向女主，准备解带；车仍原角度怠速，鸦在外雨刷不动。画面继续保留风、衣物或怠速等自然细小运动，不停成一张静止画。 声音随画面发生：低声怠速、关窗后压低的峡谷风声、轻微衣料声；没有对白、笑声配轨或鸟叫。
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Mixed 2}} / {{Mixed 3}} , crow {{Mixed 4}} / {{Mixed 5}} , cliff-road plate {{Mixed 6}} , matching background plate {{Mixed 7}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. The low waist-up medium close view begins with the smiling man's anatomical LEFT fist still gripping BOTH feet of one head-down, upside-down crow. His right arm hangs free. Keep the left shoulder, elbow, wrist and opposing thumb anatomically continuous. He swings that same left arm outward toward the canyon, opens his fingers and releases both feet together. A short camera pan follows the release. The bird rotates right-side up in the air, opens both wings and beats them to regain controlled flight. It remains one normal living bird, without a copied body or shoulder landing. The man turns his smiling face toward the car and starts walking back; do not show him entering yet. Active wingbeats continue at the frame edge. overall_soundscape: One fast sleeve swish, a burst of wingbeats and continuing wind with distant engine idle. No further dialogue or imitated caws. non_diegetic_music: N/A No BGM
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Mixed 2}} / {{Mixed 3}} , female lead {{Mixed 4}} / {{Mixed 5}} , crow {{Mixed 6}} / , vehicle / , cabin plate {{Mixed 7}} , stop position plate {{Mixed 8}} , matching background plate {{Mixed 9}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. The rear-seat view looks forward from slightly centre-right. The driver shows his grinning side face. The unconscious woman sits in the separate right passenger seat facing the front of the vehicle, with only the back of her head and hair visible; her face and eyes remain entirely hidden. Black liquid stays on the exterior windshield and one crow lies motionless on the exterior wiper ledge. The stopped car retains its diagonal position by the left guardrail. The man glances toward the canyon through his left window, then turns his smiling face toward the back of her head. A very small forward camera push retains the rear view of her head. She remains limp without turning or lifting her head. He starts reaching toward her belt while the engine idles. overall_soundscape: Soft engine idle, low canyon wind outside the closed car and a slight clothing rustle. No speech, laughter track or bird call. non_diegetic_music: N/A No BGM
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Mixed 2}} / {{Mixed 3}} , crow {{Mixed 4}} / {{Mixed 5}} , cliff-road plate {{Mixed 6}} , matching background plate {{Mixed 7}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. A low waist-up medium close view frames the broadly grinning man with one normal living crow hanging upside down from his anatomical LEFT hand. That fist forcefully grips BOTH feet at the lower legs; the crow's head points DOWN below its feet and its wings struggle. Keep the entire left shoulder, elbow, wrist and fist visibly inside the frame; preserve the exact first-frame left shoulder-to-elbow-to-wrist chain, opposing thumb and fingers, and gravity-directed hanging body. His right arm stays lowered and free. From 00:00.800 to about 00:12.800, the man (S1) speaks in a bright, amused conversational Mandarin voice while smiling: <d>[Chinese] 既然你反悔了，那24小时的约定也作废了，以后你就好好做个乌鸦吧，嘎嘎。</d> The final two imitated caws are spoken by the man within this exact line. The bird only struggles without a vocal interruption or human voice. The left hand keeps both feet captured, never holding the body or neck, and the crow remains head-down through the final second. He has not released it. overall_soundscape: Subdued engine idle, faint canyon wind and short struggling feather rustles. No vocal interruption from the bird. non_diegetic_music: N/A No BGM
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Mixed 2}} / {{Mixed 3}} , female lead {{Mixed 4}} / {{Mixed 5}} , jacket {{Mixed 6}} / {{Mixed 7}} , vehicle / {{Mixed 8}} , matching background plate {{Mixed 9}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. A 40mm side medium view looks forward into the car from beside the B-pillar outside the open RIGHT front passenger doorway. The front of the car projects toward screen-right, the passenger seat back is screen-left and the woman's legs extend into the front footwell at screen-right. The near-side glovebox and far-side steering wheel retain the left-hand-drive layout. The man remains outside at screen-left. Preserve the complete door frame, sill and surrounding body panels. Both front seats stay bolted facing the front of the car; the passenger seat never turns toward the camera. The smiling man remains outside the open doorway, supporting the unconscious woman whose eyes stay closed. Her hair clip stays hidden on the far side of her head. Her cream long-sleeved top is fully worn and only the last pink jacket sleeve remains on her arm. He removes that sleeve and draws her body clear of the forward-facing seat. [Shot 2] At 00:05.000, cut to a close insert of that now-vacated passenger seat as he places the pink jacket on it with its clean white-dove back panel facing upward. Cloth settles within the unchanged cabin geometry; the woman remains outside the insert. overall_soundscape: Soft cotton friction, small shoe movements on pavement, the open-door interior ambience and continuous engine idle. No dialogue. non_diegetic_music: N/A No BGM
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Mixed 2}} / {{Mixed 3}} , female lead {{Mixed 4}} / {{Mixed 5}} , vehicle {{Mixed 6}} , stop position plate {{Mixed 7}} , matching background plate {{Mixed 8}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. A low rear view shows both people with their backs to the camera. The man is farther ahead, facing the existing guardrail-end opening. Each of his hands reaches behind his hips and grips one of the woman's wrists. The unconscious woman is nearer the camera and trails behind him, her head and clothed body hanging slack, her legs trailing on the road. He walks FORWARD toward the opening, pulling her by both wrists; his feet step in the same direction as their travel. The fronts of her shoes scrape the ground, with the soles angled back toward the camera; she remains completely limp. He does not walk backward or support her armpits. The camera follows gently from behind, retaining their rear view. [Shot 2] At 00:04.500, a guardrail post occludes the view and motivates a cut to their arrival at the same two-metre natural opening roughly five metres behind the parked car. No one crosses a rail. He stops at the supported road edge and prepares to turn toward her; her loose clothing continues settling. overall_soundscape: Forward footsteps and the trailing woman's shoes and clothes dragging on dry pavement. Faint engine idle remains behind them while canyon wind grows louder. No speech. non_diegetic_music: N/A No BGM
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Mixed 2}} , female lead {{Mixed 3}} , cliff-road plate {{Mixed 4}} , matching background plate {{Mixed 5}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. A low view just below the cliff rim looks up at the smiling man holding the unconscious woman, still before release. Her eyes are closed. A physical rock lip masks his feet; the natural end of the roadside metal guardrail is visible at the side, leaving the established opening clear. He keeps grinning as her loose sleeve shifts in the wind. [Shot 2] At 00:02.800, hard cut to an extreme-wide view from beyond the cliff, matching the held-body pose. The pair become tiny figures at the upper edge and the enormous canyon fills most of the frame. He releases her small silhouette through the unguarded opening beyond the road edge. It drops out of visible light and disappears. No one climbs or crosses a rail. The camera stays fixed and never follows to the ground. He remains above at the rim while wind moves the distant clothes and sparse vegetation. overall_soundscape: The nearby atmosphere briefly thins to low wind and one distant cloth movement. No landing or impact sound and no speech. non_diegetic_music: N/A No BGM
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Mixed 2}} / {{Mixed 3}} , crow {{Mixed 4}} / {{Mixed 5}} , vehicle {{Mixed 6}} , cliff-road plate {{Mixed 7}} , matching background plate {{Mixed 8}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. A low close view begins with one newly roused, normal-sized crow poised on the exterior wiper ledge, with its head raised and its feet still on the ledge of the now-clean windshield. The smiling man stands outside beside the driver's front fender. The crow suddenly launches directly from the ledge and beats its wings hard toward his face. A short abrupt upward tilt follows it into the space in front of him. It makes several rapid, angry pecking thrusts toward his face while remaining airborne; no wound opens. He keeps grinning with delighted surprise and raises one hand to intercept it. The crow never lands on either shoulder. End with bird wings actively beating and the hand near it but not yet closed. overall_soundscape: Sudden loud wingbeats, quick beak taps and agitated nonverbal crow sounds over low engine idle. The man does not speak; there is no human voice from the bird. non_diegetic_music: N/A No BGM
从上传图片所示的确切首帧 {{Image 1}} 继续，生成6秒的视频。实体微缩定格摄影，手塑哑光蜡陶面孔、小玻璃眼、纤维头发、真实缝制棉布和手工场景，保留青年比例。保持首帧人物、服装、车辆结构、乌鸦比例与光源方向。男人只要露出脸就一直带笑；不新增人或鸟，乌鸦不落肩、不说人话。无字幕、Logo或画外配乐。 画面起始于近乎垂直的斜俯视：峡谷占画面约三分之二；男人很小地站在崖缘右上方的护栏自然终点缺口旁，车在更右上方。女主已离画，男人姿态轻松。 接着，男人看着下面站一会儿，笑着转身回车。从崖外高位近乎垂直斜俯，人物和车只占画面右上狭窄路面，深渊占三分之二。先停三秒，再让人物转身回车；镜头留住空深渊，不跟回车。 动作发展到人离框，深渊与风还在；车、外套和伏鸦状态不变。画面继续保留风、衣物或怠速等自然细小运动，不停成一张静止画。 声音随画面发生：空旷峡谷风、脚步渐远、远处怠速；无对白或鸟叫。
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Mixed 2}} , female lead {{Mixed 3}} , vehicle {{Mixed 4}} / {{Mixed 5}} , cabin plate {{Mixed 6}} , matching background plate {{Mixed 7}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. A fixed macro insert retains the exact first-frame screen positions: the woman's clothed passenger-side lap occupies screen-left, and the man's blue sleeve, cream cuff and hand enter from screen-right. His fingertip is poised just above the red buckle button, before pressing it; the belt tongue remains locked. He presses it fully once. A crisp click releases the metal tongue and the webbing retracts naturally toward the passenger-side pillar. Her body remains supported by the forward-facing passenger seat. Keep screen-left and screen-right unchanged. No face enters this insert. The belt settles through the ending. overall_soundscape: One crisp buckle click, a short belt-retractor sound and subdued engine idle. No speech. non_diegetic_music: N/A No BGM
从上传图片所示的确切首帧 {{Image 5}} 继续，生成6秒的视频。实体微缩定格摄影，手塑哑光蜡陶面孔、小玻璃眼、纤维头发、真实缝制棉布和手工场景，保留青年比例。保持首帧人物、服装、车辆结构、乌鸦比例与光源方向。男人只要露出脸就一直带笑；不新增人或鸟，乌鸦不落肩、不说人话。无字幕、Logo或画外配乐。 画面起始于近乎垂直的斜俯视：峡谷占画面约三分之二；男人很小地站在崖缘右上方的护栏自然终点缺口旁，车在更右上方。女主已离画，男人姿态轻松。 接着，男人看着下面站一会儿，笑着转身回车。从崖外高位近乎垂直斜俯，人物和车只占画面右上狭窄路面，深渊占三分之二。先停三秒，再让人物转身回车；镜头留住空深渊，不跟回车。 动作发展到人离框，深渊与风还在；车、外套和伏鸦状态不变。画面继续保留风、衣物或怠速等自然细小运动，不停成一张静止画。 声音随画面发生：空旷峡谷风、脚步渐远、远处怠速；无对白或鸟叫。
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: vehicle {{Mixed 2}} , male lead {{Mixed 3}} / {{Mixed 4}} , stop position plate {{Mixed 5}} , matching background plate {{Mixed 6}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. An exterior rear three-quarter view shows the burgundy sedan at its original diagonal stop, with the left-front bumper close to the metal guardrail, every wheel on pavement, the driver door closed and one pair of red tail lights. The car first reverses about half a metre so that its left-front corner clears the rail. Only then do the front wheels steer toward the road-right and the car begins moving forward into the lane. [Shot 2] At 00:03.500, a nearby guardrail post briefly occludes the view and motivates a hard cut to a rear long shot of the same car continuing along the established right-hand curve. Its tail lights shrink and pass behind the rock face. The canyon remains travel-left and the high rock wall travel-right. Only this car occupies the road. Any visible driver retains his grin. The empty road and wind continue at the end. The same cheerful wordless car-speaker music already playing inside the car recedes naturally with its distance, becoming inaudible as it disappears. overall_soundscape: Engine acceleration and tyres on dry pavement diminish with distance, leaving open canyon wind. No speech or bird call. non_diegetic_music: N/A No BGM
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Mixed 2}} / {{Mixed 3}} , jacket {{Mixed 4}} / {{Mixed 5}} , cliff-road plate {{Mixed 6}} , matching background plate {{Mixed 7}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. A low-angle 65mm tight view frames the man's smiling eyes above the clean pink jacket collar he has just raised to his nose. The jacket's back folds naturally toward the camera and the small white dove remains visibly clean on its back panel. He presses his face softly into the collar and inhales once, slowly and deeply. He lowers the cloth enough to reveal an even more satisfied grin. Focus moves a short distance from cotton fibres to his delighted eyes. The cloth keeps moving gently in his hands; the black-liquid-stained windshield and motionless crow remain offscreen. overall_soundscape: One close, deep inhalation, soft fabric friction, faint engine idle and wind. No spoken words. non_diegetic_music: N/A No BGM
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Mixed 2}} / {{Mixed 3}} , female lead {{Mixed 4}} / {{Mixed 5}} , vehicle {{Mixed 6}} / {{Mixed 7}} , cabin plate {{Mixed 8}} , matching background plate {{Mixed 9}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. The camera sits just inside the windshield above the dashboard, looking diagonally back at both front occupants in the moving left-hand-drive burgundy sedan. The young man occupies the vehicle's left driver's seat, keeps an open delighted grin and watches the road past the camera. The awake woman occupies the separate right passenger seat, remaining cool, unsmiling and unresponsive. Both seat belts stay fastened. Side-window scenery drifts with the car's travel; no forward-road image is composited behind their faces. A very small slow camera move tightens the expression contrast. At 00:04.200, the smiling man (S1), in a bright relaxed Mandarin voice, says: <d>[Chinese] 其实……</d> The car continues forward and his grin lingers through the final second. overall_soundscape: Quiet engine and tyre noise beneath one man's brief speech; the woman makes no vocal response. No bird call yet. non_diegetic_music: N/A No BGM
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Mixed 2}} / {{Mixed 3}} , vehicle {{Mixed 4}} / {{Mixed 5}} , cabin plate {{Mixed 6}} , matching background plate {{Mixed 7}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied empty first-frame composition, vehicle geometry, object scale and light direction. Only the one man specified below enters later, with his appearance and clothing as described. There is no woman, other person or bird. Retain the supplied fixed rear-seat camera looking forward into an EMPTY cabin: both front seats are empty, every door fully closed, no person or human reflection, the windshield clean, amber instruments still lit and the car stationary in its original diagonal position. After a half-second hold, the same 27-year-old East Asian man with wavy dark hair, a blue cotton overshirt and a cream hoodie opens the LEFT front driver door from outside, appears with his delighted grin, sits behind the left-side steering wheel, then closes that same door. The camera stays fixed throughout this action; the passenger seat remains empty. [Shot 2] At 00:05.500, hard cut to a close insert of his hand pressing the physical radio power-volume knob. Cheerful wordless instrumental music starts from the actual car speakers with the click. The music is diegetic. The car remains stationary, with all doors closed, as the knob and dashboard subtly vibrate at idle. overall_soundscape: An exterior door unlatch, seat and clothing settling, a closing door latch that muffles the wind, then a physical radio-knob click over steady engine idle. non_diegetic_music: N/A No BGM
从上传图片所示的确切首帧 {{Image 1}} 继续，生成7秒的视频。实体微缩定格摄影，手塑哑光蜡陶面孔、小玻璃眼、纤维头发、真实缝制棉布和手工场景，保留青年比例。保持首帧人物、服装、车辆结构、乌鸦比例与光源方向。男人只要露出脸就一直带笑；不新增人或鸟，乌鸦不落肩、不说人话。无字幕、Logo或画外配乐。 画面起始于崖内贴近岩唇的低仰中景，男人笑着抱住闭眼女主、尚未松手；前景岩唇遮住脚部，右侧可见护栏自然端头，人站在原有开口路缘。 接着，女主轮廓离开男人怀抱，越过崖缘进入黑暗。先保留贴近崖内的低仰构图，让笑脸、闭眼女主和前景岩唇形成压迫；2.8秒硬切崖外极远景，把人物缩到上沿、深渊占八成，再让女主轮廓离手。两机位以抱持姿态匹配，不追到落点。 动作发展到女主已消失在画外；男人留在崖边，没有落地镜头或撞击声。画面继续保留风、衣物或怠速等自然细小运动，不停成一张静止画。 声音随画面发生：压低的风声与远处衣料声；不加落地或撞击声，无对白。
For the target video, at 0.00 seconds into the target video, {{Image 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Image 2}} / {{Image 3}} , cliff-road plate {{Image 4}} , matching background plate {{Image 5}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. A steep, nearly overhead oblique view looks across the cliff edge into the deep canyon, which fills about two thirds of the frame. The man is a tiny figure near the natural guardrail-end opening at the upper-right rim; the parked burgundy car is even farther upper-right on the road. The woman is already absent. He stands loosely and looks down for three seconds, then turns back toward the car; any visible glimpse of his face retains a pleased grin. He walks away along the narrow supported road edge. The camera stays with the immense empty canyon as wind moves the sparse vegetation through the end. overall_soundscape: Open canyon wind and a few retreating footsteps; the car's distant engine idle remains faint. No speech or bird call. non_diegetic_music: N/A No BGM
从上传图片所示的确切首帧 {{Image 1}} 继续，生成6秒的视频。实体微缩定格摄影，手塑哑光蜡陶面孔、小玻璃眼、纤维头发、真实缝制棉布和手工场景，保留青年比例。保持首帧人物、服装、车辆结构、乌鸦比例与光源方向。男人只要露出脸就一直带笑；不新增人或鸟，乌鸦不落肩、不说人话。无字幕、Logo或画外配乐。 画面起始于相机贴近挡风玻璃内侧、从仪表台前沿朝车后斜拍，两名前排人物的脸可见：男人在车辆左驾驶位笑嘻嘻，女人在右副驾清醒冷淡无笑，两人各自系带；玻璃干净，鸦在画外。 接着，男人一直笑嘻嘻，约4.2秒轻快地说：“其实……”女人继续冷淡无笑，不回应；话尾悬住。贴前挡内侧的低机位向后斜拍前排两张脸，利用仪表台与A柱压住边角；轻微前移强调笑男与冷女的表情对置，不在人物背后拼接前方路景。 动作发展到话尾悬住，车仍前行。画面继续保留风、衣物或怠速等自然细小运动，不停成一张静止画。 声音随画面发生：安静发动机、轮胎声垫底；女人不回应，暂时没有鸟叫。
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Mixed 2}} / {{Mixed 3}} , crow {{Mixed 4}} / {{Mixed 5}} , jacket {{Mixed 6}} / {{Mixed 7}} , vehicle / {{Mixed 8}} , cliff-road plate , matching background plate {{Mixed 9}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. A fixed close view from inside the windshield sees black liquid on its exterior surface and the man leaning in from beside the left front fender, already grinning. One normal crow remains motionless on the exterior wiper ledge. The clean back panel of the pink jacket touches the outside glass. He wipes in several connected strokes: black liquid transfers physically from the glass to the cotton, progressively covering the single white dove. The opening through the stain grows until the last black streak is removed. His delighted face becomes clear through intact clean glass. The back print is now almost entirely black, with tiny white remnants; the folded cloth never shows a front zipper. The bird stays motionless and outside. He draws the dirty cloth away while still smiling. overall_soundscape: Continuous soft wet wiping, cotton drag against glass, steady engine idle and faint canyon wind. No bird movement, bird call or human speech. non_diegetic_music: N/A No BGM
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Mixed 2}} / {{Mixed 3}} , female lead {{Mixed 4}} / {{Mixed 5}} , crow {{Mixed 6}} / {{Mixed 7}} , vehicle / {{Mixed 8}} , matching background plate {{Mixed 9}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. A view from just behind the right passenger woman's shoulder looks forward through the windshield and begins with one crow just outside the driver's side of the intact windshield, before contact. The driver is still grinning; the passenger is still awake and unsmiling. The bird strikes the outside glass with one blunt wet impact. Opaque black liquid spreads across the exterior driver's-side glass as the bird slips to the exterior wiper ledge. The sedan brakes sharply; one short forward jolt of the camera follows the braking inertia. The car comes to a diagonal stop with its left-front bumper lightly against the roadside metal guardrail and every wheel on pavement. The passenger's eyes close and she becomes unresponsive. The driver retains his delighted grin. The windshield remains uncracked and the bird remains a single motionless body outside it. Engine vibration and settling cloth continue. overall_soundscape: One blunt bird impact, a wet splash, sharp tyre braking and a brief metal scrape; no glass shattering. Engine idle remains after the stop. No dialogue. non_diegetic_music: N/A No BGM
从上传图片所示的确切首帧 {{Image 1}} 继续，生成7秒的视频。实体微缩定格摄影，手塑哑光蜡陶面孔、小玻璃眼、纤维头发、真实缝制棉布和手工场景，保留青年比例。保持首帧人物、服装、车辆结构、乌鸦比例与光源方向。男人只要露出脸就一直带笑；不新增人或鸟，乌鸦不落肩、不说人话。无字幕、Logo或画外配乐。 画面起始于低位65mm紧近景，男人笑着把干净粉外套的衣领举到鼻前，后背朝镜头自然折叠，白鸽仍白；鸦伏在雨刷画外。 接着，男人把脸埋进领口闻味道，放低衣服后咧嘴笑。低位65mm紧近拍笑男与鼻前领口；后背图案自然折向镜头。一次深吸气后衣服略放低，露出满足的笑，焦点由布纤维移到眼睛。 动作发展到外套仍在手里并保持干净，准备擦外玻璃。画面继续保留风、衣物或怠速等自然细小运动，不停成一张静止画。 声音随画面发生：一次贴近的缓慢深吸气、布料摩擦、微弱风和怠速；没有台词。
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: crow {{Mixed 2}} / {{Mixed 3}} , cliff-road plate {{Mixed 4}} , matching background plate {{Mixed 5}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. A view just above and behind one intact crow shows it in controlled flight over the deep dark canyon. At 00:00.700 and 00:01.500 it gives exactly two natural crow caws, with no human speech. It then banks toward the place below the cliff, partially tucks its wings to descend and opens them again into controlled gliding flight. The camera follows downward a short distance, then stops while the bird continues to shrink into the darkness. No body, garment or landing is revealed below. The bird's flight remains intentional rather than tumbling, and drifting mist continues through the final moment. No words or numbers appear in this generated clip. overall_soundscape: Exactly two natural crow caws near the start, followed by wing air and open canyon wind. The receding car music has already vanished. No other voice or impact sound. non_diegetic_music: N/A No BGM
从上传图片所示的确切首帧 {{Image 1}} 继续，生成5秒的视频。实体微缩定格摄影，手塑哑光蜡陶面孔、小玻璃眼、纤维头发、真实缝制棉布和手工场景，保留青年比例。保持首帧人物、服装、车辆结构、乌鸦比例与光源方向。男人只要露出脸就一直带笑；不新增人或鸟，乌鸦不落肩、不说人话。无字幕、Logo或画外配乐。 画面起始于安全带扣具特写：画面左是女主副驾侧奶白衣物与浅蓝裤腿，画面右是一只蓝袖奶白袖口的男手，手指紧邻红按钮上方、尚未按下，钢舌仍锁在扣内。 接着，手指按下插扣，安全带弹开并缓慢回收。固定85mm插扣特写，严格保留画左女主身体、画右男人手的画面方位；用按钮下沉和织带回收完成动作，不切换到镜像构图。 动作发展到女主安全带已解开，衣着完整。画面继续保留风、衣物或怠速等自然细小运动，不停成一张静止画。 声音随画面发生：一次清脆插扣声、织带回收声、低声怠速；无对白。
从上传图片所示的确切首帧 {{Image 1}} 继续，生成8秒的视频。实体微缩定格摄影，手塑哑光蜡陶面孔、小玻璃眼、纤维头发、真实缝制棉布和手工场景，保留青年比例。保持首帧人物、服装、车辆结构、乌鸦比例与光源方向。男人只要露出脸就一直带笑；不新增人或鸟，乌鸦不落肩、不说人话。无字幕、Logo或画外配乐。 画面起始于两人都背向镜头：男人在前、朝护栏自然终点缺口，双臂伸向身后分别抓住女主双腕；女主更靠近镜头，头与身体软垂，双腿拖在后，鞋底朝后镜头、鞋前部贴地。车仍原斜停，粉外套留车内。 接着，男人朝缺口向前迈步，用身后握住的女主双腕拖着她前行；女主无力跟随、鞋前部在路面拖行，两人始终背向镜头。低位从两人身后跟随，男人领先、女主落后靠镜头，手腕拉力方向与向前步伐一致；4.5秒用护栏柱遮挡切到原有2米缺口的到达位，不越栏、不托腋倒退。 动作发展到两人经车后约5米的护栏自然缺口到达崖缘，男人停步准备转身抱起女主；鸦仍伏雨刷，车辆未移动。画面继续保留风、衣物或怠速等自然细小运动，不停成一张静止画。 声音随画面发生：向前的脚步声、落后女主鞋子与衣料拖过路面的声音；怠速渐远、峡谷风渐近；无对白。
从上传图片所示的确切首帧 {{Image 1}} 继续，生成7秒的视频。实体微缩定格摄影，手塑哑光蜡陶面孔、小玻璃眼、纤维头发、真实缝制棉布和手工场景，保留青年比例。保持首帧人物、服装、车辆结构、乌鸦比例与光源方向。男人只要露出脸就一直带笑；不新增人或鸟，乌鸦不落肩、不说人话。无字幕、Logo或画外配乐。 画面起始于从右副驾女主肩后朝前挡拍，肩与发丝只压画面边缘；唯一普通乌鸦临近驾驶侧外玻璃但尚未撞上，玻璃完整干净，车辆仍在行驶。 接着，乌鸦撞上驾驶侧外玻璃，黑液铺开；车急刹滑向左侧护栏，鸟滑至外雨刷。相机在女主肩后看向完整前挡，32mm。撞击触发一次短促前冲失衡，不追绕人物正脸；黑液只在外玻璃，镜尾停稳。 动作发展到车停住，四轮仍在路上；女主闭眼失去意识，男主仍带笑，玻璃完整，鸦暂时不动。画面继续保留风、衣物或怠速等自然细小运动，不停成一张静止画。 声音随画面发生：一次湿钝撞击、黑液飞溅、急刹与短金属刮擦，没有玻璃碎裂声，停稳后保留发动机怠速；无对白。
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Mixed 2}} , jacket {{Mixed 3}} / {{Mixed 4}} , cliff-road plate {{Mixed 5}} , matching background plate {{Mixed 6}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. A close cliff-edge insert shows only the man's hand in a blue sleeve and cream cuff holding the same dirty pink jacket above the darkness. Its back faces the camera; the small dove is almost completely coated in opaque black liquid. The windshield has already been cleaned in the preceding action and is offscreen. He gives the jacket a brief dismissive shake and opens his fingers. The cloth turns as it falls out of the lower frame. Hold the newly empty dark space with wind moving the visible sleeve and nearby grasses. The crow remains offscreen at the wiper ledge, still inactive. overall_soundscape: A short cloth flap followed by wind; no landing sound, speech or bird call. non_diegetic_music: N/A No BGM
从上传图片所示的确切首帧 {{Image 1}} 继续，生成8秒的视频。实体微缩定格摄影，手塑哑光蜡陶面孔、小玻璃眼、纤维头发、真实缝制棉布和手工场景，保留青年比例。保持首帧人物、服装、车辆结构、乌鸦比例与光源方向。男人只要露出脸就一直带笑；不新增人或鸟，乌鸦不落肩、不说人话。无字幕、Logo或画外配乐。 画面起始于从车右前门外、B柱附近向车前看入，车头投影画右；完整门框、门槛与车身边缘可见，副驾座椅固定朝前，座背画左、女主双腿伸向画右前脚坑。男人在门外画左带笑俯身，女主闭眼、外套仅余最后袖，发夹在隐藏远侧。 接着，男人脱下杏粉外套，先让女主身体移出座面，然后把外套后背朝上放在副驾座上。保留右前门外35—50mm侧面中景，让完整门框、座椅基座、近侧手套箱与远侧方向盘可辨；座椅与双腿朝车前不旋转。5秒切空座局部，接放下白鸽后背朝上的外套。 动作发展到女主已被带到门外、仍闭眼；外套留座、白鸽干净，男人仍笑。画面继续保留风、衣物或怠速等自然细小运动，不停成一张静止画。 声音随画面发生：棉布摩擦、鞋底轻响、开门后的风声和怠速；无对白。
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Mixed 2}} / {{Mixed 3}} , cliff-road plate {{Mixed 4}} , matching background plate {{Mixed 5}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. A steep, nearly overhead oblique view looks across the cliff edge into the deep canyon, which fills about two thirds of the frame. The man is a tiny figure near the natural guardrail-end opening at the upper-right rim; the parked burgundy car is even farther upper-right on the road. The woman is already absent. He stands loosely and looks down for three seconds, then turns back toward the car; any visible glimpse of his face retains a pleased grin. He walks away along the narrow supported road edge. The camera stays with the immense empty canyon as wind moves the sparse vegetation through the end. overall_soundscape: Open canyon wind and a few retreating footsteps; the car's distant engine idle remains faint. No speech or bird call. non_diegetic_music: N/A No BGM
For the target video, at 0.00 seconds into the target video, {{Mixed 1}} (the supplied first frame) is fully referenced. Continuity references: male lead {{Mixed 2}} / {{Mixed 3}} , crow {{Mixed 4}} / {{Mixed 5}} , cliff-road plate {{Mixed 6}} , matching background plate {{Mixed 7}} . integrated_multimodal_description: [Shot 1] Photographed physical stop-motion puppets, subtly hand-sculpted matte wax-clay faces, small glass eyes, fibre hair, real sewn cotton and handcrafted miniature scenery, with young adult proportions. Preserve the supplied first-frame composition, identities, clothing, object scale and light direction. The tight side view begins exactly from the supplied frame: one living crow beats its wings before the smiling man's face and his visible open RIGHT hand has not caught it. That right hand makes a short feint without touching the bird, then lowers. His anatomical LEFT hand suddenly enters from the lower side, connected visibly to his left shoulder, elbow and wrist, and closes forcefully around BOTH crow feet at the lower legs. He lifts the captured feet so the bird rotates naturally into an upside-down hanging position, with its head below its feet and its wings struggling. Keep one correct thumb opposed to four fingers, no wrist reversal or hand substitution. He never grasps the body, wings or neck. His right arm hangs free. The same normal-sized bird remains intact and alive while hanging head-down from the left fist through the ending. overall_soundscape: A sharp rush of wings, brief claw contact and continued struggling feather sounds over engine idle. No spoken words or human voice from the bird. non_diegetic_music: N/A No BGM
手工蜡泥定格动画，冷月光与车灯。不要bgm，只要同期音效。乌鸦 {{Image 2}} 主观视角，乌鸦沿着公路滑翔了一段路后，从高处发现迎面快速驶来的酒红车，嘎嘎着急地叫了两声迅速俯冲向车，乌鸦自身不入画。