乌贼食宴

视频截图

【素材职责】 【人物】用于男孩角色的五官、发型和服装，不采用图片背景。 【道具】用于蓝色金属胶囊的外形、材质和幽蓝色微光，不采用图片背景。 【动作与声音】用于画面质感与色彩参考，不采用其中的人物与场景内容。 【正文】 男孩角色在深海潜艇餐厅内，确认大人们已离开视线后，悄悄将藏在舌下的蓝色金属胶囊吐出并包裹起来。 阶段1——开始时：特写，固定机位，男孩角色脸部，餐厅暖白与低饱和琥珀色光线；男孩角色刚才还装得非常乖的调皮笑容逐渐从脸上消失，表情变为机灵而专注的神情，眼神向左右两侧迅速扫视，确认大人们已经离开自己的视线；主要事件：男孩角色确认无人注意后，迅速轻轻动了一下嘴巴，嘴唇微微蠕动；结束时：男孩角色确认无人，神情机灵专注。 阶段2——承接上一阶段：切至极近特写嘴部，男孩角色嘴唇轻动；切至手部特写，男孩角色从口袋里小心翼翼地掏出一小块白色擦嘴布，动作非常轻，速度很快；主要事件：男孩角色将擦嘴布展开放在手心；结束时：擦嘴布在男孩角色手中展开。 阶段3——承接上一阶段：极近特写手部与嘴部，男孩角色悄悄将舌头下面藏着的蓝色金属胶囊吐到擦嘴布上，蓝色金属胶囊落到布面时发出极轻微的触碰声；稍拉至男孩角色脸部特写，男孩角色低头确认蓝色金属胶囊已经出来，神态明显放松，嘴角微微松弛；主要事件：男孩角色眼睛与头部迅速向左右两边扫了一下，确认没有人注意到自己，立刻用擦嘴布小心地将蓝色金属胶囊包裹起来，动作轻而快；结束时：蓝色金属胶囊被包裹在擦嘴布中，男孩角色神态放松，手握布团。 保持人物身份、数量、服装、道具归属、空间方向和声音关系稳定。 【视觉风格】 35mm Kodak Vision3 500T胶片质感，Greig Fraser掌镜，skip-bleach negative LUT，模拟胶片颗粒，anamorphic宽银幕镜头质感，真实摄影皮肤纹理。室内暖白与低饱和琥珀色灯光为主，巨大观景玻璃外越来越深的蓝绿色海水，冷色水光自然映入室内。画面整体偏暗但保留人物面部与餐桌细节。 【镜头】 阶段1：特写男孩脸，固定机位；阶段2：极近特写嘴部切至手部特写；阶段3：极近特写手部与嘴部，切至脸部特写。极度聚焦，几乎完全安静，整体时长约8秒。 【声音】 无背景音乐，只保留人物对白、环境声和动作音效。几乎完全安静。<人物极轻微呼吸声><布料摩擦声，极轻微><胶囊落在布面的极轻微触碰声><海水与潜艇外壳极低频环境声，几乎听不见>。 No BGM

【素材职责】 【人物】用于涵涵角色的五官、发型和服装，不采用图片背景。用于李总角色的五官、发型和服装，不采用图片背景。 各人物的外貌、服装、动作、站位和台词不互相交换。 【道具】用于蓝色金属胶囊的外形、材质和幽蓝色微光，不采用图片背景。 【动作与声音】用于画面质感与色彩参考，不采用其中的人物与场景内容。 【正文】 涵涵角色与李总角色站在深海潜艇餐厅内，涵涵角色带着好奇吞下蓝色金属胶囊。 阶段1——开始时：近景，固定机位，涵涵角色在画面中心，李总角色在画面侧方，餐厅暖白与低饱和琥珀色光线；涵涵角色先低头看手中的蓝色金属胶囊，神情带着残留的好奇，眼神专注在胶囊上；主要事件：涵涵角色轻轻抿嘴，将蓝色金属胶囊含入口中咽下（无咀嚼动作，直接含入口中吞咽），咽下之后涵涵角色眉头轻微皱了一下，眼神向下，像是在确认身体有没有什么感觉，嘴角微收，随后表情很快恢复正常；结束时：涵涵角色表情恢复正常，李总角色在侧。 【视觉风格】 35mm Kodak Vision3 500T胶片质感，Greig Fraser掌镜，skip-bleach negative LUT，模拟胶片颗粒，anamorphic宽银幕镜头质感，真实摄影皮肤纹理。室内暖白与低饱和琥珀色灯光为主，巨大观景玻璃外越来越深的蓝绿色海水，冷色水光自然映入室内。画面整体偏暗但保留人物面部与餐桌细节。 【镜头】 近景，固定机位，涵涵居中，李总在侧；快切节奏，整体时长约2秒。 【声音】 无背景音乐，只保留人物对白、环境声和动作音效。<胶囊与手指接触声><吞咽声><海水与潜艇外壳低频环境声><餐厅环境声>。 No BGM

【素材职责】 【人物】用于丈夫角色的五官、发型和服装，不采用图片背景。用于男孩角色的五官、发型和服装，不采用图片背景。用于妻子角色的五官、发型和服装，不采用图片背景。 各人物的外貌、服装、动作、站位和台词不互相交换。 【道具】用于蓝色金属胶囊的外形、材质和幽蓝色微光，不采用图片背景。 【场景】用于高级深海潜艇餐厅的空间布局与光线，不采用图中人物。 【动作与声音】用于画面质感与色彩参考，不采用其中的人物与场景内容。 【正文】 丈夫角色走向靠近观景玻璃处与男孩角色互动，劝说男孩角色吞下蓝色金属胶囊，妻子角色站在旁边静静观看。 阶段1——开始时：近景，靠近观景玻璃处，巨大观景玻璃外蓝绿色深海海水透入冷色光线，与室内暖白琥珀色灯光形成冷暖对比；男孩角色双手撑着玻璃趴在窗边，神态兴奋又好奇，注意力完全在玻璃外游动的鱼群上，眼睛发亮，嘴角微微上扬；镜头缓慢推近丈夫角色；主要事件：丈夫角色走到男孩角色旁边，自然蹲下身来与男孩角色处于同一高度，脸上带着温柔耐心的笑容，妻子角色始终站在丈夫角色旁边，不说话，神情自然微笑安静看着两人；丈夫角色手持蓝色金属胶囊，轻声说：{"俊杰，把这个吃了，一会儿有好吃的。"}，神态温柔，哄孩子的状态，没有命令感；结束时：丈夫角色蹲下，蓝色金属胶囊在手，温柔看向男孩角色。 阶段2——承接上一阶段：男孩角色看向丈夫角色手中的蓝色金属胶囊，表情从兴奋看鱼群转为明显的抗拒，眉头皱起，嘴巴微微撅起来，带着调皮和不服气；男孩角色说：{"我才不吃药呢。"}，语气调皮不服气；丈夫角色无奈地笑了一下，嘴角微扬，随后故意缓缓收起笑容，神态变得稍微严肃，像是在认真警告孩子，说：{"不吃的话，回家后爸爸就没收你的VR哦~"}；妻子角色站在丈夫角色旁边，脸上带着一点无奈又宠溺的表情，嘴角微微上扬，不插话；结束时：丈夫角色神态稍严肃，男孩角色抗拒撅嘴，妻子角色在侧无奈宠溺。 保持人物身份、数量、服装、道具归属、空间方向和声音关系稳定。 【视觉风格】 35mm Kodak Vision3 500T胶片质感，Greig Fraser掌镜，skip-bleach negative LUT，模拟胶片颗粒，anamorphic宽银幕镜头质感，真实摄影皮肤纹理。室内暖白与低饱和琥珀色灯光为主，巨大观景玻璃外越来越深的蓝绿色海水，冷色水光自然映入室内。画面整体偏暗但保留人物面部与餐桌细节。 【镜头】 阶段1：近景，镜头缓慢推近丈夫角色，观景玻璃与深海背景可见，节奏比前段慢；阶段2：保持近景，正反打切换丈夫与男孩的反应特写，妻子在侧。整体时长约6秒。 【声音】 无背景音乐，只保留人物对白、环境声和动作音效。环境声逐渐收窄，只保留人物对话与极少量动作声音。<人物呼吸声><海水与潜艇外壳低频环境声>。 No BGM

【素材职责】 【道具】用于蓝色金属胶囊的外形、材质和幽蓝色微光，不采用图片背景。 【动作与声音】用于画面质感与色彩参考，不采用其中的人物与场景内容。 【正文】 蓝色金属胶囊被白色擦嘴布包裹，藏在黑暗的储物抽屉内部，幽蓝色微光从布料缝隙中透出，固定镜头静静保持数秒。 阶段1——开始时：极近特写，固定机位，模拟储物抽屉内部视角，整个画面几乎完全黑暗，只有被白色擦嘴布包裹的蓝色金属胶囊藏在黑暗深处；主要事件：蓝色金属胶囊极其微弱而稳定的蓝色光芒从布料缝隙里一点一点透出来，光芒非常微弱、稳定，不闪烁，不忽明忽暗，没有人物，没有动作，没有任何东西突然出现；画面呈现一种诡异的、异常平静的宁静感；结束时：蓝色微光持续稳定透出，画面完全静止，黑暗中只有这一点幽蓝色光芒。 【视觉风格】 35mm Kodak Vision3 500T胶片质感，Greig Fraser掌镜，skip-bleach negative LUT，模拟胶片颗粒，anamorphic宽银幕镜头质感，真实摄影皮肤纹理。画面整体极暗，只有蓝色微光。 【镜头】 极近特写，完全固定机位，无运镜，无任何动作，整体时长约5秒，异常平静。 【声音】 无背景音乐，只保留人物对白、环境声和动作音效。完全安静，几乎无声。<极微弱的电子嗡鸣感，来自胶囊本身，非常轻微><海水与潜艇外壳极低频环境声，几乎听不见>。 No BGM

【素材职责】 【人物】用于男孩角色的五官、发型和服装，不采用图片背景。 【场景】用于高级深海潜艇餐厅的空间布局与光线，不采用图中人物。 【动作与声音】用于画面质感与色彩参考，不采用其中的人物与场景内容。 【正文】 男孩角色在深海潜艇餐厅内，手拿着包好的白色小纸团小心翼翼地走向储物区域，迅速将纸团藏进储物抽屉。 阶段1——开始时：中近景，较低机位，男孩角色一只手拿着包好的白色纸团（纸团形态为刚好能一手握住的揉成一团软纸团），小心翼翼地轻步快走向餐厅一侧的储物区域，动作很轻，脚步很快但不是奔跑；主要事件：男孩角色先向一个方向看一眼，再向另一个方向看一眼，确认没人注意自己，整个过程带着孩子做秘密事情时特有的紧张和兴奋，眼神警觉，身体微微前倾；结束时：男孩角色到达储物抽屉前，停下来。 阶段2——承接上一阶段：男孩角色迅速打开一个储物抽屉，把白色纸团快速塞进抽屉，随后马上关上抽屉；主要事件：男孩角色关上抽屉后短暂停顿一下，确认没有人发现，脸上重新出现一丝得意的小表情，嘴角微微上扬，眼神带着小小的成就感；随后男孩角色从画面右侧自然离开画面；结束时：画面内无人物，只有关上的储物抽屉。 保持人物身份、数量、服装、道具归属、空间方向和声音关系稳定。 【视觉风格】 35mm Kodak Vision3 500T胶片质感，Greig Fraser掌镜，skip-bleach negative LUT，模拟胶片颗粒，anamorphic宽银幕镜头质感，真实摄影皮肤纹理。室内暖白与低饱和琥珀色灯光为主，巨大观景玻璃外越来越深的蓝绿色海水，冷色水光自然映入室内。画面整体偏暗但保留人物面部与餐桌细节。 【镜头】 中近景，较低机位，跟随男孩角色移动；整体时长约5秒，几乎完全安静。 【声音】 无背景音乐，只保留人物对白、环境声和动作音效。几乎完全安静。<人物极轻微脚步声><抽屉打开与关上的轻微滑动声><海水与潜艇外壳极低频环境声>。 No BGM

是前一分镜结尾的参考视频，本分镜从它的尾帧继续制作。 第一个画面直接承接的尾帧：保持主体姿态与朝向、道具位置、背景与空间关系、机位与构图、光线、声音状态和运动趋势连续。 本分镜全程保持人物身份与服装、关键道具、背景布局、摄影轴线和原有声音环境连续；同一主体始终保持为同一个连续对象，不重复、不分裂，人物外形或物体部件数量保持稳定。 不重演、不复刻中已发生的动作与运镜。 其他参考素材只提供外观与身份，不改变起始画面：起始画面由的尾帧唯一决定。 【素材职责】 【人物】用于男孩角色的五官、发型和服装，不采用图片背景。用于丈夫角色的五官、发型和服装，不采用图片背景。用于妻子角色的五官、发型和服装，不采用图片背景。 各人物的外貌、服装、动作、站位和台词不互相交换。 【道具】用于蓝色金属胶囊的外形、材质和幽蓝色微光，不采用图片背景。 【动作与声音】用于画面质感与色彩参考，不采用其中的人物与场景内容。 【正文】 男孩角色在靠近观景玻璃处，从不服气到不情愿地接过蓝色金属胶囊并艰难吞下，丈夫角色与妻子角色在旁看着。 阶段1——承接上一阶段：近景，男孩角色非常不服气地看着丈夫角色，嘴角微撅，眉头皱起；男孩角色低头看向丈夫角色手里的蓝色金属胶囊；主要事件：男孩角色停顿下来，眼珠轻轻转动，明显正在思考，嘴唇微动；结束时：男孩角色停顿，思考中，眼珠转动。 阶段2——承接上一阶段：男孩角色最终露出明显的不情愿表情，嘴角下拉，皱着脸，伸手接过蓝色金属胶囊；主要事件：男孩角色皱着脸将蓝色金属胶囊放进嘴里（无咀嚼动作，直接含入口中），嘴巴慢慢闭上，做出一个明显而艰难的吞咽动作，脸部因为不情愿而微微皱缩，眉头紧蹙；丈夫角色一直看着男孩角色，神态逐渐重新放松下来，嘴角微扬；妻子角色始终站在丈夫角色旁边，带着温柔的笑意看着男孩角色；结束时：男孩角色完成吞咽，脸部皱缩，丈夫角色神态放松。 阶段3——承接上一阶段：丈夫角色随手自然递给男孩角色一杯水；主要事件：男孩角色接过水杯，喝了一口；结束时：男孩角色喝水，丈夫角色与妻子角色在旁。 保持人物身份、数量、服装、道具归属、空间方向和声音关系稳定。 【视觉风格】 35mm Kodak Vision3 500T胶片质感，Greig Fraser掌镜，skip-bleach negative LUT，模拟胶片颗粒，anamorphic宽银幕镜头质感，真实摄影皮肤纹理。室内暖白与低饱和琥珀色灯光为主，巨大观景玻璃外越来越深的蓝绿色海水，冷色水光自然映入室内。画面整体偏暗但保留人物面部与餐桌细节。 【声音】 无背景音乐，只保留人物对白、环境声和动作音效。<吞咽声，艰难而明显><人物呼吸声><海水与潜艇外壳低频环境声>。 No BGM

【素材职责】 【人物】用于妻子角色的五官、发型和服装，不采用图片背景。用于丈夫角色的五官、发型和服装，不采用图片背景。 各人物的外貌、服装、动作、站位和台词不互相交换。 【道具】用于蓝色金属胶囊的外形、材质和幽蓝色微光，不采用图片背景。 【动作与声音】用于画面质感与色彩参考，不采用其中的人物与场景内容。 【正文】 妻子角色与丈夫角色站在深海潜艇餐厅内，妻子角色谨慎吞下蓝色金属胶囊，画面内无男孩。 阶段1——开始时：近景，固定机位，妻子角色居中，丈夫角色在侧，画面内无男孩，餐厅暖白与低饱和琥珀色光线；妻子角色神态比丈夫角色稍微谨慎，吞下蓝色金属胶囊之前短暂低头看了一眼胶囊，眼神专注，然后才将蓝色金属胶囊放入口中咽下（无咀嚼动作，直接含入口中吞咽）；主要事件：妻子角色咽下之后轻轻抿了一下嘴唇，眼神侧转观察丈夫角色，确认没有异常后妻子角色表情稍微放松，眉头舒展；结束时：妻子角色表情稍松，丈夫角色在侧。 【视觉风格】 35mm Kodak Vision3 500T胶片质感，Greig Fraser掌镜，skip-bleach negative LUT，模拟胶片颗粒，anamorphic宽银幕镜头质感，真实摄影皮肤纹理。室内暖白与低饱和琥珀色灯光为主，巨大观景玻璃外越来越深的蓝绿色海水，冷色水光自然映入室内。画面整体偏暗但保留人物面部与餐桌细节。 【镜头】 近景，固定机位，妻子居中丈夫在侧，画面内无男孩；快切节奏，整体时长约2秒。 【声音】 无背景音乐，只保留人物对白、环境声和动作音效。<胶囊与手指接触声><吞咽声><海水与潜艇外壳低频环境声><餐厅环境声>。 No BGM

【素材职责】 【人物】用于大咧咧男性角色的五官、发型和服装，不采用图片背景。 【道具】用于蓝色金属胶囊的外形、材质和幽蓝色微光，不采用图片背景。 【场景】用于高级深海潜艇餐厅的空间布局与光线，不采用图中人物。 【动作与声音】用于画面质感与色彩参考，不采用其中的人物与场景内容。 【正文】 大咧咧男性角色在深海潜艇餐厅内，以极近特写吞下蓝色金属胶囊。 阶段1——开始时：极近特写，固定机位，画面只呈现大咧咧男性角色的手部与嘴部区域，不露完整脸，背景为餐厅暖白与低饱和琥珀色光线；大咧咧男性角色的手随意拿起蓝色金属胶囊，动作干脆轻松，无停顿；主要事件：手部将蓝色金属胶囊随意放入嘴里，喉部自然咽下（无咀嚼动作，直接含入口中吞咽），表情没有笑但非常自然轻松，像在吃一种普通的东西；结束时：胶囊已咽下，手部自然放下，嘴部表情轻松。 【视觉风格】 35mm Kodak Vision3 500T胶片质感，Greig Fraser掌镜，skip-bleach negative LUT，模拟胶片颗粒，anamorphic宽银幕镜头质感，真实摄影皮肤纹理。室内暖白与低饱和琥珀色灯光为主，巨大观景玻璃外越来越深的蓝绿色海水，冷色水光自然映入室内。画面整体偏暗但保留人物面部与餐桌细节。 【镜头】 极近特写，固定机位，手部与嘴部入画，景深浅，背景虚化；快切节奏，整体时长约2秒。 【声音】 无背景音乐，只保留人物对白、环境声和动作音效。<餐具轻微碰撞声><胶囊与手指接触声><吞咽声><海水与潜艇外壳低频环境声>。 No BGM

【素材职责】 【人物】用于李总角色的五官、发型和服装，不采用图片背景。用于涵涵角色的五官、发型和服装，不采用图片背景。 各人物的外貌、服装、动作、站位和台词不互相交换。 【道具】用于蓝色金属胶囊的外形、材质和幽蓝色微光，不采用图片背景。 【动作与声音】用于画面质感与色彩参考，不采用其中的人物与场景内容。 【正文】 李总角色与涵涵角色站在深海潜艇餐厅内，李总角色轻松吞下蓝色金属胶囊。 阶段1——开始时：近景，固定机位，李总角色在画面左侧，涵涵角色在画面右侧，两人并排站立，餐厅暖白与低饱和琥珀色光线；李总角色神态轻松，随意拿起蓝色金属胶囊先随意看一眼；主要事件：李总角色自然将蓝色金属胶囊放入口中咽下（无咀嚼动作，直接含入口中吞咽），咽下之后李总角色下意识侧头看了一眼旁边的涵涵角色，神态仍然轻松，没有明显异常；涵涵角色站在旁边，神情自然；结束时：李总角色咽下后侧头看涵涵角色，神态轻松。 【视觉风格】 35mm Kodak Vision3 500T胶片质感，Greig Fraser掌镜，skip-bleach negative LUT，模拟胶片颗粒，anamorphic宽银幕镜头质感，真实摄影皮肤纹理。室内暖白与低饱和琥珀色灯光为主，巨大观景玻璃外越来越深的蓝绿色海水，冷色水光自然映入室内。画面整体偏暗但保留人物面部与餐桌细节。 【镜头】 近景，固定机位，李总在左涵涵在右，构图对称；快切节奏，整体时长约2秒。 【声音】 无背景音乐，只保留人物对白、环境声和动作音效。<餐具轻微碰撞声><胶囊与手指接触声><吞咽声><海水与潜艇外壳低频环境声><餐厅环境声>。 No BGM

视频截图

是前一分镜结尾的参考视频，本分镜从它的尾帧继续制作。 第一个画面直接承接的尾帧：保持主体姿态与朝向、道具位置、背景与空间关系、机位与构图、光线、声音状态和运动趋势连续。 本分镜全程保持人物身份与服装、关键道具、背景布局、摄影轴线和原有声音环境连续；同一主体始终保持为同一个连续对象，不重复、不分裂，人物外形或物体部件数量保持稳定。 不重演、不复刻中已发生的动作与运镜。 其他参考素材只提供外观与身份，不改变起始画面：起始画面由的尾帧唯一决定。 【素材职责】 【人物】用于男孩角色的五官、发型和服装，不采用图片背景。用于丈夫角色的五官、发型和服装，不采用图片背景。用于妻子角色的五官、发型和服装，不采用图片背景。 各人物的外貌、服装、动作、站位和台词不互相交换。 【动作与声音】用于画面质感与色彩参考，不采用其中的人物与场景内容。 【正文】 男孩角色在靠近观景玻璃处喝完水后，夸张张嘴伸舌向丈夫角色证明已吞下，丈夫角色满意地拍了拍男孩角色的头，随后与妻子角色一起离开画面。 阶段1——承接上一阶段：特写男孩角色脸部，男孩角色喝完水后，明显带着一点调皮报复的意味，突然夸张地张大嘴巴，伸出舌头，像是在向丈夫角色证明他真的吞下去了，眼神得意；丈夫角色看到这一幕，脸上立刻露出满意又宠溺的笑容，嘴角上扬；主要事件：丈夫角色轻轻拍了拍男孩角色的头，说：{"这才乖嘛。"}，语气温柔宠溺；妻子角色依旧站在丈夫角色旁边欣慰地笑着看着男孩角色；男孩角色表面上一副得意又顽皮的样子，但眼神里已经开始有微妙的隐藏，眼珠轻微转动；结束时：丈夫角色拍完头，男孩角色得意顽皮，妻子角色欣慰笑。 阶段2——承接上一阶段：镜头稍拉出，丈夫角色自然起身，转过身与妻子角色轻松地开始交谈；主要事件：丈夫角色与妻子角色一起缓缓从画面侧面离开，镜头稍停留，让空间真正安静下来；结束时：丈夫角色与妻子角色已离开画面，画面内只剩男孩角色，空间安静。 保持人物身份、数量、服装、道具归属、空间方向和声音关系稳定。 【视觉风格】 35mm Kodak Vision3 500T胶片质感，Greig Fraser掌镜，skip-bleach negative LUT，模拟胶片颗粒，anamorphic宽银幕镜头质感，真实摄影皮肤纹理。室内暖白与低饱和琥珀色灯光为主，巨大观景玻璃外越来越深的蓝绿色海水，冷色水光自然映入室内。画面整体偏暗但保留人物面部与餐桌细节。 【声音】 无背景音乐，只保留人物对白、环境声和动作音效。<人物呼吸声><海水与潜艇外壳低频环境声>。 No BGM

【素材职责】 【人物】用于丈夫角色的五官、发型和服装，不采用图片背景。用于妻子角色的五官、发型和服装，不采用图片背景。用于男孩角色的五官、发型和服装，不采用图片背景。 各人物的外貌、服装、动作、站位和台词不互相交换。 【道具】用于蓝色金属胶囊的外形、材质和幽蓝色微光，不采用图片背景。 【动作与声音】用于画面质感与色彩参考，不采用其中的人物与场景内容。 【正文】 丈夫角色与妻子角色在深海潜艇餐厅内，丈夫角色平静吞下蓝色金属胶囊，男孩角色在背景处趴着观景玻璃。 阶段1——开始时：近景，固定机位，丈夫角色居中，妻子角色在侧，背景虚化处男孩角色趴在观景玻璃上好奇看玻璃外风景；餐厅暖白与低饱和琥珀色光线，观景玻璃外蓝绿色海水冷光映入；丈夫角色神态平静从容，拿起蓝色金属胶囊自然放入口中咽下（无咀嚼动作，直接含入口中吞咽），没有犹豫；主要事件：丈夫角色咽下后轻轻皱了一下眉，眉心微收，但很快恢复平静，视线自然转向旁边的妻子角色；结束时：丈夫角色视线转向妻子角色，表情平静，背景男孩角色仍趴在窗边。 【视觉风格】 35mm Kodak Vision3 500T胶片质感，Greig Fraser掌镜，skip-bleach negative LUT，模拟胶片颗粒，anamorphic宽银幕镜头质感，真实摄影皮肤纹理。室内暖白与低饱和琥珀色灯光为主，巨大观景玻璃外越来越深的蓝绿色海水，冷色水光自然映入室内。画面整体偏暗但保留人物面部与餐桌细节。 【镜头】 近景，固定机位，丈夫居中妻子在侧，背景虚化男孩趴窗；快切节奏，整体时长约2秒。 【声音】 无背景音乐，只保留人物对白、环境声和动作音效。<胶囊与手指接触声><吞咽声><海水与潜艇外壳低频环境声><餐厅环境声>。 No BGM

【素材职责】 【人物】用于谨慎男性角色的五官、发型和服装，不采用图片背景。用于服务员的服装与身体轮廓，不采用图片背景，不露脸，只呈现身体侧影与手臂。 各人物的外貌、服装、动作、站位和台词不互相交换。 【道具】用于蓝色金属胶囊的外形、材质和幽蓝色微光，不采用图片背景。 【动作与声音】用于画面质感与色彩参考，不采用其中的人物与场景内容。 【正文】 谨慎男性角色在深海潜艇餐厅内，以特写镜头缓慢而痛苦地吞下蓝色金属胶囊，随后接过服务员递来的水喝了一口。 阶段1——开始时：特写，固定机位，画面聚焦谨慎男性角色的脸部与喉咙区域，餐厅暖白与低饱和琥珀色光线；谨慎男性角色手持蓝色金属胶囊，神态明显比其他人更加谨慎，低头看了一眼胶囊，又仔细看向它散发出的幽蓝色微光，眼神警觉，眉头微蹙；主要事件：谨慎男性角色缓慢将蓝色金属胶囊放入口中（无咀嚼），停顿半拍，嘴唇微闭；结束时：胶囊已在口中，谨慎男性角色停顿，表情凝重。 阶段2——承接上一阶段：同一特写机位，谨慎男性角色胶囊在口中停顿后皱起眉头，用力吞咽（无咀嚼动作，直接含住吞咽），喉结明显上下移动；主要事件：吞下的一瞬间谨慎男性角色脸上的表情瞬间变得不舒服，眉头紧锁，嘴角微微下拉，像是喉咙里突然吞下了一块冰，全身轻微一紧，短暂闭了一下眼睛，然后缓慢睁开，仍然皱眉，明显感觉到寒意，但没有说话；结束时：谨慎男性角色眼睛重新睁开，仍皱眉，表情不舒服。 阶段3——承接上一阶段：镜头稍拉出至近景，谨慎男性角色仍皱眉；服务员的身体轮廓与手臂从画面边缘自然入画（不露脸，不成为视觉主体，只隐约可见身体侧影与手臂），迅速将一杯水递到谨慎男性角色手里；主要事件：谨慎男性角色看了一眼水杯，立刻接过来喝了一口，服务员完成动作后马上从画面边缘离开，不停留；谨慎男性角色继续保持刚才略微皱眉、不太舒服的神情，低头看了一眼杯中的水；结束时：谨慎男性角色低头看水杯，皱眉未消，服务员已离开画面。 保持人物身份、数量、服装、道具归属、空间方向和声音关系稳定。 【视觉风格】 35mm Kodak Vision3 500T胶片质感，Greig Fraser掌镜，skip-bleach negative LUT，模拟胶片颗粒，anamorphic宽银幕镜头质感，真实摄影皮肤纹理。室内暖白与低饱和琥珀色灯光为主，巨大观景玻璃外越来越深的蓝绿色海水，冷色水光自然映入室内。画面整体偏暗但保留人物面部与餐桌细节。 【镜头】 阶段1-2：特写，固定机位，聚焦脸部与喉咙，景深浅，背景虚化，节奏明显慢于前面快切段落；阶段3：稍拉出至近景，服务员从画面边缘短暂入画即离开。整体时长约5秒。 【声音】 无背景音乐，只保留人物对白、环境声和动作音效。<胶囊与手指接触声><吞咽声，喉部用力吞咽声><人物呼吸声><海水与潜艇外壳低频环境声><衣物摩擦声>。 No BGM

【素材职责】 【人物】用于男性宾客赵总的五官、发型和服装，不采用图片背景。用于男性宾客赵总的台词音色，只取音色，不采用其中的语句内容与背景声。用于着厨师服的男性厨师的五官、发型和服装，不采用图片背景。用于着厨师服的男性厨师的台词音色，只取音色，不采用其中的语句内容与背景声。用于短发女性宾客的五官、发型和服装，不采用图片背景。用于男性宾客（李总）的五官、发型和服装，不采用图片背景。用于男性宾客（丈夫）的五官、发型和服装，不采用图片背景。用于女性宾客（妻子）的五官、发型和服装，不采用图片背景。用于少年宾客（俊杰）的五官、发型和服装，不采用图片背景。 各人物的外貌、服装、动作、站位和台词不互相交换。 【道具】用于金属托盘与蓝色微光纳米胶囊的外观、材质与光效，不采用图片背景。 【场景】用于高级深海潜艇餐厅室内空间布局与光线，不采用图中人物。用于画面质感与色彩参考，不采用其中的人物与场景内容。 【正文】 男性宾客赵总、短发女性宾客、男性宾客李总、男性宾客丈夫、女性宾客妻子、少年宾客俊杰与着厨师服的男性厨师在高级深海潜艇餐厅包厢内，围绕纳米胶囊展开反应与对话。 开始时：男性宾客赵总近景，站在靠近巨大观景玻璃的位置，背景可见深蓝绿色海水从观景玻璃方向透入，与餐厅内暖橙色灯光形成冷暖对比，整体环境偏暗。赵总单手持酒杯，身体松弛，神情短暂认真一下后又恢复无所谓的轻松，嘴角微微带笑，朝厨师方向看去。厨师（画外音）说：{虽然感官体验会翻倍刺激，但有可能会影响你们的基因序列。}。赵总听到后轻轻挑了一下眉，眼神短暂凝住，随即恢复松弛，嘴角笑意不变，没有说话。景别：近景；机位：正面稍侧；运镜：静止切入。结束时：赵总近景，手持酒杯，嘴角带笑，轻挑眉后恢复松弛。 承接上一阶段：切至短发女性宾客与男性宾客李总特写，宾客已走到厨师面前，手指间轻轻转动一颗胶囊，仔细观察金属纹理与幽蓝色微光。宾客眼睛微微睁大，嘴唇轻抿，表情明显好奇，不是害怕，像在研究新奇科技设备。李总在画面边缘，视线落在胶囊上，神态轻松带纵容兴趣。厨师（画外音）说：{但完全不用担心……这颗纳米同位素胶囊，会持续分泌同位素……像船锚一样，死死锁住我们的人类基因组。}。宾客继续翻看胶囊，没有打断厨师。景别：特写（手与脸交替）；机位：稍侧；运镜：静止微推。结束时：宾客特写，手持胶囊，眼神好奇专注，胶囊蓝色微光映在手指上。 承接上一阶段：切至近景同框男性宾客丈夫、女性宾客妻子、少年宾客俊杰。丈夫坐在俊杰旁边，神情从轻松变得认真，眉头微收，但姿态依然从容；妻子坐在俊杰另一边，眉眼间带一丝轻微不安，目光谨慎地看向厨师方向；俊杰看看父母，再看看远处胶囊方向，眼神带孩子特有的好奇。三人都不说话。景别：近景；机位：正面；运镜：静止切入。结束时：三人近景，各自表情定格——丈夫认真从容，妻子轻微不安，俊杰好奇。 承接上一阶段：切至男性宾客赵总近景，仍站在观景玻璃旁，位置不变。赵总低头看了看手里的酒杯，再抬眼看向厨师胶囊方向，脸上出现大大咧咧带调侃意味的笑容。赵总说：{这玩意儿也不像能消化的样子啊，难不成吃完东西我还得给它吐出来？}。说完后赵总自己先轻轻笑了一下，明显把问题当玩笑。镜头中只出现赵总，不新增其他人物。景别：近景；机位：正面稍侧；运镜：静止切入。结束时：赵总近景，嘴角带笑，轻笑后神态松弛。 承接上一阶段：切至着厨师服的男性厨师近景，嘴角带轻微笑意，眼神有一点耐心无奈，姿态礼貌克制。厨师说：{赵总您放心，这颗胶囊过了12小时会自动失效、随后在几天内随着您排便时排出。}。说到"12小时"时，厨师自然抬起手中胶囊，略作强调。厨师继续说：{而且还是环保材料。}。说完后厨师露出非常克制的礼貌微笑。景别：近景；机位：正面；运镜：静止切入。结束时：厨师近景，克制礼貌微笑，手持胶囊略抬。 承接上一阶段：切至男性宾客赵总近景，仍站在靠观景玻璃的位置，背景可见深蓝绿色海水隐约流动。赵总明显放松，脸上出现轻松笑容，稍微晃了一下手里的酒杯，看向厨师方向说：{那就好，主要是能为地球环保做出一份贡献。}。说完后赵总自己轻笑一下，带着明显调侃意味。镜头保持在赵总这副毫不在意的轻松神态上停留，背景深蓝绿色海水隐约可见。景别：近景；机位：正面稍侧；运镜：静止切入后保持。结束时：赵总近景，轻笑，神态毫不在意，背景深蓝绿色海水隐约可见。 保持人物身份、数量、服装、道具归属、空间方向和声音关系稳定。 【视觉风格】 35mm Kodak Vision3 500T胶片质感，Greig Fraser掌镜，电影《The Menu》室内光美学，skip-bleach negative LUT，模拟胶片颗粒，anamorphic宽银幕镜头质感，真实摄影皮肤纹理。 【声音】 无背景音乐，只保留人物对白、环境声和动作音效。 <餐具轻微碰撞声> <鞋底踩地声> <衣物摩擦声> <潜艇内部持续的低频机械嗡鸣声> <深海水流低频声> <餐厅环境低声交谈声> 主厨说话时所有切镜头都保持主厨声音连续，不因为切换人物视角而重新开始台词。 No BGM

【素材职责】 【人物】用于着厨师服的男性厨师的五官、发型和服装，不采用图片背景。用于着厨师服的男性厨师的台词音色，只取音色，不采用其中的语句内容与背景声。用于短发女性宾客的五官、发型和服装，不采用图片背景。用于男性宾客（李总）的五官、发型和服装，不采用图片背景。用于男性宾客（小林）的五官、发型和服装，不采用图片背景。 各人物的外貌、服装、动作、站位和台词不互相交换。 【道具】用于金属托盘与8颗蓝色微光纳米胶囊的外观、材质与光效，不采用图片背景。 【场景】用于高级深海潜艇餐厅室内空间布局与光线，不采用图中人物。用于画面质感与色彩参考，不采用其中的人物与场景内容。 【正文】 着厨师服的男性厨师与短发女性宾客、男性宾客李总、男性宾客小林在高级深海潜艇餐厅包厢内，围绕托盘上的蓝色微光纳米胶囊展开第一轮交流。 开始时：超特写镜头对准金属托盘与8颗蓝色微光胶囊，手持摄影轻微抖动跟随，着厨师服的男性厨师手腕与白色袖口入画，不露脸。厨师手持托盘稳步向前走动，胶囊因惯性轻微晃动，蓝色幽冷微光映在金属托盘表面。餐厅内暖橙色灯光与来自观景玻璃方向的深蓝绿色冷光形成冷暖对比，整体环境偏暗。景别：超特写；机位：低角度贴近托盘；运镜：手持跟随，轻微晃动。结束时：托盘与8颗蓝色微光胶囊占满画面，蓝色微光清晰可见。 承接上一阶段：镜头从托盘超特写缓慢拉远（推出：焦距拉长，画面从托盘特写逐渐扩展至人物近景），着厨师服的男性厨师全身逐渐入画至近景，站在包厢边缘。厨师神态轻松，嘴角带职业性浅笑，目光微微看向画面外众人，托盘与8颗蓝色胶囊始终在身体前方清晰可见。厨师暂时没有说话。景别：由超特写拉至近景；机位：正面稍低；运镜：缓慢推出。结束时：厨师近景站立，托盘在前，目光朝向画外众人。 承接上一阶段：切至短发女性宾客与男性宾客李总近景，两人相邻站立，宾客在前，李总在旁。宾客眉头轻轻皱起，眼神带好奇疑惑，身体微微前倾走近几步，视线落向厨师托盘方向。李总先看宾客，再看胶囊方向，嘴角带轻松旁观兴趣。宾客看向厨师方向说：{这是啥呀？饭前开胃药？}。说完后宾客眼神仍然盯着托盘方向，没有走开。景别：近景；机位：正面稍侧；运镜：静止切入。结束时：宾客近景，眉头微皱，盯向托盘，李总在旁轻松旁观。 承接上一阶段：切回着厨师服的男性厨师近景，嘴角原有的职业微笑逐渐收敛，眉眼略微收紧变得严肃，但姿态依然礼貌克制。厨师低头看了一眼托盘中的胶囊，再缓慢抬眼看向画面外的宾客与众客人方向，平静说：{这是文明的锚点。}。说完后，厨师从托盘中自然地拿起一颗胶囊，动作稳定专业，不像展示商品，像在解释一种重要的专业设备。景别：近景；机位：正面；运镜：静止切入。结束时：厨师近景，单手持胶囊，神情略微严肃而礼貌。 承接上一阶段：切至超特写厨师手指稳定捏住单颗胶囊，胶囊被缓慢抬至视线高度。胶囊表面散发幽蓝色冷光，微弱光线映在厨师手指皮肤与白色袖口上。厨师（画外音）说：{各位一会儿即将吞下的，是活着的史前霸主DNA。}。镜头在胶囊特写上停留，充分展示其精密金属纹理与蓝色冷光。景别：超特写；机位：平视手部；运镜：静止微推。结束时：胶囊特写，蓝色微光清晰可见，厨师袖口在背景中模糊。 承接上一阶段：切至男性宾客小林近景偏特写，背景为餐厅暗角，暖橙色灯光从侧方打来。小林神态从平静突然转变，眉头轻轻皱起，眼神迅速移向厨师胶囊方向，表情不是恐惧，是意识到异常的认真警觉，嘴唇紧闭，视线收紧专注。厨师（画外音）说：{它们极具侵略性以及不稳定……}。小林保持安静，只通过眼神与轻微皱眉表现反应。景别：近景偏特写；机位：正面稍侧；运镜：静止切入。结束时：小林近景，眉头微皱，眼神警觉，盯向画面外胶囊方向。 保持人物身份、数量、服装、道具归属、空间方向和声音关系稳定。 【视觉风格】 35mm Kodak Vision3 500T胶片质感，Greig Fraser掌镜，电影《The Menu》室内光美学，skip-bleach negative LUT，模拟胶片颗粒，anamorphic宽银幕镜头质感，真实摄影皮肤纹理。 【声音】 无背景音乐，只保留人物对白、环境声和动作音效。 <托盘轻微碰撞声> <8颗胶囊在金属托盘上的轻微金属碰撞声> <鞋底踩地声> <衣物摩擦声> <潜艇内部持续的低频机械嗡鸣声> <深海水流低频声> <餐厅环境低声交谈声> 主厨说话时所有切镜头都保持主厨声音连续，不因为切换人物视角而重新开始台词。 No BGM

【素材职责】 【人物】用于站在餐厅角落的男性主厨的五官、发型和服装，不采用图片背景。用于专业服务员甲的五官、服装，不采用图片背景。用于专业服务员乙的五官、服装，不采用图片背景。用于大大咧咧富豪男性的五官、发型和服装，不采用图片背景。 各人物的外貌、服装、动作、站位和台词不互相交换。 【场景】用于高级深海潜艇餐厅内部的空间布局、餐桌陈设、暖橙色暖白色灯光与观景玻璃外冷蓝绿深海背景，不采用图中人物。 【视觉风格参考】用于画面质感与色彩参考，不采用其中的人物与场景内容。 【正文】 场景一：高级深海潜艇餐厅内部，服务员上菜、主厨观察，随后富豪男性进食并出现短暂停顿。 场景1｜高级深海潜艇餐厅内部·上菜段｜0-4秒 使用：、、、、 开始时：所有宾客已坐在高级餐桌前，空间关系稳定，暖橙色与暖白色室内灯光照亮人物与餐桌，巨大观景玻璃外是冷蓝绿色深海。镜头为中景，手持摄影机轻微呼吸感。 主要事件：服务员甲与服务员乙从画面侧面自然进入，依次将刺身料理放置餐桌，动作专业安静熟练，不作为画面焦点，只是餐厅正常运转的一部分。餐盘中刺身切得极薄，形态不规则、细腻、半透明，表面湿润，有极轻微黏液光泽，呈高端但陌生的海鲜组织质感。镜头轻微平移至餐厅一侧角落，主厨站在角落，不靠近餐桌，脸上带着满意从容的浅笑，目光落在众人身上，安静观察，像在欣赏自己精心准备的料理终于被品尝。 结束时：服务员离开，主厨满意的职业性微笑定格。 场景2｜高级深海潜艇餐厅内部·赵总进食段｜4-6秒 使用：、 承接上一阶段，切至近景，富豪男性坐于餐桌前，姿态大大咧咧。 主要事件：富豪男性拿起叉子，没有过多研究食物，直接叉起一片刺身送入口中。咀嚼动作豪放，眼睛微微眯起，嘴角带着满意的笑，神情非常享受，表现出「好吃就直接吃」的性格。随后吞咽，神情出现一瞬间轻微停顿，眼神短暂空白。 结束时：富豪男性神情轻微停顿定格，眼神短暂空白。 保持人物身份、数量、服装、道具归属、空间方向和声音关系稳定。 【视觉风格】 35mm Kodak Vision3 500T胶片质感，Greig Fraser掌镜，skip-bleach negative LUT，模拟胶片颗粒，anamorphic宽银幕镜头质感，真实摄影皮肤纹理，手持摄像头呼吸感；餐厅段暖橙色与暖白色室内灯光，深海段冷蓝绿色调，低饱和高级电影质感。 【声音】 无背景音乐，只保留人物对白、环境声和动作音效。 <高级餐厅环境底噪> <衣物轻微摩擦声> <餐具与瓷盘轻微碰撞声> <叉子切入食物声> <咀嚼声> <吞咽声> No BGM

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Greig Fraser掌镜,电影《The Abyss》深海摄影美学,skip-bleach negative LUT,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影生物与金属表面纹理。 深海潜艇外景+巨型史前乌贼+次声波袭击段落,4:3画幅。整体基调为史诗、压迫、诡异、极度安静后的突然异常。深海整体采用深蓝、蓝绿色与接近黑色的冷色调，潜艇只保留少量克制的暖黄色与暖白色灯光。巨型乌贼必须拥有无法估量的巨大尺度，但不做夸张怪兽片式的快速攻击，通过静止、缓慢转动视线、海水与环境的物理震动来制造恐怖。 音轨规则：深海低频环境声、潜艇缓慢推进的机械低鸣、水流缓慢掠过潜艇外壳的声音、极轻微气泡声、远处海水流动声。巨型乌贼出现时环境声音进一步降低。次声波开始后不出现普通爆炸式音效，而是极低频闷响、金属共振、水体震动、海底沙石震动和大量气泡产生的声音。不出现BGM音乐，不出现怪兽吼叫。 {{Mixed 3}} 作为潜艇的视觉锚定。 {{Mixed 2}} 禁止直接挪用，作为巨型乌贼和剧情全景的视觉锚定。 {{Mixed 1}} 作为整段画面色卡锚定，深海区域以深蓝、蓝绿色和接近黑色的冷色为主，潜艇只保留少量克制的暖黄色灯光。 视频开始。 第一个镜头：潜艇外景，中远景。 镜头位于潜艇前方偏侧的深海位置，固定机位。 潜艇正在深海中缓慢向前游动，艇身沉重、稳定，没有快速推进感。潜艇外壳只有少量克制的暖黄色与暖白色灯光，在周围深蓝黑色海水中显得非常微弱。 周围海水几乎没有其他明显生命迹象，只有少量细小悬浮颗粒随着水流缓慢移动。 镜头保持稳定，让潜艇显得像一个庞大但依然渺小的人造物，周围的深海空间远比它更加巨大。 切镜头。 第二个镜头：巨型乌贼眼睛特写。 极近特写。 画面从深海黑暗中逐渐出现史前巨型乌贼的一只眼睛。 眼睛本身要保持真实生物质感，不要卡通化，不要发光。 这一次它的眼睛完全睁开。 眼球巨大，但不是夸张到占满整个画面的“怪兽眼球”，而是因为摄影机距离很近，所以呈现强烈压迫感。 瞳孔为极其明显的横向狭长形态，深黑、锐利、冷静。 它没有愤怒表情。 没有张大眼睛吓人。 只是平静地看着某个方向。 停顿一瞬。 随后眼球与瞳孔极其缓慢地转动。 它正在看向潜艇。 保持短暂停顿。 切镜头。 第三个镜头：巨物与潜艇，全景。 切到极远的深海大全景。 镜头固定，随后极其缓慢地向后拉远。 随着画面拉开，巨型史前乌贼的身体逐渐完整出现在空间里。 它巨大到像一座活着的深海山体，大量粗壮触手向周围延伸，其中部分触手甚至消失在画面边缘，无法看到完整长度。 乌贼被粗重的金属束缚结构固定在深海区域，部分巨大触手被链条和固定装置限制住。 潜艇此时正在远处缓慢游来。 两者之间形成极端尺度差。 潜艇的灯光非常微弱，在巨型乌贼庞大的身体面前几乎像几个微小的光点。 乌贼没有攻击。 没有快速移动。 只是安静地观察。 镜头继续缓慢拉远，让观众逐渐意识到前面的触手、眼睛其实只属于这个巨大生命体的一小部分。 切镜头。 第四个镜头：次声波袭击。 保持深海大全景，不切到其他空间。 巨型乌贼依然几乎没有明显动作。 随后，次声波袭击开始。 因为次声波本身不可见，所以通过环境的物理反馈体现。 首先，乌贼周围的海水出现非常细微的不自然震荡。 紧接着海底沉积物开始震动。 大量细小沙石从海底缓慢浮起。 附近岩石缝隙中开始不断冒出细小气泡。 然后气泡数量迅速增加，大量气泡从海底与乌贼身体周围向上升起。 潜艇外壳开始产生非常轻微而持续的震动。 潜艇周围的水流突然变得异常紊乱，原本缓慢流动的海水出现不规则波动。 镜头本身产生轻微震动，像摄影机被某种无法看到的低频力量影响。 潜艇灯光发生极其轻微的抖动，但不要闪烁得像故障。 远处少量小鱼突然快速散开。 巨型乌贼依旧平静。 它甚至没有张开触手。 这种“生物本身几乎没有动作，而整个深海环境开始失控”的反差必须成为这一镜头最大的恐怖来源。 最后保持几秒钟。 潜艇依然非常小。 巨型乌贼依然极其巨大。 深海几乎完全被黑暗吞没。 切黑。 整段要求： 潜艇必须严格按照@潜艇参考图的结构与外观生成； 巨型乌贼必须严格按照@史前巨型乌贼参考图保持一致； 潜艇移动缓慢、沉重、真实； 巨型乌贼几乎不主动移动，只通过眼睛转动和次声波造成环境变化； 不要设计明显的能量波、冲击波、声波可视化特效； 次声波只能通过海水、沙石、气泡、鱼群、潜艇外壳和摄影机震动表现； 整体节奏前慢后紧，但不使用快速怪兽动作； 最后保持巨物与潜艇的尺度关系，让观众真正感受到人造潜艇在远古生命面前的渺小。

【素材职责】 【人物】用于大大咧咧富豪男性的五官、发型和服装，不采用图片背景。用于从容优雅男性的五官、发型和服装，不采用图片背景。用于优雅好奇女性的五官、发型和服装，不采用图片背景。用于谨慎警觉男性的五官、发型和服装，不采用图片背景。用于稳重中年男性的五官、发型和服装，不采用图片背景。用于温柔女性的五官、发型和服装，不采用图片背景。用于贪吃活泼男孩的五官、发型和服装，不采用图片背景。 各人物的外貌、服装、动作、站位和台词不互相交换。 【视觉风格参考】用于画面质感与色彩参考，不采用其中的人物与场景内容。 【正文】 高级深海潜艇餐厅内，众人依次进食：富豪男性陶醉回神，从容优雅男性品味，优雅好奇女性享用，谨慎男性警觉进食，夫妻自然互动，男孩贪婪大口吃，温柔女性提醒男孩放慢。 场景1｜高级深海潜艇餐厅内部·富豪男性回神｜0-3秒 使用：、 开始时：富豪男性特写，坐于餐桌前，手握刀叉，嘴里缓慢咀嚼，暖橙色室内灯光。 主要事件：富豪男性缓慢咀嚼，眼神空灵地望向前方，双眼深处出现一层极其微弱的冷蓝色微光，只存在于瞳孔和眼球反光之中，不像LED发光，而是一种深邃的内在残影。神情极度沉浸、满足、近乎陶醉，仿佛刚才的感官体验仍然残留在脑海。 结束时：富豪男性嘴角轻微上扬，陶醉定格。 场景2｜高级深海潜艇餐厅内部·从容优雅男性进食｜3-6秒 使用：、 承接上一阶段，切至近景，从容优雅男性坐于餐桌，暖橙色室内灯光。 主要事件：从容优雅男性拿起一片刺身，先稍微观察一下，再自然地放入口中，动作优雅克制，咀嚼速度不快。吃下后眉头微微舒展，露出明显满意但不夸张的表情，像是在认真品味食物。 结束时：从容优雅男性满意品味表情定格。 场景3｜高级深海潜艇餐厅内部·优雅好奇女性进食｜6-8秒 使用：、 承接上一阶段，切至近景，优雅好奇女性坐于餐桌旁，暖橙色室内灯光。 主要事件：优雅好奇女性拿起刺身时神态带着好奇与期待，用优雅的动作将刺身送入口中。咀嚼后眼睛稍微亮了一些，嘴角出现一个满足的小笑容，神情只是觉得这道料理真的很好吃，没有任何危险感。 结束时：优雅好奇女性满足小笑容定格。 场景4｜高级深海潜艇餐厅内部·谨慎男性进食｜8-11秒 使用：、 承接上一阶段，切至中近景，谨慎警觉男性坐于餐桌，暖橙色室内灯光。 主要事件：谨慎警觉男性先低头观察餐盘中的刺身，再拿起叉子夹起很小的一片，带着一点谨慎把食物放入口中，动作明显更加小心。咀嚼后神情短暂放松，但目光仍然保持警觉，随后下意识扫视周围的人。发现其他人都没有出现异常，于是继续正常进食。 结束时：谨慎警觉男性确认无异常，继续进食。 场景5｜高级深海潜艇餐厅内部·夫妻进食｜11-14秒 使用：、、 承接上一阶段，切至中近景，稳重男性与温柔女性相邻坐于餐桌，暖橙色室内灯光。 主要事件：稳重男性自然拿起刺身，动作稳重克制，吃下后露出满意神态。温柔女性随后优雅地吃下一口，表情温和，眼神观察了一下身边稳重男性，看到对方正常后也露出轻松笑意。两人保持自然的夫妻互动。 结束时：稳重男性与温柔女性自然互动，轻松笑意定格。 场景6｜高级深海潜艇餐厅内部·男孩进食｜14-24秒 使用：、、 承接上一阶段，切至近景，贪吃活泼男孩坐于父母旁边，暖橙色室内灯光。 主要事件：贪吃活泼男孩盯着眼前制作精致的刺身，眼睛里充满孩子式的期待和贪馋。拿起叉子，把刺身轻轻蘸进山葵和酱油调料中，迫不及待地把第一口送进嘴里。吃下第一口后表情明显发生变化，眼睛明显亮起来，脸上露出真正开心的笑容。立刻又叉起第二块，然后第三块，从小口尝试迅速变成孩子式的大口朵颐，嘴角沾上一点食物的汁液，完全没有在意。 切镜至温柔女性，她先无奈地笑了一下，随后温柔提醒：温柔女性说：{吃慢点，俊杰，别呛着了。} 切回贪吃活泼男孩，他完全沉浸在美味里，只是含糊地点了一下头，然后继续吃。此时男孩没有任何异变，没有任何恐怖反应。 结束时：贪吃活泼男孩继续沉浸进食，嘴角带着满足笑容，温柔女性温柔注视。 保持人物身份、数量、服装、道具归属、空间方向和声音关系稳定。 【视觉风格】 35mm Kodak Vision3 500T胶片质感，Greig Fraser掌镜，skip-bleach negative LUT，模拟胶片颗粒，anamorphic宽银幕镜头质感，真实摄影皮肤纹理，手持摄像头呼吸感；餐厅段暖橙色与暖白色室内灯光，深海段冷蓝绿色调，低饱和高级电影质感。 【声音】 无背景音乐，只保留人物对白、环境声和动作音效。 <高级餐厅环境底噪> <餐具与瓷盘轻微碰撞声> <叉子切入食物声> <咀嚼声> <吞咽声> <红酒与玻璃杯轻碰声> No BGM

视频截图

【素材职责】 【视觉风格参考】用于画面质感与色彩参考，不采用其中的人物与场景内容。 【正文】 史前巨型乌贼的第一人称POV视角，在幽暗深邃的史前深海中高速追击并捕获一只巨大史前海洋动物，节奏极快。 开始时：第一人称POV镜头，位于史前巨型乌贼的视角，在极其幽暗深邃的史前深海中高速前进。整个海洋尺度极其巨大，水体幽暗，远古海洋植物和岩层从视野边缘高速掠过。前方出现一只体型同样巨大的史前海洋动物。 承接上一阶段，主要事件：POV视角加速逼近猎物，两个巨大生命体之间的力量博弈。巨大触手从第一人称视野边缘突然伸出，封锁逃跑路线。猎物猛烈转向，掀起大量海水和气泡。POV视角继续追击，快速逼近。结束时：触手开始缠绕猎物。 承接上一阶段，主要事件：快速切换第一人称感官画面——巨大猎物身体擦过镜头、触手猛然缠绕、水体剧烈翻涌、猎物拼命挣扎、乌贼触手收紧。最后一个瞬间，乌贼成功捕获猎物。重点表现巨大体型、力量、速度、压迫和捕食者的本能快感，不出现血腥肢解画面。结束时：捕获完成，画面定格于捕获瞬间，深海幽暗静止。 【视觉风格】 35mm Kodak Vision3 500T胶片质感，Greig Fraser掌镜，skip-bleach negative LUT，模拟胶片颗粒，anamorphic宽银幕镜头质感，真实摄影皮肤纹理，手持摄像头呼吸感；餐厅段暖橙色与暖白色室内灯光，深海段冷蓝绿色调，低饱和高级电影质感。 【镜头】 第一人称POV，极速前进，极快节奏剪切，完全区别于餐厅段的稳定镜头；镜头随乌贼运动剧烈抖动，视野边缘高速掠过远古植物岩层；追击阶段快速逼近；捕获阶段快速切换多个感官画面。 【声音】 无背景音乐，只保留人物对白、环境声和动作音效。 <低沉海水流动声> <巨大生物移动声> <远古海洋环境声> <剧烈追捕时沉闷水流冲击声> <水体翻涌声> <气泡声> No BGM

【prompt】 A character design reference sheet. **Vertical 9:16 aspect ratio. Maximum resolution output.** Pure solid neutral light-warm-grey studio backdrop. Single-sided side-rim backlighting from camera-right at 45 degrees behind the subject, no fill light, no front light, no other light sources—dramatic cinematic studio lookbook lighting. 【Layout】 **2x2 grid with unequal panel heights**: * Top row: two smaller panels (each approximately 1/3 of total canvas height) — head/face close-ups * Bottom row: two larger panels (each approximately 2/3 of total canvas height) — full body shots * Thin neutral light-grey dividing lines between all four panels * All four panels share the same solid backdrop and same lighting setup 【4 Panels】 **Top-left panel — FRONT FACE CLOSE-UP**: Tight close-up of the character's face, framed from approximately collarbone-line up to top of head. Subject facing camera directly. Side-rim backlight catches the right edge of the face/hair (camera's left side of frame), leaving the left side of the face in deeper shadow with subtle ambient bounce. Both eyes intact and visible, gaze toward camera. Face fully visible. **Top-right panel — SIDE FACE CLOSE-UP (PROFILE)**: Tight close-up of the character's face in pure side profile, framed from collarbone-line up to top of head. Subject facing camera-right (so the right side of his face faces camera-right and the LEFT side of his face faces camera). Side-rim backlight catches the back of the head and silhouettes the profile against the backdrop. Face fully visible. **Bottom-left panel — FULL BODY FROM NECK DOWN, FRONT VIEW (NO FACE)**: Full body shot from collarbone-line down to feet, facing camera directly. **The face/head is intentionally cropped out of frame at the top of this panel—only the neck, shoulders, torso, arms, hips, legs, and feet are visible.** This panel is dedicated to body proportions and costume, —zero face involvement so this panel survives any future face replacement edit. Side-rim backlight catches the right shoulder and right side of body. all front-side accessories visible. **Bottom-right panel — FULL BODY BACK VIEW (INCLUDING BACK OF HEAD)**: Full body shot from head to feet, facing directly away from camera (back of subject toward camera). **Includes back of head.**Side-rim backlight catches right shoulder silhouette from this back angle. 【Subject — same character across all 4 panels】 A wealthy older contemporary Chinese man from an established upper-class background, accustomed to luxury, private clubs, expensive restaurants and discreet relationships. He is financially powerful, socially experienced and emotionally controlled. He has the polished appearance of a man who has spent decades around wealth and influence. His presence is sophisticated and calm, but carries a subtle sense of possession and authority. **Character Core**: Approximately 58–68 years old. **Around 172–178 cm tall, substantial mature build with broad shoulders, thick torso, slightly heavy waist and naturally solid limbs.** He is not obese, but clearly carries the physical comfort of a wealthy older man. Mild signs of age around the neck and face. Upright posture, controlled movement and quiet authority. **ETHNICITY — CRITICAL**: East Asian Chinese male with authentic mature Chinese facial structure and realistic aging. Specific features: * **Cheekbones** — broad but softly defined, natural mature facial planes * **Eyes** — narrow almond-shaped East Asian eyes with subtle double eyelids, deep-set and observant, calm but slightly intimidating, NOT round eyes * **Pupil color** — dark warm brown, NOT blue, NOT green * **Hair** — dark black with substantial natural silver-gray strands, neatly groomed, NOT blonde, NOT red, NOT light brown * **Skin tone** — healthy light-to-medium Chinese complexion with a warm-neutral undertone, realistic mature skin texture, visible pores and fine lines, NOT artificially smooth * **Jawline** — broad masculine jawline softened naturally by age and facial fullness * **Nose bridge** — prominent straight Chinese East Asian nose bridge with mature masculine proportions * **Eyebrows** — dense dark-gray eyebrows, naturally thick and mostly straight Additional facial details: slightly hooded eyes, forehead lines, subtle crow's feet, nasolabial folds, mature cheeks, controlled lips and a faintly knowing expression. He should look experienced, intelligent and difficult to read. No glasses. **Hair**: Dark hair mixed with natural silver-gray, short and impeccably maintained, classic conservative side part, controlled volume and clean edges. Expensive professional grooming without appearing fashionable for its own sake. **Upper body**: Luxurious old-money leisure tailoring: bespoke dark navy or charcoal sport coat, premium cashmere or fine wool shirt, soft ivory dress shirt or understated luxury knit underneath. No tie. Relaxed collar, perfectly fitted but comfortable. Fabrics should communicate exceptional quality through drape and texture rather than logos. Optional subtle pocket square or leather detail, but keep accessories restrained. No flashy jewelry. **Lower body**: Premium tailored trousers in charcoal, dark taupe or navy, relaxed but precise fit. Expensive dark-brown or black leather loafers or understated dress shoes. A refined luxury mechanical wristwatch may be worn, discreet rather than flashy. 【Color Palette】 Quiet old-money palette of charcoal, deep navy, dark brown, ivory, taupe and natural warm skin tones, with no more than four dominant colors. Materials should feel expensive, mature and timeless. No bright colors, visible logos or flashy luxury branding. 【Pose - same across all 4 panels】 Default standing pose, upright and relaxed, shoulders naturally lowered, spine straight, weight comfortably distributed with a subtle shift toward one leg. Both arms hang naturally at the sides with relaxed hands. **Expression: a faint controlled smile, almost knowing, calm and self-assured.** Body language should communicate wealth, experience, authority and quiet possessiveness without exaggerated villainy. 【Critical consistency】 SAME individual character in all 4 panels—identical face structure, identical hair, identical clothing items in identical positions. Same studio backdrop, same single-sided side-rim backlighting setup across all 4 panels. 【Lighting - critical】 **Single-sided side-rim backlighting from camera-right at 45-degrees behind subject. NO fill light. NO front light. NO ambient. NO other light sources.** Strong dramatic edge-light catches the right side of subject silhouette in every panel, leaving the left side of subject in deep falloff shadow with subtle ambient bounce. Cinematic high-end fashion-lookbook studio photography (Peter Lindbergh / Annie Leibovitz portrait style with single rim source). Background remains evenly lit solid neutral light-warm-grey backdrop. 【Style】 Hyperrealistic photographic character design rendering—shot like a high-end practical costume photographed in a film production studio for a cinematic lookbook reference board. NOT illustration, NOT obvious 3D CGI render. Contemporary Chinese cinematic realism with understated old-money luxury and mature elite-business atmosphere. **East Asian Chinese male reference**: * **Parasite — Park Dong-ik** — polished upper-class appearance, controlled manners, restrained expression and understated wealth * **Succession — Logan Roy** — mature authority, physical weight, social power and emotionally controlled presence * **The Talented Mr. Ripley** — timeless old-money wardrobe, understated luxury and sophisticated leisurewear Light Kodak Vision3 35mm film grain texture overlay. 【Quality】 Maximum resolution output. 8k ultra clean rendering. Sharp clean edges.Real physical costume cinematic photography aesthetic. 【Panel Labels】 Small clean monospace sans-serif black text below each panel: * Top-left: "FRONT FACE" * Top-right: "SIDE FACE" * Bottom-left: "BODY FRONT (NO FACE)" * Bottom-right: "BACK" 【Constraints】 **Aesthetic**: NOT obvious CGI 3D render, NOT cartoon illustrated, NOT anime style, NOT colorful saturated palette. **Layout & lighting**: NOT 1:1 square aspect (must be vertical 9:16), NOT equal-sized 4 panels (top row smaller, bottom row larger), NOT face visible in bottom-left "BODY FRONT (NO FACE)" panel (face strictly cropped out at top of panel), NOT face obscured or covered in face close-up panels (face fully visible), NOT flashy jewelry, NOT streetwear, NOT youthful styling, NOT stereotypical gangster appearance, NOT visible luxury logos, NOT colorful background (solid neutral light-warm-grey only), NOT soft even neutral lighting (must be single-side rim backlight only), NOT front light, NOT fill light, NOT any text other than i gave you.

内容不变，变成横板

【prompt】 A character design reference sheet. **Vertical 9:16 aspect ratio. Maximum resolution output.** Pure solid neutral light-warm-grey studio backdrop. Single-sided side-rim backlighting from camera-right at 45 degrees behind the subject, no fill light, no front light, no other light sources—dramatic cinematic studio lookbook lighting. 【Layout】 **2x2 grid with unequal panel heights**: * Top row: two smaller panels (each approximately 1/3 of total canvas height) — head/face close-ups * Bottom row: two larger panels (each approximately 2/3 of total canvas height) — full body shots * Thin neutral light-grey dividing lines between all four panels * All four panels share the same solid backdrop and same lighting setup 【4 Panels】 **Top-left panel — FRONT FACE CLOSE-UP**: Tight close-up of the character's face, framed from approximately collarbone-line up to top of head. Subject facing camera directly. Side-rim backlight catches the right edge of the face/hair (camera's left side of frame), leaving the left side of the face in deeper shadow with subtle ambient bounce. Both eyes intact and visible, gaze toward camera. Face fully visible. **Top-right panel — SIDE FACE CLOSE-UP (PROFILE)**: Tight close-up of the character's face in pure side profile, framed from collarbone-line up to top of head. Subject facing camera-right (so the right side of his face faces camera-right and the LEFT side of his face faces camera). Side-rim backlight catches the back of the head and silhouettes the profile against the backdrop. Face fully visible. **Bottom-left panel — FULL BODY FROM NECK DOWN, FRONT VIEW (NO FACE)**: Full body shot from collarbone-line down to feet, facing camera directly. **The face/head is intentionally cropped out of frame at the top of this panel—only the neck, shoulders, torso, arms, hips, legs, and feet are visible.** This panel is dedicated to body proportions, costume, —zero face involvement so this panel survives any future face replacement edit. Side-rim backlight catches the right shoulder and right side of body. all front-side accessories visible. **Bottom-right panel — FULL BODY BACK VIEW (INCLUDING BACK OF HEAD)**: Full body shot from head to feet, facing directly away from camera (back of subject toward camera). **Includes back of head.**Side-rim backlight catches right shoulder silhouette from this back angle. 【Subject — same character across all 4 panels】 A young contemporary Chinese male in his early twenties, an ordinary urban office worker with a quiet intelligent presence and understated charisma. Realistic contemporary East Asian appearance, sophisticated but believable, with a distinctive face and restrained modern styling. **Character Core**: Approximately 22–25 years old. **Tall, slim, long-limbed model proportions with a lean natural physique, narrow waist, moderately broad shoulders, long legs, and lightly toned muscles rather than bulky musculature.** His physique should look naturally fit and elegant rather than athletic or muscular. **ETHNICITY — CRITICAL**: East Asian Chinese male with authentic contemporary Chinese facial structure and features. Specific features: * **Cheekbones** — moderately defined and subtle, smooth East Asian facial planes, not exaggerated * **Eyes** — narrow almond-shaped East Asian eyes with monolids, NOT round eyes, calm deep-set gaze * **Pupil color** — warm medium-to-dark brown, NOT blue, NOT green * **Hair** — natural black, slightly wavy, NOT blonde, NOT red, NOT light brown * **Skin tone** — clean fair-light Chinese complexion with a neutral-to-slightly-warm undertone, healthy natural skin texture, NOT pale Northern European fair, NOT dark African * **Jawline** — defined masculine jawline with a long, subtly tapered face, neither overly square nor excessively sharp * **Nose bridge** — high, straight Chinese East Asian nose bridge with narrow refined nasal structure and narrow nostrils * **Eyebrows** — medium-dense dark eyebrows, naturally straight with a subtle arch Additional facial details: thin upper lip, slightly fuller lower lip, high nose bridge, narrow nose wings, visible Adam's apple, clean neck structure, balanced masculine proportions. Relaxed expression with direct eye contact. No glasses. **Hair**: Deep natural black hair with a slightly wavy texture, neat contemporary three-seven side part, controlled volume on top, clean sides and back, forehead partially visible. Hair does not cover the eyes or obscure facial structure. Minimal natural loose strands around the temples. No hair accessories. **Upper body**: Minimalist contemporary dark charcoal tailored suit jacket with a clean structured silhouette and premium matte wool-blend texture. Simple soft-white or light-grey dress shirt with a narrow black or deep-charcoal tie. Understated office tailoring, no flashy patterns, logos, decorative elements, or exaggerated fashion details. No exposed abdomen. No tattoos or visible scars. **Lower body**: Slightly relaxed straight-to-wide charcoal tailored trousers with elegant drape and moderate volume, premium wool or wool-blend fabric. Minimalist black round-toe leather dress shoes with a subtle polished finish. Simple black leather belt with a small understated metal buckle. 【Color Palette】 Restrained cinematic palette of charcoal black, soft white, cool medium-grey and natural warm skin tones, with no more than four dominant colors. Matte black and charcoal form the main visual base, balanced by the light shirt and neutral-grey tonal transitions. Small metal details use restrained dark-silver tones. Clean, refined, understated materials with no bright colors, saturated accents, flashy jewelry, or distressed finishes. 【Pose - same across all 4 panels】 Default standing pose, upright and relaxed, shoulders naturally lowered, chest open, spine straight, weight distributed naturally with a slight natural shift to one leg. Both arms hang naturally at the sides with relaxed hands and loose fingers. Neutral relaxed expression with quiet confidence and minimal emotion. Body language should feel composed, intelligent, observant and restrained. 【Critical consistency】 SAME individual character in all 4 panels—identical face structure, identical hair, identical clothing items in identical positions. Same studio backdrop, same single-sided side-rim backlighting setup across all 4 panels. 【Lighting - critical】 **Single-sided side-rim backlighting from camera-right at 45-degrees behind subject. NO fill light. NO front light. NO ambient. NO other light sources.** Strong dramatic edge-light catches the right side of subject silhouette in every panel, leaving the left side of subject in deep falloff shadow with subtle ambient bounce. Cinematic high-end fashion-lookbook studio photography (Peter Lindbergh / Annie Leibovitz portrait style with single rim source). Background remains evenly lit solid neutral light-warm-grey backdrop. 【Style】 Hyperrealistic photographic character design rendering—shot like a high-end practical costume photographed in a film production studio for a cinematic lookbook reference board. NOT illustration, NOT obvious 3D CGI render. Contemporary Chinese cinematic realism with restrained high-end fashion editorial sensibility. **East Asian Chinese male facial reference**: * **The Bear, Carmy Berzatto** — restrained intensity, intelligent gaze, understated masculinity and emotionally contained presence * **Mr. Robot, Elliot Alderson** — lean proportions, quiet introspective energy and subdued expression * **Succession** — contemporary premium officewear, realistic tailoring, dark neutral palette and refined fabric language Light Kodak Vision3 35mm film grain texture overlay. 【Quality】 Maximum resolution output. 8k ultra clean rendering. Sharp clean edges.Real physical costume cinematic photography aesthetic. 【Panel Labels】 Small clean monospace sans-serif black text below each panel: * Top-left: "FRONT FACE" * Top-right: "SIDE FACE" * Bottom-left: "BODY FRONT (NO FACE)" * Bottom-right: "BACK" 【Constraints】 **Aesthetic**: NOT obvious CGI 3D render, NOT cartoon illustrated, NOT anime style, NOT colorful saturated palette. **Layout & lighting**: NOT 1:1 square aspect (must be vertical 9:16), NOT equal-sized 4 panels (top row smaller, bottom row larger), NOT face visible in bottom-left "BODY FRONT (NO FACE)" panel (face strictly cropped out at top of panel), NOT face obscured or covered in face close-up panels (face fully visible), NOT colorful background (solid neutral light-warm-grey only), NOT soft even neutral lighting (must be single-side rim backlight only), NOT front light, NOT fill light, NOT any text other than i gave you.

【prompt】 A character design reference sheet. **Vertical 9:16 aspect ratio. Maximum resolution output.** Pure solid neutral light-warm-grey studio backdrop. Single-sided side-rim backlighting from camera-right at 45 degrees behind the subject, no fill light, no front light, no other light sources—dramatic cinematic studio lookbook lighting. 【Layout】 **2x2 grid with unequal panel heights**: * Top row: two smaller panels (each approximately 1/3 of total canvas height) — head/face close-ups * Bottom row: two larger panels (each approximately 2/3 of total canvas height) — full body shots * Thin neutral light-grey dividing lines between all four panels * All four panels share the same solid backdrop and same lighting setup 【4 Panels】 **Top-left panel — FRONT FACE CLOSE-UP**: Tight close-up of the character's face, framed from approximately collarbone-line up to top of head. Subject facing camera directly. Side-rim backlight catches the right edge of the face/hair (camera's left side of frame), leaving the left side of the face in deeper shadow with subtle ambient bounce. Both eyes intact and visible, gaze toward camera. Face fully visible. **Top-right panel — SIDE FACE CLOSE-UP (PROFILE)**: Tight close-up of the character's face in pure side profile, framed from collarbone-line up to top of head. Subject facing camera-right (so the right side of her face faces camera-right and the LEFT side of her face faces camera). Side-rim backlight catches the back of the head and silhouettes the profile against the backdrop. Face fully visible. **Bottom-left panel — FULL BODY FROM NECK DOWN, FRONT VIEW (NO FACE)**: Full body shot from collarbone-line down to feet, facing camera directly. **The face/head is intentionally cropped out of frame at the top of this panel—only the neck, shoulders, torso, arms, hips, legs, and feet are visible.** This panel is dedicated to body proportions and costume, —zero face involvement so this panel survives any future face replacement edit. Side-rim backlight catches the right shoulder and right side of body. all front-side accessories visible. **Bottom-right panel — FULL BODY BACK VIEW (INCLUDING BACK OF HEAD)**: Full body shot from head to feet, facing directly away from camera (back of subject toward camera). **Includes back of head.**Side-rim backlight catches right shoulder silhouette from this back angle. 【Subject — same character across all 4 panels】 A beautiful contemporary Chinese woman in her early twenties, a stylish urban professional attending an upscale evening cocktail or private business reception. She has a refined, youthful and sophisticated appearance, with natural confidence and understated glamour. Her beauty should feel elegant and believable rather than overly sexualized or exaggerated. **Character Core**: Approximately 21–24 years old. **Tall, slim and well-proportioned feminine physique with elegant shoulders, narrow waist, long legs, naturally toned arms and balanced curves.** Healthy, graceful and fashion-model-like without looking excessively thin. Her posture and silhouette should feel confident and polished. **ETHNICITY — CRITICAL**: East Asian Chinese female with authentic contemporary Chinese facial structure and refined youthful features. Specific features: * **Cheekbones** — softly defined and elegant, subtle natural facial planes * **Eyes** — almond-shaped East Asian eyes with natural double eyelids, slightly elongated outer corners, intelligent and lively gaze, NOT round eyes * **Pupil color** — dark warm brown, NOT blue, NOT green * **Hair** — natural black, smooth with subtle natural movement, NOT blonde, NOT red, NOT light brown * **Skin tone** — clean light Chinese complexion with a neutral-to-warm undertone, healthy realistic skin texture, NOT artificial porcelain skin * **Jawline** — refined and clearly defined feminine jawline, softly tapered lower face * **Nose bridge** — high, straight refined Chinese East Asian nose bridge with balanced proportions * **Eyebrows** — medium-density dark eyebrows, naturally shaped with a subtle soft arch Additional facial details: youthful oval face, balanced features, naturally defined lips, subtle elegant makeup, clear skin and a calm confident expression. No glasses. **Hair**: Deep natural black hair, polished evening styling with a clean middle part or subtle side part, smooth controlled texture and soft natural volume. Hair falls elegantly around the shoulders or upper back without obscuring the face. Minimal loose strands. No oversized hair accessories. **Upper body**: Sophisticated upscale evening-party dress with a refined contemporary silhouette. Premium silk-blend, satin, crepe or fine wool fabric with elegant drape and subtle texture. The dress is **short in length, ending modestly above the knee**, designed to emphasize clean leg lines while remaining tasteful and fashion-editorial. Fitted through the waist with restrained feminine tailoring, elegant neckline, refined construction and no excessive cleavage or revealing cutouts. Minimal jewelry, such as small refined earrings or a delicate bracelet. No visible logos. **Lower body**: Bare legs with natural realistic skin texture and elegant proportions. Premium black or dark-neutral pointed-toe heels or refined minimalist pumps. The outfit should visually emphasize the long clean leg silhouette through proportion and tailoring rather than exaggerated posing. 【Color Palette】 Restrained upscale evening palette of black, deep burgundy, dark emerald, champagne, ivory and natural warm skin tones, with no more than four dominant colors. Prefer one primary dress color with neutral accessories. Satin or silk surfaces may catch subtle highlights, while the overall appearance remains sophisticated and controlled. No bright neon colors or excessive sparkle. 【Pose - same across all 4 panels】 Default standing pose, elegant and relaxed, spine naturally straight, shoulders lowered, weight subtly shifted to one leg. Both arms hang naturally at the sides with relaxed hands and fingers. **Expression: calm and confident with a subtle restrained smile, relaxed eyes and quiet sophistication.** Body language should feel self-possessed, socially confident and completely comfortable in an upscale environment. 【Critical consistency】 SAME individual character in all 4 panels—identical face structure, identical hair, identical makeup, identical dress, identical shoes and accessories in identical positions. Same studio backdrop, same single-sided side-rim backlighting setup across all 4 panels. 【Lighting - critical】 **Single-sided side-rim backlighting from camera-right at 45-degrees behind subject. NO fill light. NO front light. NO ambient. NO other light sources.** Strong dramatic edge-light catches the right side of subject silhouette in every panel, leaving the left side of subject in deep falloff shadow with subtle ambient bounce. Cinematic high-end fashion-lookbook studio photography (Peter Lindbergh / Annie Leibovitz portrait style with single rim source). Background remains evenly lit solid neutral light-warm-grey backdrop. 【Style】 Hyperrealistic photographic character design rendering—shot like a high-end practical costume photographed in a film production studio for a cinematic lookbook reference board. NOT illustration, NOT obvious 3D CGI render. Contemporary Chinese cinematic realism with sophisticated upscale evening fashion sensibility. **East Asian Chinese female reference**: * **In the Mood for Love** — refined feminine elegance, controlled expression, sophisticated styling and timeless visual restraint * **Parasite — Yeon-kyo** — polished affluent urban femininity, refined grooming and upper-class social atmosphere * **The Great Gatsby** — sophisticated evening fashion, elegant silhouettes, luxurious fabric texture and restrained glamour Light Kodak Vision3 35mm film grain texture overlay. 【Quality】 Maximum resolution output. 8k ultra clean rendering. Sharp clean edges.Real physical costume cinematic photography aesthetic. 【Panel Labels】 Small clean monospace sans-serif black text below each panel: * Top-left: "FRONT FACE" * Top-right: "SIDE FACE" * Bottom-left: "BODY FRONT (NO FACE)" * Bottom-right: "BACK" 【Constraints】 **Aesthetic**: NOT obvious CGI 3D render, NOT cartoon illustrated, NOT anime style, NOT colorful saturated palette. **Layout & lighting**: NOT 1:1 square aspect (must be vertical 9:16), NOT equal-sized 4 panels (top row smaller, bottom row larger), NOT face visible in bottom-left "BODY FRONT (NO FACE)" panel (face strictly cropped out at top of panel), NOT face obscured or covered in face close-up panels (face fully visible), NOT exaggerated sexualized posing, NOT lingerie, NOT transparent clothing, NOT excessive cleavage, NOT extreme mini dress, NOT colorful background (solid neutral light-warm-grey only), NOT soft even neutral lighting (must be single-side rim backlight only), NOT front light, NOT fill light, NOT any text other than i gave you.

图片节点 3

严格按照此图的排版，生成一个高级餐厅打领结的服务生形象，男，中国人，20岁左右。把黄色的部分去掉，生成一个真人脸 【STYLE LOCK】 完全写实，禁止3D。35mm电影胶片质感

【prompt】 长头发 20岁 男人 A character design reference sheet. **Vertical 9:16 aspect ratio. Maximum resolution output.** Pure solid neutral light-warm-grey studio backdrop. Single-sided side-rim backlighting from camera-right at 45 degrees behind the subject, no fill light, no front light, no other light sources—dramatic cinematic studio lookbook lighting. 【Layout】 **2x2 grid with unequal panel heights**: * Top row: two smaller panels (each approximately 1/3 of total canvas height) — head/face close-ups * Bottom row: two larger panels (each approximately 2/3 of total canvas height) — full body shots * Thin neutral light-grey dividing lines between all four panels * All four panels share the same solid backdrop and same lighting setup 【4 Panels】 **Top-left panel — FRONT FACE CLOSE-UP**: Tight close-up of the character's face, framed from approximately collarbone-line up to top of head. Subject facing camera directly. Side-rim backlight catches the right edge of the face/hair (camera's left side of frame), leaving the left side of the face in deeper shadow with subtle ambient bounce. Both eyes intact and visible, gaze toward camera. Face fully visible. **Top-right panel — SIDE FACE CLOSE-UP (PROFILE)**: Tight close-up of the character's face in pure side profile, framed from collarbone-line up to top of head. Subject facing camera-right (so the right side of his face faces camera-right and the LEFT side of his face faces camera). Side-rim backlight catches the back of the head and silhouettes the profile against the backdrop. Face fully visible. **Bottom-left panel — FULL BODY FROM NECK DOWN, FRONT VIEW (NO FACE)**: Full body shot from collarbone-line down to feet, facing camera directly. **The face/head is intentionally cropped out of frame at the top of this panel—only the neck, shoulders, torso, arms, hips, legs, and feet are visible.** This panel is dedicated to body proportions and costume, —zero face involvement so this panel survives any future face replacement edit. Side-rim backlight catches the right shoulder and right side of body. all front-side accessories visible. **Bottom-right panel — FULL BODY BACK VIEW (INCLUDING BACK OF HEAD)**: Full body shot from head to feet, facing directly away from camera (back of subject toward camera). **Includes back of head.**Side-rim backlight catches right shoulder silhouette from this back angle. 【Subject — same character across all 4 panels】 A contemporary Chinese male private chef, a highly experienced head chef working for an elite bespoke private-dining culinary team serving extremely wealthy clients. He has the controlled presence of a master chef: disciplined, confident, observant and quietly authoritative. His appearance should communicate professional expertise and refined culinary craftsmanship rather than ordinary restaurant workwear. **Character Core**: Approximately 35–45 years old. **Tall-to-average height, strong compact athletic build with broad shoulders, powerful arms, thick forearms, solid torso and naturally developed muscle from years of professional kitchen work.** Functional strength rather than bodybuilding physique. Upright, balanced posture with confident physical presence. **ETHNICITY — CRITICAL**: Chinese male, authentic contemporary Chinese appearance and natural East Asian physical characteristics. Do not over-specify facial identity; prioritize overall realism, age, profession and body type. **Hair**: Natural black hair, extremely neat and professionally groomed, short-to-medium length with controlled volume and clean sides. Hair remains away from the forehead and eyes, with only minimal natural loose strands. **No chef hat and no hair accessories.** **Facial presentation**: Mature professional Chinese male appearance, clean and well maintained, calm confident expression, subtle controlled smile. No glasses. **Upper body**: High-end bespoke chef uniform designed for an elite private-dining kitchen. Predominantly clean white, using premium heavyweight cotton, fine culinary fabric and precise tailoring. Structured but comfortable fit, elegant construction and minimal visible detailing. The uniform should feel custom-made rather than mass-produced. A refined **chef's neckerchief** is worn around the neck, neatly tied and naturally positioned. The neckerchief provides the **only noticeable color accent**, using a restrained deep burgundy, dark wine-red or muted forest-green tone. The rest of the upper body remains predominantly white. Sleeves are **neatly rolled up above the forearms**, clearly exposing strong muscular forearms. No apron covering the entire torso. No visible logos. No flashy decoration. No tattoos. **Lower body**: Premium white or very light-grey chef trousers with a clean professional relaxed fit, durable high-quality fabric and realistic natural drape. Minimalist black professional kitchen shoes with a rounded toe, low profile and practical non-slip construction. 【Color Palette】 Extremely restrained palette: **white, soft light-grey, black and one muted accent color only on the neckerchief**, with natural skin tones. The outfit should remain visually clean and predominantly white. No bright saturated colors, no visible branding and no unnecessary color blocking. 【Pose - same across all 4 panels】 Default standing pose, upright and relaxed, shoulders naturally lowered, spine straight, chest naturally open, weight comfortably distributed with a subtle natural shift toward one leg. Both arms hang naturally at the sides with relaxed hands and loose fingers. Rolled sleeves clearly reveal the forearms. Neckerchief remains clearly visible in front view. **Expression: calm, confident and subtly warm, with a restrained small smile.** Body language should communicate mastery, discipline, patience and authority developed through years of professional culinary experience. 【Critical consistency】 SAME individual character in all 4 panels—identical face, identical hair, identical beard or clean-shaven appearance, identical body proportions, identical neckerchief, identical clothing items in identical positions. Same studio backdrop, same single-sided side-rim backlighting setup across all 4 panels. 【Lighting - critical】 **Single-sided side-rim backlighting from camera-right at 45-degrees behind subject. NO fill light. NO front light. NO ambient. NO other light sources.** Strong dramatic edge-light catches the right side of subject silhouette in every panel, leaving the left side of subject in deep falloff shadow with subtle ambient bounce. Cinematic high-end fashion-lookbook studio photography (Peter Lindbergh / Annie Leibovitz portrait style with single rim source). Background remains evenly lit solid neutral light-warm-grey backdrop. 【Style】 Hyperrealistic photographic character design rendering—shot like a high-end practical costume photographed in a film production studio for a cinematic lookbook reference board. NOT illustration, NOT obvious 3D CGI render. Contemporary Chinese cinematic realism with premium private-dining culinary aesthetics. **Character references**: * **Hannibal** — restrained intelligence, professional composure, controlled confidence and subtle menace * **The Menu** — elite culinary environment, refined private-dining atmosphere and meticulous chef presentation * **The Bear** — authentic professional kitchen clothing, practical sleeve styling and believable chef functionality Light Kodak Vision3 35mm film grain texture overlay. 【Quality】 Maximum resolution output. 8k ultra clean rendering. Sharp clean edges.Real physical costume cinematic photography aesthetic. 【Panel Labels】 Small clean monospace sans-serif black text below each panel: * Top-left: "FRONT FACE" * Top-right: "SIDE FACE" * Bottom-left: "BODY FRONT (NO FACE)" * Bottom-right: "BACK" 【Constraints】 **Aesthetic**: NOT obvious CGI 3D render, NOT cartoon illustrated, NOT anime style, NOT colorful saturated palette. **Layout & lighting**: NOT 1:1 square aspect (must be vertical 9:16), NOT equal-sized 4 panels (top row smaller, bottom row larger), NOT face visible in bottom-left "BODY FRONT (NO FACE)" panel (face strictly cropped out at top of panel), NOT face obscured or covered in face close-up panels (face fully visible), NOT chef hat, NOT flamboyant chef costume, NOT black chef uniform, NOT excessive accessories, NOT colorful background (solid neutral light-warm-grey only), NOT soft even neutral lighting (must be single-side rim backlight only), NOT front light, NOT fill light, NOT any text other than i gave you.

【prompt】 A character design reference sheet. **Vertical 9:16 aspect ratio. Maximum resolution output.** Pure solid neutral light-warm-grey studio backdrop. Single-sided side-rim backlighting from camera-right at 45 degrees behind the subject, no fill light, no front light, no other light sources—dramatic cinematic studio lookbook lighting. 【Layout】 **2x2 grid with unequal panel heights**: * Top row: two smaller panels (each approximately 1/3 of total canvas height) — head/face close-ups * Bottom row: two larger panels (each approximately 2/3 of total canvas height) — full body shots * Thin neutral light-grey dividing lines between all four panels * All four panels share the same solid backdrop and same lighting setup 【4 Panels】 **Top-left panel — FRONT FACE CLOSE-UP**: Tight close-up of the character's face, framed from approximately collarbone-line up to top of head. Subject facing camera directly. Side-rim backlight catches the right edge of the face/hair (camera's left side of frame), leaving the left side of the face in deeper shadow with subtle ambient bounce. Both eyes intact and visible, gaze toward camera. Face fully visible. **Top-right panel — SIDE FACE CLOSE-UP (PROFILE)**: Tight close-up of the character's face in pure side profile, framed from collarbone-line up to top of head. Subject facing camera-right (so the right side of his face faces camera-right and the LEFT side of his face faces camera). Side-rim backlight catches the back of the head and silhouettes the profile against the backdrop. Face fully visible. **Bottom-left panel — FULL BODY FROM NECK DOWN, FRONT VIEW (NO FACE)**: Full body shot from collarbone-line down to feet, facing camera directly. **The face/head is intentionally cropped out of frame at the top of this panel—only the neck, shoulders, torso, arms, hips, legs, and feet are visible.** This panel is dedicated to body proportions and costume, —zero face involvement so this panel survives any future face replacement edit. Side-rim backlight catches the right shoulder and right side of body. all front-side accessories visible. **Bottom-right panel — FULL BODY BACK VIEW (INCLUDING BACK OF HEAD)**: Full body shot from head to feet, facing directly away from camera (back of subject toward camera). **Includes back of head.**Side-rim backlight catches right shoulder silhouette from this back angle. 【Subject — same character across all 4 panels】 A contemporary Chinese male private chef, a highly experienced head chef working for an elite bespoke private-dining culinary team serving extremely wealthy clients. He has the controlled presence of a master chef: disciplined, confident, observant and quietly authoritative. His appearance should communicate professional expertise and refined culinary craftsmanship rather than ordinary restaurant workwear. **Character Core**: Approximately 35–45 years old. **Tall-to-average height, strong compact athletic build with broad shoulders, powerful arms, thick forearms, solid torso and naturally developed muscle from years of professional kitchen work.** Functional strength rather than bodybuilding physique. Upright, balanced posture with confident physical presence. **ETHNICITY — CRITICAL**: Chinese male, authentic contemporary Chinese appearance and natural East Asian physical characteristics. Do not over-specify facial identity; prioritize overall realism, age, profession and body type. **Hair**: Natural black hair, extremely neat and professionally groomed, short-to-medium length with controlled volume and clean sides. Hair remains away from the forehead and eyes, with only minimal natural loose strands. **No chef hat and no hair accessories.** **Facial presentation**: Mature professional Chinese male appearance, clean and well maintained, calm confident expression, subtle controlled smile. No glasses. **Upper body**: High-end bespoke chef uniform designed for an elite private-dining kitchen. Predominantly clean white, using premium heavyweight cotton, fine culinary fabric and precise tailoring. Structured but comfortable fit, elegant construction and minimal visible detailing. The uniform should feel custom-made rather than mass-produced. A refined **chef's neckerchief** is worn around the neck, neatly tied and naturally positioned. The neckerchief provides the **only noticeable color accent**, using a restrained deep burgundy, dark wine-red or muted forest-green tone. The rest of the upper body remains predominantly white. Sleeves are **neatly rolled up above the forearms**, clearly exposing strong muscular forearms. No apron covering the entire torso. No visible logos. No flashy decoration. No tattoos. **Lower body**: Premium white or very light-grey chef trousers with a clean professional relaxed fit, durable high-quality fabric and realistic natural drape. Minimalist black professional kitchen shoes with a rounded toe, low profile and practical non-slip construction. 【Color Palette】 Extremely restrained palette: **white, soft light-grey, black and one muted accent color only on the neckerchief**, with natural skin tones. The outfit should remain visually clean and predominantly white. No bright saturated colors, no visible branding and no unnecessary color blocking. 【Pose - same across all 4 panels】 Default standing pose, upright and relaxed, shoulders naturally lowered, spine straight, chest naturally open, weight comfortably distributed with a subtle natural shift toward one leg. Both arms hang naturally at the sides with relaxed hands and loose fingers. Rolled sleeves clearly reveal the forearms. Neckerchief remains clearly visible in front view. **Expression: calm, confident and subtly warm, with a restrained small smile.** Body language should communicate mastery, discipline, patience and authority developed through years of professional culinary experience. 【Critical consistency】 SAME individual character in all 4 panels—identical face, identical hair, identical beard or clean-shaven appearance, identical body proportions, identical neckerchief, identical clothing items in identical positions. Same studio backdrop, same single-sided side-rim backlighting setup across all 4 panels. 【Lighting - critical】 **Single-sided side-rim backlighting from camera-right at 45-degrees behind subject. NO fill light. NO front light. NO ambient. NO other light sources.** Strong dramatic edge-light catches the right side of subject silhouette in every panel, leaving the left side of subject in deep falloff shadow with subtle ambient bounce. Cinematic high-end fashion-lookbook studio photography (Peter Lindbergh / Annie Leibovitz portrait style with single rim source). Background remains evenly lit solid neutral light-warm-grey backdrop. 【Style】 Hyperrealistic photographic character design rendering—shot like a high-end practical costume photographed in a film production studio for a cinematic lookbook reference board. NOT illustration, NOT obvious 3D CGI render. Contemporary Chinese cinematic realism with premium private-dining culinary aesthetics. **Character references**: * **Hannibal** — restrained intelligence, professional composure, controlled confidence and subtle menace * **The Menu** — elite culinary environment, refined private-dining atmosphere and meticulous chef presentation * **The Bear** — authentic professional kitchen clothing, practical sleeve styling and believable chef functionality Light Kodak Vision3 35mm film grain texture overlay. 【Quality】 Maximum resolution output. 8k ultra clean rendering. Sharp clean edges.Real physical costume cinematic photography aesthetic. 【Panel Labels】 Small clean monospace sans-serif black text below each panel: * Top-left: "FRONT FACE" * Top-right: "SIDE FACE" * Bottom-left: "BODY FRONT (NO FACE)" * Bottom-right: "BACK" 【Constraints】 **Aesthetic**: NOT obvious CGI 3D render, NOT cartoon illustrated, NOT anime style, NOT colorful saturated palette. **Layout & lighting**: NOT 1:1 square aspect (must be vertical 9:16), NOT equal-sized 4 panels (top row smaller, bottom row larger), NOT face visible in bottom-left "BODY FRONT (NO FACE)" panel (face strictly cropped out at top of panel), NOT face obscured or covered in face close-up panels (face fully visible), NOT chef hat, NOT flamboyant chef costume, NOT black chef uniform, NOT excessive accessories, NOT colorful background (solid neutral light-warm-grey only), NOT soft even neutral lighting (must be single-side rim backlight only), NOT front light, NOT fill light, NOT any text other than i gave you.

【prompt】 A character design reference sheet. **Vertical 9:16 aspect ratio. Maximum resolution output.** Pure solid neutral light-warm-grey studio backdrop. Single-sided side-rim backlighting from camera-right at 45 degrees behind the subject, no fill light, no front light, no other light sources—dramatic cinematic studio lookbook lighting. 【Layout】 **2x2 grid with unequal panel heights**: * Top row: two smaller panels (each approximately 1/3 of total canvas height) — head/face close-ups * Bottom row: two larger panels (each approximately 2/3 of total canvas height) — full body shots * Thin neutral light-grey dividing lines between all four panels * All four panels share the same solid backdrop and same lighting setup 【4 Panels】 **Top-left panel — FRONT FACE CLOSE-UP**: Tight close-up of the character's face, framed from approximately collarbone-line up to top of head. Subject facing camera directly. Side-rim backlight catches the right edge of the face/hair (camera's left side of frame), leaving the left side of the face in deeper shadow with subtle ambient bounce. Both eyes intact and visible, gaze toward camera. Face fully visible. **Top-right panel — SIDE FACE CLOSE-UP (PROFILE)**: Tight close-up of the character's face in pure side profile, framed from collarbone-line up to top of head. Subject facing camera-right (so the right side of his face faces camera-right and the LEFT side of his face faces camera). Side-rim backlight catches the back of the head and silhouettes the profile against the backdrop. Face fully visible. **Bottom-left panel — FULL BODY FROM NECK DOWN, FRONT VIEW (NO FACE)**: Full body shot from collarbone-line down to feet, facing camera directly. **The face/head is intentionally cropped out of frame at the top of this panel—only the neck, shoulders, torso, arms, hips, legs, and feet are visible.** This panel is dedicated to body proportions and costume, —zero face involvement so this panel survives any future face replacement edit. Side-rim backlight catches the right shoulder and right side of body. all front-side accessories visible. **Bottom-right panel — FULL BODY BACK VIEW (INCLUDING BACK OF HEAD)**: Full body shot from head to feet, facing directly away from camera (back of subject toward camera). **Includes back of head.**Side-rim backlight catches right shoulder silhouette from this back angle. 【Subject — same character across all 4 panels】 A wealthy contemporary Chinese male in his mid-to-late thirties, an intelligent and highly successful upper-class husband who lives in a luxurious modern villa. He has the polished, restrained presence of an affluent private-school or corporate executive: educated, confident, socially sophisticated and emotionally controlled. His wealth is obvious through fit, fabric and grooming rather than logos or flashy luxury. He should feel like a believable real-world wealthy Chinese homeowner, elegant but slightly detached. **Character Core**: Approximately 34–39 years old. **Around 178–183 cm tall, lean and well-proportioned physique with moderately broad shoulders, slim waist, long arms and legs, lightly athletic but not muscular.** His body should look naturally fit and carefully maintained, more like a wealthy professional with a disciplined lifestyle than an athlete. **ETHNICITY — CRITICAL**: East Asian Chinese male with authentic contemporary Chinese facial structure and refined mature features. Specific features: * **Cheekbones** — moderately defined, smooth masculine facial planes, subtle rather than dramatic * **Eyes** — elegant almond-shaped East Asian eyes with natural double eyelids, slightly deep-set, intelligent and observant gaze, NOT round eyes * **Pupil color** — dark warm brown, NOT blue, NOT green * **Hair** — natural black, neatly styled, NOT blonde, NOT red, NOT light brown * **Skin tone** — healthy light Chinese complexion with a subtle warm-neutral undertone, clean realistic skin texture, NOT pale Northern European fair, NOT dark African * **Jawline** — clean defined masculine jawline with a naturally proportioned slightly narrow lower face * **Nose bridge** — high, straight refined Chinese East Asian nose bridge with balanced proportions * **Eyebrows** — medium-dense dark eyebrows, naturally straight with a subtle elegant arch Additional facial details: refined forehead, balanced facial proportions, subtle mature lines around the eyes, straight nose, restrained lips, clean-shaven face or very light stubble. Intelligent, composed expression with slight emotional distance. No glasses. **Hair**: Natural black hair, exceptionally neat and understated, clean side part with controlled volume and precise shape. Premium grooming without looking overly styled. No visible hair accessories. **Upper body**: Quiet luxury old-money casualwear for everyday outings. Premium unbranded navy, charcoal, cream or muted olive tailored overshirt, lightweight cashmere knit, fine cotton shirt or understated luxury polo, layered with a perfectly cut lightweight jacket when appropriate. Fabrics must visibly feel expensive through texture, drape and construction rather than branding. Relaxed but precise fit, clean lines, no flashy patterns, no oversized logos, no streetwear styling. **Lower body**: High-end straight or gently relaxed tailored trousers in charcoal, beige, navy or muted stone, made from premium wool, cotton or cashmere-blend fabric. Minimalist dark-brown or black leather loafers, understated leather sneakers or refined casual dress shoes depending on styling. No flashy accessories. 【Color Palette】 Quiet luxury palette of navy, charcoal, cream, beige and muted earth tones, with no more than four dominant colors visible in the complete outfit. Monochromatic or closely related tonal combinations preferred. No saturated colors, obvious branding or decorative patterns. Materials should communicate exceptional quality through texture, weight and natural drape. 【Pose - same across all 4 panels】 Default standing pose, upright and relaxed, shoulders naturally lowered, spine straight, body weight comfortably distributed with a subtle shift toward one leg. Both arms hang naturally at the sides with relaxed hands. **Expression: calm, intelligent and self-assured, with a very subtle restrained smile or neutral mouth.** Body language should communicate someone educated, wealthy and socially confident, accustomed to comfort and control without appearing arrogant or theatrical. 【Critical consistency】 SAME individual character in all 4 panels—identical face structure, identical hair, identical clothing items in identical positions. Same studio backdrop, same single-sided side-rim backlighting setup across all 4 panels. 【Lighting - critical】 **Single-sided side-rim backlighting from camera-right at 45-degrees behind subject. NO fill light. NO front light. NO ambient. NO other light sources.** Strong dramatic edge-light catches the right side of subject silhouette in every panel, leaving the left side of subject in deep falloff shadow with subtle ambient bounce. Cinematic high-end fashion-lookbook studio photography (Peter Lindbergh / Annie Leibovitz portrait style with single rim source). Background remains evenly lit solid neutral light-warm-grey backdrop. 【Style】 Hyperrealistic photographic character design rendering—shot like a high-end practical costume photographed in a film production studio for a cinematic lookbook reference board. NOT illustration, NOT obvious 3D CGI render. Contemporary Chinese cinematic realism with understated old-money luxury and sophisticated domestic affluence. **East Asian Chinese male reference**: * **Parasite — Park Dong-ik** — educated upper-class presence, polished grooming, calm social confidence, subtle emotional distance and understated wealth; use as an atmospheric reference, NOT direct facial likeness * **Succession** — quiet luxury, refined tailoring, understated wealth and believable affluent family styling * **The Talented Mr. Ripley** — classic old-money leisurewear, restrained colors, premium materials and elegant everyday silhouettes Light Kodak Vision3 35mm film grain texture overlay. 【Quality】 Maximum resolution output. 8k ultra clean rendering. Sharp clean edges.Real physical costume cinematic photography aesthetic. 【Panel Labels】 Small clean monospace sans-serif black text below each panel: * Top-left: "FRONT FACE" * Top-right: "SIDE FACE" * Bottom-left: "BODY FRONT (NO FACE)" * Bottom-right: "BACK" 【Constraints】 **Aesthetic**: NOT obvious CGI 3D render, NOT cartoon illustrated, NOT anime style, NOT colorful saturated palette. **Layout & lighting**: NOT 1:1 square aspect (must be vertical 9:16), NOT equal-sized 4 panels (top row smaller, bottom row larger), NOT face visible in bottom-left "BODY FRONT (NO FACE)" panel (face strictly cropped out at top of panel), NOT face obscured or covered in face close-up panels (face fully visible), NOT flashy luxury branding, NOT visible logos, NOT streetwear, NOT colorful background (solid neutral light-warm-grey only), NOT soft even neutral lighting (must be single-side rim backlight only), NOT front light, NOT fill light, NOT any text other than i gave you.

图片节点 10

主角： logo： 场景图参考： Create a premium cinematic vertical-series cover design for a Chinese AIGC sci-fi horror short film, using all uploaded scene images as environmental visual references and the uploaded protagonist image as the single main character reference, single-person poster only, absolutely no ensemble cast, no group portrait, no additional people. The cover should feel like a high-end cinematic streaming-series key visual combined with a highly readable Douyin short-video cover, sophisticated, dramatic, instantly recognizable at thumbnail size, strong visual hierarchy, strong graphic design, intentional negative space, premium editorial poster composition, restrained but striking, not like a generic AI movie poster, not like a crowded commercial poster. The protagonist is the only person in the entire image, positioned off-center rather than directly in the middle, performing a meaningful cinematic action rather than simply standing and posing, subtle tension in body language, alert or psychologically intense expression, realistic posture, natural interaction with the environment, creating a strong sense that something dangerous has just happened or is about to happen. Use the uploaded scene references to build the environment, preserve their visual identity, architecture, lighting atmosphere, textures, and cinematic continuity, but simplify the environment into a clean and controlled composition so the protagonist and typography remain dominant. The background should contain enough environmental detail to feel cinematic, but large areas of intentional negative space must remain around the typography. Avoid clutter, avoid excessive props, avoid visual noise in the title area. The composition should feel designed specifically for mobile viewing, with the title remaining immediately legible even when the image is displayed as a small Douyin thumbnail. Strong silhouette separation between the protagonist and the background, controlled contrast, cinematic depth, subtle atmospheric haze, realistic lighting, premium film still texture, sophisticated color grading, photographic realism, tactile materials, subtle film grain. IMPORTANT TYPOGRAPHY HIERARCHY: Only use these exact text elements and absolutely nothing else: 1. “乌贼食宴” 2. the uploaded logo {{LOGO}} 3. “山葵不杀” No other text, no English subtitle, no episode number, no additional credits, no slogan, no release information, no platform logo, no fake text, no random symbols, no decorative typography that resembles readable words. “乌贼食宴” must be the largest and most visually dominant text element in the entire composition, highly readable on a mobile screen, large enough to be instantly recognized in a Douyin feed, elegant but powerful Chinese title typography, custom-designed lettering, premium cinematic title treatment, slightly condensed proportions, strong visual weight, refined spacing, subtle horror undertone, sophisticated rather than cheesy, no generic horror font, no exaggerated dripping blood effect, no cartoon typography. The title “乌贼食宴” should occupy a major visual area with generous breathing room around it, never overlap the protagonist’s face, never become partially hidden, never become too close to the image edge. The typography should feel integrated into the poster composition rather than simply placed on top of the image. The uploaded logo {{LOGO}} must be the second most visually important graphic element, clearly visible but noticeably smaller than “乌贼食宴”. Place the logo in the upper corner area with precise editorial alignment, preferably upper-left or upper-right depending on the negative space of the uploaded scene, leaving comfortable margins from the edges, never competing with the main title, never overlapping the protagonist’s face or important body action, maintain the logo’s original visual identity and proportions, do not redesign the logo into another style. “山葵不杀” should be much smaller than the title and slightly smaller than the logo, treated as a refined director credit, placed in a clean lower corner area or beneath the title with generous spacing, understated, elegant, highly legible, visually subordinate to the title. The title hierarchy must be: “乌贼食宴” = dominant uploaded logo = secondary “山葵不杀” = small supporting credit The three text elements must have clearly different visual scales and hierarchy. Do not make the logo larger than the title. Do not make the director name visually compete with the title. Use asymmetrical composition, strong negative space, cinematic framing, deliberate visual balance, premium Chinese graphic design, contemporary editorial poster design, sophisticated typography integration, strong focal point, visual tension, clean hierarchy. The protagonist can occupy one side of the composition while the large empty area is reserved for the title, or the protagonist can occupy the lower or lateral region with the title dominating the open space, depending on the uploaded scene reference. The character action should lead the viewer’s eye naturally toward the title. The overall feeling should be mysterious, dangerous, luxurious, intelligent, unsettling, cinematic, restrained, expensive, and memorable. Avoid: group poster, multiple characters, collage of faces, character lineup, crowded composition, excessive visual effects, generic streaming thumbnails, cheap horror poster design, random blood splashes, excessive gore, fantasy monster illustration style, cartoon style, gaming poster aesthetic, giant logo, tiny unreadable title, decorative fake text, excessive typography, center-aligned generic poster layout, excessive symmetry, cluttered background, stock-photo look. Priority: 1. single-character storytelling 2. strong negative space 3. extremely clear “乌贼食宴” title readability at Douyin thumbnail size 4. premium cinematic composition 5. logo placement in a clearly secondary position 6. restrained director credit “山葵不杀” 7. realistic cinematic photography 8. sophisticated Chinese poster graphic design

【prompt】 A character design reference sheet. **Vertical 9:16 aspect ratio. Maximum resolution output.** Pure solid neutral light-warm-grey studio backdrop. Single-sided side-rim backlighting from camera-right at 45 degrees behind the subject, no fill light, no front light, no other light sources—dramatic cinematic studio lookbook lighting. 【Layout】 **2x2 grid with unequal panel heights**: * Top row: two smaller panels (each approximately 1/3 of total canvas height) — head/face close-ups * Bottom row: two larger panels (each approximately 2/3 of total canvas height) — full body shots * Thin neutral light-grey dividing lines between all four panels * All four panels share the same solid backdrop and same lighting setup 【4 Panels】 **Top-left panel — FRONT FACE CLOSE-UP**: Tight close-up of the character's face, framed from approximately collarbone-line up to top of head. Subject facing camera directly. Side-rim backlight catches the right edge of the face/hair (camera's left side of frame), leaving the left side of the face in deeper shadow with subtle ambient bounce. Both eyes intact and visible, gaze toward camera. Face fully visible. **Top-right panel — SIDE FACE CLOSE-UP (PROFILE)**: Tight close-up of the character's face in pure side profile, framed from collarbone-line up to top of head. Subject facing camera-right (so the right side of her face faces camera-right and the LEFT side of her face faces camera). Side-rim backlight catches the back of the head and silhouettes the profile against the backdrop. Face fully visible. **Bottom-left panel — FULL BODY FROM NECK DOWN, FRONT VIEW (NO FACE)**: Full body shot from collarbone-line down to feet, facing camera directly. **The face/head is intentionally cropped out of frame at the top of this panel—only the neck, shoulders, torso, arms, hips, legs, and feet are visible.** This panel is dedicated to body proportions and costume, —zero face involvement so this panel survives any future face replacement edit. Side-rim backlight catches the right shoulder and right side of body. all front-side accessories visible. **Bottom-right panel — FULL BODY BACK VIEW (INCLUDING BACK OF HEAD)**: Full body shot from head to feet, facing directly away from camera (back of subject toward camera). **Includes back of head.**Side-rim backlight catches right shoulder silhouette from this back angle. 【Subject — same character across all 4 panels】 A contemporary Chinese female private chef, a highly trained senior member of an elite bespoke culinary team specializing in private dining for wealthy clients. She is professional, disciplined and confident, with a calm presence and understated elegance. Her appearance combines the practicality of a real working chef with the refined presentation expected from an exclusive private-dining service. **Character Core**: Approximately 30–38 years old. **Medium-to-tall height, fit and capable feminine build with straight posture, defined shoulders, toned arms, strong forearms and a slim-to-moderate waist.** Her physique should suggest functional strength developed through years of professional kitchen work rather than bodybuilding. Balanced proportions, efficient movement and confident posture. **ETHNICITY — CRITICAL**: Chinese female, authentic contemporary Chinese appearance and natural East Asian physical characteristics. Keep facial identity realistic and understated without over-specifying individual facial features. **Hair**: Natural black hair, clean and extremely well maintained, professional low ponytail or neat low bun suitable for kitchen work. Hair fully controlled away from the face with minimal loose strands. No chef hat. No decorative hair accessories. **Facial presentation**: Mature professional Chinese woman, clean and polished appearance, subtle natural makeup, calm focused expression and restrained slight smile. No glasses. **Upper body**: High-end bespoke white chef uniform designed for an exclusive private-dining kitchen. Premium heavyweight cotton or fine technical culinary fabric with precise tailoring, structured shoulders and clean minimal construction. Predominantly white with subtle light-grey detailing. The uniform should be fitted enough to create a clean silhouette while retaining complete freedom of movement. A refined chef's neckerchief is worn neatly around the neck, using **one restrained muted accent color** such as deep burgundy, dark forest green or muted navy. This is the only noticeable color accent in the outfit. Sleeves are **neatly rolled to the forearms**, exposing strong functional forearms. No oversized apron, no visible logos, no flashy decoration, no tattoos. **Lower body**: Premium white or very light-grey chef trousers with a practical relaxed fit, durable professional fabric and natural drape. Minimalist black professional kitchen shoes with a rounded toe and practical non-slip construction. 【Color Palette】 Extremely restrained palette of **white, soft light-grey, black and one muted accent color limited to the neckerchief**, with natural skin tones. Predominantly white costume with subtle tonal variation. No bright saturated colors, visible logos or decorative color blocking. 【Pose - same across all 4 panels】 Default standing pose, upright and relaxed, shoulders naturally lowered, spine straight and weight naturally distributed with a subtle shift to one leg. Both arms hang naturally at the sides with relaxed hands and fingers. Rolled sleeves clearly reveal the forearms. **Expression: calm, composed and professional with a subtle controlled smile.** Body language should communicate experience, discipline, precision and quiet authority. 【Critical consistency】 SAME individual character in all 4 panels—identical face, identical hair, identical hairstyle, identical body proportions, identical neckerchief, identical uniform, identical shoes and accessories in identical positions. Same studio backdrop, same single-sided side-rim backlighting setup across all 4 panels. 【Lighting - critical】 **Single-sided side-rim backlighting from camera-right at 45-degrees behind subject. NO fill light. NO front light. NO ambient. NO other light sources.** Strong dramatic edge-light catches the right side of subject silhouette in every panel, leaving the left side of subject in deep falloff shadow with subtle ambient bounce. Cinematic high-end fashion-lookbook studio photography (Peter Lindbergh / Annie Leibovitz portrait style with single rim source). Background remains evenly lit solid neutral light-warm-grey backdrop. 【Style】 Hyperrealistic photographic character design rendering—shot like a high-end practical costume photographed in a film production studio for a cinematic lookbook reference board. NOT illustration, NOT obvious 3D CGI render. Contemporary Chinese cinematic realism with premium private-dining culinary aesthetics. **Character references**: * **The Menu** — elite private-dining atmosphere, restrained culinary presentation and highly controlled professional appearance * **The Bear** — practical chef uniform construction, authentic kitchen functionality and believable professional styling * **Hannibal** — composure, intelligence, quiet authority and refined professional presence Light Kodak Vision3 35mm film grain texture overlay. 【Quality】 Maximum resolution output. 8k ultra clean rendering. Sharp clean edges.Real physical costume cinematic photography aesthetic. 【Panel Labels】 Small clean monospace sans-serif black text below each panel: * Top-left: "FRONT FACE" * Top-right: "SIDE FACE" * Bottom-left: "BODY FRONT (NO FACE)" * Bottom-right: "BACK" 【Constraints】 **Aesthetic**: NOT obvious CGI 3D render, NOT cartoon illustrated, NOT anime style, NOT colorful saturated palette. **Layout & lighting**: NOT 1:1 square aspect (must be vertical 9:16), NOT equal-sized 4 panels (top row smaller, bottom row larger), NOT face visible in bottom-left "BODY FRONT (NO FACE)" panel (face strictly cropped out at top of panel), NOT face obscured or covered in face close-up panels (face fully visible), NOT chef hat, NOT glamorous fashion model styling, NOT overly feminine decorative chef uniform, NOT excessive jewelry, NOT black chef uniform, NOT colorful background (solid neutral light-warm-grey only), NOT soft even neutral lighting (must be single-side rim backlight only), NOT front light, NOT fill light, NOT any text other than i gave you.

【prompt】 A character design reference sheet. **Vertical 9:16 aspect ratio. Maximum resolution output.** Pure solid neutral light-warm-grey studio backdrop. Single-sided side-rim backlighting from camera-right at 45 degrees behind the subject, no fill light, no front light, no other light sources—dramatic cinematic studio lookbook lighting. 【Layout】 **2x2 grid with unequal panel heights**: * Top row: two smaller panels (each approximately 1/3 of total canvas height) — head/face close-ups * Bottom row: two larger panels (each approximately 2/3 of total canvas height) — full body shots * Thin neutral light-grey dividing lines between all four panels * All four panels share the same solid backdrop and same lighting setup 【4 Panels】 **Top-left panel — FRONT FACE CLOSE-UP**: Tight close-up of the character's face, framed from approximately collarbone-line up to top of head. Subject facing camera directly. Side-rim backlight catches the right edge of the face/hair (camera's left side of frame), leaving the left side of the face in deeper shadow with subtle ambient bounce. Both eyes intact and visible, gaze toward camera. Face fully visible. **Top-right panel — SIDE FACE CLOSE-UP (PROFILE)**: Tight close-up of the character's face in pure side profile, framed from collarbone-line up to top of head. Subject facing camera-right (so the right side of his face faces camera-right and the LEFT side of his face faces camera). Side-rim backlight catches the back of the head and silhouettes the profile against the backdrop. Face fully visible. **Bottom-left panel — FULL BODY FROM NECK DOWN, FRONT VIEW (NO FACE)**: Full body shot from collarbone-line down to feet, facing camera directly. **The face/head is intentionally cropped out of frame at the top of this panel—only the neck, shoulders, torso, arms, hips, legs, and feet are visible.** This panel is dedicated to body proportions and costume, —zero face involvement so this panel survives any future face replacement edit. Side-rim backlight catches the right shoulder and right side of body. all front-side accessories visible. **Bottom-right panel — FULL BODY BACK VIEW (INCLUDING BACK OF HEAD)**: Full body shot from head to feet, facing directly away from camera (back of subject toward camera). **Includes back of head.**Side-rim backlight catches right shoulder silhouette from this back angle. 【Subject — same character across all 4 panels】 A mischievous ten-year-old Chinese boy from an extremely wealthy upper-class family. He is the only child of a successful businessman and his elegant wife. He has grown up in a luxurious environment with excellent education and every material advantage, but remains energetic, playful, curious and slightly spoiled. His appearance should feel naturally youthful and believable, not like a miniature adult. **Character Core**: Approximately 9–11 years old. **Short childlike proportions with a slightly chubby build, soft rounded torso, fuller cheeks, slightly soft arms and legs, naturally healthy body weight.** He should look active and energetic despite being mildly overweight. Childlike proportions are important: relatively large head, shorter limbs, soft facial structure and youthful posture. **ETHNICITY — CRITICAL**: East Asian Chinese boy with authentic contemporary Chinese child facial features. Specific features: * **Cheekbones** — soft and subtle, naturally rounded because of his young age * **Eyes** — large but naturally proportioned almond-shaped East Asian eyes with clear double eyelids, lively mischievous gaze, NOT exaggerated anime eyes * **Pupil color** — dark warm brown, NOT blue, NOT green * **Hair** — natural black, thick and soft, NOT blonde, NOT red, NOT light brown * **Skin tone** — healthy light Chinese complexion with a warm-neutral undertone, smooth natural child skin texture, NOT artificially porcelain-like * **Jawline** — soft rounded childlike jawline with fuller cheeks, no sharp adult definition * **Nose bridge** — small but clearly defined straight Chinese East Asian nose bridge, naturally proportional to a child's face * **Eyebrows** — dark, medium-dense straight eyebrows with natural youthful softness Additional facial details: rounder cheeks, small chin, naturally youthful facial proportions, slightly prominent ears, expressive mouth. He has a playful slightly naughty smile, as though he is trying not to laugh or has just thought of something mischievous. No facial hair. **Hair**: Natural black child's haircut, thick, clean and slightly fluffy, neatly maintained but naturally imperfect from movement. Short sides and back with slightly longer textured hair on top. A few small strands naturally displaced. No hair accessories. **Upper body**: Premium but age-appropriate affluent children's casualwear. A clean ivory or soft-white cotton shirt layered under a high-quality navy, dark-green or beige lightweight cardigan, knit jacket or premium casual overshirt. The clothing is understated and expensive without visible logos. Comfortable tailored fit designed for an active child, not formal adult clothing. **Wears a childish cartoon-themed yellow frame eyeglasses with a playful, slightly oversized shape**, clearly contrasting with the family's otherwise restrained luxury aesthetic. The glasses should look like something a rich child personally chose, not designer eyewear. A modern children's smartwatch is worn clearly on one wrist. **Lower body**: High-quality relaxed-fit beige, navy or charcoal children's trousers or clean premium chinos, natural movement-friendly fabric. Simple expensive-looking dark sneakers or clean leather children's shoes, understated and logo-free. 【Color Palette】 Restrained affluent-family palette of ivory, navy, beige, charcoal and natural warm skin tones, with **bright playful yellow limited specifically to the cartoon eyeglass frames**. The yellow glasses are the character's most noticeable visual accent. The rest of the clothing remains muted and sophisticated. Smartwatch uses a simple dark or neutral strap with a minimal modern screen. No other bright colors or obvious branding. 【Pose - same across all 4 panels】 Default standing pose, naturally upright but slightly restless and playful, shoulders relaxed, weight shifted casually from one foot to the other. Both arms hang naturally at the sides, hands relaxed. Smartwatch and yellow cartoon glasses clearly visible in the appropriate front views. **Expression: mischievous closed-mouth smile, playful eyes, slightly cheeky attitude.** Body language should communicate an intelligent, spoiled but lovable child who feels completely comfortable in his surroundings. 【Critical consistency】 SAME individual character in all 4 panels—identical face structure, identical hair, identical glasses, identical smartwatch, identical clothing items in identical positions. Same studio backdrop, same single-sided side-rim backlighting setup across all 4 panels. 【Lighting - critical】 **Single-sided side-rim backlighting from camera-right at 45-degrees behind subject. NO fill light. NO front light. NO ambient. NO other light sources.** Strong dramatic edge-light catches the right side of subject silhouette in every panel, leaving the left side of subject in deep falloff shadow with subtle ambient bounce. Cinematic high-end fashion-lookbook studio photography (Peter Lindbergh / Annie Leibovitz portrait style with single rim source). Background remains evenly lit solid neutral light-warm-grey backdrop. 【Style】 Hyperrealistic photographic character design rendering—shot like a high-end practical costume photographed in a film production studio for a cinematic lookbook reference board. NOT illustration, NOT obvious 3D CGI render. Contemporary Chinese cinematic realism with subtle wealthy-family domestic atmosphere. **East Asian Chinese child reference**: * **Parasite — Da-song** — use only the playful upper-class-child atmosphere, spoiled-but-curious energy and affluent family environment as a loose character reference, NOT direct facial likeness * **The Royal Tenenbaums** — use the idea of a wealthy family's child having a distinctive, memorable visual identity and slightly unusual personal styling Light Kodak Vision3 35mm film grain texture overlay. 【Quality】 Maximum resolution output. 8k ultra clean rendering. Sharp clean edges.Real physical costume cinematic photography aesthetic. 【Panel Labels】 Small clean monospace sans-serif black text below each panel: * Top-left: "FRONT FACE" * Top-right: "SIDE FACE" * Bottom-left: "BODY FRONT (NO FACE)" * Bottom-right: "BACK" 【Constraints】 **Aesthetic**: NOT obvious CGI 3D render, NOT cartoon illustrated, NOT anime style, NOT colorful saturated palette. **Layout & lighting**: NOT 1:1 square aspect (must be vertical 9:16), NOT equal-sized 4 panels (top row smaller, bottom row larger), NOT face visible in bottom-left "BODY FRONT (NO FACE)" panel (face strictly cropped out at top of panel), NOT face obscured or covered in face close-up panels (face fully visible), NOT adult-looking proportions, NOT formal businesswear, NOT designer logos, NOT excessive accessories, NOT colorful background (solid neutral light-warm-grey only), NOT soft even neutral lighting (must be single-side rim backlight only), NOT front light, NOT fill light, NOT any text other than i gave you.

主角： {{Image 1}} logo： {{Image 2}} 场景图参考： {{Image 4}} {{Image 5}} {{Image 6}} {{Image 3}} Create a premium cinematic vertical-series cover design for a Chinese AIGC sci-fi horror short film, using all uploaded scene images as environmental visual references and the uploaded protagonist image as the single main character reference, single-person poster only, absolutely no ensemble cast, no group portrait, no additional people. The cover should feel like a high-end cinematic streaming-series key visual combined with a highly readable Douyin short-video cover, sophisticated, dramatic, instantly recognizable at thumbnail size, strong visual hierarchy, strong graphic design, intentional negative space, premium editorial poster composition, restrained but striking, not like a generic AI movie poster, not like a crowded commercial poster. The protagonist is the only person in the entire image, positioned off-center rather than directly in the middle, performing a meaningful cinematic action rather than simply standing and posing, subtle tension in body language, alert or psychologically intense expression, realistic posture, natural interaction with the environment, creating a strong sense that something dangerous has just happened or is about to happen. Use the uploaded scene references to build the environment, preserve their visual identity, architecture, lighting atmosphere, textures, and cinematic continuity, but simplify the environment into a clean and controlled composition so the protagonist and typography remain dominant. The background should contain enough environmental detail to feel cinematic, but large areas of intentional negative space must remain around the typography. Avoid clutter, avoid excessive props, avoid visual noise in the title area. The composition should feel designed specifically for mobile viewing, with the title remaining immediately legible even when the image is displayed as a small Douyin thumbnail. Strong silhouette separation between the protagonist and the background, controlled contrast, cinematic depth, subtle atmospheric haze, realistic lighting, premium film still texture, sophisticated color grading, photographic realism, tactile materials, subtle film grain. IMPORTANT TYPOGRAPHY HIERARCHY: Only use these exact text elements and absolutely nothing else: 1. “乌贼食宴” 2. the uploaded logo {{LOGO}} 3. “山葵不杀” No other text, no English subtitle, no episode number, no additional credits, no slogan, no release information, no platform logo, no fake text, no random symbols, no decorative typography that resembles readable words. “乌贼食宴” must be the largest and most visually dominant text element in the entire composition, highly readable on a mobile screen, large enough to be instantly recognized in a Douyin feed, elegant but powerful Chinese title typography, custom-designed lettering, premium cinematic title treatment, slightly condensed proportions, strong visual weight, refined spacing, subtle horror undertone, sophisticated rather than cheesy, no generic horror font, no exaggerated dripping blood effect, no cartoon typography. The title “乌贼食宴” should occupy a major visual area with generous breathing room around it, never overlap the protagonist’s face, never become partially hidden, never become too close to the image edge. The typography should feel integrated into the poster composition rather than simply placed on top of the image. The uploaded logo {{LOGO}} must be the second most visually important graphic element, clearly visible but noticeably smaller than “乌贼食宴”. Place the logo in the upper corner area with precise editorial alignment, preferably upper-left or upper-right depending on the negative space of the uploaded scene, leaving comfortable margins from the edges, never competing with the main title, never overlapping the protagonist’s face or important body action, maintain the logo’s original visual identity and proportions, do not redesign the logo into another style. “山葵不杀” should be much smaller than the title and slightly smaller than the logo, treated as a refined director credit, placed in a clean lower corner area or beneath the title with generous spacing, understated, elegant, highly legible, visually subordinate to the title. The title hierarchy must be: “乌贼食宴” = dominant uploaded logo = secondary “山葵不杀” = small supporting credit The three text elements must have clearly different visual scales and hierarchy. Do not make the logo larger than the title. Do not make the director name visually compete with the title. Use asymmetrical composition, strong negative space, cinematic framing, deliberate visual balance, premium Chinese graphic design, contemporary editorial poster design, sophisticated typography integration, strong focal point, visual tension, clean hierarchy. The protagonist can occupy one side of the composition while the large empty area is reserved for the title, or the protagonist can occupy the lower or lateral region with the title dominating the open space, depending on the uploaded scene reference. The character action should lead the viewer’s eye naturally toward the title. The overall feeling should be mysterious, dangerous, luxurious, intelligent, unsettling, cinematic, restrained, expensive, and memorable. Avoid: group poster, multiple characters, collage of faces, character lineup, crowded composition, excessive visual effects, generic streaming thumbnails, cheap horror poster design, random blood splashes, excessive gore, fantasy monster illustration style, cartoon style, gaming poster aesthetic, giant logo, tiny unreadable title, decorative fake text, excessive typography, center-aligned generic poster layout, excessive symmetry, cluttered background, stock-photo look. Priority: 1. single-character storytelling 2. strong negative space 3. extremely clear “乌贼食宴” title readability at Douyin thumbnail size 4. premium cinematic composition 5. logo placement in a clearly secondary position 6. restrained director credit “山葵不杀” 7. realistic cinematic photography 8. sophisticated Chinese poster graphic design

【prompt】 A character design reference sheet. **Vertical 9:16 aspect ratio. Maximum resolution output.** Pure solid neutral light-warm-grey studio backdrop. Single-sided side-rim backlighting from camera-right at 45 degrees behind the subject, no fill light, no front light, no other light sources—dramatic cinematic studio lookbook lighting. 【Layout】 **2x2 grid with unequal panel heights**: * Top row: two smaller panels (each approximately 1/3 of total canvas height) — head/face close-ups * Bottom row: two larger panels (each approximately 2/3 of total canvas height) — full body shots * Thin neutral light-grey dividing lines between all four panels * All four panels share the same solid backdrop and same lighting setup 【4 Panels】 **Top-left panel — FRONT FACE CLOSE-UP**: Tight close-up of the character's face, framed from approximately collarbone-line up to top of head. Subject facing camera directly. Side-rim backlight catches the right edge of the face/hair (camera's left side of frame), leaving the left side of the face in deeper shadow with subtle ambient bounce. Both eyes intact and visible, gaze toward camera. Face fully visible. **Top-right panel — SIDE FACE CLOSE-UP (PROFILE)**: Tight close-up of the character's face in pure side profile, framed from collarbone-line up to top of head. Subject facing camera-right (so the right side of his face faces camera-right and the LEFT side of his face faces camera). Side-rim backlight catches the back of the head and silhouettes the profile against the backdrop. Face fully visible. **Bottom-left panel — FULL BODY FROM NECK DOWN, FRONT VIEW (NO FACE)**: Full body shot from collarbone-line down to feet, facing camera directly. **The face/head is intentionally cropped out of frame at the top of this panel—only the neck, shoulders, torso, arms, hips, legs, and feet are visible.** This panel is dedicated to body proportions and costume, —zero face involvement so this panel survives any future face replacement edit. Side-rim backlight catches the right shoulder and right side of body. all front-side accessories visible. **Bottom-right panel — FULL BODY BACK VIEW (INCLUDING BACK OF HEAD)**: Full body shot from head to feet, facing directly away from camera (back of subject toward camera). **Includes back of head.**Side-rim backlight catches right shoulder silhouette from this back angle. 【Subject — same character across all 4 panels】 A wealthy contemporary Chinese male CEO in his mid-forties, founder and chief executive of a successful private company. He looks unmistakably rich and powerful, but not flashy. His wealth is communicated through bespoke tailoring, expensive materials, a luxury mechanical watch, diamond rings, grooming, and effortless confidence. He should feel like a believable successful Chinese businessman with subtle danger and a slightly mischievous personality. **Character Core**: Approximately 42–48 years old, around 170 cm tall. **Short, broad, noticeably overweight build with a heavy torso, thick waist, fuller abdomen, broad shoulders, thick neck and substantial limbs.** His physique suggests comfort, wealth and executive status rather than athleticism. **ETHNICITY — CRITICAL**: East Asian Chinese male with authentic contemporary Chinese facial structure and mature Chinese features. Specific features: * **Cheekbones** — moderately broad and softly defined, softened naturally by facial fullness * **Eyes** — slightly narrow almond-shaped East Asian eyes with monolids or subtle eyelid folds, observant and slightly narrowed by the smile * **Pupil color** — dark warm brown, NOT blue, NOT green * **Hair** — natural black with subtle dark-grey strands, short classic executive haircut, NOT blonde, NOT red, NOT light brown * **Skin tone** — healthy light-to-medium Chinese complexion with a neutral-warm undertone, realistic pores and mature skin texture, NOT pale Northern European fair, NOT dark African * **Jawline** — broad, masculine and slightly softened by facial fullness * **Nose bridge** — prominent straight Chinese East Asian nose bridge with naturally broad but refined nasal structure * **Eyebrows** — dense dark eyebrows, naturally thick and mostly straight Additional facial details: broad forehead, fuller cheeks, subtle nasolabial folds, mild under-eye lines, thick neck and visible Adam's apple. Slightly fuller lips. Restrained mischievous smirk, confident and mildly calculating, never exaggerated. No glasses. **Hair**: Natural black short hair with subtle grey strands, controlled side part, moderate volume, clean classic executive cut. Well groomed but slightly imperfect, with a few naturally displaced strands. No hair accessories. **Upper body**: Full high-end bespoke suit in deep charcoal or very dark graphite, premium Italian wool, expensive and perfectly tailored but worn with relaxed imperfection. Strong executive shoulders, generous fit through the torso to accommodate his heavier build. No tie. Premium white or muted ivory dress shirt with the collar slightly open, one or two buttons undone. Jacket slightly relaxed and naturally creased from wear. Expensive but not pristine. No logos, flashy patterns, tattoos or other accessories. **Several valuable men's diamond rings on his fingers.** **Lower body**: Matching bespoke dark charcoal tailored trousers with a slightly relaxed fit and natural fabric drape. Expensive black round-toe leather dress shoes with restrained polish. No casual elements. 【Color Palette】 Restrained luxury-business palette of deep charcoal, black, muted ivory-white and natural warm skin tones, with no more than four dominant colors. Watch and diamond rings use platinum, white-gold or restrained silver tones. No bright colors or visible branding. Fabrics are luxurious and refined but naturally creased and slightly imperfect from use. 【Pose - same across all 4 panels】 Default standing pose, naturally upright and relaxed, shoulders slightly lowered, weight comfortably distributed with a subtle shift toward one leg. Both arms hang naturally at the sides, hands relaxed. Diamond rings clearly visible on several fingers; luxury mechanical watch clearly visible on one wrist. **Expression: restrained slight smirk, relaxed, confident and subtly mischievous.** Body language should communicate authority, wealth, composure and someone accustomed to being obeyed. 【Critical consistency】 SAME individual character in all 4 panels—identical face structure, identical hair, identical clothing items in identical positions. Same studio backdrop, same single-sided side-rim backlighting setup across all 4 panels. 【Lighting - critical】 **Single-sided side-rim backlighting from camera-right at 45-degrees behind subject. NO fill light. NO front light. NO ambient. NO other light sources.** Strong dramatic edge-light catches the right side of subject silhouette in every panel, leaving the left side of subject in deep falloff shadow with subtle ambient bounce. Cinematic high-end fashion-lookbook studio photography (Peter Lindbergh / Annie Leibovitz portrait style with single rim source). Background remains evenly lit solid neutral light-warm-grey backdrop. 【Style】 Hyperrealistic photographic character design rendering—shot like a high-end practical costume photographed in a film production studio for a cinematic lookbook reference board. NOT illustration, NOT obvious 3D CGI render. Contemporary Chinese cinematic realism with restrained luxury-business editorial sensibility. **East Asian Chinese male reference**: * **Succession, Logan Roy** — mature executive authority, physical heaviness, controlled expression and intimidating presence * **The Wolf of Wall Street, Jordan Belfort** — wealthy businessman confidence, self-assured gaze and subtle predatory charisma * **Succession** — bespoke corporate tailoring, expensive understated fabrics and realistic executive wardrobe Light Kodak Vision3 35mm film grain texture overlay. 【Quality】 Maximum resolution output. 8k ultra clean rendering. Sharp clean edges.Real physical costume cinematic photography aesthetic. 【Panel Labels】 Small clean monospace sans-serif black text below each panel: * Top-left: "FRONT FACE" * Top-right: "SIDE FACE" * Bottom-left: "BODY FRONT (NO FACE)" * Bottom-right: "BACK" 【Constraints】 **Aesthetic**: NOT obvious CGI 3D render, NOT cartoon illustrated, NOT anime style, NOT colorful saturated palette. **Layout & lighting**: NOT 1:1 square aspect (must be vertical 9:16), NOT equal-sized 4 panels (top row smaller, bottom row larger), NOT face visible in bottom-left "BODY FRONT (NO FACE)" panel (face strictly cropped out at top of panel), NOT face obscured or covered in face close-up panels (face fully visible), NOT colorful background (solid neutral light-warm-grey only), NOT soft even neutral lighting (must be single-side rim backlight only), NOT front light, NOT fill light, NOT any text other than i gave you.

【prompt】 A character design reference sheet. **Vertical 9:16 aspect ratio. Maximum resolution output.** Pure solid neutral light-warm-grey studio backdrop. Single-sided side-rim backlighting from camera-right at 45 degrees behind the subject, no fill light, no front light, no other light sources—dramatic cinematic studio lookbook lighting. 【Layout】 **2x2 grid with unequal panel heights**: * Top row: two smaller panels (each approximately 1/3 of total canvas height) — head/face close-ups * Bottom row: two larger panels (each approximately 2/3 of total canvas height) — full body shots * Thin neutral light-grey dividing lines between all four panels * All four panels share the same solid backdrop and same lighting setup 【4 Panels】 **Top-left panel — FRONT FACE CLOSE-UP**: Tight close-up of the character's face, framed from approximately collarbone-line up to top of head. Subject facing camera directly. Side-rim backlight catches the right edge of the face/hair (camera's left side of frame), leaving the left side of the face in deeper shadow with subtle ambient bounce. Both eyes intact and visible, gaze toward camera. Face fully visible. **Top-right panel — SIDE FACE CLOSE-UP (PROFILE)**: Tight close-up of the character's face in pure side profile, framed from collarbone-line up to top of head. Subject facing camera-right (so the right side of her face faces camera-right and the LEFT side of her face faces camera). Side-rim backlight catches the back of the head and silhouettes the profile against the backdrop. Face fully visible. **Bottom-left panel — FULL BODY FROM NECK DOWN, FRONT VIEW (NO FACE)**: Full body shot from collarbone-line down to feet, facing camera directly. **The face/head is intentionally cropped out of frame at the top of this panel—only the neck, shoulders, torso, arms, hips, legs, and feet are visible.** This panel is dedicated to body proportions and costume, —zero face involvement so this panel survives any future face replacement edit. Side-rim backlight catches the right shoulder and right side of body. all front-side accessories visible. **Bottom-right panel — FULL BODY BACK VIEW (INCLUDING BACK OF HEAD)**: Full body shot from head to feet, facing directly away from camera (back of subject toward camera). **Includes back of head.**Side-rim backlight catches right shoulder silhouette from this back angle. 【Subject — same character across all 4 panels】 A sophisticated wealthy contemporary Chinese woman in her mid-thirties, the elegant wife of a highly successful upper-class businessman. She comes from a privileged urban background and carries herself with quiet confidence, intelligence and emotional control. Her beauty is refined rather than glamorous, and her wealth is expressed through impeccable grooming, luxurious fabrics, subtle jewelry and perfect proportions rather than obvious branding. She should feel like a believable affluent Chinese woman living a highly comfortable private life, polished without looking artificial. **Character Core**: Approximately 33–38 years old. **Around 168–172 cm tall, slender elegant physique with long legs, narrow waist, graceful shoulders and naturally toned proportions.** Healthy and well maintained rather than extremely thin or visibly muscular. Her silhouette should feel sophisticated, feminine and understated. **ETHNICITY — CRITICAL**: East Asian Chinese female with authentic contemporary Chinese facial structure and refined mature features. Specific features: * **Cheekbones** — softly defined high cheekbones with elegant natural facial planes, refined rather than angular * **Eyes** — almond-shaped East Asian eyes with natural double eyelids, slightly elongated outer corners, deep intelligent gaze, NOT round eyes * **Pupil color** — dark warm brown, NOT blue, NOT green * **Hair** — deep natural black, smooth and softly textured, NOT blonde, NOT red, NOT light brown * **Skin tone** — luminous light Chinese complexion with a neutral-warm undertone, healthy realistic skin texture, subtle natural pores, NOT porcelain-white artificial skin * **Jawline** — elegant defined jawline with a softly tapered lower face, refined feminine proportions * **Nose bridge** — high, straight refined Chinese East Asian nose bridge with a narrow balanced nasal structure * **Eyebrows** — medium-density dark eyebrows, naturally straight with a subtle soft arch Additional facial details: slightly elongated oval face, balanced facial proportions, refined lips with a softly defined cupid's bow, subtle natural makeup, faint mature expression around the eyes. Her expression should feel intelligent, composed and slightly unreadable. No glasses. **Hair**: Deep natural black hair, extremely well maintained, smooth low-volume texture with a clean center part or subtle side part. Long hair falling naturally to the upper chest or mid-back, carefully shaped with minimal flyaways. Sophisticated salon-quality finish without appearing overly styled. No flashy hair accessories. **Upper body**: Quiet-luxury everyday outfit for a wealthy Chinese woman. Premium cashmere knit, fine silk blouse, or impeccably tailored minimalist jacket in cream, camel, ivory, charcoal or muted beige. Clean feminine tailoring with soft structure, elegant neckline and precise construction. Luxurious fabric texture should be obvious without visible branding. Minimal jewelry: only one or two extremely refined pieces such as small gold earrings or a delicate bracelet. No large logos, no flashy diamonds, no excessive accessories. **Lower body**: High-quality tailored trousers or an elegant midi-length skirt in complementary neutral tones, premium wool, silk or cashmere-blend fabric with natural drape. Refined leather loafers, pointed flats or understated low heels in black, dark brown or nude. Shoes should look expensive but discreet. 【Color Palette】 Quiet-luxury palette of ivory, cream, camel, soft beige, charcoal and muted brown, with no more than four dominant colors. Warm neutral tones preferred. Jewelry uses subtle yellow-gold or champagne-gold metal. No bright colors, saturated accents, visible logos or flashy patterns. Every material should feel expensive through texture, weight, construction and natural drape. 【Pose - same across all 4 panels】 Default standing pose, upright and relaxed, shoulders naturally lowered, spine straight, weight subtly shifted to one leg. Both arms hang naturally at the sides with relaxed hands. **Expression: a very subtle restrained smile, intelligent and calm, with a faint sense of emotional distance.** Body language should communicate someone accustomed to wealth, privacy, social privilege and control without appearing arrogant or theatrical. 【Critical consistency】 SAME individual character in all 4 panels—identical face structure, identical hair, identical clothing items in identical positions. Same studio backdrop, same single-sided side-rim backlighting setup across all 4 panels. 【Lighting - critical】 **Single-sided side-rim backlighting from camera-right at 45-degrees behind subject. NO fill light. NO front light. NO ambient. NO other light sources.** Strong dramatic edge-light catches the right side of subject silhouette in every panel, leaving the left side of subject in deep falloff shadow with subtle ambient bounce. Cinematic high-end fashion-lookbook studio photography (Peter Lindbergh / Annie Leibovitz portrait style with single rim source). Background remains evenly lit solid neutral light-warm-grey backdrop. 【Style】 Hyperrealistic photographic character design rendering—shot like a high-end practical costume photographed in a film production studio for a cinematic lookbook reference board. NOT illustration, NOT obvious 3D CGI render. Contemporary Chinese cinematic realism with understated old-money luxury and sophisticated domestic affluence. **East Asian Chinese female reference**: * **Parasite — Yeon-kyo** — polished upper-class femininity, refined grooming, social elegance and sheltered affluent lifestyle; use only as an atmospheric reference, NOT direct facial likeness * **In the Mood for Love** — restrained elegance, sophisticated femininity, refined hair and wardrobe sensibility * **Succession** — quiet luxury, understated wealth, premium fabrics and controlled upper-class styling Light Kodak Vision3 35mm film grain texture overlay. 【Quality】 Maximum resolution output. 8k ultra clean rendering. Sharp clean edges.Real physical costume cinematic photography aesthetic. 【Panel Labels】 Small clean monospace sans-serif black text below each panel: * Top-left: "FRONT FACE" * Top-right: "SIDE FACE" * Bottom-left: "BODY FRONT (NO FACE)" * Bottom-right: "BACK" 【Constraints】 **Aesthetic**: NOT obvious CGI 3D render, NOT cartoon illustrated, NOT anime style, NOT colorful saturated palette. **Layout & lighting**: NOT 1:1 square aspect (must be vertical 9:16), NOT equal-sized 4 panels (top row smaller, bottom row larger), NOT face visible in bottom-left "BODY FRONT (NO FACE)" panel (face strictly cropped out at top of panel), NOT face obscured or covered in face close-up panels (face fully visible), NOT flashy luxury branding, NOT visible logos, NOT excessive jewelry, NOT overly glamorous eveningwear, NOT colorful background (solid neutral light-warm-grey only), NOT soft even neutral lighting (must be single-side rim backlight only), NOT front light, NOT fill light, NOT any text other than i gave you.

【prompt】 A character design reference sheet. **Vertical 9:16 aspect ratio. Maximum resolution output.** Pure solid neutral light-warm-grey studio backdrop. Single-sided side-rim backlighting from camera-right at 45 degrees behind the subject, no fill light, no front light, no other light sources—dramatic cinematic studio lookbook lighting. 【Layout】 **2x2 grid with unequal panel heights**: * Top row: two smaller panels (each approximately 1/3 of total canvas height) — head/face close-ups * Bottom row: two larger panels (each approximately 2/3 of total canvas height) — full body shots * Thin neutral light-grey dividing lines between all four panels * All four panels share the same solid backdrop and same lighting setup 【4 Panels】 **Top-left panel — FRONT FACE CLOSE-UP**: Tight close-up of the character's face, framed from approximately collarbone-line up to top of head. Subject facing camera directly. Side-rim backlight catches the right edge of the face/hair (camera's left side of frame), leaving the left side of the face in deeper shadow with subtle ambient bounce. Both eyes intact and visible, gaze toward camera. Face fully visible. **Top-right panel — SIDE FACE CLOSE-UP (PROFILE)**: Tight close-up of the character's face in pure side profile, framed from collarbone-line up to top of head. Subject facing camera-right (so the right side of his face faces camera-right and the LEFT side of his face faces camera). Side-rim backlight catches the back of the head and silhouettes the profile against the backdrop. Face fully visible. **Bottom-left panel — FULL BODY FROM NECK DOWN, FRONT VIEW (NO FACE)**: Full body shot from collarbone-line down to feet, facing camera directly. **The face/head is intentionally cropped out of frame at the top of this panel—only the neck, shoulders, torso, arms, hips, legs, and feet are visible.** This panel is dedicated to body proportions and costume, —zero face involvement so this panel survives any future face replacement edit. Side-rim backlight catches the right shoulder and right side of body. all front-side accessories visible. **Bottom-right panel — FULL BODY BACK VIEW (INCLUDING BACK OF HEAD)**: Full body shot from head to feet, facing directly away from camera (back of subject toward camera). **Includes back of head.**Side-rim backlight catches right shoulder silhouette from this back angle. 【Subject — same character across all 4 panels】 A sophisticated Chinese male private chef and head chef of an elite bespoke culinary team specializing in exclusive private dining experiences for extremely wealthy clients. He has the controlled presence of a highly experienced master chef: elegant, intelligent, observant and quietly intimidating, with a subtle mischievous edge. His visual charisma is inspired by the refined menace and composure of Hannibal Lecter, while remaining an original contemporary Chinese character. **Character Core**: Approximately 38–45 years old. **Tall-to-average height, solid athletic build with broad shoulders, strong arms, sturdy torso and visibly developed forearms.** His physique should look functional and powerful, developed through years of professional kitchen work rather than gym bodybuilding. Upright, controlled posture suggesting extensive experience and confidence. **ETHNICITY — CRITICAL**: East Asian Chinese male with authentic contemporary Chinese facial structure and mature Chinese features. Specific features: * **Cheekbones** — moderately defined, masculine facial planes with subtle natural angularity * **Eyes** — deep-set almond-shaped East Asian eyes with clearly visible double eyelids, intense and observant gaze, slightly narrowed, NOT round eyes * **Pupil color** — dark warm brown, NOT blue, NOT green * **Hair** — natural black, extremely neat and carefully controlled, NOT blonde, NOT red, NOT light brown * **Skin tone** — healthy medium warm wheat-toned Chinese complexion with natural texture and subtle signs of outdoor and professional activity, NOT pale Northern European fair, NOT dark African * **Jawline** — strong and clearly defined masculine jawline, firm lower face, slightly angular * **Nose bridge** — high, straight and refined Chinese East Asian nose bridge with natural proportions * **Eyebrows** — dark, dense and well-defined eyebrows, mostly straight with a subtle natural arch Additional facial details: mature masculine features, neatly maintained full beard with short controlled texture, subtly pronounced cheek and jaw planes, slightly mischievous mouth shape. Deep intelligent eyes. Facial expression combines calm confidence, experience and a hint of restrained wickedness. No glasses. **Hair**: Deep natural black hair, impeccably clean and extremely neat professional hairstyle, controlled side part with precise shape and minimal loose strands. Hair stays away from the eyes and face. No hair accessories. No chef hat. **Upper body**: Bespoke high-end white chef's uniform designed for an exclusive private-dining chef. Premium heavyweight cotton or fine technical culinary fabric, exceptionally clean construction, structured but comfortable fit. Predominantly white from shoulders to waist, with subtle tailored detailing and minimal seams. Sleeves rolled neatly above the forearms, exposing strong forearms. Around the neck is a refined chef's neckerchief, neatly tied and positioned naturally, with the **only noticeable color accent in the entire outfit** being a small muted deep-burgundy or dark wine-red detail on the neckerchief. No chef hat, no apron covering the entire torso, no logos, no flashy decorations, no tattoos. The uniform should communicate elite craftsmanship rather than ordinary restaurant workwear. **Lower body**: Clean white or very light-grey tailored chef trousers with a professional relaxed fit, durable premium fabric and natural drape. Minimalist black round-toe professional leather kitchen shoes, clean and understated. 【Color Palette】 Extremely restrained palette of white, soft light-grey, black and one small muted deep-burgundy accent on the neckerchief, with natural warm wheat-toned skin. Nearly the entire uniform is white. No bright colors, colorful patterns or visible branding. Materials are pristine, premium and carefully maintained, with subtle natural creasing from professional use. 【Pose - same across all 4 panels】 Default standing pose, upright and relaxed, shoulders naturally lowered, spine straight, chest open, weight comfortably distributed with a slight natural shift toward one leg. Both arms hang naturally at the sides with relaxed hands and loose fingers. Rolled sleeves clearly reveal strong forearms. Neckerchief clearly visible in front view. **Expression: subtle closed-mouth smile with slightly raised mouth corners, calm, confident and faintly mischievous.** Body language should communicate mastery, patience, authority and someone who remains composed under pressure. 【Critical consistency】 SAME individual character in all 4 panels—identical face structure, identical hair, identical beard, identical clothing items in identical positions. Same studio backdrop, same single-sided side-rim backlighting setup across all 4 panels. 【Lighting - critical】 **Single-sided side-rim backlighting from camera-right at 45-degrees behind subject. NO fill light. NO front light. NO ambient. NO other light sources.** Strong dramatic edge-light catches the right side of subject silhouette in every panel, leaving the left side of subject in deep falloff shadow with subtle ambient bounce. Cinematic high-end fashion-lookbook studio photography (Peter Lindbergh / Annie Leibovitz portrait style with single rim source). Background remains evenly lit solid neutral light-warm-grey backdrop. 【Style】 Hyperrealistic photographic character design rendering—shot like a high-end practical costume photographed in a film production studio for a cinematic lookbook reference board. NOT illustration, NOT obvious 3D CGI render. Contemporary Chinese cinematic realism with refined dark culinary drama and understated luxury sensibility. **East Asian Chinese male facial and character reference**: * **Hannibal, Hannibal Lecter** — refined menace, controlled smile, intelligent gaze, elegant composure and unsettling calm, used only as an atmospheric reference rather than direct likeness * **The Menu** — sophisticated private-dining atmosphere, elite culinary professionalism and restrained visual tension * **The Bear** — authentic professional chef uniform construction, functional sleeve styling and realistic culinary-workwear texture Light Kodak Vision3 35mm film grain texture overlay. 【Quality】 Maximum resolution output. 8k ultra clean rendering. Sharp clean edges.Real physical costume cinematic photography aesthetic. 【Panel Labels】 Small clean monospace sans-serif black text below each panel: * Top-left: "FRONT FACE" * Top-right: "SIDE FACE" * Bottom-left: "BODY FRONT (NO FACE)" * Bottom-right: "BACK" 【Constraints】 **Aesthetic**: NOT obvious CGI 3D render, NOT cartoon illustrated, NOT anime style, NOT colorful saturated palette. **Layout & lighting**: NOT 1:1 square aspect (must be vertical 9:16), NOT equal-sized 4 panels (top row smaller, bottom row larger), NOT face visible in bottom-left "BODY FRONT (NO FACE)" panel (face strictly cropped out at top of panel), NOT face obscured or covered in face close-up panels (face fully visible), NOT chef hat, NOT colorful background (solid neutral light-warm-grey only), NOT soft even neutral lighting (must be single-side rim backlight only), NOT front light, NOT fill light, NOT any text other than i gave you.

这是总剧名： （画面占比大一点） 单集剧名为：乌贼食宴（醒目） 这是第一集，但不写为第一集，写为：问题1 这是剧照： {{Image 1}} {{Image 2}} {{Image 3}} {{Image 4}} ，只能透露一点点信息，不能剧透 这是主角： {{Image 5}} 注意：文字不出现演员名字与出品方等信息。 只有导演信息：山葵不杀 可以适当添加概念性总结 现在按我以下的要求生成画幅4:3的海报： [STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Greig Fraser掌镜,电影Menu 室内光美学,skip-bleach negative LUT,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影皮肤纹理。 Design a **premium cinematic film poster with an internationally acclaimed arthouse and high-concept science-fiction aesthetic**. The poster should feel like an officially released theatrical key art created by an elite film design studio, combining sophisticated editorial composition, contemporary graphic design and authentic photographic cinema language. The overall visual direction is **restrained, intelligent, atmospheric, dramatic and slightly unsettling**, avoiding conventional commercial blockbuster aesthetics. The design should communicate a strong cinematic identity through composition, negative space, typography, image hierarchy, texture and color rather than excessive visual effects. **VISUAL LANGUAGE:** contemporary cinematic realism, high-end editorial art direction, experimental poster composition, restrained science-fiction atmosphere, psychological tension, sophisticated visual hierarchy, subtle surrealism, controlled visual abstraction and premium international festival-film sensibility. **COMPOSITION:** strong intentional composition with carefully controlled visual hierarchy. Use asymmetrical balance, sophisticated negative space, deliberate scale contrast and layered depth. Avoid generic centered compositions or symmetrical promotional layouts. The main visual elements should feel precisely positioned, with enough breathing room for the image to retain authority. Every element should contribute to the composition. **IMAGE TREATMENT:** photorealistic cinematic photography with subtle optical imperfections, realistic perspective, natural depth, carefully controlled exposure and physically believable lighting. Preserve realistic skin, materials, surfaces and environmental textures. Avoid excessive digital cleanliness. **LIGHTING:** dramatic cinematic lighting with controlled contrast, deep shadows, soft highlight rolloff and realistic falloff. Use motivated directional light rather than generic studio illumination. Highlights should remain restrained and cinematic. Shadows should retain subtle tonal information rather than becoming completely crushed. Atmospheric depth may be created through controlled haze, subtle particulate matter and optical diffusion. **COLOR GRADING:** sophisticated filmic color treatment with restrained saturation and carefully selected tonal relationships. Deep blacks, muted midtones, controlled highlights and subtle complementary color contrast. Avoid excessive teal-and-orange grading, neon cyberpunk colors or commercial HDR aesthetics. Colors should feel intentional, cinematic and emotionally connected to the visual concept. **MATERIAL & TEXTURE:** tactile photographic surfaces, subtle paper texture, fine print grain, realistic photographic grain and delicate analog imperfections. Optional layering of extremely subtle dust, scratches, halation, light leaks or imperfect ink response, but only when visually appropriate. Texture should enhance authenticity rather than become a visible effect. **FILM STOCK AESTHETIC:** subtle Kodak Vision3 35mm / 65mm film characteristics, organic film grain, natural highlight compression, gentle halation, slight color separation and authentic analog density. Avoid excessive grain or artificial “film look” overlays. **TYPOGRAPHY:** sophisticated contemporary cinematic typography with precise kerning, intelligent scale relationships and strong editorial hierarchy. Typography should feel designed specifically for the poster rather than placed on top afterward. Use restrained modern sans-serif, refined grotesque or carefully selected contemporary type systems. Text may interact subtly with the composition through scale, cropping, negative space or alignment. Avoid generic Hollywood blockbuster typography, excessive bevels, metallic 3D lettering, glowing text, oversized decorative fonts and stereotypical futuristic typefaces. **GRAPHIC DESIGN:** integrate photography and typography into one coherent visual system. Graphic interventions should be minimal and conceptually meaningful. Subtle cropping, layering, masking, fragmented alignment, oversized typography or controlled geometric structures may be used when appropriate. Never add decorative elements simply to make the poster look complicated. **DEPTH & DIMENSION:** create several visual layers through foreground, middle ground and background relationships, atmospheric perspective, selective focus and scale variation. The poster should feel spatial and cinematic rather than like a flat collage. **MOOD:** intelligent, mysterious, cinematic, restrained, sophisticated, unsettling, immersive and emotionally ambiguous. The image should create curiosity rather than immediately explaining everything. **DESIGN REFERENCES:** conceptual restraint and technological unease associated with *Black Mirror*; speculative visual imagination and experimental atmosphere associated with *Love, Death & Robots*; controlled cinematic tension associated with Denis Villeneuve; dark precision and visual discipline associated with David Fincher; premium photographic portrait and editorial sensibility associated with Peter Lindbergh. These are **high-level visual references only**, not direct imitation. **PRINT & PRESENTATION:** authentic theatrical poster finish, premium offset-print appearance, subtle paper fibers, slight ink density variation, realistic tonal reproduction, extremely fine detail and professional prepress-quality composition. The poster should still look convincing when viewed both digitally and as a physically printed large-format theatrical one-sheet. **AESTHETIC TARGET:** an image that feels **expensive, intelligent, timeless, cinematic and slightly dangerous**. It should look like a poster for a film with a strong visual identity and serious artistic direction, not a generic AI-generated movie poster. **QUALITY:** maximum resolution, extremely detailed photographic rendering, clean professional composition, realistic materials, sophisticated tonal range, sharp but natural image definition, subtle analog imperfections, premium cinematic finishing. Avoid: generic AI poster aesthetic, stock-photo appearance, generic blockbuster key art, excessive visual effects, neon cyberpunk, oversaturated colors, teal-orange cliché, heavy HDR, excessive sharpening, plastic skin, excessive digital clarity, glossy 3D effects, fake lens flares, floating particles used decoratively, random geometric graphics, cluttered composition, excessive typography, cheap futuristic fonts, gaming poster aesthetic, anime style, illustration style, fantasy painting style, obvious CGI, Unreal Engine look, synthetic textures, excessive film grain, crushed blacks, blown highlights, amateur graphic design, template-like composition.

图片节点 9

根据此 {{Image 1}} 主厨的风格，生成三个手下的年轻厨师（两男一女），还有两个穿马甲打领结的服务员（两个男生），五个人年龄都在23岁左右，每个人的长相（脸型、五官、高矮）和发型都不一样，但三件厨师装是统一的，两件服务员装是统一的。看起来都干净整洁。五个人在画幅16比9的图片里依次自然站立，显示全身。表情放松。中国人长相。手臂自然下垂。 ## 【灯光要求（核心）】 单侧轮廓逆光，光源在画面右侧、人物后方 45°。无补光，无正面光源，无环境漫射光，无其他光源。强烈戏剧化轮廓光，勾勒每个人物右侧轮廓；人物左侧落入快速衰减的深阴影，带有微弱环境反光。电影级高端时尚影棚人像摄影风格（参考 Peter Lindbergh、Annie Leibovitz 人像，单轮廓光源）。背景保持均匀纯色浅暖灰。 ## 【画面风格】 超写实质感摄影级角色设定渲染，如同影视剧组影棚实拍高质量实体服装，制作电影设定参考板。**不是插画，不是一眼就能看出的 3D CG 渲染图。** 叠加轻微柯达 Vision3 35mm 胶片颗粒质感。 ## 【画质要求】 最高分辨率输出。8K 超清渲染，边缘锐利干净。实体服装电影摄影质感。 ## 【限制条件】 画面风格：不能是明显 CG 渲染图、卡通插画、动漫风格，禁止高饱和艳丽色彩。 版面与灯光：画幅16比9；背景不能彩色，只能纯色浅暖灰；不能柔和均匀平光，必须只用单侧轮廓逆光；禁止正面光、补光；画面不得出现任何其他文字。

A photorealistic cinematic character transformation reference of a contemporary Chinese human undergoing a horrifying prehistoric cephalopod mutation, **16:9 horizontal cinematic composition**, hyperrealistic practical creature-effects photography, realistic anatomy, biological horror, no fantasy stylization. The character is caught at the exact transitional stage between human and giant prehistoric cephalopod, retaining recognizable human identity while the body is being violently rewritten from the inside. **HEAD & FACE**: The original human facial structure remains partially recognizable but is visibly mutating. The eyes become deeply recessed and unnaturally focused, with the irises darkened and the pupils transformed into **thin horizontal slit-shaped pupils**. The sclera remains subtly bloodshot. Facial muscles appear tense and asymmetrical. The jaw becomes severely dislocated and structurally distorted, stretching beyond normal human anatomy. The mouth tears unnaturally wider toward both sides, revealing a grotesque circular oral structure inspired by a giant cephalopod feeding apparatus. Skin around the mouth is stretched, wet and slightly torn, with subtle dark reddish biological tissue underneath. Do not make the mouth resemble a simple monster mouth; it should feel like a human face being forcibly transformed into a cephalopod feeding structure. **SKIN & BODY MUTATION**: Healthy human skin transitions into wet, organic cephalopod tissue in irregular zones. Flesh becomes darker, slightly translucent and mottled with deep burgundy, muted brown and desaturated blue-green tones. Subtle biological suction-cup textures begin appearing beneath the skin and along the arms and hands. The mutation must feel **biological, invasive and physically painful**, with stretched tissue, swelling, micro-tears, wet membranes and realistic anatomical deformation. No glowing fantasy skin, no armor, no mechanical components. **ARMS & HANDS**: Human arms progressively transform into muscular cephalopod limbs. Fingers become elongated, partially fused and increasingly tentacle-like. Suction cups emerge in irregular rows across the palms, fingers and inner forearms. The suction cups are small at first but become larger and more pronounced toward the wrists and elbows. For a later-stage mutation, both arms become powerful thick tentacles with dense muscular structure, capable of independent movement. The original human shoulders and upper torso remain partially recognizable. **LEGS & LOWER BODY**: The legs begin losing normal human structure as elongated muscular tentacular tissue spreads upward from the feet and calves. Clothing becomes stretched, torn and partially wrapped around the transforming anatomy. The lower body remains recognizably human at first, but gradually becomes an unstable mass of powerful cephalopod limbs. **CLOTHING**: The character's original expensive contemporary clothing remains partially intact but is violently stretched, torn and soaked with biological mucus. Fragments of recognizable clothing remain attached to the mutated body, emphasizing that this is still the same human being. Clothing should never disappear completely. **BIOLOGICAL DETAILS**: Wet mucous membranes, subtle translucent tissue, realistic suction cups, stretched skin, swollen muscle, irregular pigmentation, deep anatomical folds and fine organic surface detail. The creature should feel like a plausible evolved prehistoric cephalopod rather than a fantasy monster. **EXPRESSION & BODY LANGUAGE**: The character retains traces of human consciousness but is being overwhelmed by primal predatory instinct. Expression should communicate pain, confusion, rage and animalistic hunger simultaneously. The body is tense and unstable, as though fighting an internal biological takeover. **Mutation progression**: Early stage — human appearance mostly intact, horizontal pupils, subtle facial deformation, darkened veins and first suction cups appearing on the hands. Mid stage — jaw deformation becomes extreme, mouth widening, forearms becoming partially tentacular, suction cups spreading rapidly, skin becoming wet and mottled. Late stage — human anatomy is heavily overwritten by giant cephalopod anatomy, arms and legs becoming thick muscular tentacles, mouth completely transformed, only fragments of the original human identity remain. **VISUAL TONE**: Oppressive deep-sea biological horror, grotesque but realistic, disturbing rather than spectacular. The transformation should feel like an unnatural evolutionary process occurring in real time. PHOTOGRAPHIC TONE: captured as if during principal photography for a high-budget science-fiction horror film, professional cinema camera, realistic practical creature effects, 35mm Kodak Vision3 film stock, subtle organic film grain, physically accurate wet surfaces and skin texture, realistic shadow falloff, restrained contrast, no plastic CGI appearance. Avoid: cute octopus features, cartoon tentacles, giant fantasy eyes, clean superhero mutation, symmetrical monster anatomy, excessive glowing effects, neon colors, armored creature, mechanical tentacles, cyberpunk design, fantasy monster aesthetic, anime, illustration, obvious CGI, smooth plastic skin, video-game creature design, oversaturation, excessive gore, generic zombie transformation.

作为logo的视觉锚定。 A photorealistic cinematic close-up of a **real physical slot machine inside a post-apocalyptic abandoned room**, 4:3 aspect ratio. The camera is positioned directly in front of the machine at eye level, with the visual focus concentrated on the central interface. The slot machine fills most of the frame and clearly reads immediately as a real gambling machine, while the surrounding environment falls into heavy shallow depth of field and soft darkness. The machine has a **large horizontal electronic display occupying the upper half of the front panel**, with three mechanical slot reels directly below it. The screen and reels dominate most of the image, while the outer machine body remains partially visible around them. The electronic display shows the exact Chinese text: **“乌贼食宴”** The text uses a **simple bold black Chinese typeface**, clean and highly legible, with realistic electronic-display malfunction characteristics: subtle horizontal scan lines, uneven pixel density, slight ghosting, faint digital interference, tiny dead pixels, irregular brightness and occasional broken segments. The screen itself is old but still functioning, with a slightly dirty translucent surface and faint internal electronic glow. The text must remain readable and should feel physically displayed on a real damaged electronic screen, not digitally overlaid. Leave a **clean, relatively empty area within the composition near the upper portion of the machine display for adding a custom logo in post-production**. Do not generate any logo or extra text in that reserved area. Directly below the electronic screen are **three clearly separated mechanical lottery reels**, vertically aligned and occupying the central lower portion of the machine. Each reel displays: **001** The “001” typography should feel **worn, mechanical and technological**, as if printed or engraved onto aged rotating mechanical drums. Slight differences in wear, scratches, dirt and faded ink should be visible across the three reels. The reels should look physically tangible, with realistic depth, metal housings, internal mechanical structures and subtle signs of repeated use. The slot machine itself has an **industrial retro-futuristic construction**, combining dark painted metal, scratched steel, aged black polymer, exposed mechanical components and small areas of translucent plastic. It should look like a real machine that has survived a long period of social collapse. The exterior is damaged but not destroyed: chipped paint, worn edges, small dents, faded surface markings, dust accumulation and minor rust around exposed metal joints. Small amounts of **graffiti, hand-written markings and old stickers** are scattered across the machine body. The graffiti should feel improvised and authentic, while the stickers appear old, partially peeled and weathered. These elements remain secondary and must never interfere with the screen or slot reels. The surrounding environment is a **dark abandoned room after societal collapse**, visible only as a blurred suggestion behind the machine. Broken walls, damaged furniture, debris and deteriorated surfaces may be faintly visible, but the background should remain heavily defocused and visually subordinate. Large bundles of **electrical wires and cables** run through the background and around parts of the machine. Some wires hang loosely from the walls and ceiling, while others disappear behind the slot machine. The wiring should feel practical, improvised and irregular, suggesting that the machine has been manually connected to an unstable electrical system. No glowing neon cables. The room should feel poorly illuminated and almost abandoned, with the slot machine's electronic screen providing the primary visual attraction. Background light is extremely weak, cool and diffuse, allowing only vague silhouettes of the ruined room and hanging cables to remain visible. Lighting: low-key cinematic lighting with the **screen and mechanical reels receiving the strongest visual illumination**, while the surrounding machine housing falls gradually into shadow. Subtle cool electronic illumination reflects onto nearby scratched metal and plastic surfaces. Very weak ambient environmental light reveals the room behind the machine. No dramatic spotlight, no colorful neon lighting, no futuristic showroom lighting. Focus: **very shallow depth of field**, with the horizontal electronic display and three slot reels rendered extremely sharp and detailed. The outer edges of the machine gradually soften, while the background becomes heavily blurred. The viewer's eye should naturally lock onto the text “乌贼食宴” and the three “001” reels. Color palette: dominant charcoal black, dirty graphite, aged steel gray, dark brown, muted blue-gray and faded industrial green. The electronic display emits a restrained cold blue-green or dirty off-white glow. Graffiti and sticker colors are heavily faded and desaturated. No bright saturated colors. MATERIAL LANGUAGE: scratched painted metal, aged steel, worn black polymer, dusty glass, mechanical aluminum, old rubber seals, faded printed paper stickers and realistic electrical cabling. Every surface should exhibit believable physical texture, wear and small imperfections. Nothing should look newly manufactured. ATMOSPHERE: **post-apocalyptic, lonely, mysterious, industrial and quietly unsettling**. The machine should feel strangely functional inside a world that has fallen apart. The visual contrast between an obsolete entertainment machine and the devastated room should create an eerie sense that the machine has continued operating long after everything around it stopped. PHOTOGRAPHIC TONE: photographed as a real practical object during principal photography for a serious science-fiction thriller. Professional cinema camera, realistic 4:3 lens perspective, natural optical falloff, subtle lens imperfections, realistic reflections, restrained dynamic range, soft highlight rolloff, deep shadows and subtle Kodak Vision3 35mm film characteristics with fine organic grain. Real physical photography, not a digital environment render. The overall image should feel like a **single frame from a sophisticated post-apocalyptic science-fiction film**, combining practical production design, realistic mechanical detail and restrained technological horror. Avoid: 3D CGI, obvious digital rendering, game asset aesthetic, futuristic casino, clean modern slot machine, glossy surfaces, cyberpunk neon, holograms, excessive LED lights, sci-fi spaceship design, overly futuristic machinery, bright colors, perfect clean surfaces, cartoon graffiti, excessive stickers, excessive rust, completely destroyed machine, illegible screen text, incorrect Chinese characters, extra text, extra logos, generated logo, symmetrical studio product photography, flat lighting, deep focus background, oversharpening, HDR, oversaturation, plastic textures, generic AI image quality.

将图片 {{Image 1}} 的所有元素保持不变的情况下，把画幅从横板的4:3改为竖版的3:4

图片节点 18

A photorealistic cinematic creature character design of a **human-height humanoid cephalopod creature**, approximately 180 cm tall, combining the anatomy and visual characteristics of a giant squid and an octopus. The creature stands upright with a disturbing humanoid silhouette, while its entire body is organically adapted to cephalopod anatomy. Its body is dense, muscular and unnaturally flexible, with a large elongated cephalopod torso, powerful shoulders and a slightly hunched predatory posture. The skin is dark desaturated blue-gray, deep brown-black and muted flesh tones, covered with a **thick layer of wet transparent mucus** that constantly coats the entire creature. The surface appears slick, cold, organic and freshly alive, with realistic pores, folds, wrinkles, subtle veins and irregular pigmentation. The creature has a terrifying cephalopod head with no human facial structure. Its eyes are large, deeply unsettling and intensely intelligent, with a predatory gaze that feels conscious and calculating rather than animalistic. The eyes are glossy, wet and deeply recessed, surrounded by irregular folds of soft tissue. The expression should communicate **hunger, hostility and disturbing intelligence**, as if the creature is silently observing prey before attacking. From the lower torso extend multiple powerful tentacles. The tentacles are anatomically integrated into the body rather than appearing attached artificially. **Tentacle anatomy:** * Two primary tentacles end in fully recognizable **human hands**, complete with five fingers, fingernails and human joints, but completely covered in translucent mucus and partially transformed into wet organic tissue. The hands should retain unmistakable human anatomy while feeling deeply unnatural. * Two other tentacles end in recognizable **human feet**, complete with toes and human foot structure, also completely coated in mucus and integrated seamlessly into the cephalopod anatomy. * All remaining appendages are authentic powerful octopus tentacles, muscular and flexible, with rows of realistic suction cups distributed along their inner surfaces. The human hands and feet should create the strongest uncanny effect: recognizable human anatomy appearing at the ends of completely non-human tentacles, suggesting that the creature was once human but has been violently rewritten into another biological form. The tentacles vary naturally in thickness and length. Some curl loosely around the body while others hang heavily toward the ground. Their weight should feel substantial and muscular. Wet mucus stretches between folds and suction cups, producing subtle translucent strands and reflective highlights. The creature should feel **physically heavy, biologically plausible and horrifyingly real**, not like a fantasy monster or conventional CGI creature. Anatomy should be asymmetrical and slightly irregular, with natural biological imperfections. **ATMOSPHERE & TONE:** Oppressive, disturbing, claustrophobic biological horror. The creature should immediately create a feeling that something has gone fundamentally wrong with nature. Its presence should feel ancient, intelligent and predatory. The horror comes primarily from **anatomical wrongness, human remnants inside non-human anatomy, wet biological texture and the creature's intelligent gaze**, rather than excessive gore. The overall emotional tone is **cold, dreadful, unnatural, elegant and deeply unsettling**. Avoid exaggerated monster aggression or theatrical roaring. The creature should remain relatively still and composed, making its presence more frightening. **VISUAL REFERENCE:** * **Hannibal / Hannibal Lecter** — intelligent predatory gaze, controlled menace and unsettling psychological presence * **Alien** — biomechanical realism, extreme creature silhouette and disturbing biological design language * **Annihilation** — unnatural evolutionary transformation, biological mutation and mysterious organic horror * **Denis Villeneuve** — restrained cinematic scale, oppressive atmosphere, controlled visual language and serious science-fiction tone * **David Fincher** — dark realism, uncomfortable close-up detail, restrained color and psychologically disturbing imagery PHOTOGRAPHIC TONE: photographed as a high-budget practical creature effect for a serious science-fiction horror film, professional cinema camera, realistic practical prosthetic and animatronic aesthetic, subtle Kodak Vision3 35mm film grain, physically accurate wet skin and mucus, realistic subsurface scattering, natural optical softness, deep blacks, restrained highlights and cinematic contrast. The creature must feel physically present in front of a real camera, not digitally generated. COLOR PALETTE: deep blue-black, desaturated charcoal, muted flesh brown, cold gray and restrained wet highlights. No bright colors, no neon, no saturated fantasy tones. **CRITICAL DESIGN PRIORITY:** the creature must read immediately as a disturbing hybrid of **human + octopus + giant squid**, with the four abnormal human limb endings clearly visible: **two human hands, two human feet, all attached to tentacles, while the remaining appendages remain normal octopus tentacles.** Avoid: cute octopus, cartoon creature, fantasy monster, humanoid squid superhero, excessive teeth, exaggerated muscles, clean dry skin, glossy plastic CGI, symmetrical anatomy, mechanical tentacles, robotic elements, armor, wings, horns, fantasy scales, colorful bioluminescence, neon lighting, anime, illustration, video-game creature design, obvious 3D render, generic CGI monster, overly clean anatomy, excessive gore, comedic expression.

[STYLE LOCK] 完全写实，禁止3D。35mm电影胶片质感，欧美剧集《黑镜》的视觉氛围：写实纪录片质感，画面带轻微胶片颗粒。 {{Mixed 1}} 作为视频的的视觉参考。**除了字体外的视觉参考** {{Mixed 1}} 是一台末世中的老虎机，画面中央偏上是老虎机的屏幕，上面写着 乌贼食宴，具有破旧电子屏幕感。画面中央偏下是老虎机的白色抽奖滚轮，分别写着0 0 1，画面右侧是老虎机的制动把手。 **特别注意：此段视频会替换屏幕上的字体为“绝对概率”与滚轮上的数字“1”替换为“2” ，并不作为直接参考** 画面描述：全程固定镜头。黑幕开场，渐显出图片中的老虎机，*注意*：但是开场时老虎机的屏幕上并没有亮，是黑屏状态，三个滚轮上也不是“001”，而分别是三个风格相似的卡通图案：机器人、抢、带耳机的mp4。这三个图案分别在三个滚轮上。 然后画面右侧外伸进一只烧的焦黑的人类的右手，伴随着一些烟（像是被电成这样的），手伸进来死死握住住老虎机右侧的把手，然后往下拨动，紧接着手离开画面，机器的屏幕开始闪烁，但此时屏幕亮起却没有“乌贼食宴”几个字，只是单纯闪烁与亮屏。紧接着下面三个滚轮依次开始转动，左侧第一个滚轮先开始转动，中间的滚轮紧接着转动，然后是右侧的滚轮转动。 随着滚轮缓慢停下，呈现出“0 0 2”三个图标 **注意，把滚轮上的”0 0 1“替换为"0 0 2"** ，滚轮停下后，亮着屏幕但还没有字的老虎机屏幕开始故障闪烁，最后闪烁出“绝对概率”四个字。**注意：字体从“乌贼食宴”更换为”绝对概率“，但视觉效果也是屏幕显示出来的效果** 音轨规则：烧焦的手的声音、制动把手扳动的机械金属声、屏幕闪烁的低沉与刺耳的电子故障声、白色滚轮转动的齿轮声与机器运作声、滚轮定格的机械卡点声、老虎机屏幕闪烁的低沉电流音与故障声、外加一点电子游戏的戏剧性音效。

仅仅把图片 {{Image 1}} 中红框中的logo更换成清晰显眼的 logo，不能有多印、错印，把logo原封不动的换上去，颜色材质换成白色贴纸，再去掉红框，其他部分完全保持不变。

logo： （logo保持清晰） A photorealistic cinematic close-up of a **high-quality modern slot machine still operating inside a post-apocalyptic abandoned room**, 4:3 aspect ratio. The camera is positioned directly in front of the machine at eye level, with the visual focus concentrated on the central interface. The slot machine fills most of the frame, while the surrounding environment falls into deep shadow and heavy shallow depth of field. **LOGO REFERENCE — CRITICAL:** Use the **@referenced logo image** as the exact visual reference for the machine's logo. Reproduce the referenced logo faithfully without redesigning, simplifying, distorting or replacing it. Integrate the logo naturally into a reserved area of the upper machine body near the electronic display. The logo should appear physically printed, subtly embossed or professionally applied to the machine surface, with realistic material interaction and slight signs of age consistent with the environment. **Do not generate any other logo or additional text.** The machine has a **large horizontal electronic display occupying the upper half of the front panel**, with three mechanical slot reels directly below it. The screen and reels dominate most of the image, while the outer machine body remains partially visible around them. The electronic display shows the exact Chinese text: **“乌贼食宴”** The text uses a **simple bold black Chinese typeface**, clean and highly legible, with subtle realistic electronic-display imperfections: fine scan lines, slight pixel irregularity, faint ghosting, a few dead pixels and minor brightness inconsistencies. The screen is old enough to show gentle surface wear but remains clearly functional and technologically sophisticated. Its internal glow is very dim and restrained. Directly below the electronic display are **three clearly separated mechanical lottery reels**, arranged horizontally. Each reel displays exactly one character: **“0” “0” “1”** The three reels must remain visually distinct, clearly reading **0 / 0 / 1**. The typography has a restrained industrial character, with mild fading, tiny scratches and subtle evidence of repeated mechanical use. The reels remain clean and mechanically precise rather than rusty or damaged. The slot machine itself is a **premium, professionally manufactured gambling machine**, combining dark graphite-painted metal, brushed aluminum, black polymer, reinforced glass and precision mechanical components. Its structure remains intact and functional. The machine should look expensive and solid, as though it was built to operate reliably for many years. Its post-apocalyptic condition is expressed through **subtle environmental aging rather than severe physical damage**: a thin layer of dust, minor surface scratches, slight fading around frequently touched areas, a few small dents and naturally worn edges. Paint remains largely intact. Metal surfaces are not heavily corroded. No broken panels, no missing parts, no large rust patches. Small amounts of **graffiti, handwritten markings and old stickers** appear on selected sections of the outer casing. The stickers are partially faded and slightly curled at their edges, while the graffiti is understated and naturally weathered. These details suggest that the machine has existed through a long period of social collapse without making it look abandoned or unusable. The surrounding environment is a **dark post-apocalyptic room**, only vaguely visible through shallow depth of field. Deteriorated walls, scattered debris, damaged furniture and structural decay appear as soft indistinct shapes rather than detailed background objects. Large bundles of **electrical wires and cables** run through the background and around portions of the machine. Some are loosely hanging while others are neatly connected into the machine, suggesting that surviving power has been improvised around an otherwise sophisticated device. The wiring should feel believable and functional, not chaotic sci-fi decoration. The machine remains one of the few clearly functioning objects in the environment. Its interface is intact, its reels are properly aligned and its display is still operating, creating a subtle contrast between **technological precision and surrounding societal collapse**. **Lighting:** extremely low-key cinematic lighting. The entire scene is noticeably dark. The electronic display and mechanical reels receive just enough illumination to remain readable, becoming the primary visual focus. The machine's dark casing gradually disappears into shadow toward the edges. Very weak cool blue-green or dirty off-white electronic glow reflects softly across nearby metal surfaces. Background illumination is minimal, revealing only faint fragments of walls, wires and debris. No bright key light, no dramatic spotlight, no strong rim light, no neon lighting. The darkness should feel natural and oppressive. Focus: **very shallow depth of field**, with the electronic display and all three mechanical reels rendered sharply. The outer casing becomes progressively softer toward the edges, while the background room and electrical wiring fall heavily out of focus. The viewer's eye should immediately lock onto **“乌贼食宴”** and **“0 / 0 / 1”**. Color palette: dominant deep graphite, charcoal black, muted steel gray, dark brown and blue-gray. The electronic screen emits a restrained dirty blue-green or dim neutral-white glow. Graffiti and sticker colors are heavily faded and desaturated. The overall image remains dark, muted and cinematic. MATERIAL LANGUAGE: premium painted metal, brushed aluminum, reinforced display glass, high-quality black polymer, mechanical steel components, rubber seals, aged paper stickers and realistic electrical cabling. Materials remain physically believable and relatively well preserved, with **subtle wear rather than heavy deterioration**. Surfaces should show fine dust, fingerprints, light scratches and minor aging while retaining the sense of an expensive manufactured object. DESIGN LANGUAGE: contemporary high-end gambling-machine engineering combined with post-apocalyptic environmental storytelling. The machine should feel like a sophisticated artifact from a functioning technological society that somehow survived the collapse. ATMOSPHERE: **dark, lonely, mysterious, restrained and quietly unsettling**. The machine should feel strangely alive in a dead environment. Its soft electronic glow becomes a small surviving source of artificial life, suggesting that some systems continued functioning even after society collapsed. PHOTOGRAPHIC TONE: photographed as a real practical object during principal photography for a serious science-fiction thriller. Professional cinema camera, realistic 4:3 perspective, natural optical falloff, subtle lens imperfections, realistic reflections, deep blacks, restrained highlight rolloff and subtle Kodak Vision3 35mm film characteristics with fine organic grain. Real physical photography, not a digital environment render. The overall image should feel like a **single frame from a sophisticated post-apocalyptic science-fiction film**, where the production design is expensive and believable rather than excessively destroyed. Avoid: completely ruined machine, severe rust, heavy corrosion, broken screen, missing reels, cracked casing, exposed internal destruction, abandoned scrap-machine appearance, excessive dirt, excessive decay, generic junkyard aesthetic, futuristic casino, clean modern showroom, glossy surfaces, cyberpunk neon, holograms, excessive LEDs, spaceship design, oversized logo, redesigned logo, incorrect logo, extra logos, extra text, repeated “001”, “001001001” arrangement, unclear reel separation, bright lighting, bright glowing screen, oversaturation, excessive HDR, deep-focus background, 3D CGI, obvious digital rendering, video-game asset aesthetic, Unreal Engine look, plastic textures, generic AI image quality.

[STYLE LOCK] 完全写实，禁止3D。35mm电影胶片质感，欧美剧集《黑镜》的视觉氛围：写实纪录片质感，画面带轻微胶片颗粒。 作为视频的尾帧的视觉锚定。 是一台末世中的老虎机，画面中央偏上是老虎机的屏幕，上面写着 乌贼食宴，具有破旧电子屏幕感。画面中央偏下是老虎机的白色抽奖滚轮，分别写着0 0 1，画面右侧是老虎机的制动把手。 画面描述：全程固定镜头。黑幕开场，渐显出图片中的老虎机，*注意*：但是开场时老虎机的屏幕上并没有亮，是黑屏状态，三个滚轮上也不是“001”，而分别是三个风格相似的卡通图案：乌贼、餐盘与刀叉、巨树。这三个图案分别在三个滚轮上。 然后画面右侧外伸进一只章鱼的触手，伴随着粘液，它伸进来缠住老虎机右侧的把手，然后往下拨动，紧接着触手离开画面，机器的屏幕开始闪烁，但此时屏幕亮起却没有“乌贼食宴”几个字，只是单纯闪烁与亮屏。紧接着下面三个滚轮依次开始转动，左侧第一个滚轮先开始转动，中间的滚轮紧接着转动，然后是右侧的滚轮转动。 随着滚轮缓慢停下，呈现出图片1上的“001”三个图标，滚轮停下后，亮着屏幕但还没有字的老虎机屏幕开始故障闪烁，最后闪烁出图片1呈现的“乌贼食宴”四个字。 音轨规则：触手黏糊的声音、制动把手扳动的机械金属声、屏幕闪烁的低沉与刺耳的电子故障声、白色滚轮转动的齿轮声与机器运作声、滚轮定格的机械卡点声、老虎机屏幕闪烁的低沉电流音与故障声、外加一点电子游戏的戏剧性音效。

图片节点 13

A photorealistic cinematic ground-level wide-angle view of a vast primeval jungle from deep within an ancient prehistoric forest, 16:9 horizontal cinematic composition. The environment feels untouched and impossibly old, dominated by towering tree ferns, giant cycads, ancient conifer-like trees, enormous broad-leafed prehistoric plants and dense layers of tangled vegetation rising far above the forest floor. Massive trunks disappear into the canopy, creating a natural cathedral of vegetation, while overlapping fern fronds and enormous leaves form dense visual layers extending deep into the background. The forest floor is uneven and humid, covered with thick carpets of giant ferns, broad prehistoric leaves, damp soil, exposed roots, fallen branches, moss and scattered fragments of weathered plant matter. Narrow natural gaps cut through the vegetation, creating winding passages and deep pockets of darkness between the plants. Some enormous leaves are torn, bruised or partially decayed, adding subtle signs of an untamed ancient ecosystem without showing any living creatures. The vegetation becomes progressively darker and denser deeper into the frame. Huge roots twist across the ground like natural structures, while fallen trunks create irregular horizontal layers through the jungle. Several enormous fern-covered rock formations emerge from the undergrowth. The distant background disappears into humid atmospheric haze, with multiple layers of foliage gradually losing contrast and detail. The architecture of the environment is entirely organic and naturally formed: gigantic vertical trunks, overlapping fern canopies, tangled roots, primitive broad-leaf vegetation, damp stone and rich soil. No modern structures, no human traces, no tools, no roads, no artificial objects. The atmosphere should feel **ancient, immense, humid, primordial and slightly threatening**, creating the impression that this environment existed millions of years before modern civilization. The scale of the vegetation should make the viewer feel unusually small, with enormous leaves and tree ferns dominating the visual field. The scene should feel beautiful and awe-inspiring at first glance, but contain a subtle sense of danger and isolation. Lighting: dramatic prehistoric jungle daylight filtered through an extremely dense canopy overhead. Soft shafts of natural sunlight penetrate irregular openings in the vegetation, creating fragmented highlights across leaves, roots and damp ground. Warm natural sunlight contrasts against deep cool green shadows. Strong volumetric atmospheric depth between foreground and background, realistic moisture in the air, subtle suspended mist and faint humidity haze. No artificial light sources. Color palette: dominant deep jungle green #243C2B, prehistoric fern green #3D5A36, dark moss #4A5140, muted olive #687052, wet earth brown #40352A, weathered bark brown #51463A, deep shadow blue-green #263834, with restrained natural sunlight #D6C08C. Colors remain earthy, desaturated and cinematic, avoiding bright tropical saturation. MATERIAL LANGUAGE: wet bark, fibrous tree roots, broad waxy prehistoric leaves, delicate fern textures, damp soil, moss-covered stone, decaying wood and naturally weathered vegetation. Surfaces should show microscopic organic detail, moisture variation, dirt accumulation, small tears, scratches and natural imperfections. Nothing should appear polished, decorative or artificially designed. ENVIRONMENTAL DESIGN LANGUAGE: grounded prehistoric naturalism, colossal botanical scale, dense layered jungle composition, organic irregularity and geological permanence. The environment should feel scientifically plausible and physically real while remaining visually extraordinary enough for a cinematic science-fiction thriller. PHOTOGRAPHIC TONE: shot as if during principal photography inside a real remote prehistoric environment, captured with a professional full-frame cinema camera and 35mm Kodak Vision3 film stock. Natural lens perspective, realistic atmospheric depth, subtle depth of field, organic optical falloff, slight film grain and physically accurate light behavior. Rich but restrained tonal range, realistic shadow density, soft highlight rolloff and slight natural lens imperfections. The image should feel like an expensive cinematic production frame rather than concept art or environment design artwork. Avoid: people, human figures, animals, insects, birds, reptiles, dinosaurs, creatures, silhouettes, footprints, nests, animal remains, modern objects, buildings, technology, roads, ruins, fantasy architecture, tropical resort aesthetic, colorful exotic plants, artificial fog, excessive volumetric light, oversharpening, artificial sharpness, HDR effect, heavy digital grain, oversaturation, glossy surfaces, plastic foliage, generic AI image quality, 3D render look, CGI look, video game environment, Unreal Engine look, anime style, illustration style, fantasy painting style.

内容与构图完全不变，只是把摄影风格和质感升级为： 【STYLE LOCK】 完全写实，禁止3D。35mm电影胶片质感，A24的电影、或者电影《菜单》的视觉氛围：高级压抑的氛围感、低饱和的整体氛围色调、高级与野性的对比感与克制感，自然光下的写实纪录片质感，画面带轻微胶片颗粒。写实悬疑类型片基调，宽画幅4:3 。暖色调人工灯光与环境冷色光自然结合，充满电影美学的美感。

【STYLE LOCK】 完全写实，禁止3D。35mm电影胶片质感，A24的电影、或者电影《菜单》的视觉氛围：高级压抑的氛围感、低饱和的整体氛围色调、高级与野性的对比感与克制感，自然光下的写实纪录片质感，画面带轻微胶片颗粒。写实悬疑类型片基调，宽画幅4:3 。暖色调人工灯光与环境冷色光自然结合，充满电影美学的美感。 生成一盘由高级奢华但看起来简约的盘子装着的菜肴特写。 炸的金黄的动物的肉块，虽然是高级摆盘，但是食物看起来已经被吃了一半，也不影响食物看起来异常可口

A photorealistic cinematic wide-angle interior view of an ultra-luxury private dining chamber inside a futuristic deep-sea exploration submarine, 16:9 horizontal cinematic composition. The space is designed as an exclusive underwater dining salon for no more than 10–14 wealthy guests, seamlessly combining elite fine-dining architecture with advanced deep-sea engineering. The interior feels expensive, intimate, highly controlled and slightly claustrophobic, like a private luxury restaurant sealed inside a pressure-resistant submersible descending into the abyss. At the center is a long bespoke dining table seating approximately 10–14 guests, crafted from dark polished natural stone with subtle organic edges and a refined matte finish. Around it are elegant high-backed dining chairs upholstered in deep charcoal leather. The tabletop is meticulously arranged with premium porcelain plates, dark ceramic serving dishes, brushed silver cutlery, heavy crystal glasses and restrained luxury tableware. Everything is perfectly composed but understated, with no visible logos or excessive ornamentation. The main walls are constructed from a combination of dark structural metal, smoked glass and curved pressure-resistant panoramic windows. Beyond the thick reinforced glass is an almost completely black deep-ocean environment, with faint blue-green gradients and subtle particles drifting through the water. No marine animals are visible. The external darkness should dominate the windows, creating a powerful contrast between the warm refined dining space and the hostile abyss outside. The architecture combines **deep-sea engineering and organic luxury**: curved structural ribs, dark brushed metal frames, sculptural wall panels, subtle wave-like surfaces and restrained bronze details. Recessed architectural elements resemble geological formations and deep underwater caverns rather than conventional futuristic interiors. Fine details of bolts, pressure seals, structural joints and mechanical reinforcement remain visible, reminding the viewer that this elegant restaurant is inside a real machine capable of surviving extreme ocean pressure. Above the dining area, a large industrial-style ventilation structure is integrated into the ceiling. A heavy circular metal ventilation grille with visible mechanical blades and reinforced framing sits partially recessed into the ceiling architecture. It should look functional, rugged and slightly unsettling, providing an important visual contrast against the otherwise luxurious interior. A discreet bar and culinary preparation station are integrated into one side of the dining chamber, constructed from dark stone, brushed metal and smoked glass. High-end culinary equipment is visible but carefully concealed within the architecture. Several narrow recessed storage compartments contain crystal glassware and premium tableware. The restaurant contains **no people**. All dining seats are empty, while the table remains fully prepared for an imminent meal. No human figures, silhouettes, reflections or body parts are visible anywhere in the scene. Lighting: sophisticated cinematic interior lighting with a controlled mixture of warm table illumination and deep cool blue-green environmental light from outside the submarine. Warm concealed lights gently illuminate the dining table, porcelain, crystal and faces-level architectural details, while the surrounding walls and ceiling fall into deep shadow. Subtle blue-green light from the deep ocean filters through the panoramic windows, creating cool reflections across dark metal and glass surfaces. The contrast between warm luxury and cold abyssal darkness should create a quiet sense of danger. No colorful neon lighting, no excessive practical lights, no nightclub aesthetic. Color palette: dominant deep charcoal #202726, blackened metal #292E2D, abyssal blue-green #173B3A, dark muted teal #294B48, aged bronze #665746, deep leather brown-black #302B27, warm ivory #D8D0BE and restrained amber lighting #C39A63. Colors remain desaturated, sophisticated and cinematic. MATERIAL LANGUAGE: pressure-rated smoked glass, brushed black metal, dark natural stone, aged bronze, matte ceramic, deep leather, heavy crystal and refined wood accents. Surfaces are physically believable and tactile, showing subtle fingerprints, natural creasing, tiny scratches and realistic manufacturing imperfections. Luxury should come from material quality, engineering precision and craftsmanship rather than decoration. DESIGN LANGUAGE: ultra-luxury private dining, contemporary organic architecture, deep-sea industrial engineering and restrained futuristic realism. The interior should feel like a real billionaire's bespoke underwater dining vessel rather than a spaceship or conventional submarine. Elegant and expensive on first impression, increasingly oppressive the longer the viewer looks at it. PHOTOGRAPHIC TONE: shot as if during principal photography inside a real high-end practical submarine set, captured with a professional full-frame cinema camera and 35mm Kodak Vision3 film stock. Natural wide-angle perspective, realistic lens distortion, subtle depth of field, organic film grain, physically accurate reflections and realistic exposure. Soft cinematic highlight rolloff, deep blacks and restrained contrast. The image should feel tactile, immersive and physically constructed rather than like concept art. Avoid: people, human silhouettes, animals, sea creatures, fish, octopus, divers, visible exterior structures, modern restaurant branding, logos, generic luxury hotel interiors, conventional cruise ship interiors, spaceship interiors, cyberpunk neon, excessive futuristic screens, holograms, excessive chrome, bright colors, colorful LED strips, excessive gold decoration, sterile white sci-fi interiors, glossy plastic surfaces, fantasy architecture, video game environment, Unreal Engine look, obvious 3D CGI, illustration style, anime style, oversaturation, excessive HDR, oversharpening, artificial sharpness, generic AI image quality.

图片节点 20

A photorealistic cinematic interior shot from a fixed camera positioned **directly opposite a deep-sea submarine cockpit door**, looking straight down a narrow enclosed corridor toward the doorway, 16:9 horizontal cinematic composition. The camera is centered precisely on the corridor axis, creating a strong symmetrical perspective, with the cockpit door as the visual focal point at the far end. The corridor belongs to a **modern high-end deep-sea exploration submarine**, designed with realistic human-scale proportions and practical engineering. It is narrow but not excessively cramped, with gently curved pressure-resistant walls, dark composite panels, reinforced structural sections, flush-mounted technical compartments, discreet cable conduits, ventilation grilles, handrails and sealed access panels. Everything feels professionally engineered and maintained, with subtle evidence of regular use rather than decay. At the end of the corridor is the **cockpit entrance**, a thick pressure-rated mechanical door that is **partially open**, leaving a narrow irregular opening into the cockpit beyond. The door is heavy and realistic, with visible hinges, pressure seals, locking mechanisms and a recessed handle. It should feel like a genuine watertight submarine door rather than a futuristic sliding portal. Only a small portion of the cockpit interior is visible through the half-open doorway: faint instrument lights, sections of the control console and indistinct dark equipment. The interior beyond the doorway should remain partially obscured, creating uncertainty about what is happening inside. Do not reveal the entire cockpit. The corridor floor is constructed from dark non-slip marine-grade material with subtle recessed seams and realistic wear. Walls and ceiling contain practical low-profile technical fixtures, emergency signage, ventilation openings and small dim indicator lights integrated naturally into the structure. No unnecessary mechanical decoration. Lighting: extremely restrained practical submarine lighting. Dim neutral-white overhead pathway lights provide just enough illumination to reveal the corridor geometry, while faint cool blue-green light and subdued instrument glow spill naturally from the partially open cockpit door. The corridor gradually falls into deeper shadow toward the foreground and corners. The cockpit beyond the door should appear slightly darker than the corridor, creating a subtle visual threshold between the known space and the unknown interior. The half-open door casts a narrow irregular shadow across the corridor floor. Small reflections appear on selected metal surfaces and pressure seals, but most materials remain matte or semi-matte. No dramatic spotlight, no artificial fog, no theatrical colored lighting. Color palette: dominant dark graphite #252A2A, charcoal-black #171C1D, muted steel gray #4A5050, deep blue-green #193335, restrained instrument white #A9AA9D and very subtle warning red #742D2D. Highly desaturated and realistic. MATERIAL LANGUAGE: marine-grade composite panels, powder-coated dark metal, anodized aluminum, reinforced rubber seals, pressure-rated glass, textured anti-slip flooring and technical polymer components. Surfaces show subtle fingerprints, small scratches and realistic signs of use without looking old, rusty or dirty. ATMOSPHERE: **quiet, isolated, claustrophobic and psychologically tense**. Nothing visibly dangerous is happening. The unease comes entirely from the half-open cockpit door and the darkness beyond it. The corridor should feel unusually silent and empty, as though something has just happened inside the cockpit. The viewer should instinctively wonder what is behind the door. COMPOSITION: centered vanishing point, strong corridor perspective, controlled symmetry, half-open cockpit door positioned exactly on the central axis. The foreground remains relatively dark, while the doorway creates a subtle visual destination. Maintain generous negative space around the door without making the corridor feel oversized. PHOTOGRAPHIC TONE: shot as if during principal photography for a high-budget science-fiction thriller, professional full-frame cinema camera, 35mm Kodak Vision3 film stock, realistic wide-angle perspective, subtle lens distortion, natural depth of field, physically accurate reflections, restrained highlights, deep readable shadows and fine organic film grain. The image should feel like a real photographed submarine set, not concept art. Avoid: people, human silhouettes, creatures, marine animals, open cockpit door, fully visible cockpit, futuristic spaceship corridors, military bunker aesthetic, cyberpunk neon, excessive screens, holograms, exposed pipes everywhere, rusty machinery, abandoned submarine, dirty industrial decay, exaggerated fog, theatrical red lighting, glowing doorway, perfectly sterile white sci-fi interiors, glossy plastic surfaces, obvious CGI, 3D render look, video-game environment, anime, illustration style, oversaturation, HDR, oversharpening, generic AI image quality.

【STYLE LOCK】 完全写实，禁止3D。35mm电影胶片质感，A24的电影、或者电影《环太平洋》的视觉氛围：高级压抑的氛围感、低饱和的整体氛围色调、高级与野性的对比感与克制感，自然光下的写实纪录片质感，画面带轻微胶片颗粒。写实悬疑类型片基调，宽画幅4:3 。暖色调人工灯光与环境冷色光自然结合，充满电影美学的美感。 A photorealistic cinematic interior view of a **compact modern deep-sea submarine control cockpit**, 16:9 horizontal cinematic composition. The cockpit is a realistic enclosed operating compartment designed for a small civilian deep-sea exploration and luxury expedition submarine. It should feel professionally engineered, expensive, functional and actively maintained, rather than futuristic, military or deliberately aged. The cockpit is compact but practical, with a real operator's seat facing a slightly angled control console. The layout follows believable submarine ergonomics: multiple instrument clusters, depth and pressure gauges, navigation displays, sonar information, communication controls, power monitoring, propulsion controls, ballast controls, trim controls, lighting switches, mechanical toggles, rotary knobs, indicator lamps and emergency systems distributed naturally across several sections of the console. The main control console is **not symmetrical and not perfectly centered**. Controls are arranged according to practical operation, with different panels at slightly different heights and angles. Screens are relatively small and integrated into the physical control architecture rather than dominating the room. Several analog gauges and physical switches remain visible alongside digital interfaces, creating the impression of a real hybrid control system designed for reliability. The **EMERGENCY SURFACE** control is integrated naturally into a secondary emergency-control section on the right side of the main console, slightly below eye level and clearly separated from ordinary controls, but **not visually oversized and not positioned in the center**. It is a realistic industrial push-button or guarded switch with a small red identification label reading **“EMERGENCY SURFACE”**. The button itself is only moderately illuminated and should look like one of many legitimate emergency controls rather than a dramatic movie prop. Additional realistic control elements surround it: ballast adjustment controls, emergency cutoff switches, electrical breakers, pressure monitoring instruments, trim controls, mechanical selector switches, indicator lights and guarded toggles. Every control should have a plausible functional purpose and believable physical placement. The cockpit walls are constructed from modern pressure-resistant composite panels, dark painted metal, structural ribs and molded technical panels. Surfaces are clean and professionally maintained, with subtle realistic wear from regular operation: small scratches around frequently used switches, slight fingerprints on screens and control surfaces, tiny abrasions on seat edges and natural variation in matte painted metal. Nothing should look rusty, abandoned or excessively worn. A compact reinforced observation window is positioned forward of the operator, surrounded by a thick pressure-resistant frame. Beyond the glass is almost complete deep-ocean darkness with extremely limited visibility. Faint suspended particles and subtle blue-black water gradients are visible outside. No marine animals are visible. The cockpit should feel physically enclosed and structurally robust. Cable conduits, ventilation openings, sealed panel joints, fasteners and pressure-rated components are visible only where technically appropriate. Mechanical details should support realism rather than become decorative industrial clutter. Lighting: realistic low-light submarine illumination. Primary illumination comes from subdued instrument displays and small practical control-panel lights, producing a restrained mixture of neutral white, pale green and very subtle red indicator lights. A faint cold blue-green illumination enters through the forward observation window from the surrounding ocean. The lighting is practical and uneven, with natural falloff across the control surfaces and deeper shadows toward the rear corners. No dramatic spotlight on the emergency button. No theatrical red wash. No exaggerated neon. The cockpit should feel dark because it is genuinely operating in the deep ocean, not because it has been artificially designed as a horror set. Color palette: dominant charcoal black #202526, dark graphite #303536, muted steel gray #555B5A, deep blue-green #193437, soft instrument white #B8B7AA, pale muted green #71857B and restrained warning red #8A3030. Highly desaturated, sophisticated and realistic. MATERIAL LANGUAGE: modern marine-grade composite panels, powder-coated metal, anodized aluminum, reinforced polymer, rubberized control surfaces, pressure-rated glass, technical fabric and brushed metal hardware. Surfaces are matte or semi-matte with controlled reflections. Materials should feel expensive, robust and engineered for extreme pressure rather than worn-out or improvised. DESIGN LANGUAGE: realistic contemporary submarine engineering, compact research-submersible ergonomics, premium private expedition vessel and advanced civilian deep-sea technology. The interior should feel like a plausible machine designed by an elite engineering company, balancing advanced technology with practical physical controls and human-centered operation. ATMOSPHERE: **quiet, enclosed, pressurized and psychologically oppressive**. The cockpit is not inherently frightening by itself; the dread comes from knowing that this small technical space is surrounded by thousands of meters of black ocean. The limited visibility outside, constant machine hum implied by the visual environment and compressed architecture create a subtle sense of isolation and vulnerability. PHOTOGRAPHIC TONE: captured as if during principal photography for a high-budget science-fiction thriller using a professional full-frame cinema camera and 35mm Kodak Vision3 film stock. Realistic wide-angle lens perspective, subtle optical distortion, natural depth of field, physically accurate material response, restrained highlights, deep but readable shadows and subtle organic film grain. The image should resemble a real photographed submarine interior rather than concept art, game art or a futuristic visualization. Avoid: oversized central emergency button, glowing red emergency button, perfectly symmetrical cockpit, empty minimalist console, giant holographic displays, excessive screens, spaceship cockpit, fighter jet cockpit, cyberpunk neon, military command center, retro submarine aesthetic, rusty machinery, abandoned equipment, dirty industrial decay, excessive exposed pipes, excessive mechanical clutter, glossy chrome, plastic-looking surfaces, fantasy technology, people, human silhouettes, marine animals, fish, octopus, exterior creatures, illustration style, anime style, video-game environment, Unreal Engine look, obvious CGI, 3D render look, HDR, oversharpening, oversaturation, generic AI image quality.

根据这个场景 {{Image 1}} 生成九宫格多视图，包含不同角度的场景图。不出现任何文字 【STYLE LOCK】 完全写实，禁止3D。35mm电影胶片质感，A24的电影、或者电影《阿凡达》的视觉氛围：高级压抑的氛围感、低饱和的整体氛围色调、高级与野性的对比感与克制感，自然光下的写实纪录片质感，画面带轻微胶片颗粒。写实悬疑类型片基调，宽画幅16比9。暖色环境光与冷色植物形成对比感，充满电影美学的美感。

A photorealistic ultra-wide cinematic deep-sea establishing shot of a gigantic prehistoric octopus trapped in the abyss, with a massive luxury deep-sea submarine hovering nearby, 16:9 horizontal cinematic composition. The camera is positioned at a distant three-quarter angle, far enough to emphasize extreme scale. The enormous creature dominates the frame like a living geological formation, while the submarine appears comparatively tiny, illuminated only by a few faint warm-white navigation and interior lights. The giant octopus is immense, its body and mantle barely distinguishable from the surrounding darkness, with multiple colossal tentacles extending through the water and disappearing beyond the edges of the frame. The creature is restrained and physically trapped by several enormous industrial titanium-alloy cables and heavy mechanical anchor structures fixed to a massive dark seabed platform below it. The cables stretch taut through the black water, partially illuminated by weak cold blue-green reflected light. The octopus does not attack; it remains eerily still, creating a feeling of restrained power and dormant violence. Its enormous body is only partially revealed by scattered traces of dim biological luminescence beneath the dark surface texture, creating subtle muted blue-green and deep amber highlights across sections of wet organic skin. The skin should feel ancient, heavy, rough and physically convincing, covered with subtle scars, folds and irregular organic textures. Do not make the creature colorful or fantastical. Its true scale should remain difficult to comprehend. Nearby, the deep-sea submarine is positioned in the mid-to-lower background beside the creature. The submarine has a large streamlined futuristic industrial silhouette with a pressure-resistant hull, reinforced panoramic windows, structural ribs and small external mechanical components. Its size is substantial but visually insignificant compared with the creature. Only a handful of small warm-white lights glow from the submarine windows and external navigation fixtures, creating a fragile human presence in the overwhelming darkness. The contrast between the two subjects is the central composition: **an enormous ancient living organism versus a tiny artificial vessel carrying human beings into the abyss.** The submarine's faint lights should feel vulnerable and almost helpless against the surrounding darkness and the scale of the trapped creature. The seabed beneath them is barely visible, consisting of enormous dark rock formations, sediment and irregular geological structures. Fine particles drift slowly through the water column. Long sections of the restraint cables disappear into the darkness, making the confinement system feel massive and industrial without revealing its full extent. The surrounding ocean is almost completely black, with only subtle deep-ocean blue-green gradients. Visibility is extremely limited. The farther the eye travels from the submarine, the more the creature, cables and seabed dissolve into darkness. The darkness itself should feel immense and oppressive rather than empty. Atmosphere: **extreme abyssal pressure, isolation, dread, silence and restrained violence.** The scene should feel like an encounter with something that vastly exceeds human scale. There is no obvious action; the terror comes from stillness, darkness and impossible scale. The viewer should feel that the submarine has entered an environment where humanity no longer controls the rules. Lighting: almost total darkness with extremely limited practical illumination. The submarine emits only faint warm-white and muted amber lights through its windows and small external fixtures. Very weak cold blue-green ambient light reveals selected portions of the octopus, restraint cables and seabed. Most of the creature remains hidden in blackness. Subtle volumetric depth through suspended particles, realistic light absorption and extremely soft underwater falloff. No dramatic artificial spotlight directly illuminating the entire creature. Color palette: dominant abyssal black #070D10, near-black blue #0B171B, deep ocean teal #102D30, muted bioluminescent blue-green #315B57, dark organic brown-black #211C19, aged titanium #414B4A, restrained submarine warm-white #D4C9AE and faint amber #A88A5A. Colors remain extremely desaturated and restrained. MATERIAL LANGUAGE: physically realistic deep-ocean water, wet biological tissue, rough prehistoric skin, oxidized industrial metal, titanium restraint cables, dark rock, suspended sediment and realistic underwater particulate matter. No glossy fantasy skin, no plastic materials, no artificial creature surfaces. COMPOSITION: enormous negative space, strong visual hierarchy, tiny submarine positioned against the immense silhouette of the octopus. Use cinematic scale contrast, layered depth and partial occlusion. The creature should never be presented as a conventional monster portrait. Its body extends beyond the visible frame, suggesting that the viewer cannot see its full size. PHOTOGRAPHIC TONE: shot as if during principal photography with a professional large-format cinema camera and 35mm Kodak Vision3 film stock. Extremely realistic underwater optics, natural light absorption, subtle lens softness, organic film grain, deep blacks, restrained highlights and physically accurate atmospheric perspective. No exaggerated HDR. The image should resemble a frame from an expensive science-fiction thriller filmed with practical large-scale environments and advanced underwater cinematography. Avoid: people, divers, visible crew, fish, sharks, marine animals, multiple creatures, bright bioluminescence, colorful sea life, tropical ocean imagery, coral reefs, clear blue water, aquarium aesthetic, generic monster-movie lighting, fully illuminated octopus, exaggerated tentacle action, fantasy creature design, cartoon creature design, glossy CGI skin, spaceship aesthetic, cyberpunk neon, excessive exterior submarine lights, futuristic holograms, excessive mechanical detail, oversharpening, artificial sharpness, HDR effect, oversaturation, glossy highlights, plastic textures, generic AI image quality, 3D render look, CGI look, video game environment, anime style, illustration style, fantasy painting style.

您的神今凸触承受不了第四次体验“死亡”了

图片节点 22

模仿图片 {{Image 1}} 色卡配置（主要为环境与镜头中出现的元素颜色搭配，一般很搭配不跳脱），生成一张关于 {{Image 2}} （高级定制餐厅，灯光暖与环境冷形成对比，高级感与自然结合，餐具与桌椅板凳地板，仿真实墙面的石头）的色卡，要求色卡中的色彩在15色以内，且不跳脱，参考专业电影色彩搭配技术，拥有电影级美学的美感。色卡中不出现画面，只出现文字、颜色。

模仿图片 {{Image 1}} 色卡配置（主要为环境与镜头中出现的元素颜色搭配，一般很搭配不跳脱），生成一张关于 {{Image 2}} （高级定制餐厅，灯光暖与环境冷形成对比，高级感与自然结合，餐具与桌椅板凳地板，仿真实墙面的石头）的色卡，会出现人物 {{Image 3}} {{Image 4}} 等其他人物。要求色卡中的色彩在15色以内，且不跳脱，参考专业电影色彩搭配技术，拥有电影级美学的美感。色卡中不出现画面，只出现文字、颜色。

{{Image 1}} Use the **@referenced submarine image as the primary visual reference for the submarine's exact exterior design, silhouette, proportions, materials, windows, structural details and overall appearance**. Preserve its recognizable design without redesigning it into another submarine. Adapt only its position, waterline condition and entrance connection to the environment described below. A photorealistic cinematic **high-angle oblique aerial view transitioning from a bright sandy beach toward the open sea**, 16:9 horizontal cinematic composition. The camera is positioned above and slightly inland from the beach, looking diagonally toward the ocean. The composition creates a strong continuous visual progression from **foreground beach → long wooden pier → open ocean → partially surfaced submarine**, functioning as a cinematic transition from land to deep sea. The foreground contains a broad sunlit sandy beach with fine warm beige sand, subtle natural footprints, wind-shaped textures and small scattered shells. The shoreline curves naturally through the composition. A **long narrow wooden pier begins directly on the beach and continuously extends over the water toward the submarine**. The pier is physically connected to the submarine's entrance and functions as a real boarding walkway. There must be **no visible gap between the end of the pier and the submarine entrance**. The final section of the pier connects directly to a small rigid boarding platform attached to the submarine, allowing a person to walk continuously from the beach onto the submarine. The pier is constructed from thick realistic timber with structural support beams beneath it. Its surface is sun-bleached and salt-weathered but structurally sound, with subtle cracks, discoloration and natural irregularities. It should feel practical and functional, not like a decorative luxury-resort pier. At the end of the pier, directly aligned with the submarine, is a **single-person boarding entrance** built into the exposed upper section of the submarine. The opening resembles a realistic modern aircraft passenger boarding doorway or high-speed train access door in scale: approximately **one person wide and only large enough for a single adult to enter at a time**. The entrance is **only partially open**, with a heavy pressure-rated sliding or hinged outer hatch displaced enough to leave a narrow human-sized passage. The opening itself must remain elevated well above the sea surface and fully protected from direct seawater entry. No large open doorway, no exposed internal cabin, no flooded entrance. The boarding area contains a short enclosed transition passage or small pressure-lock vestibule between the pier and the submarine interior. The structure should make it physically obvious how a person walks from the wooden pier through the narrow entrance and into the submarine while maintaining pressure integrity. The submarine is positioned **well offshore in genuinely deep water**, with its lower hull disappearing naturally beneath the increasingly deep blue ocean. It should not appear grounded, floating in shallow water, or close to the seabed. Only the upper portion of the referenced submarine is visible above the waterline. The ocean must show a **clear progressive change in depth and color** across the frame: pale transparent turquoise near the beach and shallow shoreline, transitioning gradually into medium coastal blue, then rich deep blue and finally dark saturated blue around the distant submarine. The submarine must visually sit within the deep-water region. The area immediately around the submarine should clearly appear much deeper than the water near the beach. Natural wave patterns surround the submarine, with gentle swell lines, realistic surface ripples and subtle foam around the hull. The water should feel open, deep and expansive. The sky is bright and mostly clear with soft atmospheric haze and only **a small number of distant seagulls** flying naturally across the sky. No people are visible anywhere. The beach environment remains relatively pristine and quiet, with no buildings, resorts, vehicles, boats or other modern coastal infrastructure. Lighting: **bright natural daytime sunlight**, warm but not golden-hour orange. Soft directional sunlight highlights the beach and wooden pier, while the ocean produces natural reflective sparkle. The submarine's upper surfaces receive direct sunlight, while its lower hull gradually disappears into darker blue water. The narrow boarding entrance remains naturally darker than its exterior, creating a subtle mysterious visual contrast. Color palette: warm pale sand #D8BC8D, sun-bleached wood #98734D, shallow turquoise #74B6B1, coastal blue #4E939F, deeper ocean blue #23617A, deep offshore blue #123F58, soft sky blue #A9D2DB, white sea foam #E8E5DA and muted graphite / steel tones derived from the referenced submarine. The transition from warm beach colors into increasingly deep blue ocean should be visually obvious. MATERIAL LANGUAGE: natural fine sand, weathered timber, wet wood, realistic seawater, marine-grade painted metal, reinforced submarine glass, pressure-rated hatch materials and subtle saltwater staining. Everything should feel physically authentic and functional. ENVIRONMENTAL DESIGN LANGUAGE: realistic cinematic coastal landscape combined with believable advanced marine engineering. The scene should feel like a real private deep-sea expedition facility integrated discreetly into a natural coastline. ATMOSPHERE: **bright, peaceful, expansive and quietly mysterious**. The beach and sunny sky create an inviting surface-world feeling, while the long bridge leads toward increasingly deep blue water and ultimately to the strange half-submerged submarine. The small dark boarding entrance suggests that the peaceful environment is only the beginning of something unknown. COMPOSITION: strong leading-line composition. The beach occupies the foreground, the wooden pier creates the dominant visual path, and the path must **visually terminate directly at the submarine's single-person entrance**. The pier and entrance should form one continuous readable movement. The submarine remains far enough offshore to preserve a strong sense of scale and depth, while being clearly recognizable. PHOTOGRAPHIC TONE: captured as a real coastal location during principal photography for a high-budget science-fiction film. Professional cinema camera, realistic aerial optics, natural atmospheric perspective, subtle lens compression, physically accurate water reflections, realistic wave behavior, soft highlight rolloff and subtle Kodak Vision3 35mm film characteristics with fine organic grain. Slight natural aerial haze in the far distance. Real location-photography aesthetic, not concept art. Avoid: visible gap between pier and submarine entrance, bridge ending before the submarine, large open submarine doors, giant hangar-style entrance, flooded entrance, exposed cabin interior, water entering the submarine, submarine sitting in shallow water, submarine touching the seabed, grounded submarine, beaching or stranded submarine, turquoise water around submarine, uniform ocean color, low-angle camera, close submarine framing, submarine dominating the composition, resort pier, luxury resort architecture, crowds, tourists, boats, yachts, city skyline, excessive birds, storm clouds, sunset, dramatic orange sky, fantasy island, futuristic spaceship, redesigned submarine, people, divers, marine animals, excessive wildlife, oversaturated tropical water, artificial ocean, excessive lens flare, HDR, oversharpening, 3D render, CGI look, video-game environment, Unreal Engine look, illustration style, anime style, fantasy painting, generic AI image quality.

别浪费了我的明额

模仿图片 {{Image 1}} 色卡配置（主要为环境与镜头中出现的元素颜色搭配，一般很搭配不跳脱），生成一张关于 {{Image 2}} （史前森林的层峦叠嶂的树木与植物，动物体型巨大，饱和度低，会出现巨型蜻蜓，巨型蝾螈等生物）的色卡，要求色卡中的色彩在15色以内，且不跳脱，参考专业电影色彩搭配技术，拥有电影级美学的美感。色卡中不出现画面，只出现文字、颜色。

赵总昏迷了，角色 {{Mixed 2}} {{Mixed 1}} 对着他着急地喊道：赵总？。。赵总！。。。赵总！ 注意情绪不能过于激动，属于既克制又担心。

【STYLE LOCK】 完全写实，禁止3D。35mm电影胶片质感，《侏罗纪公园》的视觉氛围：庞大惊悚的整体氛围感、低饱和的史前森林捕杀猎物氛围色调、空气中有微微的雾气弥漫、空气中漂浮着阳光照射着的灰尘与小颗粒、镜头呈现静与动的对比感、反差感、节奏感，自然光下的写实纪录片质感，画面带轻微胶片颗粒。写实生物巨兽惊悚类型片基调，宽画幅4:3 ，Steven Spielberg式流畅连贯的一镜到底运镜，运镜随情节推进而变化。暖色调散射光从画面外右上方射入，天光不在画面内，光照在背景物体与动物身上、天光偏暖地面偏冷。仅生成环境音效与动作音效，不配背景音乐。 {{Mixed 1}} 作为总场景的形象视觉锚定（这是一个史前巨型生物生存的地方，树木高大，植物奇异而巨大，森林中湿度极高，迷漫着飘动的微微雾气，空气中的灰尘颗粒闪烁），静态，植物微微被风吹动，环境中无时不刻充斥着奇异动物的远处嘈杂的背景音。 {{Mixed 3}} （其中白色不作为参考）作为整段画面色卡锚定，所有色彩严格按色卡上的颜色执行，不可偏离色板，重点呈现（史前绿色植物的背景色彩基调）、偏暖的天光、（残酷猎杀的氛围冷调）。（一镜到底，不切镜头）。 开场以 {{Mixed 2}} 作为画面首帧出现，其中在史前森林的地上休息的原始蝾螈正在地上闭眼休息，环境中充斥着奇异生物的远处叫声的背景音。镜头在原地不进行移动，但是模仿手持摄像机的呼吸感。 地上休息的蝾螈耳朵忽然竖起来，似乎有所警觉，紧接着它睁开眼睛（瞳孔由放大状态迅速缩小，似乎精神高度集中紧张）笨拙地抬起头，头缓慢向画面右侧看去。镜头保持原样。 忽然，以极快的速度，人眼根本看不清的速度从画面右侧钻出了好似一条巨型的节胸蜈蚣，几乎快要把镜头全占满，外壳坚硬速度飞快（它的千足在镜头中不断向画面左侧外快速爬行，伴随着低沉快速的抓地声），镜头伴随运动模糊与抖动。本在地上休息的蝾螈就像忽然消失在原地一样被蜈蚣叼走，巨型蜈蚣的尾部终于离开画面外，现场只是留下一滩血渍与半条尾巴。 最后，镜头飞快的向右侧甩动伴随着镜头模糊，甩到中途直接结束全部镜头，没有接下来的内容。 总体节奏：刚开始蝾螈休息时—静，然后蜈蚣入场后节奏与镜头似乎开始紧张伴随加快—动，蜈蚣出场后聚焦地上的血渍—静，蜈蚣整体离开后—静，最后镜头向右侧甩去—动，结束。

【STYLE LOCK】 完全写实，禁止3D。35mm电影胶片质感，《侏罗纪公园》的视觉氛围：庞大惊悚的整体氛围感、低饱和的史前森林捕杀猎物氛围色调、空气中有微微的雾气弥漫、空气中漂浮着阳光照射着的灰尘与小颗粒、强烈的大气透视感，自然光下的写实纪录片质感，画面带轻微胶片颗粒。写实生物巨兽惊悚类型片基调，宽画幅4:3 ，Steven Spielberg式流畅连贯的一镜到底运镜，运镜随情节推进而变化。暖色调散射光从画面外右上方射入，天光不在画面内，光照在背景物体与动物身上、天光偏暖地面偏冷。仅生成环境音效与动作音效，不配背景音乐。 {{Mixed 2}} {{Mixed 3}} 作为总场景的形象视觉锚定（这是一个史前巨型生物生存的地方，树木高大，植物奇异而巨大，森林中湿度极高，迷漫着飘动的微微雾气，空气中的灰尘颗粒闪烁），静态，植物微微被风吹动，环境中无时不刻充斥着奇异动物的远处嘈杂的背景音。 {{Mixed 1}} 作为动物蝾螈的视觉锚定，身形一米，身上有粘液，正在快速逃脱捕食者的追踪。 {{Mixed 4}} 作为整段画面色卡锚定，所有色彩严格按色卡上的颜色执行，不可偏离色板，重点呈现（史前绿色植物的背景色彩基调）、偏暖的天光、（残酷猎杀的氛围冷调）。 开场镜头从左到右快速甩到当前视角，镜头以蝾螈在森林中逃跑的第一人称运动视角呈现，画面中只露出两只快速逃跑中向前冲刺的两只前脚，伴随着动物的快速呼吸声与心跳快速跳动的声音还有脚踩地面奔跑的声音，前方的画面逐渐出现一个巨大的类似蜻蜓的影子，在蝾螈第一人称视角的前方地上快速变大，伴随着剧烈的风声以及蜻蜓翅膀扇动的声音，尘土飞扬，植物飘动、伴随植物飘荡声。 镜头直切到仰视角度，此时蝾螈没在画面中，画面周围只有仰视角度的茂密的树木与直射的阳光，画面中央是一直遮天蔽日的巨型蜻蜓向镜头快速袭来（伴随巨兽的嘶吼声），它拥有着巨大的嘴钳、巨大的透明带着真实纹路的翅膀急速煽动，就连周围的树木也被风吹得猎猎作响，尘土飞扬。巨型蜻蜓张开巨型嘴钳迅速蓄力向镜头袭来，占据画面所有，画面一黑，只留下撕咬动物的血肉声和骨骼断裂声。

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Greig Fraser掌镜,电影Menu 室内光美学,skip-bleach negative LUT,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影皮肤纹理。 高级餐厅室内文戏段落,五镜组合一气呵成,4:3宽银幕画幅,主光源为室内灯光的暖橙光,屋内整体昏暗私密,墙壁和地板边缘沉入深棕暖阴影。 音轨:女儿轻柔平静带一丝慵懒的少女声、刘回醉酒后沙哑的男声、桌面符箓被手指拈起时的纸张细微响声、女儿身上铜铃饰物随动作的细碎清脆响声、油灯火苗轻微的噪声、刘回坐在地上身体偶尔微微移动时与陶土罐子轻碰的低沉声。 {{Mixed 1}} 作为赵总的视觉锚定。 {{Mixed 4}} 作为小林的视觉锚定。 {{Mixed 5}} 作为主厨的视觉锚定。 {{Mixed 7}} 作为服务生的视觉锚定。 {{Mixed 2}} 禁止直接挪用，作为高级餐厅室内环境视觉锚定。 {{Mixed 3}} 作为赵总桌前的食物的视觉锚定 {{Mixed 6}} 作为整段画面色卡锚定+所有色彩严格按色卡19色执行+不可偏离色板+本段重点调用灯光映照 画面以赵总的双眼紧闭特写镜头开始,镜头是平视特写镜头。画面构图是赵总一双紧闭的双眼占据画面大部分。后面是隐约的蓝绿色流动的水幕，赵总坐在餐桌前的座位上。 镜头不切，以希区柯克式变焦向后拉，交代赵总的状态，赵总在画面中间瘫坐在餐椅上，右手拿着餐叉，嘴巴周围有刚吃完食物的油渍与残渣，镜头拉开的同时赵总忽然睁眼并吸气，紧接着大口喘气，表情由惊吓变为高兴与兴奋。后面虚焦的流动水幕变清晰，从右往左走过一个端着菜肴的服务生走出画面。小林坐在赵总的画面左侧的座位，没露出脸部，隐约能看见手臂肩膀。赵总喘了两口气后紧接着兴奋地说：“我臭v！（赵总看向画面左侧的小林，镜头不移动）这史前沼泽里全是狠活啊！” 切镜头到桌子上的食物，手持特写镜头，赵总的右手拿着餐叉从画面外叉入画面内，粗鲁地叉起一块食物 切镜头回到上一个镜头，赵总把餐叉上的食物送进嘴，边嚼边看向画面右侧外说道：“老黄！”（此时镜头慢慢向左移动，交代小林的位置，小林在赵总左侧座位上担心地看着赵总，小林担心地插话说：“赵总。”但是赵总没理他，继续说道）“再来一份引螈天妇罗！” 镜头不切，直接向右快速甩动到餐厅包间门口，主厨端着顾客吃剩的几个空盘子正背对镜头走出餐厅包间的门，听到赵总的呼唤后半转身微笑地看向画面左侧，右手依然端着盘子，左手向赵总的方向比了一个“ok”的收拾。 镜头不切，几乎是同一时间，画面右侧外走过一位服务生端着一杯香槟，走到画面内后镜头聚焦在服务生身上，跟随服务生移动，服务生快速走到赵总面前，把香槟放到赵总的面前桌子上，说道：“赵先生，您的神经突触承受不了第四次体验“死亡”了。”

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Greig Fraser掌镜,电影Menu 室内光美学,skip-bleach negative LUT,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影皮肤纹理。 高级餐厅室内文戏段落,四镜组合一气呵成,4:3宽银幕画幅,主光源为室内灯光的暖橙光,屋内整体昏暗私密,墙壁和地板边缘沉入深棕暖阴影。 音轨:女服务员的标准提醒声、主厨的沉稳解释声、餐厅内就餐的刀叉盘子声、服务员走动声、轻微的水幕流动声、衣物在动作下的细微摩擦声。 {{Mixed 4}} 作为赵总的视觉锚定。 {{Mixed 3}} 作为小林的视觉锚定。 {{Mixed 5}} 作为主厨的视觉锚定。 作为服务生的视觉锚定。 {{Mixed 2}} 禁止直接挪用，作为高级餐厅室内环境视觉锚定。 {{Mixed 7}} 作为赵总桌前的食物的视觉锚定 {{Mixed 1}} 作为整段画面色卡锚定+所有色彩严格按色卡19色执行+不可偏离色板+本段重点调用灯光映照 画面以小林与赵总的近景镜头和一段画外音 {{Mixed 6}} ：“建议您2小时内停止进食特色菜品。”开始，两人坐在餐桌前的餐椅上，小林在画面左侧坐着，赵总挨着小林在画面右侧坐着，赵总前面的桌子上是一盘食物，后面背景是蓝绿色的流动水幕，桌面与背景都虚焦，镜头聚焦赵总。赵总皱眉看向画面右上侧画面外，小林也若有所思地看向同一个方向。背景声有隐约的餐厅刀叉盘子声，但没有音乐bgm。 画外音讲完后，赵总正想开口询问，话还没说出口，又一段主厨的画外音传来（画面内的人不张嘴）：赵总。。。 镜头直切向画面右侧主厨的镜头，手持特写镜头，主厨站在画面中偏左的位置，正边拿一块黑色擦手巾擦着手，边走向餐桌的方向，背景虚焦，隐约能看出还是在餐厅包厢的内部。画面右侧有一位背对镜头穿着黑色服务员装的女服务员从镜头近端走过主厨的旁边再走向主厨身后的餐厅包厢门，服务员全程虚焦，镜头全程聚焦在主厨身上。 主厨边擦手边笑着解释说：“您吃的由远古化石DNA复育的肉，味蕾连接的是它们基因组里最深层的记忆。（*此处切餐厅全景交代空间关系，小林和赵总分别坐在餐厅靠流动水幕的一侧，餐厅包厢内还有几张就餐的桌子，有几组客人在享用美食，最右侧是餐厅包厢的门口，主厨站在靠经门口的一侧*）在体验中它们死亡，意识就会被弹回。（再切回主厨特写镜头）今晚您已经死过三次了。”（不能有错读音，发音每个字都清晰明了）

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Greig Fraser掌镜,电影Menu 室内光美学,skip-bleach negative LUT,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影皮肤纹理。 {{Mixed 3}} 作为赵总的视觉锚定。 {{Mixed 2}} 作为小林的视觉锚定。 {{Mixed 4}} 作为主厨的视觉锚定。 作为服务生的视觉锚定。 {{Mixed 6}} 作为高级餐厅室内环境视觉锚定。 {{Mixed 5}} 作为整段画面色卡锚定+所有色彩严格按色卡19色执行+不可偏离色板+本段重点调用灯光映照 {{Mixed 1}} 作为视频开场位置参考，固定镜头。*注意：图片 {{Mixed 1}} 中已存在的人分别是小林（坐着）、赵总（坐着）、主厨（站着）。* 图片 {{Mixed 1}} 内空的座位， **添加几位穿着正装的顾客正在画面中景和近景的座位上用餐**， 全程全景固定镜头。只有主厨好似在说话，但是离镜头太远了看不清，也没台词，背景声是餐厅背景声，没有音乐。

视频截图视频节点 7

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Greig Fraser掌镜,电影Menu 室内光美学,skip-bleach negative LUT,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影皮肤纹理。 高级餐厅室内文戏段落,四镜组合一气呵成,4:3宽银幕画幅,主光源为室内灯光的暖橙光,屋内整体昏暗私密,墙壁和地板边缘沉入深棕暖阴影。 音轨: 餐厅内就餐的刀叉盘子声、服务员走动声、轻微的水幕流动声、衣物在动作下的细微摩擦声。无bgm音乐。 {{Mixed 2}} 作为赵总的视觉锚定。 {{Mixed 6}} 作为赵总的音色锚定 {{Mixed 3}} 作为小林的视觉锚定。 {{Mixed 5}} 禁止直接挪用，作为高级餐厅室内环境视觉锚定。 {{Mixed 4}} 作为赵总桌前的食物的视觉锚定 {{Mixed 1}} 作为整段画面色卡锚定+所有色彩严格按色卡19色执行+不可偏离色板+本段重点调用灯光映照 视频开场是小林的个人特写视角，镜头位于餐桌上，微仰视视角。前景虚焦：是一盘没动过的摆盘精致的肉块餐食，小林坐在餐桌前的餐椅上，背景是流动的蓝绿色水幕，画面右侧隐约能看见是赵总在右侧位置坐着，但没露出脸。 镜头开场聚焦小林盯着餐盘里的美食，微微皱眉似乎在犹豫，又带着一丝好奇与兴奋。镜头逐渐随小林的情绪向餐食聚焦。 随后切镜头到右侧的赵总，赵总正双手拿着黑色的高级擦嘴布擦拭嘴巴。边擦边看着小林大大咧咧地说道： “还看呢，阿林，”（切小林的近景手持镜头，小林看向赵总）“快吃吧别浪费了我的名额，”（小林顺从地点头） （切赵总近景手持镜头，赵总看向眼前吃剩的食物，继续轻浮地说道）你开好几个月车都不一定吃的上这玩意儿呢。 （切小林近景手持镜头）好的，赵总 随后小林拿起叉子小心翼翼的叉住餐盘中的食物，镜头跟随他的手中的叉子和食物逐渐变成小林的脸部特写，小林把叉子上的食物往嘴里缓慢送去，但似乎他有些紧张，似乎在顾虑什么，镜头逐渐产生畸变，营造诡异奇特氛围，似乎下一秒会发生什么似的（但食物始终没有送进嘴，只是手拿着叉子，有缓慢向嘴靠去的动作）。赵总的画外音从画面外传来（这句画外音越来越小声，就好像镜头慢慢把视觉和听觉全部聚焦在了小林的表情上）：哎，可惜了我老婆临时有事儿，倒是便宜了你小子， 不然......（画面直接硬切掉）

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Greig Fraser掌镜,电影Menu 室内光美学,skip-bleach negative LUT,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影皮肤纹理。 高级餐厅室内文戏段落,五镜组合一气呵成,4:3宽银幕画幅,主光源为室内灯光的暖橙光,屋内整体昏暗私密,墙壁和地板边缘沉入深棕暖阴影。 音轨规则：涵涵腼腆的笑声、李总的悄悄话声、餐具碰撞声、主厨中气十足的发话声、俊杰玩弄食物的餐具与食物碰撞声、衣物摩擦声、水幕流动声、不出现bgm音乐。 {{Mixed 6}} 作为赵总的视觉锚定。 {{Mixed 5}} 作为小林的视觉锚定。 {{Mixed 2}} 作为涵涵的视觉锚定。 {{Mixed 3}} 作为李总的视觉锚定。 {{Mixed 4}} 作为主厨的视觉锚定。 {{Mixed 12}} 作为主厨的音色锚定。 {{Mixed 11}} 作为丈夫的视觉锚定。 {{Mixed 10}} 作为妻子的视觉锚定。 {{Mixed 9}} 作为俊杰的视觉锚定。 {{Mixed 1}} 禁止直接挪用，作为高级餐厅室内环境视觉锚定。 {{Mixed 8}} 禁止直接挪用，作为餐桌上的食物的大概视觉。 {{Mixed 7}} 作为整段画面色卡锚定+所有色彩严格按色卡19色执行+不可偏离色板+本段重点调用灯光映照 视频开场是涵涵翘着二郎腿的腿部特写低角度视角，镜头平滑上移，分别从涵涵的腿到她的膝盖、然后上半生近景，原来涵涵在和李总打情骂俏，两人坐在餐厅中靠石墙的位置，背景是餐厅的石墙。涵涵坐在画面右侧，李总坐在画面左侧。李总右手拿着一杯威士忌，左手搂着涵涵的腰，正微笑着对涵涵说着悄悄话。涵涵甜美地捂嘴笑着，似乎是被李总的幽默给逗笑。 这时，三声汤匙敲脚杯的声音从画面外传来，叮叮叮，伴随着主厨的声音：“各位”。这时，打情骂俏的李总与涵涵看向画面外左侧。 切到主厨的近景镜头，主厨左手举着一个空的高脚杯，右手拿着一个汤匙，背景是餐厅包厢的门口。主厨微笑着客气地半放下手中的高脚杯与汤匙，中气十足地说道：“由于今天是端午佳节。那些付玉的远古巨兽美食，（切镜头到俊杰正拿着餐叉在调皮地玩弄着他面年餐桌上餐盘里的一盘大肉块，镜头从聚焦食物到聚焦在俊杰的动作与表情上，背景是餐厅里面的另外一个角落，镜头缓慢拉远，画面左边挨着俊杰坐的是丈夫，中间坐着的是俊杰，俊杰一脸无聊的样子，画面右侧挨着俊杰坐着的是妻子，妻子宠溺地看着俊杰摸了一下俊杰的头。）已经配不上各位的野心了。现在，请各位（切镜头到小林和赵总，背景是流动的蓝绿色水幕，小林坐在画面左侧，赵总坐在画面右侧。小林正左手拿着餐叉，餐叉上有一块叉着的小肉块。赵总一脸无所谓的样子手中拿着一杯香槟，两人的面前餐桌上都有一个装着食物的餐盘，其中赵总的餐盘里面食物只剩下一些残羹剩饭，小林的餐盘里的食物像没有动过一样，两人都看向画面右侧外。）随我去体验今晚的隐藏菜单，（切回主厨的讲话镜头）活体刺身”。（镜头持续一会儿，聚焦主厨的微笑。） 以上台词均为主厨的说话声，括号内是镜头切换的不同人物视角，每个镜头只按照我括号内出现的人物和背景进行生成，不出现我未提及的人物与背景。主厨的话连贯且有节奏。整段话搭配切换镜头一气呵成，意在交代各个人物的关系。

图片节点 12

A photorealistic cinematic interior photograph of an **ultra-exclusive private dining room inside a sophisticated deep-sea exploration submarine**, **4:3 aspect ratio**. The room is designed for approximately 10–14 wealthy guests and must feel like a real functional luxury dining chamber built inside a pressure-resistant deep-sea vessel, combining refined private-restaurant design with believable submarine engineering. The dining room is intimate rather than spacious, with a **single long bespoke dining table** as the central architectural element. The table comfortably seats around 10–14 guests with generous but realistic spacing between each place setting. It is made from dark refined stone with subtle natural variation and a satin rather than mirror finish, surrounded by elegant high-backed dining chairs upholstered in deep charcoal leather. The table arrangement is meticulous and luxurious but restrained: premium porcelain plates, dark ceramic serving vessels, crystal wine glasses, refined cutlery and individually arranged place settings. The table should look ready for an elaborate private meal. The room is enclosed by **large thick pressure-resistant panoramic windows**, allowing the dark deep ocean to remain visible beyond the dining area. The windows are structurally reinforced with substantial framing and clearly read as part of a real submarine pressure hull. Outside the glass is deep blue-black water with faint suspended particles and extremely limited visibility. The external darkness should occupy significant visual space, creating an unsettling contrast with the elegant dining room. The windows should provide enough uninterrupted viewing area that a **massive deep-sea creature could later appear beyond the glass**, while the current scene contains no animals or people. The glass itself is visually important: subtle reflections from the interior dining table and lights overlap with the darkness outside, creating a natural dual-layer image of **luxury interior + hostile ocean exterior**. The ceiling incorporates a large **industrial ventilation structure**, partially recessed into the architecture. A heavy circular metal ventilation grille with reinforced framing and visible mechanical depth is integrated naturally into the ceiling rather than presented as a decorative centerpiece. It should look functional and believable, subtly drawing attention without dominating the composition. This is an important architectural element and should remain clearly readable. The walls combine **dark marine-grade composite panels, brushed metal, smoked glass and restrained aged-bronze detailing**. Curved structural ribs and pressure-sealed architectural joints subtly reveal the submarine beneath the luxury finish. The engineering should never disappear completely; the room must constantly remind the viewer that this elegant dining experience is taking place inside a machine surrounded by extreme ocean pressure. One side of the dining room contains a discreet **service and culinary access area** leading toward the submarine kitchen. It should be visually integrated into the architecture rather than looking like a restaurant kitchen opening. Include a compact service counter, concealed storage, beverage preparation area and a narrow staff passage. The design should naturally allow chefs and service staff to move between kitchen and dining room without disrupting the guests. The spatial layout should leave **clear movement paths around the table**, especially along the side walls and near the service entrance. There must be enough physical space for a chef or server to approach each guest, place dishes on the table and later move quickly through the room. The furniture should not block the exits or create impossible spatial relationships. At one end of the room, integrate a **heavy submarine pressure door** leading toward the internal corridor. The door should be compact, structurally believable and visually subordinate to the dining room. It should clearly function as the principal connection between the dining chamber and the rest of the submarine. The dining room contains **no people**. Every seat is currently empty, but the room clearly looks prepared for guests who are about to arrive. No silhouettes, reflections of people or human body parts. Lighting: sophisticated low-key cinematic interior lighting. The main dining table receives soft warm amber practical illumination from concealed architectural fixtures, while the surrounding walls and ceiling remain darker. A faint cold blue-green light from the deep ocean filters through the panoramic windows, producing subtle cool reflections on the dark stone, crystal and metal surfaces. The warm interior and cold exterior should create a strong but natural contrast. The room should become darker toward the edges and deeper corners. The panoramic windows should remain substantially darker than the interior, with the ocean outside gradually disappearing into blackness. No neon strips, no colorful LED decorations and no theatrical spotlights. Color palette: dominant deep charcoal #202626, blackened graphite #151A1B, deep ocean blue-green #17373A, muted teal #294B4B, aged bronze #675647, dark leather #302C29, warm ivory #D7D0BE and restrained amber light #B78C5B. Extremely restrained, desaturated luxury palette. MATERIAL LANGUAGE: dark natural stone, marine-grade composite panels, brushed black metal, pressure-rated glass, deep leather, aged bronze, matte ceramic, heavy crystal and subtle dark wood. Every material should feel tactile and physically authentic. Surfaces are premium and carefully maintained, with tiny scratches, faint fingerprints, subtle water marks and natural manufacturing variation. The room should feel **expensive without looking ostentatious**. No gold-plated decoration, oversized luxury branding or excessive ornamentation. Wealth is communicated through proportion, craftsmanship, material quality and extremely careful detailing. COMPOSITION: medium-wide architectural interior framing with the dining table forming the primary foreground and middle-ground structure. The panoramic windows should occupy a large portion of the background, creating a strong relationship between the table and the dark ocean beyond. The composition should allow the viewer to understand the room's complete spatial logic in one glance: table, guest seating, windows, ventilation structure, service access and pressure door. Create enough **negative space around the windows and ceiling ventilation structure** for future dramatic visual events without making the room feel empty. ATMOSPHERE: **luxurious, private, elegant, controlled and quietly ominous**. At first glance the room feels like the ultimate exclusive dining experience. On closer inspection, the thick glass, pressure doors, dark ocean outside and industrial ventilation system reveal that the guests are inside a sealed machine in the middle of an environment where humans have almost no control. The room should contain a subtle feeling of **false safety**: everything is beautiful, calm and perfectly arranged, yet every architectural element reminds the viewer that the safety of the room depends on glass, metal, pressure seals and mechanical systems. PHOTOGRAPHIC TONE: captured as a real practical interior set during principal photography for a high-budget science-fiction thriller. Professional full-frame cinema camera, realistic **4:3 cinematic perspective**, natural lens behavior, restrained wide-angle distortion, realistic reflections on glass and stone, physically accurate lighting falloff, soft highlight rolloff, deep readable blacks and subtle Kodak Vision3 35mm film characteristics with fine organic grain. The image should feel like a real photographed luxury submarine interior, not a concept-art illustration. Avoid: people, human silhouettes, reflections of people, animals, fish, octopus, visible creatures, flooded interior, damaged submarine, rusty machinery, abandoned restaurant, excessive decay, giant open windows, impossible architecture, spaceship interior, futuristic nightclub, cyberpunk neon, holograms, excessive screens, excessive gold decoration, generic luxury hotel restaurant, conventional cruise ship interior, overly spacious ballroom, perfectly symmetrical showroom, excessive mechanical clutter, exposed chaotic pipes, glossy CGI surfaces, plastic materials, 3D render look, Unreal Engine look, video-game environment, anime, illustration, fantasy painting, oversaturation, HDR, oversharpening, artificial sharpness, generic AI image quality.

模仿图片 {{Image 1}} 色卡配置（主要为环境与镜头中出现的元素颜色搭配，一般很搭配不跳脱），生成一张关于 {{Image 2}} （阳光明媚的海边，有一艘巨大的潜艇在水中，天光冷色与环境暖色对比，科技感与自然结合，木桥、沙滩、海水、天空、潜艇）的色卡，要求色卡中的色彩在15色以内，且不跳脱，参考专业电影色彩搭配技术，拥有电影级美学的美感。色卡中不出现画面，只出现文字、颜色。

模仿图片 {{Image 1}} 色卡配置（主要为环境与镜头中出现的元素颜色搭配，一般很搭配不跳脱），生成一张关于 {{Image 2}} （深海潜艇的高级餐厅，有几扇巨大玻璃可以观赏海下景色，海底冷色与餐厅中的人工暖色光作对比，科技感与自然结合，玻璃、地板、椅子、餐具、潜艇材质）的色卡，要求色卡中的色彩在15色以内，且不跳脱，参考专业电影色彩搭配技术，拥有电影级美学的美感。色卡中不出现画面，只出现文字、颜色。

只提升画质与改变比例到4:3内容元素不变。 [STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Greig Fraser掌镜,电影《The Abyss》深海摄影美学+电影《The Menu》室内高级餐厅光影美学,skip-bleach negative LUT,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影质感纹理。

图片节点 7

A photorealistic cinematic interior photograph of a **high-end professional kitchen inside a modern deep-sea exploration submarine**, **4:3 aspect ratio**. No people, no human figures, no silhouettes. The kitchen is compact but highly functional, designed specifically for an elite private-dining culinary team operating inside a sophisticated deep-sea vessel. The space feels professionally engineered, extremely clean and premium, with realistic proportions and carefully organized work zones. It should look like a real working professional kitchen adapted to the limited footprint of a submarine, not a conventional restaurant kitchen and not a futuristic spaceship interior. A long stainless-steel preparation counter occupies the main working area, with several integrated cutting surfaces, recessed storage compartments and professional culinary equipment built directly into the surrounding cabinetry. Multiple polished knives, cutting boards, metal mixing bowls, ceramic containers, fine kitchen utensils and neatly arranged ingredients are naturally distributed across the workstations, suggesting that food preparation has just begun. Several compact professional cooking appliances are integrated into the wall and counter system: induction cooking surfaces, a built-in oven, temperature-control equipment, refrigeration drawers and compact stainless-steel preparation units. Everything is arranged according to believable professional kitchen workflow, with clear movement paths between preparation, cooking and plating zones. A secondary preparation counter contains several **high-end seafood ingredients**, carefully arranged in shallow stainless-steel trays and ceramic containers. The food remains visually ambiguous and should not clearly reveal any specific animal or creature. Some ingredients appear fresh and wet with realistic natural moisture and subtle translucency, but nothing grotesque or obviously monstrous. The surrounding walls are constructed from **dark graphite marine-grade composite panels, brushed stainless steel and subtle pressure-resistant structural framing**. The submarine architecture is clearly visible through curved sections of the wall, sealed access panels, recessed ventilation openings, compact storage modules and mechanically reinforced joints. Small details of deep-sea engineering are integrated naturally into the kitchen: sealed cabinet doors, pressure-resistant hinges, marine-grade fasteners, drainage channels, concealed piping and compact ventilation systems. These components should feel functional and professionally designed rather than decorative. A narrow reinforced observation window or small structural viewing panel is partially visible in the background. Beyond it is dark deep-ocean blue water with faint suspended particles and almost no visible light, subtly reminding the viewer that the entire kitchen is operating far beneath the ocean surface. Lighting: **high-end professional kitchen lighting with restrained cinematic contrast**. Soft warm-white overhead work lights illuminate the preparation surfaces, food and stainless-steel equipment. The surrounding walls and corners remain darker, while a faint cool blue-green glow from the deep ocean enters through the small window and creates subtle color contrast across selected metal surfaces. The lighting should feel practical and believable, as though the kitchen is actively being used during a real deep-sea dining operation. No dramatic spotlight, no neon strips, no exaggerated colored lighting. Color palette: dominant warm-white #D4D0C1, brushed stainless steel #626867, dark graphite #292E2F, deep blue-green #173638, muted black #171B1C, natural food tones and subtle warm amber highlights #B79567. Overall palette is sophisticated, desaturated and cinematic. MATERIAL LANGUAGE: brushed stainless steel, food-safe composite surfaces, dark marine-grade metal, matte ceramic, tempered glass, technical rubber seals and premium natural wood accents. Surfaces are exceptionally clean but not sterile, showing subtle fingerprints, water droplets, fine scratches and realistic signs of professional kitchen use. DESIGN LANGUAGE: premium private-dining kitchen, contemporary marine engineering, practical professional culinary workspace and restrained luxury. Every object should have a believable purpose. The kitchen should feel expensive because of engineering precision, material quality and organization rather than decoration. ATMOSPHERE: **quiet, controlled, professional and slightly mysterious**. There is no visible human presence, yet the prepared workspace suggests that a highly trained culinary team has just left the frame and is actively preparing an important meal. The contrast between the warm functioning kitchen and the cold darkness outside creates a subtle feeling of isolation. COMPOSITION: medium-wide interior architectural framing with the main preparation counter and cooking area occupying the visual center. Maintain clear spatial depth between foreground work surfaces and background walls. Use natural leading lines from counters, cabinetry and structural framing. Keep enough negative space to make the room feel believable rather than crowded. PHOTOGRAPHIC TONE: captured as a real practical location during principal photography for a high-budget science-fiction thriller. Professional full-frame cinema camera, realistic **4:3 cinematic perspective**, natural lens distortion, physically accurate reflections, realistic stainless-steel response, subtle depth of field, soft highlight rolloff, deep readable shadows and subtle Kodak Vision3 35mm film characteristics with fine organic grain. The scene should feel like a **real luxury culinary workspace hidden inside a sophisticated deep-sea submarine**, not concept art, not a CGI environment and not a stylized futuristic kitchen. Avoid: people, human silhouettes, chefs, hands, faces, visible bodies, obvious octopus, squid, identifiable creatures, grotesque food, blood, gore, rusty kitchen, abandoned kitchen, dirty kitchen, primitive kitchen, oversized restaurant kitchen, luxury hotel kitchen, spaceship interior, cyberpunk neon, holographic displays, excessive screens, futuristic fantasy equipment, exposed chaotic pipes, excessive mechanical clutter, glossy showroom aesthetic, sterile white sci-fi interior, colorful lighting, oversaturation, HDR, oversharpening, obvious CGI, 3D render look, video-game environment, Unreal Engine look, anime, illustration, fantasy painting, generic AI image quality.

A photorealistic high-end cinematic food-and-prop photography shot of exactly **8 small futuristic capsules arranged on a dark luxury porcelain plate**, 4:3 aspect ratio. Pure clean white studio background, minimal composition, no people, no hands, no additional objects. The plate is a **dark premium fine-dining porcelain plate**, approximately 20–25 cm in diameter, with a sophisticated matte black, deep graphite or very dark charcoal ceramic surface and a subtle refined rim. The plate should feel like authentic high-end restaurant tableware, elegant, heavy and expensive, with realistic ceramic texture and very subtle light reflections. Avoid exaggerated sculptural shapes. Exactly **8 small capsules**, approximately the size of real pharmaceutical capsules, are placed naturally on the plate. The capsules must be **small, delicate and physically believable**, clearly much smaller than the plate. Their proportions should match real medicine capsules rather than oversized science-fiction props. Each capsule has a compact two-piece capsule form with a smooth rounded body, realistic pharmaceutical dimensions and extremely refined futuristic materials. The shell is made from dark metallic graphite, brushed titanium and muted silver-gray material, with a subtle translucent seam between the two halves. The design is elegant and minimal, with only tiny precision details visible at close inspection. Each capsule contains a **very faint internal blue-green luminescence**, visible only through a narrow translucent section or seam. The glow should be extremely subtle, almost like a small electronic indicator trapped inside the capsule, with no visible light rays or neon effect. The capsules should remain predominantly dark metallic and understated. The 8 capsules are arranged with slight natural variation in spacing and orientation, as if carefully placed by a professional chef rather than digitally arranged into a perfect pattern. All 8 remain clearly separated and individually readable. Lighting: **soft premium studio food photography lighting**, with a large diffuse source creating elegant highlights on the dark porcelain and subtle controlled reflections on the metallic capsules. Soft contact shadows beneath the capsules. Very gentle light falloff across the plate. White background remains clean and bright but not overexposed. The contrast between the **dark luxury plate and the tiny metallic capsules** should create a refined visual tension: something that looks almost like an exquisite fine-dining course at first glance, but reveals itself as highly advanced technology. Color palette: deep charcoal black, matte graphite, muted titanium gray, subtle silver, warm-white porcelain highlights and extremely restrained cold blue-green glow. No saturated colors. MATERIAL LANGUAGE: authentic fine-dining porcelain, brushed titanium, anodized metal, subtle translucent pharmaceutical-grade polymer or glass, realistic micro-scratches and microscopic manufacturing imperfections. The materials should feel physically manufactured and tangible, not digitally invented. COMPOSITION: close-up tabletop product photography, dark plate occupying a moderate portion of the frame and surrounded by generous clean white negative space. Camera positioned slightly above the plate at a shallow three-quarter angle, allowing the viewer to clearly see all 8 capsules and their realistic proportions. The plate and capsules are the only visual subjects. DEPTH OF FIELD: shallow but realistic, with the central capsules in crisp focus and the outer edge of the plate gradually falling slightly softer. All 8 capsules must remain recognizable and sufficiently sharp. PHOTOGRAPHIC TONE: photographed as a real physical prop during principal photography for a sophisticated science-fiction film. Professional full-frame cinema camera, natural macro-to-medium lens behavior, realistic depth of field, physically accurate reflections, subtle Kodak Vision3 35mm film grain, gentle highlight rolloff and restrained cinematic contrast. The final image should feel **luxurious, believable, minimal, precise and subtly futuristic**, like an ordinary fine-dining dish containing something technologically impossible. Avoid: oversized capsules, giant sci-fi capsules, capsules larger than typical medicine, mechanical gadgets, visible circuits, screws, complex machinery, holograms, neon glow, glowing objects, plastic toy appearance, candy-like capsules, ordinary colorful medicine, pharmaceutical advertisement aesthetic, white plate, colorful plate, excessive decoration, fantasy prop design, glossy plastic, excessive reflections, 3D CGI, obvious render look, video-game asset, cyberpunk aesthetic, anime, illustration, oversaturation, HDR, excessive sharpening, extra capsules, fewer than 8 capsules, more than 8 capsules, text, logos, watermark.

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Greig Fraser掌镜,电影Menu 室内光美学,skip-bleach negative LUT,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影皮肤纹理。 高级餐厅室内文戏段落,五镜组合一气呵成,4:3宽银幕画幅,主光源为室内灯光的暖橙光,屋内整体昏暗私密,墙壁和地板边缘沉入深棕暖阴影。 音轨规则：涵涵腼腆的笑声、李总的悄悄话声、餐具碰撞声、主厨中气十足的发话声、俊杰玩弄食物的餐具与食物碰撞声、衣物摩擦声、水幕流动声、不出现bgm音乐。 作为赵总的视觉锚定。 作为小林的视觉锚定。 作为涵涵的视觉锚定。 作为李总的视觉锚定。 作为俊杰的视觉锚定。 禁止直接挪用，作为高级餐厅室内环境视觉锚定。 作为整段画面色卡锚定+所有色彩严格按色卡19色执行+不可偏离色板+本段重点调用灯光映照 视频开场是涵涵翘着二郎腿的腿部特写低角度视角，镜头平滑上移，分别从涵涵的腿到她的膝盖、然后上半生近景，原来涵涵在和李总打情骂俏，两人坐在餐厅中靠石墙的位置，背景是餐厅的石墙。涵涵坐在画面右侧，李总坐在画面左侧。李总右手拿着一杯威士忌，左手搂着涵涵的腰，正微笑着对涵涵说着悄悄话。涵涵甜美地捂嘴笑着，似乎是被李总的幽默给逗笑。 这时，三声汤匙敲脚杯的声音从画面外传来，叮叮叮，伴随着主厨的声音：“各位”。这时，打情骂俏的李总与涵涵看向画面外左侧。 切到主厨的近景镜头，主厨左手举着一个空的高脚杯，右手拿着一个汤匙，背景是餐厅包厢的门口。主厨微笑着客气地半放下手中的高脚杯与汤匙，中气十足地说道：“由于今天是端午佳节。那些付玉的远古巨兽美食，（切镜头到俊杰正拿着餐叉在调皮地玩弄着他面年餐桌上餐盘里的一盘大肉块，镜头从聚焦食物到聚焦在俊杰的动作与表情上，背景是餐厅里面的另外一个角落，镜头缓慢拉远，画面左边挨着俊杰坐的是丈夫，中间坐着的是俊杰，俊杰一脸无聊的样子，画面右侧挨着俊杰坐着的是妻子，妻子宠溺地看着俊杰摸了一下俊杰的头。）已经配不上各位的野心了。现在，请各位（切镜头到小林和赵总，背景是流动的蓝绿色水幕，小林坐在画面左侧，赵总坐在画面右侧。小林正左手拿着餐叉，餐叉上有一块叉着的小肉块。赵总一脸无所谓的样子手中拿着一杯香槟，两人的面前餐桌上都有一个装着食物的餐盘，其中赵总的餐盘里面食物只剩下一些残羹剩饭，小林的餐盘里的食物像没有动过一样，两人都看向画面右侧外。）随我去体验今晚的隐藏菜单，（切回主厨的讲话镜头）活体刺身”。（镜头持续一会儿，聚焦主厨的微笑。） 以上台词均为主厨的说话声，括号内是镜头切换的不同人物视角，每个镜头只按照我括号内出现的人物和背景进行生成，不出现我未提及的人物与背景。主厨的话连贯且有节奏。整段话搭配切换镜头一气呵成，意在交代各个人物的关系。

生成此场景的多角度视角九宫格。 [STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Greig Fraser掌镜,电影《The Abyss》深海摄影美学+电影《The Menu》室内高级餐厅光影美学,skip-bleach negative LUT,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影质感纹理。

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Greig Fraser掌镜,电影《The Abyss》室外深海摄影美学+电影《The Menu》室内高级厨房光影美学,skip-bleach negative LUT,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影皮肤纹理。 高级深海潜艇外部+潜艇内部厨房文戏段落,四镜组合一气呵成,4:3宽银幕画幅。室外为明亮自然海面光线，海水呈清透蓝绿色，潜艇进入深水后自然转为深蓝与幽暗冷色；室内厨房采用高级专业厨房的暖白色工作灯，整体干净、克制、真实，有高级私人定制餐饮机构的专业质感，不做过度科幻化灯光。 音轨规则：潜艇舱门关闭时沉重的金属撞击声、门锁机械咬合声、海浪与海水拍击潜艇外壳的声音、潜艇启动时低沉持续的机械轰鸣、推进器运转产生的厚重水下震动声、海水被潜艇缓慢排开的声音、水下气泡与水流声、进入水下后的低频闷响、厨房内刀具切割食材声、金属餐具轻微碰撞声、厨师脚步声、布料摩擦声、冰块与金属容器碰撞声，不出现BGM音乐。 {{Mixed 9}} {{Mixed 8}} {{Mixed 7}} {{Mixed 6}} 作为4位厨师的视觉锚定。 {{Mixed 1}} 作为整段深海潜艇外观视觉锚定。 {{Mixed 5}} 作为整段厨房视觉锚定。 {{Mixed 4}} 作为整段画面色卡锚定+所有色彩严格按照本段冷暖对比执行，不可出现艳丽霓虹色。 {{Mixed 2}} 禁止直接挪用现成科幻电影画面，仅作为高级深海科幻摄影与真实空间质感参考。 视频开始。 第一个镜头：潜艇外部近景。 镜头为近景，固定机位，摄影机位于潜艇外部入口正前方略偏侧的位置，观察潜艇上方的出入口结构。画面中只出现一名服务员和潜艇入口，不出现其他人物。服务员站在入口一侧，双手用力将厚重的潜艇入口舱门猛地向内关上，金属舱门在最后阶段因为惯性产生一次明显而沉重的撞击，随后机械锁扣迅速咬合，形成清晰的金属闭合声。服务员关门之后立即松手，身体自然停顿一下，确认舱门已经完全闭合。人物动作不要夸张，不要表演式用力，要像受过专业训练的人正常操作高压潜艇舱门。 背景是开阔明亮的海面与潜艇外壳，海水随着轻微海浪缓慢起伏，潜艇表面有真实的水迹、金属结构和细微使用痕迹。画面整体明亮，但不要像旅游广告，要保持一种安静、专业、未知的高级感。 服务员关闭舱门后，声音短暂停留，只剩海浪声。 切镜头。 第二个镜头：潜艇开始下潜。 切到海面另一侧的中景，摄影机位于海面略高的位置，观察半露在海面上的潜艇。画面中只出现潜艇、海水和天空，不出现人物、不出现船只。 潜艇刚开始启动时几乎没有明显位移，随后伴随着低沉厚重的机械启动声，整艘潜艇缓慢向下沉入海面。它不是快速坠入水中，而是一个**重量巨大、动力充足但运动非常缓慢的工业机械体**逐渐被海水吞没。潜艇下潜时，周围海水被庞大的艇身缓慢推开，产生明显但自然的水流和波纹，海面随着潜艇下沉产生持续扩散的波动。 镜头从潜艇开始下潜之后**不切换、不跳轴、不重新建立机位**，摄影机保持同一连续运动跟随潜艇的下降，随着潜艇逐渐进入水下，摄影机也自然向下进入水面。 潜艇刚进入水下时，镜头前出现大量短暂、自然、具有真实水下摄影质感的气泡，类似摄影机跟随物体突然进入水中时产生的气泡掠过镜头。气泡快速从镜头前方上升消失，同时画面的光学质感从空气中的清晰摄影逐渐转换成真实水下摄影状态。 进入水下最初阶段，海面阳光仍然能够穿透水体，形成自然的浅蓝色光束，水下可以看见少量真实鱼群在远处快速游过，鱼群只是环境的一部分，不作为主角。潜艇缓慢继续下沉，水体颜色从明亮蓝绿色逐渐过渡到深蓝，再逐渐变暗。随着潜艇深度增加，海面光线越来越弱，潜艇上方的阳光逐渐被深色海水吞没，周围环境的可见度不断下降。 镜头始终跟随潜艇，保持一种巨物缓慢进入深海的感觉。不要快速推进、不要剧烈抖动、不要突然加速。潜艇的下潜速度始终缓慢而沉重，让观众明显感受到它的巨大重量以及深海空间的压迫感。 整个镜头结束于潜艇已经完全进入深水区域，海水从明亮蓝色变成更深的冷蓝色，顶部光线明显减弱，潜艇轮廓依然清晰，但周围已经开始被黑暗包围。 切镜头。 第三个镜头：厨房海鲜特写。 切到潜艇内部，特写镜头。 镜头拍摄一名厨师的双手与正在处理的海鲜食材，**只拍局部，不要让观众立刻看出这是什么生物或具体食材**。食材表面湿润、富有弹性，有真实的新鲜海鲜肌理与黏液感，但不能出现明显章鱼、乌贼或其他具体动物特征。厨师使用锋利专业厨刀对食材进行细致处理，动作稳定、精准、老练，没有多余动作。 镜头采用非常浅的景深，前景食材和刀刃极度清晰，背景完全虚化，只能看到潜艇厨房里模糊的金属工作台、灯光和其他厨具。镜头可以有非常轻微的横向移动，但整体保持稳定、克制。重点表现刀刃切入食材时的阻力、湿润表面、切割产生的轻微声音以及厨师非常熟练的节奏。 不要让镜头通过特写直接解释食材身份，观众只应该觉得这是一种**不寻常、难以辨认的高端海鲜食材**。 切镜头。 第四个镜头：潜艇厨房中景。 切到潜艇内部厨房中景。 画面中只出现**四名厨师**，不出现其他人物。四名厨师位于同一间潜艇厨房内，各自负责不同的备餐步骤，彼此之间配合熟练、没有交流台词，形成一种非常成熟的团队协作状态。 一名厨师负责处理刚才特写中的海鲜，低头专注切割；一名厨师在工作台另一侧整理和分装食材；一名厨师负责准备餐盘与餐具；另一名厨师站在后方操作炉台或专业厨房设备。四个人各司其职，动作连续、有条理，没有任何人停下来面对镜头，也不要有多余表演。 厨房空间是高级私人定制餐饮团队使用的专业潜艇厨房，面积不大但布局非常合理。金属工作台、嵌入式烹饪设备、储物柜、刀具、餐盘和容器全部按照真实专业厨房的工作逻辑摆放。空间能够明显感受到潜艇的结构限制，但不能显得拥挤杂乱。 镜头保持中景，以四名厨师和整个工作区域为主要视觉信息。摄影机缓慢、极轻微地向后移动，让观众逐渐看清四个人之间的空间关系，但动作不能抢过人物工作状态。 四名厨师的状态都是**专注、平静、专业、没有任何紧张感**。他们像已经执行过无数次这样的私人食宴准备流程，一切都异常熟练和自然。 厨房灯光以柔和偏暖的工作灯为主，金属表面出现非常克制的暖色反光，与窗外不断变深的冷蓝色海水形成冷暖对比。不要使用霓虹蓝灯，不要使用过度科幻化的灯带。 整个镜头最后停留在四名厨师有条不紊地准备餐食的状态，让这一段形成一种**深海正在越来越黑，而厨房却仍然异常平静、专业、正常运转**的反差。 以上镜头严格按照顺序执行。每个镜头只出现本镜头明确指定的人物与环境，不新增人物、不新增动物、不新增背景空间。人物位置、动作逻辑、光线方向和潜艇空间关系保持连续一致。整体剪辑节奏比传统电影略快，但不要做成短剧式高频碎切，镜头之间要有明确的视觉信息递进。

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Greig Fraser掌镜,电影《The Menu》室内光美学,skip-bleach negative LUT,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影皮肤纹理。 高级深海潜艇餐厅,一镜一气呵成,4:3画幅。室内整体为高级、私密、克制的顶级私人餐厅质感，暖白与低饱和琥珀色室内灯光为主，深海蓝绿色冷光从巨大的观景玻璃外透入，与室内暖光形成自然冷暖反差。玻璃外是深海，海水缓慢流动，少量鱼群偶尔从远处游过，外部空间巨大而幽深。餐厅内部仍然明亮、高级、安全，但玻璃外的深海始终带来一种无法忽视的未知感。 音轨规则：潜艇舱门开启的厚重机械声、客人的脚步声、衣物摩擦声、轻微交谈声、海水包围潜艇外壳的低沉声音、主厨客气而沉稳的招待声。不出现BGM音乐。 {{Mixed 5}} 作为主厨的视觉锚定。 {{Mixed 10}} 作为主厨的音色锚定。 {{Mixed 3}} 作为小林的视觉锚定。 {{Mixed 4}} 作为赵总的视觉锚定。 {{Mixed 6}} 作为丈夫的视觉锚定。 {{Mixed 1}} 作为妻子的视觉锚定。 {{Mixed 2}} 作为俊杰的视觉锚定。 {{Mixed 8}} 作为李总的视觉锚定。 {{Mixed 7}} 作为涵涵的视觉锚定。 {{Mixed 11}} 禁止直接挪用，作为高级深海潜艇餐厅室内环境视觉锚定。 {{Mixed 9}} 作为整段画面色卡锚定+所有色彩严格按照本段冷暖对比执行，不可出现艳丽霓虹色。 **特别注意：此段剧情为主厨欢迎客人们从场景外进入此场景，而不是从此场景出去，最后客人都要在此场景内，除了主厨讲完话就离开镜头。** 视频开始，第一个镜头：主厨迎宾，近景。 手持镜头在餐厅内部略偏侧的位置，对着潜艇餐厅的门口入口。主厨出现在画面中，保持专业、客气、从容的状态，身体微微侧身，看着客人们、微笑抬手示意客人进入座位区域。 客人陆续进入餐厅，按照自然动线经过主厨：小林、赵总、丈夫、妻子、俊杰、李总、涵涵。不要让所有人同时挤进画面，保持真实的入场节奏。 主厨带着礼貌而克制的职业微笑，向客人们轻轻颔首并示意座位，语气客气、成熟、自然： 主厨：“各位请入座，美味马上就来，请稍等片刻。” 主厨说完后微微侧身，让出通道，示意客人自行入座。台词结束后主厨离开镜头画面。 镜头保持短暂停留，让观众观察餐厅空间：客人们进入后的东张西望、长餐桌、十几个座位、巨大的观景玻璃以及玻璃外深蓝色海水。 只出现该镜头明确指定的人物与背景，不新增人物。

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Roger Deakins与Greig Fraser综合摄影美学,真实电影日景色调,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影皮肤纹理,4:3宽银幕画幅。 海边沙滩多人外景文戏段落,四镜组合一气呵成,4:3宽银幕画幅,主光源为天光。 音轨规则：音频跟随画面的发生而生成丰富、有次层次感、饱满、适配的音效，不出现bgm音乐。 {{Mixed 7}} 作为主厨的视觉锚定。 {{Mixed 9}} 作为主厨的音色锚定。 {{Mixed 1}} 作为丈夫的视觉锚定。 {{Mixed 2}} 作为妻子的视觉锚定。 {{Mixed 3}} 作为俊杰的视觉锚定。 {{Mixed 8}} {{Mixed 10}} 作为两名服务员的视觉锚定（长相不一样）。 {{Mixed 5}} 禁止直接挪用，作为海边沙滩室外环境视觉锚定。 {{Mixed 6}} 作为潜艇的视觉锚定。 {{Mixed 4}} 作为整段画面色卡锚定+所有色彩严格按色卡19色执行+不可偏离色板+本段重点调用灯光映照 **主厨与服务员的动向是从潜艇的入口里面出来站在门口，背景是大海与潜艇。丈夫、妻子、的行走动方向是向潜艇入口走去，背景是沙滩岸边。俊杰蹲在沙滩边上玩耍。未出现的沙滩外的场景自行补齐，大概是植被与少量的海边建筑。禁止出现重复人物。** {{Mixed 5}} 是海边的沙滩，有一个木桥一直往海的远处延申、尽头是一艘巨大的半露出来的潜艇、敞开了一个供人通行的入口。天气阳光明媚还有海鸥在飞翔、海浪在不断拍打岸边，越往海的深处海的颜色越深。 开场以特写的侧拍低角度手持镜头开始、注意不是正拍镜头，镜头位置位于潜艇入口的门口木桥上。两名服务员穿着整齐地从潜艇入口内走进画面内、此时画面中只有腿部走动的内容、两名服务员以接待的姿态站在潜艇入口处。两名服务员站稳后、紧随其后的是主厨的腿部走进画面内，站在入口的中间位置，比两个服务员的位置更前面，面向沙滩站立、背景是海上的潜艇。 镜头开始上移到三个人的上半身视角，依旧手持镜头呼吸感。服务员是接待的姿态、手放在身前、表情端正微笑，主厨的状态更加放松自然，也是面带微笑。主厨开口说话：“（主厨用手朝向潜艇，意在开始介绍）这是为各位准备的重型龙舟。今晚的主菜，是一只用史前最残暴的头足类动物DNA，完整孕育的活体巨型史乌贼。（此时镜头切到丈夫和妻子往潜艇入口行走的近景画面、也是半侧拍镜头、镜头不能太正、背景是沙滩。他们看起来表情很随和、高兴，两人刚走上木桥走了两步后、妻子忽然像想起了什么似的转头往沙滩上的位置看去）我们将下潜至深渊，观赏这位从史前孕育过来的庞然大物，（紧接着主厨的话、妻子看到沙滩上蹲着的俊杰后、对着沙滩上的俊杰温柔地大喊道：“俊杰！快过来！”同时旁边的丈夫也转头向俊杰的方向看去，紧接着镜头一甩、瞄准在沙滩边上玩耍的俊杰、俊杰蹲在沙滩上似乎在观赏地上爬行的刚爬上岸的螃蟹。镜头再切到俊杰的特写镜头，原来俊杰蹲在地上观察一只爬行的螃蟹、他正在用木棍戳了两下螃蟹）然后，品尝它。（此时俊杰还蹲在地上、他丢掉了手中地木棍、拿起本就在身旁沙滩上地一块石头向螃蟹砸去、把螃蟹砸了个稀巴烂，石头滚动停下、螃蟹被砸的目不忍睹在原地一动不动，还有一些浆液爆出。*注意，主厨说到 品尝它 这三个字的时候、与石头刚好砸在螃蟹上的时机重合、视听结合的场面*）” 然后镜头下移、本来聚焦在俊杰身上的镜头、聚焦转移到死去的螃蟹上，俊杰虚焦、他起身向木桥的方向跑去、大喊道：来啦，妈妈！

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Greig Fraser掌镜,电影《The Menu》室内光美学,skip-bleach negative LUT,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影皮肤纹理。 高级深海潜艇餐厅内文戏+悬疑段落,4:3画幅。前半段采用节奏较快的连续反应特写与快切，后半段逐渐放慢，进入极度聚焦的“命运偏差”段落。餐厅整体保持高级、私密、克制的顶级私人餐饮质感，室内暖白与低饱和琥珀色灯光为主，巨大的观景玻璃外是越来越深的蓝绿色海水，冷色水光自然映入室内。画面整体偏暗但保留人物面部与餐桌细节，避免过度黑暗。 音轨规则：餐具轻微碰撞声、胶囊与手指接触声、衣物摩擦声、吞咽声、海水与潜艇外壳低频环境声、人物呼吸声。前半段保留餐厅环境声；进入“命运的偏差”后，逐渐摒弃周围环境音，只保留人物对话、吞咽、水声和极少量动作声音。俊杰藏胶囊的后半段几乎完全安静，只保留极轻微的呼吸、布料摩擦、抽屉移动声以及最后胶囊微弱的电子嗡鸣感。不出现BGM音乐。 作为小林 {{Mixed 1}} 的视觉锚定。 作为赵总 {{Mixed 2}} 的视觉锚定。 作为丈夫 {{Mixed 6}} 的视觉锚定。 作为妻子 {{Mixed 7}} 的视觉锚定。 作为俊杰 {{Mixed 8}} 的视觉锚定。 作为李总 {{Mixed 4}} 的视觉锚定。 作为涵涵 {{Mixed 5}} 的视觉锚定。 作为服务员 {{Mixed 9}} 的视觉锚定。 {{Mixed 11}} 禁止直接挪用，作为高级深海潜艇餐厅内部视觉锚定。 {{Mixed 10}} 作为蓝色金属胶囊视觉锚定。 {{Mixed 12}} 作为整段冷暖色彩关系与低饱和高级电影质感锚定。 人物空间位置保持稳定： 赵总始终处于靠近观景玻璃的位置； 小林保持自己原本的区域； 丈夫与妻子始终位于俊杰附近； 俊杰靠近观景玻璃、喜欢观察外面的海底； 李总与涵涵保持相邻位置。 **所有人物在不同镜头中不无理由改变左右关系、前后距离和空间区域** **注意所有的吞咽胶囊动作都不用“嚼”的动作、而是含在嘴里然后吞** 视频开始。 第一个镜头：赵总吞下胶囊，特写，快切。极近特写，镜头只拍赵总的手、嘴部和胶囊，不需要完整露脸。赵总依然保持之前那种大大咧咧、毫不在意的状态，像在吃一种普通的东西。他随意地把胶囊放进嘴里，轻松咽下，表情没笑但是很自然轻松。动作干脆，不停留。 快速切镜头。 第二个镜头：李总吞下胶囊，近景，快切。李总站在涵涵旁边。镜头为近景，李总拿起胶囊时神态轻松，先随意看一眼，然后自然放入口中咽下。吞咽之后，他下意识看了一眼旁边的涵涵，神态仍然轻松，没有明显异常。 快速切镜头。 第三个镜头：涵涵吞下胶囊，近景，快切。 涵涵站在李总旁边。涵涵先看了一眼手中的胶囊，神情带着之前残留的好奇，随后轻轻抿嘴，将胶囊吞下。咽下之后，她眉头轻微皱了一下，像是在确认身体有没有什么感觉，然后很快恢复正常。 快速切镜头。 第四个镜头：丈夫吞下胶囊，近景，快切。丈夫站在妻子与俊杰附近。他神态平静而从容，拿起胶囊后自然放入口中咽下，没有犹豫。吞咽之后他轻轻皱了一下眉，但很快恢复平静，视线自然转向旁边的妻子，俊杰隐约在画面后方趴着观景玻璃上好奇的观看玻璃外的风景。 切镜头。 第五个镜头：妻子吞下胶囊，近景，快切。妻子站在丈夫旁边。她神态比丈夫稍微谨慎，吞下胶囊之前短暂看了一眼，然后才放入口中。吞下之后，她轻轻抿了一下嘴唇，眼神观察了一下丈夫，确认没有异常后稍微放松。 **此特写镜头不出现俊杰。** 切镜头。 第六个镜头：小林吞下胶囊，特写，此镜头时长比前面几个镜头长。 镜头切到小林。与前面连续快切形成明显区别。特写小林的脸与喉咙区域。小林拿着胶囊，神态明显比其他人更加谨慎。他低头看了一眼胶囊，又看向它散发出的幽蓝色微光。他缓慢把胶囊放入口中。停顿半拍。随后皱起眉头，用力吞咽。吞下的一瞬间，喉结明显上下移动，他脸上的表情瞬间变得不舒服，眉头紧锁，像是**喉咙里突然吞下了一块冰**，短暂闭了一下眼睛，然后缓慢睁开。明显感觉到寒意，但没有说话。此时一个服务员从画面外自然走来。只隐约能够看见服务员的身体轮廓和手臂，不给服务员独立聚焦，不露脸，不成为视觉主体。服务员迅速将一杯水递到小林手里。小林看了一眼水杯，立刻接过来喝了一口。服务员完成动作后马上离开画面，不停留。小林继续保持刚才略微皱眉、不太舒服的神情，低头看了一眼杯中的水。 切镜头。 **【核心分镜：命运的偏差】** 第七个镜头：丈夫与俊杰，近景，极度聚焦。从这一镜开始，**摒弃周围环境音**。 镜头切到靠近观景玻璃的位置。俊杰正趴在窗边看外面的深海，双手撑着玻璃，神态兴奋又好奇，注意力完全在玻璃外游动的鱼群上。丈夫走到俊杰旁边。镜头缓慢靠近丈夫。丈夫自然蹲下身来，与俊杰处于同一高度，脸上带着温柔、耐心的笑容。妻子始终站在丈夫旁边，她不说话，神情自然微笑地安静看着两个人。丈夫轻声对俊杰说道：“俊杰，把这个吃了，一会儿有好吃的。” 说话时丈夫的神态是温柔哄孩子的状态，没有命令感。俊杰看向丈夫手中拿起的胶囊。俊杰的表情从刚才看鱼群的兴奋变成明显的抗拒，皱起眉头，嘴巴微微撅起来，带着调皮和不服气。俊杰：“我才不吃药呢。”丈夫无奈地笑了一下。 他先保持温柔表情，随后故意缓缓收起笑容，神态变得稍微严肃，像是在认真警告孩子：“不吃的话，回家后爸爸就没收你的VR哦~” 妻子站在丈夫旁边，看着俊杰和丈夫，脸上带着一点无奈又宠溺的表情，不插话。 切镜头。 第八个镜头：俊杰决定吞胶囊，近景。 承接上一个镜头。俊杰先非常不服气地看着丈夫。然后低头看向丈夫手里的胶囊。他停顿下来，眼珠轻轻转动，明显正在思考。最终，俊杰露出明显的不情愿表情，伸手接过胶囊。他皱着脸把胶囊放进嘴里、嘴巴慢慢闭上。他做出一个明显而艰难的吞咽动作，脸部因为不情愿而微微皱缩。丈夫一直看着他，神态逐渐重新放松下来。妻子始终站在丈夫旁边、带着温柔的笑意看着俊杰，丈夫随手自然递给俊杰一杯水。俊杰接过水杯、喝了一口。 切镜头。 第九个镜头：俊杰证明自己吃下去了，特写。 承接上一个镜头。俊杰喝完水后，明显带着一点调皮报复的意味，突然夸张地张大嘴巴，伸出舌头，像是在向丈夫证明他真的吞下去了。丈夫看到这一幕，脸上立刻露出满意又宠溺的笑容。丈夫轻轻拍了拍俊杰的头：“这才乖嘛。” 妻子依旧站在丈夫旁边欣慰地笑着看着俊杰。俊杰表面上一副得意又顽皮的样子，但眼神里已经开始偷偷隐藏自己的真实想法。丈夫随后自然起身。他转过身、与妻子轻松地开始交谈、两个人一起离开画面。不要立即切镜头，稍微保留他们离开的动作，让空间真正安静下来。 切镜头。 第十个镜头：俊杰特写，秘密暴露。 镜头重新回到俊杰。特写。刚才还装得非常乖的俊杰，此时脸上的调皮笑容逐渐消失，变为调皮的神情。确认丈夫和妻子已经离开自己的视线后，他迅速轻轻动了一下嘴巴、镜头极度聚焦他的嘴部。他迅速从自己的口袋里掏出一块像纸巾一样的小擦嘴布、动作非常小心，切到手部特写。 第十一个镜头：胶囊被吐出，极近特写。 极近特写，俊杰悄悄把舌头下面藏着的蓝色金属胶囊吐到擦嘴布上，胶囊落到布面的时候发出极轻微的触碰声。俊杰低头确认胶囊已经出来，神态明显放松了一些，他的眼睛与头部迅速向左右两边扫了一下，确认没有人注意到自己，他立刻用擦嘴布小心地把胶囊包起来。 切镜头。 第十二个镜头：俊杰藏起胶囊，中近景。 镜头保持较低机位，俊杰抱着包好的布团，小心翼翼地向餐厅一侧的储物区域走去。动作很轻，脚步很快，但不是奔跑。他先向一个方向看一眼。再向另一个方向看一眼，确认没人注意自己之后，迅速打开一个储物抽屉、把裹着胶囊的擦嘴布快速塞进抽屉。随后马上关上抽屉。整个动作非常谨慎，带着孩子做秘密事情时特有的紧张和兴奋。俊杰关上抽屉后，短暂停顿一下，确认没有人发现，脸上重新出现一丝得意的小表情。 随后离开画面。 切镜头。 第十三个镜头：黑暗中的胶囊，极近特写，固定镜头。 固定机位。镜头处于储物抽屉内部、整个画面几乎完全黑暗。被擦嘴布包裹后的胶囊藏在黑暗深处、蓝色的微光从布料缝隙里一点一点透出来，没有人物，没有动作。只有胶囊极其微弱而稳定的蓝色光芒在黑暗中闪烁。固定镜头保持数秒、周围完全安静。这一画面不要制造明显恐怖效果，不要突然出现任何东西。它应该是一种**诡异的、异常平静的宁静感**，让观众潜意识意识到：刚才那个看似顽皮的小动作，可能已经悄悄改变了之后所有人的命运。 整段节奏要求： 前半段成年人吞胶囊采用快速连续切镜，形成“所有人都自然服用”的群体性行为； 小林的吞咽必须明显放慢，成为唯一一个专门展示吞咽过程的人物镜头； 进入“命运的偏差”后，节奏整体下降，环境声音被逐渐抽离，让观众完全进入丈夫、妻子与俊杰的私人互动； 俊杰从抗拒、思考、不情愿吞咽，到故意张嘴证明，再到父母离开后的偷偷藏胶囊，每一个神态变化必须清晰可见； 丈夫全程保持温柔、宠溺、轻微无奈的父亲状态； 妻子全程站在丈夫旁边，保持宠溺、温和、略带观察的状态； 俊杰前半段顽皮、后半段机灵而谨慎； 小林谨慎、敏感，对胶囊明显比其他人更警觉； 赵总、李总、涵涵及其他人物仅按照各自指定镜头出现，不额外添加人物。 **最重要：俊杰藏胶囊的行为必须让观众完全看懂，但不要让其他人物发现。** **胶囊最终被藏在储物抽屉里，最后只留下黑暗中的蓝色微光。**

把图片 {{Image 1}} 中的红圈位置的潜艇，单独生成图片出来，白色背景。 【STYLE LOCK】 完全写实，禁止3D。35mm电影胶片质感，A24的电影、或者电影《环太平洋》的视觉氛围：高级压抑的氛围感、低饱和的整体氛围色调，自然光下的写实纪录片质感，画面带轻微胶片颗粒。写实悬疑类型片基调，宽画幅4:3 。充满电影美学的美感，真实机械结构与质感、厚重巨物感。

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Roger Deakins与Greig Fraser综合摄影美学,真实电影日景色调,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影皮肤纹理,4:3宽银幕画幅。 海边沙滩两人外景文戏段落,一镜一气呵成,4:3宽银幕画幅,主光源为天光。 音轨规则：音频跟随画面的发生而生成丰富、有次层次感、饱满、适配的音效，不出现bgm音乐。 {{Mixed 3}} 作为丈夫的视觉锚定。 {{Mixed 2}} 作为妻子的视觉锚定。 {{Mixed 1}} 作为两人行走的室外环境视觉锚定。 {{Mixed 4}} 作为整段画面色卡锚定+所有色彩严格按色卡19色执行+不可偏离色板+本段重点调用灯光映照 这是一个海边的沙滩、这个木桥很长、是搭建在海边的、所以越往前走能看到海浪拍打岸边。 画面开场以丈夫和妻子并排往镜头方向行走的画面，妻子在左侧，丈夫在右侧。镜头角度稍微往右方侧一点、手持镜头呼吸感，镜头跟随人物移动稍微缓慢后退（*注意不能露出太多左侧的视野*） 两人持续向镜头方向行走，丈夫微笑着扫视着画面右侧外的景色，妻子好像被刺眼的阳光挡住了视线、于是用手遮住眼睛上方来遮挡阳光、看向镜头后方的远处、妻子看清楚远处后表情由疑惑转化为兴奋、放下遮阳的手指向镜头后方、一脸兴奋的做出“哇”的表情，两人停下，然后妻子看向丈夫、用手挽着旁边的丈夫，丈夫视线先是回到妻子身上、再顺着妻子的视线看向镜头后方、丈夫看清楚后露出了满意的表情。随后两人挽着继续往镜头方向行走，走了两步之后、妻子似乎想起了什么、忽然往画面左侧外看去，眼神扫视了一会而后，看向左侧画面外沙滩上的位置（镜头不往左侧移动、也不给出左侧沙滩外的画面信息）、紧接着妻子向那个方向温柔地大喊道：俊杰！快过来！ 在妻子喊到“俊杰”两个字的时候，丈夫也疑惑地看向妻子看向的同一个方向。

视频截图视频节点 9

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Roger Deakins与Greig Fraser综合摄影美学,真实电影日景色调,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影皮肤纹理,4:3宽银幕画幅。 海边沙滩多人外景文戏段落,五镜组合一气呵成,4:3宽银幕画幅,主光源为天光。 音轨规则：音频跟随画面的发生而生成丰富、有次层次感、饱满、适配的音效，不出现bgm音乐。 作为赵总的视觉锚定。 作为赵总的音色锚定。 作为小林的视觉锚定。 作为涵涵的视觉锚定。 作为李总的视觉锚定。 作为主厨的视觉锚定。 作为丈夫的视觉锚定。 作为妻子的视觉锚定。 作为俊杰的视觉锚定。 禁止直接挪用，作为海边沙滩室外环境视觉锚定。 作为潜艇的视觉锚定。 作为整段画面色卡锚定+所有色彩严格按色卡19色执行+不可偏离色板+本段重点调用灯光映照 **注意，所有出现的人物角色的行走的动向、都是从沙滩上向潜艇的入口位置走去，不是从潜艇出来。未出现的沙滩外的场景自行补齐，大概是植被与少量的海边建筑** 开场以全景俯视角度作为开始、缓慢平滑的环绕镜头，画面中是海边的沙滩，有一个木桥一直往海的远处延申、尽头是一艘巨大的半露出来的潜艇、敞开了一个供人通行的入口。天气阳光明媚还有海鸥在飞翔、海浪在不断拍打岸边，越往海的深处海的颜色越深。以上所有人物都在行走，其中主厨走在最前面、主厨在木桥的半程位置，刚刚走上桥的是涵涵和李总、涵涵带着墨镜、手里打着一把遮阳伞挽着她旁边的李总、两个人有说有笑的挽着向木桥尽头的潜艇入口走去。还在朝着木桥方向行走的是小林和赵总、赵总带着墨镜。最末尾的是丈夫和妻子、妻子在举起手机拍摄美景，丈夫叉腰行走看着美景发出由衷的微笑。俊杰开心兴奋地在沙滩上跑跑跳跳。 镜头切近景、镜头位置处于木桥的上桥的位置，手持镜头呼吸感。涵涵和李总挽着手有说有笑的从镜头前经过并走出画面，镜头从他们身上聚焦到小林和赵总身上，手持镜头推进、小林一脸担忧地对旁边的赵总询问到：“赵总，这潜艇项目不会有安全隐患吧？我...我有点深海恐惧症。”赵总带着墨镜一脸无所谓的样子，也不看着小林，只是边走边用手比划着说：“害，这能有啥好隐患的，老黄之前搞的那些项目我都参加过好几次了，他提供的那些体验挣的钱，（赵总笑）都能赶上我一半财富了，现在纯纯是沉浸在自己的艺术中无法自拔了。” 赵总说话途中、小林的表情也随着赵总说话的内容所产生对应的反应，背景是虚焦的丈夫在给妻子拍照、俊杰在沙滩上快乐地奔跑玩耍，天上偶尔有海鸥飞过、海浪不断拍打岸边的背景声。赵总说话途中，镜头适当在这几个人中切换，但主要是赵总和小林的镜头，注意切镜头逻辑，切勿重复切镜头或者过短镜头、无关镜头。

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Greig Fraser掌镜,电影《The Abyss》深海摄影美学,skip-bleach negative LUT,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影生物表面纹理。 史前巨型乌贼深海被锁住,4:3画幅,整体节奏缓慢、压迫、克制，不做传统怪兽电影式快速攻击，不使用夸张突然扑袭，而是通过巨物尺度、极度安静的运动和潜艇与生物之间的尺寸差制造震撼感。 音轨规则：深海极低频环境声、远处海水缓慢流动声、金属链条轻微摩擦与晃动声、深海机械固定装置偶尔发出的低沉金属震动声、极轻微的气泡声、水流声、潜艇启动与缓慢接近时低沉持续的机械轰鸣声。前半段声音尽可能克制，最后随着潜艇接近，低频机械声逐渐进入。不要BGM音乐，加一点低沉克制的史诗级庞然巨物低吼的水下声。 {{Mixed 3}} 作为潜艇外观与微弱暖色灯光的视觉锚定。 {{Mixed 1}} 禁止直接挪用，作为巨型生物与潜艇尺度对比的视觉锚定。 {{Mixed 2}} 作为整段画面色卡锚定，深海区域以深蓝、蓝绿色和接近黑色的冷色为主，潜艇只保留少量克制的暖黄色灯光。 深海最深处的黑暗海域，巨型史前乌贼被多组粗重的工业金属链条和固定装置牢牢束缚在深海岩床之间。它的触手巨大到无法完整收进画面，粗壮的触手表面布满湿润、粗糙且具有真实生物质感的皮肤纹理，吸盘沿触手内侧排列。周围有极少量真实深海小鱼缓慢游过，用极小的生物尺度反衬乌贼的庞大。整个环境几乎被深蓝黑色海水吞没，只有非常微弱的深海冷光勾勒出生物轮廓。乌贼没有夸张的怪兽动作，它处于一种巨大、沉重、安静、仿佛已经存在了数万年的状态。它的眼睛不是巨大眼球，而是相对克制、隐藏在头部褶皱与阴影中的眼睛，最开始只是半掩着，像一个完全清醒却没有兴趣理会周围一切的古老生物。远处，一艘巨大的深海潜艇缓慢游来，潜艇自身没有强烈照明，只有少量温暖的黄色与白色灯光穿透深海黑暗，与周围冰冷的蓝绿色海水形成非常明显但克制的冷暖对比。 视频开始。 第一个镜头：被捆住的巨大触手，极近特写。 镜头为极近特写，固定机位。画面几乎被一条巨大、粗壮的史前乌贼触手占满，只能看到触手局部，看不出它完整的长度与身体。触手表面湿润、粗糙、厚重，能够看到真实的生物褶皱、细密皮肤纹理和微小吸盘。多根粗重的工业金属链条横跨在触手表面，将它牢牢固定。链条不是剧烈晃动，而是在深海水流与巨大生物细微呼吸般的身体运动下，产生非常小幅度、沉重而缓慢的晃动。镜头本身保持几乎完全静止，只让链条和触手产生细微运动。不要出现乌贼完整身体，不要出现眼睛，不要出现潜艇。 切镜头。 第二个镜头：小鱼体现巨物尺度，近景。切到触手另外一个位置的近景。镜头缓慢横向移动，几条非常小的深海鱼从画面前景或触手附近缓慢游过。鱼的体型与触手形成极端尺度反差，鱼甚至只相当于触手表面吸盘之间非常微小的一部分。鱼群游过后，镜头缓慢停下来，重新聚焦在触手粗壮的表面和缠绕其上的巨大金属链条。链条再次产生一次轻微晃动。整个画面不要有明显动作，重点是让观众逐渐意识到：刚才看到的东西远比正常海洋生物巨大。 切镜头。 第三个镜头：眼睛特写。 切到史前乌贼头部局部，特写。镜头非常缓慢地靠近它的眼睛。眼睛不能设计得巨大夸张，不是占据整个画面的怪兽眼球，而是**相对克制、部分隐藏在头部褶皱和阴影中**。最开始眼睛处于半掩状态，只能看到部分眼球。它几乎没有明显动作。停顿一小段时间之后，它的眼睑或眼部组织产生极其缓慢的变化，眼睛逐渐露出更多，但依然没有完全睁大。它没有愤怒，没有惊慌，没有攻击欲。是一种**极度平静、冷漠、没有情绪，仿佛早已经习惯被囚禁的巨大生物**。镜头始终保持克制，不要让它突然瞪大眼睛，不要做恐怖跳吓。背景完全沉入深海黑暗。 切镜头。 第四个镜头：史诗级巨物与潜艇。切到一个极远的深海大全景。镜头固定或者极其缓慢地向后拉远。随着画面逐渐拉开，之前的眼睛、触手、链条全部被重新纳入完整空间。巨型史前乌贼的身体逐渐完整显现出来。它巨大到像一座活着的深海山体，大量粗壮触手向四周延伸，部分一直消失在画面边缘。多组巨大金属链条从它的身体与触手延伸到深海岩床上的固定装置，将这个庞然大物牢牢限制在原地。此时，一艘深海潜艇从画面远处非常缓慢地游来。潜艇不能快速移动，也不能像一艘普通小型潜水艇一样显得轻盈，而要有**沉重、巨大、工业机械体缓慢穿过深海的感觉**。潜艇只带着少量非常克制的暖黄色与暖白色灯光。这些灯光在深蓝黑色海水中显得极其微弱。镜头继续缓慢拉远。当潜艇逐渐靠近时，巨型乌贼原本半掩着的眼睛终于缓慢转动，**不动声色地看向正在靠近的潜艇**。它没有攻击、没有张开触手、没有挣扎、只是安静地看过去。随着视线转向潜艇，整个空间的尺度关系终于完全建立： **巨型乌贼远远大于潜艇，潜艇在它面前依然像一个微小的人造物。** 海水保持深蓝黑色，乌贼的身体只被极弱的冷色深海光勾勒出轮廓，潜艇的少量暖色灯光则成为整个画面中唯一明显的暖色来源。画面持续一小段时间，不要马上切走。让观众真正感受到这个生物的巨大，以及它那种完全不需要动作就已经令人恐惧的存在感。 整段最终基调为： **巨大、安静、古老、压迫、史诗、未知、不可控。** 不要把史前乌贼表现成疯狂攻击人类的怪兽，而要像一个**远古巨物第一次注意到一只渺小的人造机械体进入自己的领域**。 所有镜头保持真实深海摄影质感，真实水体光线衰减、真实悬浮颗粒、真实生物皮肤湿润反光、真实金属链条受水流影响的轻微运动。不要CG怪兽展示感，不要游戏过场动画感，不要商业怪兽片式夸张动作。

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Greig Fraser掌镜,电影《The Menu》室内光美学+电影《The Abyss》深海摄影美学,skip-bleach negative LUT,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影皮肤纹理。 高级深海潜艇餐厅进食+史前巨型乌贼意识侵入+次声波袭击段落,4:3画幅。开头保持高级私人餐厅内部温暖、安静、奢华的进食氛围，暖橙色与暖白色室内灯光照亮人物、餐桌和食物，巨大观景玻璃外是冷蓝绿色深海。中段进入赵总的意识流记忆时，视觉突然转入原始、野蛮、巨大尺度的史前海洋世界；回到现实后重新恢复餐厅暖光。最后切到潜艇外深海冷色环境，再进入巨型乌贼眼睛特写与次声波袭击，完成从温馨宴席到深海恐怖的反转。 音轨规则：高级餐厅环境底噪、衣物摩擦声、餐具与瓷盘轻微碰撞声、叉子切入食物声、咀嚼声、吞咽声、红酒与玻璃杯轻碰声。赵总进入意识流后，现实餐厅声音完全消失，改为低沉海水流动声、巨大生物移动声、远古海洋环境声、剧烈追捕时沉闷水流冲击声。回到现实后恢复餐厅声音。切到潜艇外后加入深海低频环境声、潜艇机械低鸣、水流声。次声波发动时不直接使用明显“爆炸声”，而通过极低频闷响、玻璃共振、金属震动、海水震荡、沙石与气泡运动体现。无BGM音乐。 {{Mixed 2}} 作为主厨的视觉锚定。 {{Mixed 3}} 作为小林的视觉锚定。 {{Mixed 1}} 作为赵总的视觉锚定。 {{Mixed 4}} 作为丈夫的视觉锚定。 {{Mixed 5}} 作为妻子的视觉锚定。 {{Mixed 6}} 作为俊杰的视觉锚定。 {{Mixed 8}} 作为李总的视觉锚定。 {{Mixed 7}} 作为涵涵的视觉锚定。 {{Mixed 11}} {{Mixed 12}} 作为服务员们的视觉锚定。 {{Mixed 9}} 禁止直接挪用，作为高级深海潜艇餐厅室内环境视觉锚定。 {{Mixed 10}} 作为整段画面色卡锚定+所有色彩严格按照本段冷暖对比执行，冷暖色彩关系与低饱和高级电影质感锚定。 视频开始。**全片镜头模仿手持摄像头呼吸感** 第一个镜头：众人正式进食，中景。 所有人已经坐在高级餐桌前，人物位置保持已经建立的空间关系，不改变人物之间左右关系。 服务员从画面侧面自然进入，将刚刚制作好的刺身料理依次放到餐桌上，动作专业、安静、熟练。服务员不需要单独聚焦，只作为餐厅正常运转的一部分。 镜头中可以看到主厨站在餐厅一侧，不靠近餐桌，他脸上带着满意、从容的浅笑，安静观察众人，像是在欣赏自己精心准备的料理终于开始被客人品尝。 餐盘中的刺身切得极薄，形态不是普通鱼片的规则圆形或椭圆形，也看不出明显的动物横截面。食材整体呈不规则、细腻、半透明的鲜活组织质感，表面湿润，有非常轻微的黏液光泽，能够看出极高端但陌生的海鲜属性。 服务员放好最后一盘后离开。 主厨的目光落在众人身上，带着满意的职业性微笑。 切镜头。 第二个镜头：赵总进食，近景。 赵总保持原有的大大咧咧姿态。 他拿起叉子，没有过多研究食物，像品尝普通高级料理一样直接叉起一片刺身送入口中。 他咀嚼得比较豪放，神情非常享受，眼睛微微眯起，嘴角带着满意的笑。 赵总不是优雅型进食，而是表现出明显的“好吃就直接吃”的富豪性格。 他吞咽下去之后，神情出现一瞬间轻微停顿。 切镜头。 第三个镜头：赵总意识流蒙太奇，约6～7秒。 画面瞬间进入赵总的感官记忆。 **第一人称乌贼POV。** 镜头位于史前巨型乌贼的第一视角，在深海中高速前进。 整个海洋尺度极其巨大，水体深邃、幽暗，远古海洋植物和岩层从视野边缘高速掠过。 前方出现一只体型同样巨大的史前海洋动物。 乌贼迅速追击。 不是普通动物式追逐，而是两个巨大生命体之间的力量博弈。 视角快速逼近猎物，巨大触手从第一人称视野边缘突然伸出，封锁逃跑路线。猎物猛烈转向，掀起大量海水和气泡。 乌贼继续追击。 快速连续切换第一人称感官画面：巨大猎物身体擦过镜头、触手猛然缠绕、水体剧烈翻涌、猎物拼命挣扎、乌贼的触手收紧。 最后一个瞬间，乌贼成功捕获猎物。 画面不要出现过度血腥的肢解，而重点表现**巨大体型、力量、速度、压迫和捕食者的本能快感**。 整个6～7秒意识流节奏极快，完全区别于现实餐厅的稳定镜头。 切回现实。 第四个镜头：赵总回到现实，特写。 直接切回赵总的脸。 他仍然坐在餐桌前，手里握着刀叉，嘴里还在缓慢咀嚼。 他的眼神已经完全变了。 双眼深处出现一层极其微弱的冷蓝色微光，只存在于瞳孔和眼球反光之中，不能像LED一样发光。 赵总没有恐惧，反而是一副极度沉浸、满足、近乎陶醉的神情。 他缓慢咀嚼，眼神空灵地望向前方，仿佛刚才那场捕食体验仍然残留在脑海里。 他嘴角轻微上扬。 不要台词。 切镜头。 第五个镜头：李总进食，近景。 李总站在涵涵旁边或坐在自己的位置，根据餐桌空间保持一致。 他拿起一片刺身，先稍微观察一下，再自然地放入口中。 他的动作优雅、克制，咀嚼速度不快。 吃下后，李总眉头微微舒展，露出明显满意但不夸张的表情，像是在认真品味食物。 镜头不要停太久。 切镜头。 第六个镜头：涵涵进食，近景。 涵涵坐在李总旁边。 她拿起刺身时神态带着之前残留的好奇与期待。 她用比较优雅的动作将刺身送入口中。 咀嚼后，她眼睛稍微亮了一些，嘴角出现一个满足的小笑容。 她没有表现出危险感，只觉得这道料理真的很好吃。 切镜头。 第七个镜头：小林进食，中近景。 小林动作明显更加谨慎。 他先低头观察餐盘中的刺身，再拿起叉子夹起很小的一片。 他没有像赵总那样大口，也没有像涵涵那样立即沉浸，而是带着一点谨慎把食物放入口中。 咀嚼后，小林神情短暂放松，但目光仍然保持警觉，随后下意识看了一眼周围的人。 他发现其他人都没有出现异常，于是继续正常进食。 切镜头。 第八个镜头：丈夫与妻子进食，中近景。 丈夫与妻子保持相邻位置。 丈夫比较自然地拿起刺身，动作稳重、克制，吃下后露出满意的神态。 妻子随后优雅地吃下一口，表情温和，眼神观察了一下身边丈夫，看到丈夫正常后也露出轻松笑意。 两个人之间保持自然夫妻互动。 不要出现俊杰。 切镜头。 第九个镜头：俊杰准备进食，近景。 这是其他人进食镜头的最后。 俊杰坐在父母旁边。 他盯着眼前制作精致、看起来非常可口的刺身，明显已经被食物吸引。 他的眼睛里充满孩子式的期待和贪馋。 他拿起叉子，先把刺身轻轻蘸进山葵和酱油调料中。 动作明显比之前吃胶囊时积极得多。 他迫不及待地把第一口送进嘴里。 切镜头。 第十个镜头：俊杰发现真的很好吃，中近景。 承接上一个镜头。 俊杰刚吃下第一口，表情明显发生变化。 原本只是期待，下一瞬间眼睛明显亮起来，脸上露出真正开心的笑容。 他发现味道非常好。 他立刻又叉起第二块。 然后第三块。 从原本谨慎的小口尝试，迅速变成孩子式的大口朵颐。 嘴角沾上一点食物的汁液，他完全没有在意。 妻子就在旁边看着他，先无奈地笑了一下，随后温柔提醒： 妻子：“吃慢点，俊杰，别呛着了。” 俊杰完全沉浸在美味里，只是含糊地点了一下头，然后继续吃。 此时俊杰没有任何异变，没有任何恐怖反应。 切镜头。 第十一个镜头：潜艇外景，中远景。 突然切出餐厅。 潜艇缓慢航行在深海之中。 整个画面色温瞬间冷下来。 深海呈深蓝、蓝绿色与接近黑色的冷色调，潜艇外壳只有少量克制的暖黄色与暖白色灯光。 潜艇缓慢向前移动，庞大的艇身在深海中显得沉重而安静。 周围没有明显生命活动。 镜头保持稳定，不需要快速运动。 重点形成刚才餐厅里温暖、幸福、热闹的进食氛围，与现在潜艇外冰冷、寂静、几乎没有光线的深海之间的强烈反差。 保持短暂的一段。 切镜头。 第十二个镜头：巨型乌贼眼睛特写。 极近特写。 画面进入黑暗。 巨型史前乌贼的一只眼睛缓慢进入画面。 这一次眼睛比之前完全睁开。 它是一只**极其巨大、恐怖、横向狭长的瞳孔**，眼球湿润、真实、具有强烈生物组织质感。 眼睛本身不要发光。 只依靠深海极弱冷光勾勒眼球表面。 瞳孔几乎占据视觉中心，黑暗而深邃。 它没有疯狂，也没有咆哮。 只是盯着某个方向。 随后瞳孔极其缓慢地转动。 它正在看向远处的潜艇。 镜头保持压迫感，不要快速剪切。 切镜头。 第十三个镜头：次声波袭击，全景。 切到深海大全景。 巨型乌贼和潜艇同时处于画面中。 乌贼巨大到像一座缓慢移动的深海山体，潜艇在它面前依然显得渺小。 巨型乌贼没有发动任何明显的肢体攻击。 它只是安静地停在那里。 然后，**次声波攻击开始。** 因为次声波本身无法被直接看到，所以必须通过周围世界的物理反馈表现。 乌贼身体周围的海水首先出现非常细微的异常震荡。 紧接着海底大量细小沙石开始从地面震起。 岩床上的沉积物像受到无形震动一样缓慢漂浮。 大量细小气泡从海底、岩石缝隙和乌贼身体周围突然冒出。 潜艇外壳开始出现非常轻微但持续的机械震动。 镜头产生细微的不稳定震动，不是普通手持，而像摄影机本身正在被一种巨大而无法理解的低频振动影响。 潜艇附近的水流开始出现异常紊乱。 远处的小鱼群瞬间改变方向并逃散，但不要突出鱼群。 乌贼本身依旧几乎不动。 正因为它如此平静，周围环境却正在发生剧烈异常，整个画面产生极强的压迫感。 镜头可以有一次非常轻微的向后拉，让乌贼与潜艇之间的尺度关系更加明显。 不要表现爆炸。 不要表现冲击波可见的圆形能量墙。 不要使用夸张科幻特效。 要让观众通过**沙石、气泡、水体、潜艇震动和镜头共振**看出一种无法用肉眼看见的巨大声学攻击正在发生。 整段最后停留在巨型乌贼与微微震动的潜艇之间。 黑切。 整段节奏要求： 前两个现实进食镜头建立温馨、高级、正常的宴席状态； 赵总意识流部分突然加速，6～7秒内完成史前巨物捕食蒙太奇； 回到赵总后重新恢复现实节奏； 随后人物进食镜头按照人物性格分别呈现，不能所有人吃东西都一个动作； 俊杰必须是整个进食段最后一个人，并且吃得最开心、最贪婪，完全没有立即出现异常； 妻子的“吃慢点，俊杰，别呛着了”必须自然融入镜头； 随后突然切到潜艇外景，用冷蓝深海打断餐厅的暖色氛围； 再切到巨型乌贼眼睛； 最后进入无声可见的次声波袭击。 人物表演必须始终有明确神态，不允许人物只是机械完成“吃东西”的动作。 赵总——大大咧咧、享受、沉浸； 李总——从容、优雅、懂得品味； 涵涵——优雅、好奇、明显觉得好吃； 小林——谨慎、观察力强，吃东西也保持警觉； 丈夫——稳重、自然； 妻子——温柔、宠溺； 俊杰——孩子式贪吃、兴奋、活泼； 主厨——站在餐厅角落满意而欣慰地观察众人，不参与后续镜头。 最重要的空间逻辑： 所有人在餐厅内的位置始终稳定； 俊杰只在他被指定的镜头中出现； 妻子提醒俊杰时必须在俊杰旁边； 主厨只在开场出现； 潜艇外景只展示潜艇、深海与必要的环境，不出现餐厅内部人物。 最终情绪递进： **高级宴席 → 美味享受 → 赵总的极致感官体验 → 众人沉浸进食 → 俊杰贪婪享用 → 温馨错觉 → 深海冷色 → 巨型乌贼睁眼 → 无形次声波降临。**

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Greig Fraser掌镜,电影《The Menu》室内光美学,skip-bleach negative LUT,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影皮肤纹理。 高级深海潜艇餐厅内文戏段落，**此视频大概剧情为主厨向其他人介绍胶囊的作用以及其他人的反应与疑问**。以中近景、近景、特写为主,避免全景,4:3画幅。餐厅整体高级、私密、克制，室内主光源为低饱和暖橙色灯光，整体环境偏暗，深蓝绿色水幕和深海冷光从观景玻璃方向映入室内，与暖橙色餐厅灯光形成冷暖对比。玻璃、水幕、长餐桌、深色石墙与高级餐具保持前面场景一致。 音轨规则：托盘轻微碰撞声、胶囊在金属托盘上的轻微碰撞声、鞋底踩地声、衣物摩擦声、餐具轻微碰撞声、潜艇内部持续的低频机械嗡鸣声、深海水流低频声、餐厅环境低声交谈声。主厨说话时所有切镜头都保持主厨声音连续，不因为切换人物视角而重新开始台词。不出现BGM音乐。 作为主厨的视觉锚定。 作为主厨的音色锚定。 作为小林的视觉锚定。 作为赵总的视觉锚定。 作为赵总的音色锚定。 作为丈夫的视觉锚定。 作为妻子的视觉锚定。 作为俊杰的视觉锚定。 作为李总的视觉锚定。 作为涵涵的视觉锚定。 作为餐盘与胶囊的视觉锚定。 禁止直接挪用，作为高级深海潜艇餐厅室内环境视觉锚定。 作为整段画面色卡锚定+所有色彩严格按照本段冷暖对比执行，不可出现艳丽霓虹色。 人物空间位置严格连续： 主厨始终位于餐厅包厢靠近服务通道与餐桌边缘的位置； 涵涵与李总始终保持相邻位置，李总站在涵涵旁边； 赵总始终位于靠近观景玻璃的位置； 小林、丈夫、妻子、俊杰只在明确指定的反应镜头中出现。 **所有人面向主厨站立，视频中不出现全景，禁止镜头越轴或不符合镜头逻辑** 禁止人物在不同镜头中无理由交换左右位置、前后位置或突然改变距离。 视频开始。 第一个镜头：胶囊托盘特写。 特写，手持跟随镜头。镜头只拍主厨一只手端着托盘以及托盘内部，不露脸。主厨手部动作稳定，托盘保持水平，走到餐厅包厢边缘。托盘上整齐放置着8颗小型金属质感胶囊，每一颗都散发出克制、幽冷的蓝色微光。胶囊表面具有高级精密金属质感，不像普通药物，更像某种高度先进的纳米科技设备。随着主厨走动，8颗胶囊因为轻微惯性产生极小幅度晃动，发出非常细微的金属声。镜头重点表现胶囊的冷色微光与托盘金属表面的反射。 第二个镜头：主厨端着胶囊，近景。 承接上一个镜头。镜头从托盘特写缓慢拉远至主厨近景，主厨已经站在餐厅包厢边缘，神态轻松、客气、从容，嘴角带着职业性的浅笑。主厨微微看向画面外的众人，保持站立，不急着靠近任何人。他的托盘始终拿在身体前方，8颗蓝色胶囊清晰可见。主厨暂时没有说话。 切镜头。 第三个镜头：涵涵提出疑问，近景。 切到涵涵和李总。两人保持相邻站位，李总站在涵涵旁边，不抢镜。涵涵原本神态轻松，注意到主厨手上的胶囊后，略微皱眉，露出好奇又有些疑惑的表情。她向主厨走近几步，身体自然前倾一点，看向托盘。李总站在她旁边，先看看涵涵，再看看主厨手里的胶囊，表情带着轻松旁观的兴趣。涵涵看着主厨，皱眉问：“这是啥呀？饭前开胃药？” 台词结束后，涵涵没有立即走开，而是仍然盯着托盘上的胶囊。 切镜头。 第四个镜头：主厨回应，近景。 切回主厨。主厨的表情从刚才轻松客气的微笑，逐渐变得略微严肃，但整体依然礼貌克制。他低头看了一眼托盘，再抬眼看向涵涵和其他客人。主厨平静说道：“这是文明的锚点。”，说完后，主厨从托盘中拿起一颗胶囊。动作非常自然，不像展示商品，而像是在解释一种重要而专业的设备。 切镜头。 第五个镜头：胶囊与主厨手部特写。 特写主厨手中的单颗胶囊。主厨手指稳定地捏住胶囊，将它轻轻抬到视线高度。胶囊发出幽蓝色冷光，微弱光线映在主厨手指和袖口上。主厨声音继续，画面不切断台词：“各位一会儿即将吞下的，是活着的史前霸主DNA。” 镜头保持片刻，让观众真正看清这颗胶囊的异常科技质感。 切镜头。 第六个镜头：小林反应，近景。 小林单独特写。背景是餐厅的一处角落。小林原本平静的神态出现明显变化。他眉头轻轻皱起，眼神迅速落到主厨手中的胶囊方向。他的表情不是恐惧，而是第一次真正意识到这次用餐与普通高级料理完全不同的认真与警觉。 主厨声音继续：“它们极具侵略性以及不稳定……”，小林保持安静，只通过眼神和轻微皱眉表现反应。 切镜头。 第七个镜头：赵总反应，近景。 赵总站在靠近巨大观景玻璃的位置。他身体保持松弛，单手自然拿着酒杯，神情只是短暂认真了一下，随后又恢复成一副见过世面的无所谓模样。赵总朝主厨方向看去，嘴角微微带笑，显然没有真正把危险当回事。 主厨声音继续：“虽然感官体验会翻倍刺激，但有可能会影响你们的基因序列。” 赵总轻轻挑了一下眉，没有说话。 切镜头。 第八个镜头：涵涵观察胶囊，特写，稍长。 切回涵涵。涵涵已经走到主厨面前，她自然地从托盘中拿起一颗胶囊。特写她的手和脸。她把胶囊放在手指间轻轻转动，仔细观察表面的金属纹理与幽蓝色微光。她的表情是明显的好奇，不是害怕。眼睛微微睁大，嘴唇轻轻抿住，像在研究一个自己从未见过的新奇东西。李总站在她旁边，看着涵涵手里的胶囊，神态依旧轻松，带着一点纵容和兴趣。 主厨声音继续：“但完全不用担心……”，涵涵继续翻看胶囊，没有打断主厨。这个镜头比其他人物反应镜头稍微更长，让观众充分看到她与胶囊之间的关系。他语气依旧温和、专业，没有故意制造恐怖感。“这颗纳米同位素胶囊，会持续分泌同位素……” 主厨继续：“像船锚一样，死死锁住我们的人类基因组。” 切镜头。 第九个镜头：丈夫与妻子反应，近景。 只出现丈夫、妻子和俊杰。丈夫坐在俊杰旁边，听完主厨的话后神情明显认真了一些，但依然保持上流家庭成员的从容，没有表现出恐慌。妻子坐在俊杰另一边，表情温和，眉眼之间带着一丝轻微的不安，但更多的是谨慎地观察主厨。俊杰没有完全理解复杂含义，他只是看看父母，又看看远处的胶囊，神态带着孩子特有的好奇。三个人都没有说话。主厨最后一句的余音保持连贯，画面只承担人物反应。 切镜头。 第十个镜头：赵总询问，近景。 切到赵总。赵总依然站在观景玻璃旁，位置不变。他听完主厨的解释后，看了看自己手里的酒杯，再看向主厨手里的胶囊，脸上重新出现那种大大咧咧、带着调侃意味的笑。赵总朝主厨问：“这玩意儿也不像能消化的样子啊，难不成吃完东西我还得给它吐出来？”他说话时镜头中只出现赵总，不新增其他人物。赵总说完自己先轻轻笑了一下，明显把这个问题当成一个玩笑。 切镜头。 第十一个镜头：主厨回应，近景。 切回主厨。承接上一镜，主厨听到赵总的调侃后没有生气，嘴角带着很轻微的笑意，眼神甚至有一点耐心的无奈，保持高级私人餐饮服务人员应有的礼貌。主厨：“赵总您放心，这颗胶囊过了12小时会自动失效、随后在几天内随着您排便时排出。”说到“12小时”时，他自然抬了一下手中的胶囊，强调它只是一个暂时存在的技术装置。主厨继续：“而且还是环保材料。” 说完后，他露出一个非常克制的礼貌微笑。 切镜头。 第十二个镜头：赵总最后调侃，近景。 赵总仍然站在靠玻璃的位置，刚才的大大咧咧神态没有改变。他明显放松下来，脸上出现一种觉得事情已经完全没问题的轻松笑容。他稍微晃了一下手里的酒杯，看着主厨：“那就好，主要是能为地球环保做出一份贡献。”说完之后自己轻笑一下，带着明显的调侃意味。镜头不要马上切走，保持赵总这副毫不在意的轻松神态一小段时间。背景中只能隐约看到观景玻璃外深蓝绿色的海水流动。 结束。 整段对白必须保持真实人物交流节奏，不要让人物一句话一个机械切镜。主厨是全段视觉与台词核心，占据最多镜头时长；其他人物镜头承担反应与人物关系展示。 所有切到反应人物的镜头中，人物必须有明确、细微、符合台词内容的面部变化，禁止人物面无表情地盯着镜头。 尤其注意： 涵涵——好奇、轻微皱眉，之后主动观察胶囊； 李总——始终站在涵涵旁边，神态轻松、带一点旁观式兴趣； 小林——听到“基因序列”后明显警觉； 赵总——始终保持富有、松弛、大大咧咧的状态，把危险当作一种新奇体验； 丈夫——从轻松逐渐变得认真； 妻子——温和但开始产生轻微担忧； 俊杰——没有完全理解科学含义，主要表现孩子式好奇； 主厨——始终专业、礼貌、沉稳，从轻松逐渐转为严肃，再恢复职业性的克制微笑。 **所有镜头严格保持人物空间关系与服装连续性，不改变人物左右位置，不让没有被指定的人物突然出现在镜头中，所有角色全程不看向镜头**

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[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感,Greig Fraser掌镜,电影《The Menu》室内光美学,skip-bleach negative LUT,模拟胶片颗粒,anamorphic宽银幕镜头质感,真实摄影皮肤纹理。 高级深海潜艇餐厅内惊悚异变段落,4:3全画幅。整段从高级宴席的正常状态突然进入失控，前半段保持压抑克制，随后随着低频次声波增强，摄影机逐渐从稳定的电影式观察转为明显的手持跟拍与轻微失衡感。不要使用固定机位，不要为了切镜而切镜，能在一个连续动作中完成的剧情尽量使用一个连续镜头。室内暖橙色灯光仍然存在，但随着异常发生，人物脸上的暖色逐渐被观景玻璃外渗入的冷蓝绿色水光压制，形成温暖宴席与深海恐怖之间的视觉冲突。 音轨规则：音频跟随画面的发生而生成丰富、有次层次感、饱满、适配的音效，不出现bgm音乐。 {{Mixed 6}} 作为小林 的视觉锚定。 {{Mixed 7}} 作为赵总 的视觉锚定。 {{Mixed 2}} 作为丈夫 的视觉锚定。 {{Mixed 4}} 作为妻子 的视觉锚定。 {{Mixed 5}} 作为俊杰 的视觉锚定。 {{Mixed 1}} 作为李总 的视觉锚定。 {{Mixed 3}} 作为涵涵 的视觉锚定。**禁止直接挪用，只是作为变异的过程和变异最终形态参考，具体情况随着变异的人发生变化** {{Mixed 9}} 禁止直接挪用，作为高级深海潜艇餐厅内部视觉锚定。 {{Mixed 8}} 作为整段画面色卡锚定+所有色彩严格按照本段冷暖对比执行，不可出现艳丽霓虹色。 视频开始。 第一个镜头：玻璃高脚杯，极近特写，手持微震。 镜头从餐桌上的一个玻璃高脚杯极近特写开始。高脚杯放在桌面，杯中还有少量红酒，周围隐约能够看到其他人的餐具边缘和已经吃过的食物残渣，但不出现完整人物。 低频次声波开始进入。 杯身先只是非常轻微地震动，桌面上的液面出现细小异常波纹。 摄影机不是固定死的，而是有非常轻微、不稳定的手持感，像摄影师正在努力维持构图。 高脚杯开始以越来越明显的频率震动。 “咔。” 玻璃杯边缘出现一道非常细的裂纹。 镜头不要马上切。 裂纹继续沿玻璃表面缓慢延伸，杯中的红酒随着震动产生不自然的细小波浪。 背景声音逐渐被压低。 就在玻璃裂纹继续扩散时，画外传来俊杰突然变得急促的咳嗽声。 摄影机快速但自然地从高脚杯向右侧摇过去。 切入下一个连续镜头。 第二个镜头：俊杰被食物卡住，中近景，手持。 镜头摇到俊杰一家三口。 三个人都还坐在餐桌旁。 俊杰坐在中间。 画面左侧挨着俊杰坐着的是丈夫，画面右侧侧挨着俊杰坐着的是妻子。每个人身前桌上有一盘吃剩的海鲜刺身。 俊杰身体微微前倾，一只手抓着桌沿，另一只手轻轻捂着喉咙，像是刚才大口吃刺身时被食物卡住了。 他的嘴角还残留着一点没有擦掉的食物残渣，嘴唇边缘有一点调料痕迹，嘴里还有未完全咽下的食物。 俊杰不停咳嗽，脸因为呛到而皱起来，呼吸开始变得不顺。 妻子立刻侧过身体看他，神情从刚才正常进食的放松迅速变成担心。 她伸手靠近俊杰，皱着眉看着他： 妻子：“俊杰，叫你吃慢点了，呛着了吧这下。” 丈夫也转过身来看他，表情明显紧张，但还没有意识到事情已经失控。 妻子伸手开始拍俊杰的后背。 动作温柔但稍微有些急，因为她以为孩子只是被食物呛住。 俊杰继续咳嗽。 摄影机保持手持，围绕三个人轻微移动，不要正面僵硬地架着拍。 此时不要出现其他人物。 切镜头。 第三个镜头：赵总提议急救，中近景，手持快速转移。 摄影机快速从俊杰一家三口的方向转向赵总所在位置。 赵总依然坐着，没有起身。 他刚刚还在吃东西，此时已经被异常情况吸引，手里仍然拿着餐具。 他的脸上第一次真正出现明显紧张。 他看向俊杰，又看向丈夫，大声而急促地说道： 赵总：“快给他用海姆利克急救法！” 说话的时候镜头中必须出现赵总，以及视线方向上的部分餐桌人物反应。 赵总身边的人被他的声音惊动，神情明显紧张起来，但没有人立刻知道发生了什么。 切镜头。 第四个镜头：俊杰开始异常，中近景到局部特写，手持不切断动作。 回到俊杰一家三口。 丈夫开始准备起身，但还没来得及完全站起来。 妻子仍然一下一下拍着俊杰的后背。 俊杰咳嗽越来越剧烈。咳出了一大滩黑色墨汁，喷溅而出洒在桌上。 但是他的咳嗽节奏开始变得不正常。 他的身体突然僵住。 摄影机缓慢靠近俊杰，但始终不拍他的完整脸。 先拍他的手。 原本抓住桌沿的手指突然绷紧。 指节轻微变化。 手指之间出现一层异常湿润的透明黏液。 摄影机迅速向下移动。 拍俊杰腿部与椅子之间的关系。 他的腿开始以非常不自然的角度轻微抽动，裤料下面出现不断移动的轮廓。 让观众通过衣服下面的异常运动意识到身体正在改变。 一小滴黑色、极其浓稠的墨汁状液体从桌边滴落。 摄影机跟着液滴落下。 液体落在地毯上。 同时传来一声低沉、湿润的生物组织拉扯声。 整个过程保持手持，不要固定。 切回俊杰身边。 妻子的手停在半空。 她明显开始意识到这不是普通的呛食。 她的脸上从担心变成茫然和真正的恐惧。 丈夫也僵住了，眼神死死盯着俊杰身体发生异常的位置。 俊杰本人仍然不漏完整脸。在变异过程中画面中禁止出现俊杰的任何脸部信息，只是从其他描述来表达。 切镜头。 第五个镜头：变异加速，局部快速切换但保持同一事件连续，手持强烈。 不要把它拍成独立的几个无关镜头，而是让每一次切换都属于同一个连续的异变动作。 先拍俊杰鞋子。 鞋内的脚步姿态发生异常变化，鞋面被内部不断顶动。 再拍另一只手。 原本人类的手指逐渐失去正常抓握姿态，指缝之间出现更多透明黏液，手部轮廓开始向细长、有弹性的生物肢体变化。 再拍桌下。 椅子被一种无法理解的力量慢慢顶开。 丈夫下意识向后退了一点，脸上的表情已经彻底失去刚才的从容。 妻子想伸手靠近俊杰，但看到他的身体继续发生异常，手停在半空，脸上是害怕、担忧与不敢相信的混合情绪。 此时俊杰的脸始终不出现。 只听见他的呼吸声逐渐变成更加低沉、陌生的声音。 墨汁状液体沿着桌边缓慢滴下。 透明黏液开始出现在椅子和地毯附近，但不要出现血液。 镜头保持手持震动，随着情况越来越失控，摄影师后退半步，重新寻找安全距离。 切镜头。 第六个镜头：完全变异后的俊杰，第一次完整揭示，中景低角度，手持。 经过短暂的黑暗与声音停顿之后，镜头重新出现。 摄影机位于餐桌另一侧，低于人物视线，从略微偏低的角度拍摄。 俊杰已经完成变异。 他已经不再是正常的人类形态，而是一个**人形头足类怪物**。 身体保留非常少量原本服装的残留，让观众能够立刻认出“它还是俊杰”，但不要突出身体受伤的过程。 身体整体被一些黏液覆盖，皮肤呈湿润、真实的头足类生物质感。 四肢已经形成多条粗壮、柔韧的触手，其中部分保留极少的人类肢体特征。 脸部已经完全转化为陌生的头足类生物结构，眼睛瞳孔全黑。 它缓慢抬起身体。 周围的椅子被触手顶开。 桌上的餐具被碰得四处滑动。 夫妻两人已经从椅子上站起。 丈夫站在画面左侧，身体本能地挡在妻子前方，脸上是彻底无法理解眼前景象的震惊与恐惧。 妻子站在画面右侧，双手下意识捂住嘴，眼神死死盯着已经完全变异的俊杰，整个人明显僵住。 摄影机轻微后退。 不要急着切。 给观众真正看清俊杰的完整形态。 不要血液。 不要肢体残肢。 只用一些黏液、少量墨汁、变形后的触手、被顶开的椅子、散乱餐具制造视觉冲击。 切镜头。 第七个镜头：众人终于失控，中近景手持快速跟随。 摄影机迅速转向整张餐桌区域，但不要使用大全景。 赵总已经从椅子上猛地站起来，脸上的轻松彻底消失，表情变成难以置信的惊恐。 小林也站了起来，身体下意识向后退，眼神死死盯着俊杰，明显还没有理解到底发生了什么。 李总和涵涵几乎同时起身。 李总神色紧张，迅速寻找身后的退路。 涵涵神情完全僵住，下意识往李总身边靠。 丈夫仍然在妻子身前。 妻子已经开始后退。 餐椅被连续撞动。 餐具从桌面掉落。 摄影机采用明显手持跟拍，快速但真实地捕捉众人的混乱，不要使用夸张镜头旋转。 俊杰站在画面另一侧，没有立即扑向任何人。 整个空间短暂形成一种令人窒息的停顿。 所有人的目光都集中在俊杰身上。 随后俊杰缓慢转过身体。 镜头不要展示它立即攻击。 只让它成为一个彻底陌生、危险的存在。 整段在众人的惊叫与杂乱脚步声中结束。 **特别注意：变身过程图片 只作为形象参考。具体的衣物与头发样式参考变异的人。结尾的时候众人只是惊呼四处逃窜，但都没有逃出餐厅，有的是呆在原地极度恐惧，有的摔倒，都没有离开餐厅这个场景。做好整体剧情的镜头时间调配，不要出现有的镜头无意义很长而有的剧情镜头直接消失。**

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感, Greig Fraser掌镜, 电影The Menu室内光美学, skip-bleach negative LUT, 模拟胶片颗粒, anamorphic宽银幕镜头质感, 真实摄影皮肤纹理, 真实生物组织质感, 强烈手持摄影, 战地纪录片式失控感, 昆汀暴力美学, 生物恐惧, 惊悚片, 动作片。 深海潜艇高级餐厅灾难段落, 多镜组合一气呵成, 4:3宽银幕画幅, 整个段落从奢华宴会空间瞬间坠入完全失控的生存灾难, 摄影机始终保持极低机位, 剧烈手持跟拍, 经常被奔跑的人物、翻倒的椅子、桌角和其他障碍物遮挡, 摄影机跟随现场混乱自然移动, 不追求构图工整, 不要稳定商业摄影, 不要英雄式镜头, 所有动作必须具有真实重量、惯性与碰撞反馈。 音轨规则：音轨规则：音频跟随画面的发生而生成丰富、有次层次感、饱满、适配的音效。**不出现bgm音乐** {{Mixed 4}} 作为小林的视觉锚定。 {{Mixed 5}} 作为赵总的视觉锚定。 {{Mixed 12}} 作为赵总的音色锚定。 {{Mixed 9}} 作为丈夫的视觉锚定。 {{Mixed 10}} 作为妻子的视觉锚定。 {{Mixed 7}} 作为李总的视觉锚定。 {{Mixed 6}} 作为主厨的视觉锚定 {{Mixed 8}} 作为涵涵的视觉锚定。 {{Mixed 11}} 作为胶囊的视觉锚定。 {{Mixed 1}} 作为乌贼人的形象参考，**禁止直接挪用，只是作为变异的过程和变异最终形态参考，具体外形随着变异的人发生变化（包括衣物、发型、身材等）**。 {{Mixed 3}} 禁止直接挪用，作为高级深海潜艇餐厅内部视觉锚定。 {{Mixed 2}} 作为整段画面色卡锚定+所有色彩严格按照本段冷暖对比执行，不可出现艳丽霓虹色。 **特别注意：角色变身成乌贼人过程图片 {{Mixed 1}} 只作为乌贼人结构形态参考。具体的衣物与头发样式参考变异的人不同而产生不同的变化。调配好整体剧情的镜头时间比例，不要出现有的镜头无意义很长或重复、而有的剧情镜头直接消失或节奏异常加快。为了避免穿帮、不使用全景，整段视频的节奏都是：“慌乱、快速、运动模糊、急切、极度恐惧、暴力” ** 视频开始，餐厅内部已经完全失控，众人开始慌乱四处逃跑, 摄影机以极低机位剧烈手持跟拍, 镜头像一个真实被卷入灾难现场的摄影师一样在人群之间快速后退, 不断被奔跑的人物擦过镜头, 被翻倒的椅子挡住, 又突然从障碍物旁边穿出去。 画面中央附近的乌贼人（这个乌贼人身上的衣物上挂着一只黄色儿童眼镜）突然停下，乌贼人抬头，它张开已经完全非人的巨大嘴部，一个完全超出它体型尺寸的恐怖声波猛然从嘴里爆发，不是普通怪物吼叫, 而是巨大、沉重、具有空间压迫感的声波，声波进入整艘潜艇餐厅内部以后不断反射、回音、叠加, 幽闭空间瞬间形成致命的声学共振，餐桌上的酒杯疯狂震动，酒液形成剧烈波纹，银叉、汤匙、刀具不断互相撞击，玻璃墙面持续震颤，顶部金属结构发出低沉共振，红色警报灯疯狂闪烁，摄影机本身也受到声学震动影响, 手持画面出现明显不稳定。 众人开始失去平衡，摄影机快速甩向距离乌贼人最近的妻子，妻子此时位于乌贼人右侧，她突然双手捂住耳朵，“噗！”，她的耳膜瞬间炸裂, 鲜血突然从耳侧猛烈喷出，妻子极度痛苦地尖叫，她身体猛然失去平衡，丈夫位于她左侧, 立刻伸手想要扶住妻子, 但与此同时周围混乱的人群撞过来, 翻倒的餐椅撞到丈夫身体, 他踉跄退开，妻子的痛苦尖叫与整个餐厅其他人的惊呼声同时存在。 镜头迅速甩开妻子，全舱的人开始同时出现无法控制的极度生理性反胃。 切到赵总，赵总位于宴会桌附近，他原本穿着昂贵、整洁的高级西装, 此刻身体剧烈抽搐, 一只手死死抓住餐桌边缘, 另一只手压住腹部，他脸色瞬间惨白, 完全失去此前的镇定，突然弯下腰，猛烈呕吐，镜头保持极低机位, 从赵总侧后方跟拍, 不要正面摆拍，赵总跪倒在华丽地毯上，昂贵西装、袖口、手掌被自己吐出的污物迅速弄脏。 切到主厨，主厨位于餐厅另一侧，始终高高在上、掌控整个宴会秩序的主厨此刻第一次彻底失控，从低角度侧面拍摄，主厨双手撑住桌面, 身体剧烈痉挛, 脸上出现难以压制的痛苦和震惊, 随后直接跪倒在地, 疯狂呕吐，白色厨师服迅速被污染，他的周围同时不断有人慌乱跑过, 餐椅被撞倒, 餐具掉落。 切到李总，李总从另一个完全不同的低角度出现，他一只手撑住餐椅, 一只手捂住腹部，他努力想维持站立, 但身体已经完全失去控制，猛烈弯腰呕吐。 切到涵涵，涵涵此时已经蜷缩在地毯上，她的身体因为剧烈反胃不断痉挛, 双手压着腹部, 惊恐、痛苦、无法理解发生了什么，她猛烈呕吐，画面持续保持现场混乱。 切到丈夫，丈夫位于餐厅混乱区域中, 一边惊恐地望向妻子的方向, 一边也突然弯腰剧烈呕吐，他想去找妻子, 但身体已经无法控制，整个空间中所有人开始陆续跪倒，不同人物的呕吐镜头必须采用不同拍摄角度和运动方向, 不重复相同构图, 但不能因此让画面变得有秩序。 随后摄影机猛然向地面甩去。 地毯极近距离特写，大量红酒，半消化的远古肉块，胃内容物，黏液，碎裂的食物，全部混合在华丽地毯上，然后一枚本该锁住他们基因的【蓝色金属胶囊】从呕吐物中被吐出来，胶囊落在地毯上滚动，与红酒、碎肉和碎玻璃混在一起，这是整段最重要的因果视觉：次声波共振，众人剧烈反胃，呕吐，蓝色金属胶囊被排出，胶囊失去人体，基因锁定失效。 紧接着镜头重新甩向乌贼人，乌贼人已经彻底进入攻击状态，四肢粗壮的巨大触手，触手湿润、沉重、充满生物组织的真实细节, 每一条触手都具有明显肌肉收缩和力量感，乌贼人快速靠近妻子，妻子位于乌贼人右侧，她惊恐后退，她极度恐惧地大喊：“俊杰！你干嘛！”“俊杰！”，乌贼人的粗壮触手突然猛地缠住妻子的身体，妻子剧烈挣扎，她依旧在不断恐惧喊叫：“俊杰！”“俊杰！”，丈夫在左侧看着这一切, 彻底崩溃, 想冲过来救妻子。 乌贼人的嘴部突然张开，镜头快速逼近，强大的嘴钳猛然咬下，妻子的头颅瞬间被咬爆，鲜血猛烈喷出，妻子的身体失去支撑，变成一具没有头颅的身体倒下，颈部断口向上猛烈喷血，丈夫发出极度恐惧的尖叫，与此同时, 周围仍然有人不断尖叫、奔跑、碰撞、摔倒，整个餐厅没有任何安全区域。 失去胶囊保护后, 活体DNA开始瞬间爆发。 镜头快速甩向涵涵，这一段【禁止切镜】，镜头从涵涵开始，涵涵蜷缩在地上，她惊恐地看着自己的身体，她的身体开始出现异常变化，四肢、肩膀、躯干逐渐发生生物性异变, 皮肤与肌肉组织开始出现明显变化, 身体轮廓逐渐向乌贼人方向改变，涵涵因为恐惧不断后退，旁边的李总发现涵涵开始变异，李总惊恐地看着她，“涵涵！”，镜头不切，摄影机只是突然高速横向移动, 从涵涵快速甩向旁边的李总，李总就在涵涵旁边，摄影机仍保持极低机位、剧烈手持，李总一边惊呼, 一边发现自己的手也开始出现异常，他的手背逐渐鼓起肉色组织，皮肤下面开始出现不正常的隆起，李总低头看自己的手，彻底惊恐，但镜头仍然不切，摄影机继续保持这一连续运动, 在涵涵和李总之间高速移动, 真实记录两人同时开始变异。 随后摄影机突然高速甩向赵总，赵总正好看见涵涵和李总刚刚变异的方向，赵总慢慢回头，低头，看自己的双手，他的手背和手掌开始鼓起一个个肉色吸盘，赵总瞳孔瞬间放大，绝望尖叫，这个拥有百亿身价的大亨彻底失去全部尊严，他直接扑倒在华丽地毯上，像一条野狗一样趴着，双手疯狂伸进散发着恶臭的呕吐物、红酒和碎肉之中，疯狂刨挖，疯狂寻找，他刚刚吐出去的蓝色金属胶囊就在这片污秽物里面，赵总完全顾不上昂贵西装已经肮脏不堪，双手不停翻找，手掌上的肉色吸盘越来越明显，他已经彻底崩溃，一边疯狂刨挖，一边绝望地尖叫：“我的锚！”“我的胶囊在哪！”“我的胶囊在哪！！”，镜头紧贴赵总极低角度跟拍，他的双手在呕吐物和碎肉中疯狂寻找，身后依然不断传来其他人的惊呼、尖叫、碰撞、翻倒和变异声音，红色警报光疯狂闪烁，蓝色金属胶囊散落在肮脏地毯上，赵总疯狂扑向其中一颗，整个餐厅仍然处于绝对失控状态。

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感, Greig Fraser掌镜, 电影The Menu室内光美学, skip-bleach negative LUT, 模拟胶片颗粒, anamorphic宽银幕镜头质感, 真实摄影皮肤纹理, 真实生物组织质感, 强烈手持摄影, 战地纪录片式失控感, 昆汀暴力美学, 生物恐惧, 惊悚片, 动作片。 深海潜艇高级餐厅灾难段落, 4:3宽银幕画幅, 延续前一幕完全失控的状态, 摄影机始终保持极低机位, 剧烈手持跟拍, 快速移动, 强烈惯性, 突然甩镜, 不要稳定商业摄影, 不要英雄式构图, 所有动作必须具有真实重量、速度和碰撞反馈, 背景始终保持持续失控。 主光源为潜艇餐厅内部暖橙灯光与疯狂闪烁的猩红色应急警报灯混合, 幽蓝色深海环境光从玻璃外围渗入, 红色警报灯不断扫过人物、地面和墙壁, 整个餐厅昏暗、压迫、潮湿、危险, 地面铺满碎裂玻璃、红酒、半消化肉块、呕吐物与黏液, 被撞倒的餐椅和凌乱餐具散落四处, 背景中的人群持续慌乱奔逃、尖叫、碰撞、躲避和跌倒。 音轨规则：音轨规则：音频跟随画面的发生而生成丰富、有次层次感、饱满、适配的音效。**不出现bgm音乐** {{Mixed 4}} 作为赵总的视觉锚定。 {{Mixed 3}} 作为主厨的视觉锚定。 {{Mixed 8}} 作为乌贼人的视觉参考。 {{Mixed 9}} 作为胶囊的视觉锚定。 {{Mixed 2}} 禁止直接挪用, 作为高级餐厅室内环境视觉锚定。 {{Mixed 1}} 作为整段画面色卡锚定+所有色彩严格按色卡19色执行+不可偏离色板+重点调用红色警报灯、暖橙室内灯、深海幽蓝环境光。 **注意：人群没有非常多、只是适当的有几个，人群的脸不进入镜头或者虚焦，只作背景用** 视频开始。 镜头从极低机位贴着肮脏地毯跟拍赵总, 赵总此时已经趴在散发着恶臭的呕吐物、碎肉和红酒混合物里疯狂寻找胶囊, 周围的背景依然完全失控, 慌乱的人影从他身后和侧面快速掠过, 有人在奔逃, 有人在尖叫, 有人撞翻餐椅, 地上的玻璃碎片不断被奔跑的人踩得四处滑动, 红色应急警报灯疯狂闪烁, 在赵总肮脏的脸和双手上不断扫过, 突然赵总的手指在污秽物里碰到一枚蓝色金属胶囊。 镜头紧贴他的手, 赵总猛然扒开呕吐物, 找到了那枚胶囊, 他瞬间愣住, 随后脸上爆发出极度狂喜的笑容, 刚刚还充满绝望的双眼突然重新出现希望, 他像抓住最后一根救命稻草一样死死攥住蓝色金属胶囊, 看着它笑起来, 周围仍然是完全失控的餐厅, 背景人群快速逃跑, 尖叫声不断, 红色警报灯持续疯狂闪烁, 地上散落的碎肉、呕吐物、红酒和碎玻璃被奔跑的人不断踩动, 赵总迅速撑起身体, 把胶囊举到嘴边, 笑着准备吞下。 就在胶囊即将进入嘴里的瞬间, 一只粗壮的乌贼人触手从画面侧后方以极其恐怖的速度突然袭来, 速度必须非常非常快, 像巨型肌肉组织瞬间爆发出的暴力鞭击, 触手表面湿润, 粗壮, 吸盘清晰可见, 带着巨大的力量和空气撕裂感, 赵总甚至来不及反应, 触手直接重重横扫在他的身体和头部。 赵总整个人被这股巨大力量瞬间掀飞, 以极快速度横向撞向餐厅石墙, 摄影机立刻剧烈跟随甩动, 保持低机位, 赵总的身体高速撞上墙面, 头部与坚硬石墙发生极其猛烈的瞬间碰撞, 不是爆炸, 不是炸开, 而是像巨大的力量把骨骼和头部组织瞬间拍碎一样, 头部在撞击接触墙面的瞬间严重碎裂, 鲜血和组织猛烈迸溅并拍洒到石墙表面、附近餐桌边缘、酒瓶、玻璃杯和地面, 墙面瞬间留下大片鲜红血迹和飞溅痕迹, 几滴血液甩到近处的玻璃杯和酒瓶表面, 酒瓶与高脚杯受到撞击和飞溅的冲击后纷纷从墙边的台面上弹起、掉落、互相撞击, 大量玻璃在地面上连续炸裂成碎片, 空酒瓶翻滚出去, 红酒沿墙角和地毯流淌。 赵总失去支撑从墙面滑落, 整个人重重摔在已经肮脏不堪的地面上, 身体压进呕吐物、碎肉和破碎玻璃之间, 手里的蓝色金属胶囊也从指间脱落, 在地面滚出一小段距离, 红色警报灯闪烁着照在蓝色胶囊上, 背景中的慌乱人群依然不断奔逃, 有人尖叫着从画面后方经过, 有人撞翻桌椅, 更多碎玻璃被踩碎, 整个餐厅依旧充满危险和混乱。 镜头没有停, 摄影机突然从赵总倒地的位置快速抬起并向前甩去, 一只乌贼人从混乱的人群和闪烁的红色警报灯后方猛然扑出, 以极快速度扑向倒地的赵总, 巨大的身体和粗壮触手直接压入画面, 乌贼人的嘴部张开, 赵总甚至来不及挣扎, 乌贼人整个人扑压而下。

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感, Greig Fraser掌镜, 电影The Menu室内光美学, skip-bleach negative LUT, 模拟胶片颗粒, anamorphic宽银幕镜头质感, 真实摄影皮肤纹理, 生物恐怖, 惊悚片, 极强压迫感, 真实摄影质感。 深海潜艇驾驶舱终极反转段落, 4:3宽银幕画幅, 前半段保持潜艇高速上浮后的紧张与短暂希望, 随后在极短时间内瞬间转入最后的捕食恐怖, 整段必须非常快, 尤其是发现通风管道异常到俊杰发动袭击的部分, 不拖镜头, 不给观众任何准备时间。 驾驶舱内部狭窄、昏暗、真实机械结构密集, 控制台仍然亮着微弱红色仪表灯, 潜艇正在高速上浮, 仪表盘持续震动, 驾驶舱顶部那个巨大的工业通风管道位于画面上方, 管道内部漆黑深邃, 红色警报灯间歇闪烁, 金属表面带着冷凝水和湿润反光, 防弹玻璃外的深海已经从纯黑逐渐变成深蓝。 {{Mixed 1}} 作为小林的视觉锚定。 {{Mixed 5}} 作为潜的视觉锚定。 {{Mixed 4}} 作为俊杰变异后的“乌贼人”视觉锚定, 必须保留黄色儿童眼镜这一角色识别特征。 {{Mixed 3}} 禁止直接挪用, 作为驾驶舱与工业通风管道环境视觉锚定。 {{Mixed 2}} 作为整段画面色卡锚定+所有色彩严格按色卡19色执行+不可偏离色板+重点调用驾驶舱红色仪表光、深海蓝色环境光、金属冷色反光。 音轨规则：音频跟随画面的发生而生成丰富、有次层次感、饱满、适配的音效。**不出现bgm音乐** 视频开始。 驾驶舱内部, 深度计特写显示：50m。 数字快速下降, 潜艇马上破水而出。 镜头切到小林。 小林脱力地坐在控制台的皮质座椅上, 脸上有鲜血、冰水与污渍, 看着深度计, 原本极度紧绷的脸上终于出现一点劫后余生的笑意, 呼吸依然急促, 潜艇正在剧烈震动, 红色仪表光不断扫过他的脸。 突然。 驾驶舱头顶的巨大工业通风管道内部传来一阵极其黏滑、湿润、令人不适的声音。 “叽咕……滋滋……” 像是某种巨大的湿润肉体正在极度狭窄的金属管道里缓慢挤压、摩擦钢铁。 小林脸上的笑容瞬间凝固。 这一段必须非常非常快。 他的头猛地抬起。 瞳孔急剧收缩。 呼吸瞬间停顿。 镜头随着他的动作极快向上甩。 直接切为小林视角的仰视POV。 驾驶舱顶部巨大的工业通风管道口出现在视野正上方。 管道内部漆黑。 一只已经彻底变成怪物的俊杰倒吊在那里。 俊杰整个身体蜷缩在狭窄的通风管道口, 粗壮湿润的触手紧紧挤压着金属管壁, 触手表面带着水光与真实吸盘, 身体随着呼吸产生极轻微的收缩, 黄色镜框在昏暗红光中短暂反光。 小林死死仰头看着它。(颈部因为过度紧张不自觉地颤抖） 只有一瞬间的恐惧。 俊杰突然从通风管口猛然俯冲下来。 速度极快。 完全没有预兆。 像一道巨大的黑色生物闪电突然从顶部扑向镜头。 切小林第一人称视角。那张已经彻底非人的环形巨口猛然张开, 巨口内部布满密集而锋利的倒刺状牙齿结构, 随着高速俯冲瞬间占满整个画面。 不要慢动作。 不要停顿。 不要给俊杰任何英雄式展示时间。 就是极短、极快、充满捕食本能的一次袭击。 巨口瞬间罩住小林的视野。 “咔嚓！” 一声极其清脆、真实、具有骨骼碎裂重量感的断裂声。 声音与第一幕开场大亨吃下天妇罗时的骨骼碎裂声形成完全一致的声音呼应。 紧接着是一声短促而湿润的吞咽声。 画面瞬间黑屏。 黑屏持续极短时间。 切潜艇外景，潜艇在深海中缓慢上浮，**隐约可以看见潜艇的玻璃内到处是鲜血溅射在潜艇的玻璃上挂着。与自然跑动的几个人影。只剩下潜艇机械轰鸣逐渐远去, 然后一个若有若无、极低沉、像从幽深海底传来的怪兽声音在黑暗中回荡： “活体刺身……” 声音带着远处空间回音。

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感, Greig Fraser掌镜, 电影The Menu室内光美学, skip-bleach negative LUT, 模拟胶片颗粒, anamorphic宽银幕镜头质感, 真实摄影皮肤纹理, 强烈手持摄影, 生存惊悚, 灾难片, 末日逃生感, 真实摄影质感。 深海潜艇灾难后的求生段落, 多镜组合一气呵成, 4:3宽银幕画幅, 前半段保持极强主观感的快速手持移动, 摄影机低机位紧贴阿林移动, 后半段进入驾驶舱后逐渐由剧烈运动转变为极度安静的静态镜头, 形成从混乱到短暂安全的强烈反差, 但潜艇本身始终保持剧烈震动与压迫感。 光线规则：潜艇餐厅内部疯狂闪烁的猩红色应急警报灯持续存在, 与幽暗的暖橙室内残余灯光、深海幽蓝环境光交替映照, 地面布满碎肉、呕吐物、红酒、碎玻璃和破碎餐具, 背景持续存在慌乱逃跑的人影、跌倒的人影和不断碰撞的身影, 但镜头重点始终锁定阿林, 整个空间必须呈现刚刚经历惨烈灾难后的极度混乱。 音轨规则：音频跟随画面的发生而生成丰富、有次层次感、饱满、适配的音效。**不出现bgm音乐** 作为阿林的视觉锚定。 作为胶囊的视觉锚定。 禁止直接挪用, 作为餐厅环境视觉锚定。 作为驾驶室外走廊的视觉锚定。 作为驾驶室内部的视觉锚定。 作为整段画面色卡锚定+所有色彩严格按色卡19色执行+不可偏离色板+重点调用红色警报灯、残余暖橙灯光、深海幽蓝色以及蓝色金属胶囊的灯光映照。 视频开始。 镜头从极低机位开始, 阿林此时已经被周围惨烈混乱的环境彻底包围, 背景是疯狂逃跑的人影与不断撞翻的桌椅, 地面散落着碎玻璃、红酒、碎肉和大量呕吐物, 猩红色警报灯不断闪烁, 阿林剧烈喘息, 突然一把抓起桌上的冰桶, 整个人几乎是本能反应般将冰桶里的冰水狠狠浇在自己头上, 大量冰水从他的头发和脸上疯狂流下, 混合着脸上的血污和汗水, 摄影机始终贴近阿林并剧烈晃动, 水流不断遮挡镜头。 冰水从阿林脸前流过, 镜头透过不断晃动的水幕跟随他的视线向下移动, 地毯缝隙深处一颗微弱闪烁的蓝色金属胶囊若隐若现, 红色警报灯每次闪烁都让这颗蓝色胶囊短暂反光, 周围是血肉模糊的呕吐物、碎肉、红酒与玻璃碎片, 背景仍然不断有人慌乱跑过, 阿林死死盯住那颗胶囊。 下一秒阿林像野兽一样猛然扑出去, 摄影机瞬间跟上他的动作, 极低机位高速冲刺, 阿林单膝重重撞在地上, 双手直接伸进一滩血肉模糊的呕吐物中疯狂刨挖, 手指最终抓住那颗蓝色金属胶囊, 他毫不犹豫地攥紧胶囊, 迅速塞进嘴里吞下。 阿林吞下胶囊的一瞬间, 镜头极近距离拍他的喉结明显滚动, 随后保持在他脸上, 他身体原本正在出现的异常痉挛逐渐停下, 呼吸依旧急促, 眼神死死盯着前方, 身体彻底停止进一步变异, 周围红色警报灯仍然疯狂闪烁, 背景依旧是失控逃跑的人群、倒地的人影、碎肉、呕吐物与不断碰撞翻倒的家具。 阿林突然起身, 手脚并用穿过已经彻底失控的餐厅, 摄影机从他身后极低位置剧烈跟拍, 阿林踩过地上的碎玻璃、血迹、呕吐物和变异者残肢, 鞋底不断发出湿滑的踩踏声, 周围背景不断有人从镜头前后慌乱掠过, 餐椅被撞翻, 酒瓶摔碎, 红酒从地毯上被踩得四处飞溅, 阿林完全不回头, 只朝驾驶舱疯狂冲去。 阿林冲到驾驶舱门口, 一把推开沉重的驾驶舱门, 摄影机紧紧跟在他身后进入驾驶舱, 他反手将沉重的隔离门猛地关上并锁死, “砰！”沉重的金属门彻底合拢, 门外原本铺天盖地的惨叫声瞬间被压低并隔绝, 只剩下模糊沉闷的撞击声从厚重舱门另一侧传来。 镜头第一次开始明显稳定下来, 驾驶舱内部昏暗、狭窄、充满真实机械结构, 操控台密布阿林看不懂的英文按钮、仪表和开关, 红色应急灯在黑暗中闪烁, 阿林喘着粗气快速扫视整个控制台, 焦急寻找可以操作的东西, 摄影机从他的肩后缓慢移动到控制台, 最终锁定唯一一个亮着红光的金属按钮：【EMERGENCY SURFACE】, 红色按钮在黑暗中非常醒目。 阿林盯着那个按钮, 没有犹豫, 猛然伸手狠狠砸下。 “轰——” 整个潜水器突然发生极其剧烈的震动, 驾驶舱内所有仪表、金属结构和控制台同时震动, 阿林身体被惯性猛地向前带了一下, 立刻伸手死死抓住控制台, 摄影机也受到巨大震动, 画面剧烈摇晃, 潜水器开始以极快速度向海面上浮升。 切到驾驶舱前方的舷窗, 窗外漆黑无比的深海开始快速向上移动, 黑色深水逐渐变得没那么浓重, 一点微弱的蓝色开始出现, 从纯黑逐渐透出代表生机的深蓝与微蓝色, 潜艇高速上升造成窗外水体产生明显运动感。 切到仪表盘深度计特写, 数字飞速倒转：300m……200m……100m……镜头保持稳定、克制, 与前面疯狂手持形成明显反差, 仪表的红色数字和驾驶舱里的微弱冷光成为主要视觉元素。 阿林终于脱力, 身体慢慢从控制台旁滑坐下去, 背靠着控制台, 手臂无力垂落, 依旧保持急促粗重的喘息, 摄影机缓慢向前移动, 最终停在他的侧前方。 阿林抬头。 驾驶舱前方那层薄薄的防弹玻璃映出他的脸。 玻璃倒影中的阿林满脸鲜血、冰水、汗水和污渍, 头发湿透, 眼睛疲惫而失神, 身后的驾驶舱机械结构和红色警报灯也一起映照在玻璃中, 现实中的阿林与倒影中的阿林重叠在同一个画面里。 镜头极度安静。 阿林看着玻璃里的自己。 沉默几秒。 然后他慢慢咧开嘴。 不是正常的笑。 而是一种已经不知道自己是在哭还是在笑的表情。 他发出似哭似笑的喘息，慢慢笑声变得癫狂。 此时外面的惨叫已经几乎完全听不见, 只剩下阿林粗重的笑声。潜艇上浮时持续的机械轰鸣和声呐“滴答、滴答”的声音。

视频截图视频节点 7

[STYLE LOCK] 35mm Kodak Vision3 500T film stock胶片质感, Greig Fraser掌镜, 电影The Menu室内光美学, skip-bleach negative LUT, 模拟胶片颗粒, anamorphic宽银幕镜头质感, 真实摄影皮肤纹理, 真实生物组织质感, 生物恐怖, 惊悚片, 真实特效摄影质感。 {{Mixed 1}} 作为人物与乌贼人最终形态的唯一视觉锚定，不改变人物五官、服装基础特征与最终怪物形态。 {{Mixed 3}} 禁止直接挪用，作为场景参考。 {{Mixed 2}} 作为整段画面色卡锚定+所有色彩严格按照本段冷暖对比执行，不可出现艳丽霓虹色。 深海潜艇高级餐厅内部, 4:3宽银幕画幅, 暖橙室内灯光与疯狂闪烁的猩红色应急警报灯交替照明, 背景昏暗混乱, 地面散落碎肉、呕吐物、红酒、碎玻璃和翻倒的餐具, 背景有模糊慌乱逃跑的人影与持续碰撞声。 镜头开始于人物的近景侧面, 人物突然痛苦地弓起身体, 呼吸急促, 肩膀和胸腔剧烈起伏, 随后身体内部开始出现明显异常蠕动, 衣服从肩膀、胸腹和手臂位置被内部快速膨胀的生物组织一点点撑紧、撕裂, 手臂骨骼与肌肉结构迅速改变, 手指收缩、皮肤变得湿润, 粗壮的乌贼触手从手臂末端快速生长出来, 触手疯狂扭动并撞到周围餐具, 发出剧烈碰撞声。 镜头保持近距离跟随身体变化, 不切镜, 摄影机随着人物失控后退并产生剧烈手持晃动, 人物身体快速完成异变, 四肢彻底变成粗壮湿润的乌贼触手, 背部与肩膀隆起, 身体轮廓彻底向乌贼人转化, 最后一瞬间人物猛然抬头, 嘴部发生强烈非人化变化, 对着镜头发出一声低沉而恐怖的嘶吼。 整个过程必须非常快, 几秒内完成, 强调“人体结构被活体DNA强行改写”的感觉, 不是魔法变身, 不是卡通变形, 而是真实、暴力、痛苦、具有重量感的生物异变。 音轨：剧烈呼吸声、骨骼与肌肉变化的细微撕裂声、衣物崩裂声、餐具被触手撞翻的声音、背景人群惊呼和慌乱碰撞声持续存在, **不出现bgm音乐**。 **注意，此段画面除了 {{Mixed 1}} 以外不出现其他清晰的人脸，聚焦于他的变异。人群没有很多，只是几个在慌乱逃窜，作为背景虚焦**