复制
: A 2D motion and editing reference only. Transfer its torn-paper action transitions, diagonal manga framing, flat brush arcs, 2D smear frames, silhouette relays, extreme crop changes and rapid poster rhythm. Do not transfer its character, gender, face, outfit, weapon, text, logo, story or exact layouts.
summary:
[keyframe completion + reference generation + video continuation] A seamless 15-second 16:9 pure-2D continuation. Begin exactly from , continue its paper and brush motion, then escalate through dynamic manga crops, graphic action, silhouette relays and exact typography before an active illustrated hero poster. is the only character; controls only 2D motion grammar and edit energy.
retention_analysis:
: fully_preserved — retain the same 2D face, hair, outfit, pendant, chains, anatomy, line art and cel shading.
< {{Mixed 2}} >: attribute_transfer — retain identity and wardrobe only.
< {{Mixed 1}} >: fully_preserved — reproduce its opening paper shapes, seam, brush position and movement at 0.00s.
: partially_preserved — transfer only 2D action packaging, cut rhythm and transition behavior.
detailed_description:
Every frame remains visibly hand-drawn 2D cel animation with ink contours, flat colors, hard two-step shadows, screen-print grain, dry-brush texture, paper fibers and occasional two-frame smears. No photoreal human, live-action image, realistic skin, 3D character, CGI surface, volumetric lighting or photographic lens look.
The only readable text is “江南第一深情”. Palette: parchment ivory, ink black, vermilion red, tiny cyan registration accents. Maintain one character and no weapon. Continue cuts through pose, diagonal direction, brush motion and overlapping sound. Do not fuse hard cuts into a continuous morph.
[Shot 1] 0.00–0.40s. Begin exactly from . The red brush tip continues upward along the jagged ivory seam while both black paper fields keep closing.
[Shot 2] 0.40–0.95s. The seam tears open explosively and reveals in a wide 2D action stance on an ivory field, red brush arc behind him.
[Shot 3] 0.95–1.55s. Hard cut to the platform shoe striking a black ink line. Dry-brush cracks race diagonally upward.
[Shot 4] 1.55–2.20s. Match the diagonal into a waist-and-chain crop. The attached chain whips once while a flat red belt-like graphic crosses behind, not replacing the real outfit.
[Shot 5] 2.20–2.85s. Torn-paper window on black reveals his clean 2D profile. Hair strands and eye stay faithful to .
[Shot 6] 2.85–3.55s. Full-body figure inside an off-center black rectangle. He pivots once; two red-and-black 2D smear silhouettes record the direction, then vanish.
[Shot 7] 3.55–4.25s. Three diagonal manga panels show eye, collar and stepping foot. The panels slide in one shared lower-left to upper-right vector.
[Shot 8] 4.25–5.00s. A wide red brush wedge sweeps across the panels and reveals a low-angle forward step. Coat layers remain anatomically and structurally stable.
[Shot 9] 5.00–5.80s. Hard cut to a black field: ivory silhouette at left, real character at right. Both perform the same pose; the silhouette is a flat graphic shadow, not a second person.
[Shot 10] 5.80–6.60s. Fast crop relay—eye, pendant, hand, full body—alternating ivory, red and black. Each crop receives one dry synchronized impact.
[Shot 11] 6.60–7.40s. Overhead poster view. A red brush circle remains visibly hand-painted and incomplete while crosses its center.
[Shot 12] 7.40–8.20s. The incomplete circle opens into a torn ivory title plane. All movement clears away from the text-safe center.
[Shot 13] 8.20–9.45s. Exact title card. Show “江南第一深情” as one intact horizontal line in large flat ink-black Chinese type on parchment ivory. Place small at the far right with a red offset silhouette behind him. No glow, bevel, gold, random text or overlapping graphics. All six characters are correct, unobstructed and fully readable for at least 0.85s.
[Shot 14] 9.45–10.20s. After clean exposure, the whole title plane tears away as one sheet. Do not distort or repeat its characters.
[Shot 15] 10.20–11.00s. Reveal a fast lateral stride with one long hand-drawn coat smear and a red brush slash continuing the same direction.
[Shot 16] 11.00–11.80s. Four microcuts: shoe push, chain recoil, profile, direct eye. Use extreme scale contrast and alternate black/ivory fields.
[Shot 17] 11.80–12.65s. Low-angle full-body pose inside a tilted red frame. Black brush corners close toward him, then stop before contact.
[Shot 18] 12.65–13.45s. His silhouette becomes a flat black poster cutout; an ivory outline and red offset shadow register behind it by a few pixels.
[Shot 19] 13.45–14.20s. Paper rips vertically to reveal his exact colored face in close-up. He looks directly at camera while the tear edges continue moving.
[Shot 20] 14.20–15.00s. Final 2D hero poster: slightly right of center, low-angle three-quarter pose, huge vermilion dry-brush arc behind him, black torn-paper corners and sparse cyan flecks. Hair, coat hem, paper grain and brush edge remain subtly active; no freeze and no additional text.
overall_soundscape:
Continue Clip 1's paper drag and brush rise. Add hard paper tears, dry brush swipes, ink scratches, cloth snaps, steps and short graphic impacts. Let the next sound begin before each cut and the previous tail cross it. Keep paper movement active at the end.
non_diegetic_music:
Continue the same 164 BPM graphic breakbeat without restarting: identical kick, snare, elastic sub, paper percussion and distorted synth stabs. Drop briefly before the title, then return with denser subdivisions. End active and unresolved.
: A visual-style and editing-rhythm reference only. Transfer its flat 2D graphic-animation grammar, cream/black/red palette, brush texture, torn-paper transitions, manga crops, scale jumps and rapid editorial cadence. Do not transfer its character, gender, face, hair, clothing, weapon, text, logo, story or exact layouts.
summary:
[reference generation] A 15-second 16:9 premium 2D graphic-anime character opener. supplies the only character identity; supplies only 2D visual grammar and edit rhythm. Use parchment ivory, ink black, vermilion red and tiny cyan registration accents. Dominant chain: graphic ignition -> identity fragments -> outfit proof -> exact name card -> torn-paper splice bridge. Deliver at least fourteen distinct editorial blocks with hard cuts and flowing screen direction.
retention_analysis:
: fully_preserved — keep the same 2D face, hair, outfit, pendant, chains, proportions, line art and cel shading.
< >: attribute_transfer — transfer character identity and wardrobe; ignore its four-panel layout and sunset background.
: partially_preserved — transfer only 2D design language, motion density, transition grammar and pacing.
detailed_description:
Every frame is visibly hand-drawn 2D cel animation: clean ink contours, flat color fills, two-step shadow shapes, screen-print grain, dry-brush edges and paper texture. Keep facial features graphic and illustrated. No live-action human, photoreal skin, realistic photography, 3D character, CGI material, volumetric lighting or cinematic lens rendering.
The only readable text is “童锦程”. Maintain one character. Use one vermilion brush stroke as the recurring carrier; it may become an underline, crop edge, action arc or torn-paper guide. Hard cuts remain fluid by inheriting pose, gaze, brush direction or sound. Do not fuse the sequence into slow morphing. No shot exceeds one second except the name card.
[Shot 1] 0.00–0.45s. Parchment-ivory field. appears as a small full-body 2D figure left of center. A vermilion brush stroke attacks horizontally behind him with a dry paint snap.
[Shot 2] 0.45–1.05s. Hard cut closer. Oversized abstract black blocks slam behind his silhouette while the red stroke continues right; the blocks never form readable text.
[Shot 3] 1.05–1.65s. Extreme 2D eye close-up. The red stroke crosses beneath the iris as a flat graphic mask; one two-frame white flash reverses the palette.
[Shot 4] 1.65–2.30s. Match cut to his platform shoe landing on a black ink baseline. The line fractures into dry-brush splinters moving right.
[Shot 5] 2.30–3.00s. Diagonal three-panel composition: attached silver chain, solid black pendant, coat closure. Each object remains structurally faithful to .
[Shot 6] 3.00–3.70s. A rough ivory paper tear crosses the panels and reveals a full-body pose inside a tilted black rectangle. Coat and hair respond with restrained hand-drawn motion.
[Shot 7] 3.70–4.45s. Hard cut to a clean profile on ivory. The red stroke hooks around his shoulder and exits without becoming a physical object.
[Shot 8] 4.45–5.25s. Match the shoulder line into an extreme collar-and-jaw crop. Switch from ivory field to solid black while preserving head direction.
[Shot 9] 5.25–6.05s. Four rapid manga crops—eye, hand, pendant, shoe—strike on separate beats. One detail per crop, no duplicate complete bodies.
[Shot 10] 6.05–6.85s. His coat sweeps left to right as a flat black shape and becomes a brush-edged wipe into a high-angle full-body composition.
[Shot 11] 6.85–7.65s. Low-angle 2D hero pose against a huge vermilion rectangle. Sparse cyan registration flecks appear only at the outer corners.
[Shot 12] 7.65–8.75s. Exact name card. On clean parchment ivory, place small at the far right. Show “童锦程” left-aligned in large flat ink-black Chinese type with refined editorial spacing. No glow, outline, bevel, metal or random text. All three characters are correct, unobstructed and fully readable for at least 0.80s.
[Shot 13] 8.75–9.50s. A torn black paper strip rips through the card diagonally; after the clean exposure the type disappears as one intact layer, never deforming into misspelled text.
[Shot 14] 9.50–10.30s. The tear reveals making one fast lateral step. Use two hand-drawn smear frames and a red brush arc behind the coat.
[Shot 15] 10.30–11.10s. Three hard cuts on the same action: shoe push-off, coat hem extension, direct eye. Alternate ivory, black and red fields.
[Shot 16] 11.10–11.95s. Full-body silhouette on black; an ivory paper cutout of his exact outline slides behind it, producing one controlled 2D offset shadow.
[Shot 17] 11.95–12.80s. Close profile framed by an irregular torn-paper window. Hair and eye remain exact; the red stroke crosses the foreground and exits upper right.
[Shot 18] 12.80–13.65s. Wide poster composition: full-body centered, a large off-axis red brush crescent behind him, black dry-brush corners and generous ivory negative space.
[Shot 19] 13.65–15.00s. Splice bridge. Two matte-black torn-paper fields close from upper left and lower right, leaving one jagged ivory diagonal seam from lower left to upper right. A vermilion brush tip travels upward along the seam. Preserve the exact seam shape, brush position and motion in the final frame; never freeze.
overall_soundscape:
Dry paper rips, brush attacks, ink scrapes, cloth snaps, one grounded step and short graphic impacts. Use J-cuts and L-cut tails so every hard cut flows. End with the unresolved paper drag and rising brush sound.
non_diegetic_music:
Fast 164 BPM graphic breakbeat: dry kick, clipped snare, elastic sub, paper percussion and short distorted synth stabs. Use brief silence before the name card. End mid-phrase without cadence.
: A visual-style and editing-rhythm reference only. Transfer its flat 2D graphic-animation grammar, cream/black/red palette, brush texture, torn-paper transitions, manga crops, scale jumps and rapid editorial cadence. Do not transfer its character, gender, face, hair, clothing, weapon, text, logo, story or exact layouts.
summary:
[reference generation] A 15-second 16:9 premium 2D graphic-anime character opener. supplies the only character identity; supplies only 2D visual grammar and edit rhythm. Use parchment ivory, ink black, vermilion red and tiny cyan registration accents. Dominant chain: graphic ignition -> identity fragments -> outfit proof -> exact name card -> torn-paper splice bridge. Deliver at least fourteen distinct editorial blocks with hard cuts and flowing screen direction.
retention_analysis:
: fully_preserved — keep the same 2D face, hair, outfit, pendant, chains, proportions, line art and cel shading.
< {{Mixed 1}} >: attribute_transfer — transfer character identity and wardrobe; ignore its four-panel layout and sunset background.
: partially_preserved — transfer only 2D design language, motion density, transition grammar and pacing.
detailed_description:
Every frame is visibly hand-drawn 2D cel animation: clean ink contours, flat color fills, two-step shadow shapes, screen-print grain, dry-brush edges and paper texture. Keep facial features graphic and illustrated. No live-action human, photoreal skin, realistic photography, 3D character, CGI material, volumetric lighting or cinematic lens rendering.
The only readable text is “童锦程”. Maintain one character. Use one vermilion brush stroke as the recurring carrier; it may become an underline, crop edge, action arc or torn-paper guide. Hard cuts remain fluid by inheriting pose, gaze, brush direction or sound. Do not fuse the sequence into slow morphing. No shot exceeds one second except the name card.
[Shot 1] 0.00–0.45s. Parchment-ivory field. appears as a small full-body 2D figure left of center. A vermilion brush stroke attacks horizontally behind him with a dry paint snap.
[Shot 2] 0.45–1.05s. Hard cut closer. Oversized abstract black blocks slam behind his silhouette while the red stroke continues right; the blocks never form readable text.
[Shot 3] 1.05–1.65s. Extreme 2D eye close-up. The red stroke crosses beneath the iris as a flat graphic mask; one two-frame white flash reverses the palette.
[Shot 4] 1.65–2.30s. Match cut to his platform shoe landing on a black ink baseline. The line fractures into dry-brush splinters moving right.
[Shot 5] 2.30–3.00s. Diagonal three-panel composition: attached silver chain, solid black pendant, coat closure. Each object remains structurally faithful to .
[Shot 6] 3.00–3.70s. A rough ivory paper tear crosses the panels and reveals a full-body pose inside a tilted black rectangle. Coat and hair respond with restrained hand-drawn motion.
[Shot 7] 3.70–4.45s. Hard cut to a clean profile on ivory. The red stroke hooks around his shoulder and exits without becoming a physical object.
[Shot 8] 4.45–5.25s. Match the shoulder line into an extreme collar-and-jaw crop. Switch from ivory field to solid black while preserving head direction.
[Shot 9] 5.25–6.05s. Four rapid manga crops—eye, hand, pendant, shoe—strike on separate beats. One detail per crop, no duplicate complete bodies.
[Shot 10] 6.05–6.85s. His coat sweeps left to right as a flat black shape and becomes a brush-edged wipe into a high-angle full-body composition.
[Shot 11] 6.85–7.65s. Low-angle 2D hero pose against a huge vermilion rectangle. Sparse cyan registration flecks appear only at the outer corners.
[Shot 12] 7.65–8.75s. Exact name card. On clean parchment ivory, place small at the far right. Show “童锦程” left-aligned in large flat ink-black Chinese type with refined editorial spacing. No glow, outline, bevel, metal or random text. All three characters are correct, unobstructed and fully readable for at least 0.80s.
[Shot 13] 8.75–9.50s. A torn black paper strip rips through the card diagonally; after the clean exposure the type disappears as one intact layer, never deforming into misspelled text.
[Shot 14] 9.50–10.30s. The tear reveals making one fast lateral step. Use two hand-drawn smear frames and a red brush arc behind the coat.
[Shot 15] 10.30–11.10s. Three hard cuts on the same action: shoe push-off, coat hem extension, direct eye. Alternate ivory, black and red fields.
[Shot 16] 11.10–11.95s. Full-body silhouette on black; an ivory paper cutout of his exact outline slides behind it, producing one controlled 2D offset shadow.
[Shot 17] 11.95–12.80s. Close profile framed by an irregular torn-paper window. Hair and eye remain exact; the red stroke crosses the foreground and exits upper right.
[Shot 18] 12.80–13.65s. Wide poster composition: full-body centered, a large off-axis red brush crescent behind him, black dry-brush corners and generous ivory negative space.
[Shot 19] 13.65–15.00s. Splice bridge. Two matte-black torn-paper fields close from upper left and lower right, leaving one jagged ivory diagonal seam from lower left to upper right. A vermilion brush tip travels upward along the seam. Preserve the exact seam shape, brush position and motion in the final frame; never freeze.
overall_soundscape:
Dry paper rips, brush attacks, ink scrapes, cloth snaps, one grounded step and short graphic impacts. Use J-cuts and L-cut tails so every hard cut flows. End with the unresolved paper drag and rising brush sound.
non_diegetic_music:
Fast 164 BPM graphic breakbeat: dry kick, clipped snare, elastic sub, paper percussion and short distorted synth stabs. Use brief silence before the name card. End mid-phrase without cadence.
