雅姿系列产品广告-商业案例

图片节点 2

场景中的古画，换成 这个 的古画

场景中的古画，换成 这个 的古画挂到墙上去

{{Image 1}} 场景中的古画，换成 这个 {{Image 2}} 的古画挂到墙上去

{{Image 1}} 这个古画替换 墙上这个的 {{Image 2}} 红框中的画，光影结构什么都不要变

视频截图视频节点 2

{{CameraPreset 1}}Camera slowly pulls back from close-up at {{Portrait 1}} to wide shot without cuts, soft warm light illuminates continuously flowing water surface sparkling and rippling with real liquid texture not static model, water naturally undulates with ripples spreading layer by layer, surface glitters reflecting dynamic light, fountains or slide entrances splash real water particles, entire water body maintains motion without frozen sensation, miniature figures play and swim in water with natural poses not stiff, some sliding into water creating splashes, some floating and moving in pool, some walking along pathways, all character motions continuous and fluid not freeze-framed, {{Portrait 2}} product subject stays clear and centered without blur or distortion, background cherry blossom trees sway gently in wind, ferris wheel rotates slowly, overall frame transparent clean dynamic and real without CG model feeling.

专业美妆凝胶质地微距摄影，画面构图与斜向对角线纹理流向完全参考 {{Image 1}} ：流动的S形凝胶涂抹轨迹形成优雅的波浪起伏，层叠的纹理呈现自然的流动感与深度。材质变成裸粉色半透明凝胶质地，温润的玉脂感，真实的次表面散射效果，光线穿透产生柔和的体积感与通透感，彻底去除图中夸张的星芒高光与随机闪烁亮点，改为沿着凝胶纹理轨迹有序排列的细腻线性粒子和微光粉尘，粒子呈流线型分布紧密跟随纹理方向，密度随纹理起伏自然渐变。柔和的自然漫射光从左上方45度角照射，色温3200K，产生柔和阴影层次与真实的次表面散射，避免过硬的高光点。微距镜头拍摄，f/2.8光圈，浅景深，焦点精确控制在纹理最丰富的中段区域。8K超高清，真实的凝胶表面细微气泡与不规则纹理粗糙度，无AI过度平滑的塑料质感，商业摄影级质感，胶片颗粒。

Minimalist white art gallery interior with soft skylight diffused lighting (4800K), white plaster pedestal at right third composition with matte pink skincare jar, 3-4 elegant ribbon-like light streams emanating from jar opening with calligraphic stroke variation (thick 5-8mm origin tapering to hairline thin ends), semi-transparent pink-white ribbons (#FFE4E1 to #FFF0F5) forming graceful S-curves arcing toward the ancient sepia-toned scroll painting in left background, extremely sparse distribution of only 7-10 tiny pink-white luminous particles (0.3-2mm) attached to each ribbon gradually fading with distance, authentic long-exposure light painting photography capturing smooth motion trails, shot at f/4 keeping product and light streams sharp with background softly blurred, generous negative space, soft glowing edges on light ribbons without harsh lines, minimalist aesthetic, premium beauty concept campaign, 8k photorealistic rendering with volumetric glow

车头前面的白云也变成黑色的的，同时镜头变成看到车头面在画面的主视觉中心

Professional beauty gel texture macro photography, composition and diagonal flowing texture trajectory entirely referencing {{Image 1}} : flowing S-curve gel smear patterns forming elegant wave-like undulations with layered textures creating natural fluidity and depth. Material and color referencing {{Image 2}} : nude pink semi-transparent gel texture with warm jade-like luster, realistic subsurface scattering effect, light penetrating to create soft volumetric feel and translucency, excluding wooden surface, spatula and rose petal environmental elements from {{Image 2}} . Completely removing exaggerated star-shaped specular highlights and random sparkling bright spots from {{Image 1}} , replacing with delicate linear particles and shimmer dust orderly arranged along the gel texture trajectory, particles distributed in streamline formation closely following texture direction with natural density gradient following texture undulations. Soft natural diffused lighting from 45-degree upper left, 3200K color temperature, creating soft shadow hierarchy and realistic subsurface scattering, avoiding harsh highlight spots. Macro lens photography, f/2.8 aperture, shallow depth of field, precise focus on middle section with richest texture details. 8K ultra-high definition, authentic gel surface with subtle bubbles and irregular texture roughness, no AI over-smoothed plastic appearance, commercial photography quality, film grain.

古画上面不要有光影

材质变成半透明的胶质质感，粉白色的，同时加上更多的发光的粉白色的线条带着粒子沿着纹路

车头前面的白云也变成黑色的的，同时镜头变成看到车头顶部的面在画面的主视觉中心

图片节点 10

{{Image 1}} 白色的石柱上的产品换成 {{Image 2}} 一模一样,盖子也要盖着的

把古画中间的画提取出来全屏

材质变成半透明的胶质质感，粉白色的，同时加上更多的发光的线条带着粒子沿着纹路

乌云现在太黑了，可以深灰色，其他不要变

把古画中间的画提取出来全屏，画面质感颜色内容都不要变

乌云现在太黑了，都是深灰色的，其他不要变

Centered on a white jar of ARTISTRY Ideal Radiance Whitening Essence Cream with creamy texture visible, positioned in lower center against dreamy blue sky and fluffy white cloudscape background with a long sleek pink and white high-speed train visible on the right side, camera slowly pulls back from center revealing more of the surrounding clouds with gentle subtle drifting movement, the train speeds rapidly from deep background inside the frame charging outward toward camera and exiting frame front, traveling from inside to outside direction bursting out of the scene, tiny sparkling light particles twinkling and flashing subtly across the entire frame, soft pink and blue tones, bright clean aesthetic, smooth slow camera pullback contrasting with explosive fast train speed charging toward viewer, cinematic dreamy atmosphere.

列车再淡粉白一些粉红一点点，产品的下半部分也再淡粉一些，其他都不要变

把列车提取出来，在白底图上

固定镜头，列车从云层中快速驶出，向镜头方向行驶，快速行驶出画，雪白的云层蓬松的在缓动，车身周围带出飞舞的粒子和线条

{{Portrait 1}} 白色是石柱上的产品要和 {{Image 2}} 一模一样，他都不要变

整体材质变得再粉白点，同时再半透明一些，美妆质感

{{Portrait 1}} 镜头缓缓推进 1 秒后快速拉到 {{Portrait 2}} 焦点堆在产品上，产品主体参考 {{Portrait 3}} 粒子线条一开始没有，镜头推到后，从产品背后拉出线条和粒子，飘动着散发着粒子向后景的古画飞去，同时镜头跟随粒子向前继续推进，焦点变焦到古画，古画主体参考 {{Portrait 4}}

Macro lock-off close-up of an ancient Chinese silk painting undergoing molecular-level elegant restoration. At the center, 2-3 hair-thin pink-white luminous threads drift gracefully from top to bottom like spider silk in breeze, lightly touching the surface then vanishing as transformation catalysts. Subsequently, **material metamorphosis advances layer-by-layer from edges toward center**: the sepia patina and oxidation on the antique surface recedes like tide withdrawing from crack edges inward, revealing the pure ivory rice paper base of the second image beneath; cracks heal pixel-by-pixel like wound closure, rough silk texture smoothing into delicate paper grain. The withered ink of plum branches and background rehydrates from dry brown-black to translucent ink wash; the lady's garment sheds oxidation layer by layer, original azurite and ochre colors awakening from dormancy, pattern details sharpening from blur to precision. The final transformation concentrates on the face: golden hair ornaments illuminate pixel-by-pixel from dark masses, the lady's gaze shifting from hazy to lucid. Clear intermediate states visible throughout, old and new briefly coexisting at the microscopic level, transition as delicate as morning mist dissipating. Extremely shallow depth of field (f/2.8) focuses on transforming areas, soft side lighting accentuates material contrast, 8K ultra-high definition, hyper-detailed texture, focusing entirely on every frame of microscopic metamorphosis from antiquity to revitalization, particles existing only as subtle accents without overwhelming coverage

图片节点 11

线条和粒子再多一条

产品的底部再粉色一些，乌云的黑不要那么深色，还是保持一部分灰色

镜头从 {{Portrait 1}} 拉远到 镜头到 {{Portrait 2}} 这个画面后，树枝晃动，花里面的人物仿佛活了过来，闻了闻手里的花，抬头看树枝，树枝也在晃动向画外生长

产品底部再淡粉白一些

镜头缓缓向后拉，粉色列车快速向前行驶，产品周围粒子飞舞光效

A dreamy pink-white crystalline train from {{Portrait 1}} races at high speed through churning dark storm clouds, its body emitting pink-white particles and streaks of flowing light that wrap tightly around the carriages, trailing long luminous tails. The camera follows in a low-angle tracking shot, moving at the train's velocity, delivering an intense rush of speed and wind pressure. As the train surges forward, the distant storm clouds visibly and dramatically transform from heavy grey-black turbulence into soft, billowing pure-white cloudscapes, the color temperature shifting from cold blue to warm white in striking contrast. The camera continues tracking as the train pierces through the cloud layer; the sky transitions rapidly from bright daylight into deep nightfall, stars igniting one by one, moonlight cascading down — seamlessly arriving at the {{Portrait 2}} scene: the same crystalline train gliding across moonlit seas of cloud beneath a star-strewn deep-blue night sky. The camera now locks into a fixed position, while white high-speed light streaks continue to whip around the train's body at blistering velocity, leaving sharp motion trails. Within the static frame, the train accelerates from center to right and ultimately exits the frame entirely off the right edge, leaving behind the starry sky, moonlight, and drifting cloud sea as a lingering coda. Cinematic, dreamlike, grand and narratively charged, with film-grade lighting and texture.

Static lock-off close-up shot of an ancient Chinese silk painting undergoing elegant digital restoration. Several pink-white glowing particle trails glide in from the top of the frame in graceful S-curve trajectories, sweeping across the painting edges like silk brushing water surface. The particle streams carry soft volumetric glow, advancing in waves from the peripheral edges toward the center, triggering microscopic-level material transformation. The transition is extremely detailed: cracks, mold spots, and sepia oxidation on the antique surface dissolve like warm water washing away stains, revealing the refined quality of the second image beneath—the background smoothly transitions from damaged yellowish-brown to pure rice paper white, the lady's face shifts from blurred dimness to delicate clarity, garment lines restore from broken strokes to fluid gongbi brushwork, and golden hair ornaments emerge pixel-by-pixel from dark ink masses. The transformation shows clear intermediate states, with old and new paintings briefly coexisting at the particle wavefront, maintaining physical authenticity of ink granules and silk textures throughout. Moderate depth of field (f/5.6) ensures clear visibility of detailed changes across the entire painting, soft side lighting accentuates material contrast, overall atmosphere serene and dreamlike, 8K ultra-high definition, hyper-detailed, focusing on every frame of gradual change from antiquity to revitalization

镜头缓缓推进 1 秒后快速拉到 焦点堆在产品上，产品主体参考 粒子线条一开始没有，镜头推到后，从产品背后拉出线条和粒子，飘动着散发着粒子向后景的古画飞去，同时镜头跟随粒子向前继续推进，焦点变焦到古画，古画主体参考

变成平滑的没有起伏，单吃保持光泽透明以及材质质感

镜头从 拉远到 镜头到 这个画面后，树枝晃动，花里面的人物仿佛活了过来，闻了闻手里的花，抬头看树枝，树枝也在晃动向画外生长

Macro static shot of painting restoration, thick semi-transparent cream-gel substance with pearlescent pinkish-white tone spreading downward from top of frame at constant speed, exhibiting viscous cosmetic texture with subsurface scattering, leading edge showing slight accumulation ridge like spreadable face cream, semi-opaque material partially revealing pristine underlayer colors while covering cracked antique surface, gel receding to expose crisp gongbi painting details, surface displaying delicate matte sheen and micro-texture, natural surface tension forming rounded transition edges with subtle elastic rebound, 8K hyper-detailed material rendering, soft side-backlighting emphasizing translucency, skincare commercial quality aesthetic, fusion of Eastern art and modern material physics

{{Image 1}} 列车颜色参考 {{Image 2}} 调整，只是颜色参考

镜头缓缓推进 1 秒后快速拉到 焦点堆在产品上，产品主体参考 粒子线条一开始没有，镜头推到后，从产品背后拉出线条和粒子，飘动着散发着粒子向后景的古画飞去，同时镜头跟随粒子向前，焦点变焦到古画，古画主体参考

产品的底部再粉色一些，乌云的黑不要那么深色，有部分云朵是暗灰色

金色的线条都变淡粉白色的

列车颜色参考 调整，只是颜色参考

镜头缓缓推进 1 秒后快速拉到 焦点堆在产品上，产品主体参考 粒子线条一开始没有，镜头推到后，从产品背后拉出线条和粒子，飘动着散发着粒子向后景的古画飞去，镜头跟随粒子，焦点变焦到古画，古画主体参考

{{CameraPreset 1}} {{Portrait 1}} 画中的女子拿起树枝在鼻子前闻了闻，然后转了一圈到 {{Portrait 2}} 这个样子

Cinematic one-take transition shot. Opening references : a pink-white crystalline high-speed train races through churning dark grey storm clouds, emitting pink-white glowing particles and streamlined light trails, moving at extreme speed with engine slipstream trailing long luminous wakes behind. Camera tracks in a low-angle rear-side parallel follow, racing alongside the train, faint dawn light reflecting off the windows. Key transformation: as the train surges forward at blistering speed, the vast inky-grey storm clouds in the distance visibly and dramatically morph — rolling and blooming into milky, pure-white fluffy cloudscapes — the change rippling outward in waves from deep background to foreground with striking contrast. Pink-white particles and light streaks spiral around the train in increasing density. Camera follows the train as it plunges into the whitening cloud layer; cloud wisps brush past the lens, particle flares momentarily fill the frame. Upon breaking through, the sky rapidly transitions from milky daylight into deep blue and indigo cosmic night, stars emerging, finally arriving at : a serene, majestic starry night sea of clouds. At this moment the camera abruptly locks into a fixed wide-medium shot with stable composition. The pink-white crystal train enters from frame left at high velocity, particles and light continuously radiating, body shimmering against the starlit sky and white cloud sea, ultimately exiting frame right — leaving behind a fading pink-white light trail and the quiet starry cloudscape. Style: cinematic, dreamlike poetic, surreal, fusion of Ghibli-esque cloud sea and cyber particle aesthetics, color palette shifting from cold grey to pink-white to deep starry blue, rich light layers, transparent depth of field, 8K ultra HD.

{{Portrait 1}} 光线和粒子流淌过，像有无形的手快速在平整的面上划过，带出 {{Portrait 2}} 从平镇到凹凸有个明显的变化，动态要明显，美白化妆品的高级感

视频截图视频节点 15

光线和粒子流淌过，像有无形的手快速在平整的面上划过，带出 从平镇到凹凸有个明显的变化，动态要明显，美白化妆品的高级感

Cinematic beauty commercial motion shot. Opening frame: ARTISTRY Whitening Essence Cream jar centered on a cloud-borne crystalline viaduct, pastel pink-to-blue gradient sky. Camera performs a smooth dolly-back, pulling away at a steady pace with a barely perceptible horizontal retreat, focus locked on the product logo throughout. Simultaneously, a translucent pink crystal high-speed train accelerates from the foreground on both sides, racing along the looping elevated track toward the vanishing point deep in the frame, its body refracting pearlescent pink and champagne-gold highlights and trailing soft motion light streaks. Around the product, cherry blossom petals, glistening dew droplets, golden sparkles and tiny bokeh particles burst outward in a radial pattern from the jar, slowly rising and swirling. The sea of clouds rolls and parts from the train's slipstream, while a lavender-pink glow blooms on the distant horizon. Dreamlike, sacred, luxurious atmosphere, pearlescent texture, soft volumetric lighting, shallow depth of field, 6-second one-take, rhythm flowing from stillness to acceleration then graceful resolution, 9:16 vertical composition.

大特写到左侧的瓶身正面，任何原本的物体颜色或者机构形状都不要变

【输入指令】 一只精致的小刷子蘸取着膏体，膏体在笔尖呈现出饱满的光泽感，暗示修复能量。刷子落在古画背景上。笔锋所过之处，陈旧的焦黄色如烟雾般消散，刷头轻拂过仕女的脸庞，膏体接触后，陈旧的焦黄暗沉肤色转为白皙，五官变得立体精致。镜头拉远展示古画全部 纸张逐渐变白 画面整体质感提升。

Using {{Portrait 1}} and {{Portrait 2}} as the core visual references, create a cinematic, luxury commercial-style transition sequence. Begin with a close-up of the skincare product from {{Portrait 1}} , floating above a dense, voluminous sea of clouds in a vertical composition. The pale blue sky and pink-white luminous glow create a clean, premium color harmony. The container has softly glowing edges, with a translucent rosy crystal aura blooming from its lower body. A large amount of delicate particles, glowing dust, tiny crystal fragments, and filament-like light trails burst outward from the product, with a strong directional flow shooting toward the cloud mass behind it, creating a clear visual path. The camera follows these particles and light streaks at close range, rushing forward through layered volumetric clouds. Cloud banks unfold across foreground, midground, and background, their edges subtly tinted by pink radiance, with strong spatial depth, clear perspective, and a smooth immersive flying-through-clouds sensation. After passing through the clouds, the camera naturally arrives in the world of {{Portrait 2}} : an elevated railway suspended within a vast cloudscape. The track winds between towering clouds with a clear sense of depth and an elegant S-curve composition. The particles, beams, and glowing energy lines originating from @图1 begin to converge above the track, swirling, colliding, and assembling into a train. The transformation should feel staged and spectacular rather than instantaneous: the front nose forms first, then the transparent shell, windows, body segments, and trailing carriages materialize progressively from front to back. The train material is a fusion of translucent pink glass, crystalline energy, and refined futuristic engineering, with soft luminous veins flowing inside the body, surrounded by tiny sparks, star-like dust, and glittering particle trails. Once fully assembled, the camera cranes upward, transitioning from a tracking shot into a high-angle oblique wide shot, revealing the full train moving forward through the cloud railway. The completed glowing train accelerates with radiant pink trails and clearly exits from the lower-left corner of the frame. The overall mood should be dreamy, pure, luxurious, and futuristic, combining the polished light language of a high-end beauty campaign with the spectacle of fantastical cinematic world-building. Volumetric clouds must feel rich and realistic, lighting soft yet energetic, edge control refined, and the final commercial finish exceptionally high-end.

列车飞驰向前镜头快速跟随，后景的乌云被粒子覆盖快速幻化变成白色，车身四周散发出更多的流线和粒子，同时镜头向左摇穿过云层，天空过渡成了黑夜 ，星星闪烁，列车非常快速的行驶向前出画，整体画面节奏都是非常快的，镜头都是跟随镜头，不要音乐，只要音效

列车飞驰向前镜头快速跟随，身后的乌云幻化变成白色，车身四周散发出更多的流线和粒子，同时镜头向左摇穿过云层，天空过渡成了黑夜 ，星星闪烁，列车非常快速的行驶向前出画

白色的石柱上的产品换成 一模一样,盖子也要盖着的

镜头从左边产品的瓶身大特写拉出来到现在的画面，右下方的产品不断倒出水流，整个池面水面流动波光粼粼，泳池里的人在游泳嬉戏划水

镜头从左边产品的瓶子大特写拉出来到现在的画面，右下方的产品不断倒出水流，整个池面水面流动波光粼粼，泳池里的人在游泳嬉戏划水

镜头从左边产品的特写拉出来，右下方的产品不断倒出水流，整个池面水面流动波光粼粼，泳池里的人在游泳嬉戏划水

列车飞驰向前镜头快速跟随，身后的乌云快速幻化变成白色，车身四周散发出更多的流线和粒子，同时镜头向左摇穿过云层，天空过渡成了黑夜 ，星星闪烁，列车非常快速的行驶向前出画，整体画面节奏都是非常快的，镜头都是跟随镜头，不要音乐，只要音效

Using @图1 and @图2 as the core visual references, create a cinematic, luxury commercial-style transition sequence. Begin with a close-up of the skincare product from @图1, floating above a dense, voluminous sea of clouds in a vertical composition. The pale blue sky and pink-white luminous glow create a clean, premium color harmony. The container has softly glowing edges, with a translucent rosy crystal aura blooming from its lower body. A large amount of delicate particles, glowing dust, tiny crystal fragments, and filament-like light trails burst outward from the product, with a strong directional flow shooting toward the cloud mass behind it, creating a clear visual path. The camera follows these particles and light streaks at close range, rushing forward through layered volumetric clouds. Cloud banks unfold across foreground, midground, and background, their edges subtly tinted by pink radiance, with strong spatial depth, clear perspective, and a smooth immersive flying-through-clouds sensation. After passing through the clouds, the camera naturally arrives in the world of @图2: an elevated railway suspended within a vast cloudscape. The track winds between towering clouds with a clear sense of depth and an elegant S-curve composition. The particles, beams, and glowing energy lines originating from @图1 begin to converge above the track, swirling, colliding, and assembling into a train. The transformation should feel staged and spectacular rather than instantaneous: the front nose forms first, then the transparent shell, windows, body segments, and trailing carriages materialize progressively from front to back. The train material is a fusion of translucent pink glass, crystalline energy, and refined futuristic engineering, with soft luminous veins flowing inside the body, surrounded by tiny sparks, star-like dust, and glittering particle trails. Once fully assembled, the camera cranes upward, transitioning from a tracking shot into a high-angle oblique wide shot, revealing the full train moving forward through the cloud railway. The completed glowing train accelerates with radiant pink trails and clearly exits from the lower-left corner of the frame. The overall mood should be dreamy, pure, luxurious, and futuristic, combining the polished light language of a high-end beauty campaign with the spectacle of fantastical cinematic world-building. Volumetric clouds must feel rich and realistic, lighting soft yet energetic, edge control refined, and the final commercial finish exceptionally high-end.

Cinematic dynamic sequence: From the surface of a product, golden particles and cold white light rays burst outward {{Portrait 1}} , with fine lines and luminous points rapidly traveling upward-right through a translucent cirrus cloud layer, entering a second scene {{Portrait 2}} . The particles converge above a railway track, spiraling and assembling into a futuristic high-speed train, its body composed of brushed metal and transparent blue panels, with flowing light particles across the surface. The camera then smoothly pulls upward and backward, revealing the train from a top-down perspective as it travels toward the bottom-left corner and exits the frame. The entire sequence is backlit, with warm orange glow bleeding through the cloud edges, particle trails exhibiting subtle halation, and a fading particle wake left after the train exits. Style: photorealistic cinematic quality, 4K, depth-of-field transitioning from macro to wide-angle, natural dynamic light.

A seamless cinematic CGI commercial sequence: Opens on , a frosted white cream jar floating in a pink-violet cloudscape, its base glowing with a cherry-blossom pink gradient, silver embossed ARTISTRY WHITENING ESSENCE CREAM logo crisp and elegant. Suddenly, streams of pink silken light and crystalline diamond-like particles burst from the jar's surface, swirling like luminous ribbons and surging into the clouds behind it, leaving brilliant comet trails. The camera follows the particle flow in a high-speed first-person travel through layered, billowing soft clouds, illuminated by pink and sky-blue iridescence. Breaking through the clouds, the scene transitions to : a winding metallic track bridge suspended above an aerial sea of clouds. The arriving particles and light streams swirl and converge above the rails, performing a VFX assembly — first sketching translucent glowing wireframes, then solidifying section by section into the locomotive head, carriages, and windows, finally materializing into a fully-formed pink crystalline energy high-speed train, with ARTISTRY printed on the nose, sparks scattering and luminous trails wrapping its body. The camera pulls upward to a high aerial bird's-eye view as the train accelerates forward along the S-shaped track, dragging long pink ember trails, and finally exits the frame from the lower-left corner, residual light dissipating gently into the clouds. Overall mood: dreamy luxurious beauty-tech aesthetic, soft pink × sky blue × silver-white palette, volumetric fluffy clouds, multi-layered particles with depth-of-field variation, fluid narrative camera motion, commercial-grade CGI rendering, translucent lighting, refined materials, clean edge control.

粉色列车快速向前行驶，产品周围粒子飞舞光效

列车再淡粉白一些红一点点，产品的下半部分也再淡粉一些，其他都不要变

去掉光影粒子特效

图片节点 2

图 1 中的产品换成图 2 的颜色，一定要完全和图 2 的颜色一致

Probe lens extreme macro magnification (1:1+), 45-degree diagonal low-angle worm's eye view pressed against ancient painting surface, frame tightly filled with only 3cm area from outer eye corner to cheekbone, dominant sepia/tea-brown color palette (#8B7355), visible moderate superficial crease-like cracks winding longitudinally across ochre skin tone, cracks distinctly elongated but sparsely distributed like natural paper aging lines, not penetrating paint layer, tea-brown rice paper substrate showing natural fiber texture and subtle undulation, faint ink eye contour lines slightly softening at extreme proximity, natural museum-grade side backlight (3800K warm tone) grazing from upper 45-degree casting delicate shadows along crease lines to emphasize shallow grooves, no artificial light reflections, f/16 deep depth of field revealing paper thickness and pigment buildup texture, 24mm probe lens strong barrel perspective distortion, faithful to original dark yellow-brown and sepia palette with desaturated warm brown, hyper-detailed micro-texture, cracks distributed as natural aging lines, archaeological conservation photography aesthetic, anti-AI plastic smoothing, preserving authentic paper breath and subtle patina, 8k resolution

镜头从缓缓向前推进，天上彩虹从左向右划出来，洁白的滑轨上出现一些粉白色的光线线条环绕飞行一下

图 1 面霜上面的的小字完全和图 2 一模一样，不要改变图 1 的产品大小

镜头缓缓推进一点点不要太多，右下方的产品不断倒出水流，整个池面水面流动波光粼粼，高光闪烁光芒

镜头缓缓推进一点点，右下方的产品不断倒出水流，整个池面水面流动，不要有任何花瓣

镜头缓缓推进，右下方的产品不断倒出水流，整个池面水面流动波光粼粼，高光闪烁光芒

Extreme macro probe lens close-up at 45-degree low side angle, millimeters from ancient painting surface, focused on eye to cheek area of Tang-Song dynasty gongbi beauty, subject is severely aged tea-brown rice paper substrate — visible deep three-dimensional cracks intersecting like dry riverbeds (edges curled exposing frayed fibers), dark brown tea stain penetration patterns, paper delamination and brittle flaking, faint ink outlines of eyelids and skin contours ghosting beneath damaged surface, natural warm side lighting (museum display case simulation, 3800K color temperature) grazing at extremely low angle casting subtle shadows within cracks to emphasize paper topography, no artificial light reflections or hotspots, f/20 maximum depth of field, 24mm probe lens slight perspective distortion, faithful to original image's sepia and ochre color palette (desaturated warm brown), hyper-detailed paper fiber and fracture structure, archaeological artifact photography aesthetic, preserving natural degradation and patina, anti-AI plastic smoothing, 8k resolution

粉白色的一抹面刷在龟裂处，被覆盖的地方后面都变美白了没有了龟裂，白的边缘是柔化的过渡，面霜的面积不要太大，就像笔触一样，面霜要好看，白色半透明材质的

颜色变成粉白色半透明的质地

Probe lens extreme macro beyond 1:1 magnification, 45-degree diagonal low angle (worm's eye view) pressed against ancient painting surface, frame filled with only 3cm area from outer eye corner to cheekbone, extreme close-up filling the entire frame, visible microscopic craquelure patterns spreading across ochre skin texture like parched earth cracking, hairline-thin shallow cracks not penetrating paint layer, tea-brown rice paper fiber structure clearly visible, faint ink contour edges slightly softening at extreme proximity, natural side backlight (3800K warm tone) grazing from upper 45-degree casting nanometer-level shadows within micro-cracks, no artificial light reflections, f/16 deep depth of field revealing pigment particle stacking texture, 24mm probe lens strong perspective distortion with edge stretching, faithful to original sepia and ochre palette with desaturated warm brown, hyper-detailed micro-texture resembling abstract topography, archaeological conservation photography aesthetic, anti-AI plastic smoothing, preserving natural paper breath and paint craquelure details, 8k resolution

{{Portrait 1}} 图里的产品换成 {{Portrait 2}} ，所有的颜色材质都要 {{Portrait 2}} 不要变门所有的云都要改成白色干净的

去掉画面里的笔刷和脸上的厚涂的颜料

{{Portrait 1}} 镜头缓缓推近，右侧的产品打开了盖子从里面冒出了粉白色的光影粒子线条，粒子线条光影向着古画去飘，焦点从产品变焦到了古画，古画主体参考 {{Portrait 3}} ，同时镜头随着粒子的角度向古画里飞过去到古画的特写

Extreme macro probe lens close-up at 45-degree diagonal low angle (worm's eye view), millimeters from ancient painting surface looking upward from jawline toward cheek and outer eye corner of Tang-Song dynasty gongbi beauty, facial skin detail with sleeve edge holding plum blossom branch subtly visible, fine superficial craquelure patterns winding across ochre skin tone like topographic contour lines, shallow hairline cracks naturally integrated with paint layer not penetrating through, tea-brown rice paper substrate showing subtle undulation and fiber texture, faint ink outlines of eyelids and lips creating slight perspective distortion at low angle, natural museum-grade side backlight (3800K warm tone) grazing from upper 45-degree angle casting delicate shadows within micro-cracks to emphasize paper topographic relief, no artificial light reflections, f/18 deep depth of field revealing paper thickness edge, 24mm probe lens characteristic barrel perspective distortion, faithful to original image's warm sepia and ochre palette with desaturated brown tones, hyper-detailed mineral pigment buildup and paper fiber structure, cracks merging with skin like natural aging痕迹, archaeological conservation photography aesthetic, anti-AI plastic smoothing, preserving authentic ancient painting breath and patina, 8k resolution

图片节点 2

只去掉笔

远处的云也要很白很白，产品四周花瓣去掉

镜头再推近点，然后水池填满，物体的位置关系什么的都不要改

脸上的面霜改成粉白色的材质不要变，同时面霜的边缘加上光线线条（#FFE4E1至#FFF0F5），同时光带上稀疏点缀着粉白微光粒子

镜头缓缓推近，右侧的产品打开了盖子从里面冒出了粉白色的光影粒子线条，粒子线条光影向着古画去飘，焦点从产品变焦到了古画，古画主体参考 ，同时镜头随着粒子的角度向古画里飞过去到古画的特写

去掉水滴，其他不变

Extreme macro probe lens close-up at 45-degree low grazing angle, millimeters from ancient painting surface, focused on Tang-Song dynasty gongbi beauty's cheek to jawline area, subject is severely aged rice paper substrate — visible deep brown tea stains penetration, web-like brittle crack patterns with micro-tearing and curled edges exposing fiber layers, frayed paper fibers and delamination, painted facial contours (faint ink lines of eyelids and cheeks) ghosting beneath damaged paper surface, probe lens circular LED cool white light (5500K) creating distinct circular reflection hotspot on paper, extreme low-angle raking light emphasizing deep shadows within cracks and paper topography, f/22 maximum depth of field, 24mm probe lens characteristic subtle barrel distortion, museum conservation documentary photography, archaeological texture, physical paper thickness and fragility, hyper-detailed fiber structure, desaturated monochromatic sepia tones with stark white cracks, 8k, no AI smoothing, authentic paper degradation and patina

Extreme macro probe lens close-up at 45-degree low side angle, millimeters from surface of Tang-Song dynasty gongbi beauty's cheek, focused on facial skin area from cheekbone to outer eye corner, visible fine superficial craquelure patterns like spiderwebs intersecting across surface, cracks shallow and hairline-thin not penetrating paint layer, tea-brown rice paper substrate with faint ochre skin tone rendering, delicate ink outlines of eyebrows and eyelids faintly visible, natural museum-grade side lighting (3800K warm tone) grazing at extremely low angle creating subtle shadows within micro-cracks to emphasize surface texture, no artificial light reflections, f/16 deep depth of field, 24mm probe lens slight perspective distortion, faithful to original image's warm sepia and ochre palette with low saturation, hyper-detailed mineral pigment layer and paper fiber structure, cracks distributed like natural skin aging lines, archaeological conservation photography aesthetic, anti-AI plastic smoothing, preserving authentic patina of ancient painting, 8k resolution

{{Portrait 1}} 古画上方有一抹刷过的面霜，刷过的地方都变白了，面积可以有点大，材质质地参考 {{Image 2}}

保持这个材质，但是颜色变成淡粉色半透明的，同时周围加上粒子光影的效果

极端微距摄影，100mm微距镜头，粉白色半透明面霜质地的大特写填充整个画面，带有珍珠光泽和细腻的光影粒子，正在动态流淌冲向镜头，覆盖在古老泛黄的宣纸裂纹上，修复交界处清晰可见从枯黄到粉白的渐变过渡，次表面散射效果，侧逆光照明产生体积光，浅景深f/2.8，背景虚化呈现古画墨迹纹理，粒子拖尾动态模糊，科学美肤纪录片风格，超写实纹理细节，8k分辨率，自然瑕疵，非对称构图

视频截图视频节点 4

电影美容商业运动镜头。雅姿美白精华面霜罐以云朵结晶高架桥为中心。相机执行平稳的向后移动，以稳定的速度拉开，几乎无法察觉的水平撤退，焦点始终锁定在产品徽标上。同时，半透明的粉红色水晶高速列车向后行驶，沿着环形的高架轨道驶向框架深处的消失点。在产品周围，金色的火花和微小的散景颗粒围绕罐子缓慢漂浮旋转。云海从火车的滑流中滚滚而出，梦幻般的，神圣的，奢华的氛围，珠光的质地，柔和的体积照明

镜头缓缓推进，瓶口依靠在栏杆上，水流从瓶口落下，水面不断上升，水面清澈波光粼粼干净通透

{{Portrait 1}} 水流倒下来粒子的光芒围绕着水柱，持续倒下的水流水面上溅起的一滴水珠向前飞行，镜头跟着水滴贴着水面快速飞行，最后落到远处的水面上， {{Portrait 2}} 落在水面上溅起一片水纹，同时整个水面面仿佛被点亮了一样，一层光晕从水面中心向四周扩散整个水面亮一下，一镜到底，不切镜头

图片节点 2

{{Portrait 1}} 画面中的产品替换成 {{Portrait 2}} 完全替换，材质颜色都要 {{Portrait 2}} 底部的颜色一定一样

以这个整体画面参考，变成微距级别的非常近的大特写，粉白色的面霜经过时带着光影例子的大特写

面霜的部分加上粒子光影效果

脸上的面霜改成粉白色的，同时边缘加上光流线条笔触般的粗细变化，半透明丝带质感（#FFE4E1至#FFF0F5），同时光带上稀疏点缀着粉白微光粒子

画面中的产品替换成 完全替换，材质颜色都要 这样底部的粉色要保持住

水流倒下来粒子的光芒围绕着水柱，持续倒下的水流水面上溅起的一滴水珠向前飞行，镜头跟着水滴贴着水面快速飞行，最后落到远处的水面上， 落在水面上溅起一片水纹，同时整个水面面仿佛被点亮了一样，一层光晕从水面中心向四周扩散整个水面亮一下，一镜到底，不切镜头

左侧脸上有个粉白色的面霜，像一条笔刷一样，同时面霜周围有一些粉白色的光线粒子

Warm amber-toned minimalist art gallery interior with cream-colored walls bathed in soft golden ambient light, diffused warm tungsten lighting filtering through ceiling grid (3200K color temperature), extreme macro close-up shot with luxury object on right third composition showing exquisite surface micro-textures, ancient Chinese traditional scroll painting in deep background bokeh with minimal aging cracks, well-preserved fine silk texture and subtle ink tones, shallow depth of field shot on Canon 100mm f/2.8L Macro lens at f/2.8, warm soft shadow gradation, golden atmospheric dust particles, natural film grain texture, subtle warm vignetting, museum-grade accent lighting with soft rim light, realistic subsurface scattering on material surface, sophisticated warm beige and amber color palette, fine art collection photography style, 8k resolution with physically accurate photorealistic rendering

镜头旋转 90 度，再近距离的大特写，粉白色半透明材质覆盖的再大特写，同时覆盖的一面是粉白色乳状膏体一样， 光影保持现在这个图片的光影

保持 {{Image 1}} 这个构图和粉白色带着粒子的材质，但是刷过的部位变成 {{Portrait 2}} 的衣服的部分

水量也是同一平层的角度冲沿着滑轨下来水量大一些，泡沫量再多点覆盖面积也再多蓬松，滑轨还是要有看到点轮廓，材质是那种绵密的像云朵状的一样的大片的面积的泡沫

{{Portrait 1}} 就像笔触一样粉白色的面霜，半透明材质的，在古画中的人物的脸上抹过，每次抹过都带有各种粒子光效，特写多个机位，45 度，或者大特写粉白色的面霜抹过的地方都变美白了，没有了裂纹，多个镜头展示各种特写的画面

镜头缓缓后拉，幅度不要拉很远，瓶口依靠在栏杆上，水流从瓶口落下，水面不断上升，水面清澈波光粼粼干净通透

Reference visual style of {{Portrait 1}}{{Portrait 2}} . One continuous take, absolutely no cuts or transitions throughout. Opening (Scene 1 phase): A streamlined translucent pink crystal train races forward at extreme speed through a churning sea of heavy black storm clouds, its body glowing with soft pink light rimmed by cool blue edge lighting. The camera floats on a cinematic stabilizer tracking the train from its rear-right three-quarter angle, matching its velocity. As the train's nose pierces each cloud layer, the black clouds shatter into swirling particle streams, trailing long spiral wakes along both sides of the train. The dark cloud matter is progressively bleached, fluffed, and purified into pristine white cumulus formations. Mid-section transition (essential buffer passage, do not skip): After breaking through the final black cloud bank, the train emerges over a vast expanse of pure white cloud ocean. The camera continues its unbroken tracking shot as the train journeys onward across this white cloudscape for a sustained stretch of distance. Clouds roll and recede beneath the train, the sky gradually shifting from pale grey to twilight blue-violet, with a final whisper of warm gold lingering on the distant horizon, evoking an epic sense of 'having flown for a long time.' The rhythm slows, breathing opens up. Closing (Scene 2 phase): As the train presses on, the sky deepens into profound night. Stars emerge one by one and begin to twinkle, faint Milky Way glow filling the backdrop. White speed lines now appear flanking the train, sliding parallel along its body, snapping the velocity sensation back. The camera gently pulls back as the train accelerates and elegantly exits the frame through the lower-right corner, leaving behind an open deep-blue night sky and a shimmering sea of stars as the lingering final note. Overall mood: cinematic sci-fi romance and poetry. The pink crystal train remains the sole warm light source. Color script flows from dark black → pearl white → twilight blue → deep violet-black with golden starlight. Refined textures, soft high-end particle and lighting effects.

{{Portrait 1}} A seamless cinematic CGI commercial sequence: Opens on , a frosted white cream jar floating in a pink-violet cloudscape, its base glowing with a cherry-blossom pink gradient, silver embossed ARTISTRY WHITENING ESSENCE CREAM logo crisp and elegant. Suddenly, streams of pink silken light and crystalline diamond-like particles burst from the jar's surface, swirling like luminous ribbons and surging into the clouds behind it, leaving brilliant comet trails. The camera follows the particle flow in a high-speed first-person travel through layered, billowing soft clouds, illuminated by pink and sky-blue iridescence. Breaking through the clouds, the scene transitions to : a winding metallic track bridge suspended above an aerial sea of clouds. The arriving particles and light streams swirl and converge above the rails, performing a VFX assembly — first sketching translucent glowing wireframes, then solidifying section by section into the locomotive head, carriages, and windows, finally materializing into a fully-formed pink crystalline energy high-speed train, with ARTISTRY printed on the nose, sparks scattering and luminous trails wrapping its body. The camera pulls upward to a high aerial bird's-eye view as the train accelerates forward along the S-shaped track, dragging long pink ember trails, and finally exits the frame from the lower-left corner, residual light dissipating gently into the clouds. Overall mood: dreamy luxurious beauty-tech aesthetic, soft pink × sky blue × silver-white palette, volumetric fluffy clouds, multi-layered particles with depth-of-field variation, fluid narrative camera motion, commercial-grade CGI rendering, translucent lighting, refined materials, clean edge control.

{{Portrait 1}} 镜头缓缓拉远 同时一抹面霜抚平到脸上 {{Portrait 2}} 白色向四周扩散，同时镜头快速贴这挂画像探针镜头一样平移拉远， {{Portrait 3}} 人物的脸上也变得白净，继续涂抹白色的面霜画面整体像美白一样 {{Portrait 4}}

{{Portrait 1}} 镜头缓缓推进， 从左向右上粉白色的半透明的面霜带出一抹白色，把原本的黄色净化成了白色，像化妆品一样的美白，同时有粒子和光影的线条飞出， 镜头平移同时向上仰像是无人机视角一样快速推进到 {{Portrait 3}} ，粉白色的半透明的面霜从右下向左上刷过黄色的纸张，带出粒子光影，陈旧的焦黄暗色转为白皙

水量也是同一平层的角度冲沿着滑轨角度下来大一些，泡沫量再多点覆盖面积也再多，滑轨还是要有看到点轮廓，材质是那种绵密的像云朵状的一样的大片的面积的泡沫

Reference visual style of . One continuous take, absolutely no cuts or transitions throughout. Opening (Scene 1 phase): A streamlined translucent pink crystal train races forward at extreme speed through a churning sea of heavy black storm clouds, its body glowing with soft pink light rimmed by cool blue edge lighting. The camera floats on a cinematic stabilizer tracking the train from its rear-right three-quarter angle, matching its velocity. As the train's nose pierces each cloud layer, the black clouds shatter into swirling particle streams, trailing long spiral wakes along both sides of the train. The dark cloud matter is progressively bleached, fluffed, and purified into pristine white cumulus formations. Mid-section transition (essential buffer passage, do not skip): After breaking through the final black cloud bank, the train emerges over a vast expanse of pure white cloud ocean. The camera continues its unbroken tracking shot as the train journeys onward across this white cloudscape for a sustained stretch of distance. Clouds roll and recede beneath the train, the sky gradually shifting from pale grey to twilight blue-violet, with a final whisper of warm gold lingering on the distant horizon, evoking an epic sense of 'having flown for a long time.' The rhythm slows, breathing opens up. Closing (Scene 2 phase): As the train presses on, the sky deepens into profound night. Stars emerge one by one and begin to twinkle, faint Milky Way glow filling the backdrop. White speed lines now appear flanking the train, sliding parallel along its body, snapping the velocity sensation back. The camera gently pulls back as the train accelerates and elegantly exits the frame through the lower-right corner, leaving behind an open deep-blue night sky and a shimmering sea of stars as the lingering final note. Overall mood: cinematic sci-fi romance and poetry. The pink crystal train remains the sole warm light source. Color script flows from dark black → pearl white → twilight blue → deep violet-black with golden starlight. Refined textures, soft high-end particle and lighting effects.

图片节点 5

{{Portrait 1}} 粉白色的材质不要这么透明参考 {{Image 2}} 这个的材质，膏体还是粉白色的，飘起点点粒子

A translucent glowing pink futuristic train races forward at extreme speed on an elevated track above the clouds, in a vertical composition. The camera stays in a front-side three-quarter tracking position near the train nose, moving at matching high speed so the train remains the visual anchor of the frame. At first, the train is surrounded by heavy rolling black storm clouds with strong volume, density, pressure, and a dramatic weather texture. As the train surges ahead, its momentum appears to drive the entire cloudscape: the dark clouds are pulled by the airflow, torn into fine particles, vapor fragments, and swirling luminous dust, twisting, flying, stretching, and reforming along the direction of travel. The black clouds do not disappear instantly; instead, they are gradually purified in motion, transforming layer by layer into huge, soft, clean, bright white clouds until all darkness is gone and only pristine giant white cloud masses remain. During this transformation, the sky also shifts with the train's movement, transitioning from a dim stormy atmosphere into deep night, as if the train is entering another dreamlike dimension. In , the camera rises slightly and pulls back a little while continuing to track the train, revealing the train traveling through a sea of white clouds beneath a night sky. The sky is filled with clearly visible twinkling stars, each star subtly flickering rather than appearing static. Around the train, multiple white glowing speed lines continuously slide and stretch forward in the direction of motion, creating a powerful sense of velocity. The white clouds on both sides feel sliced open and pushed backward by the train, while the track lines and speed streaks intensify the rushing movement. The train keeps its dreamy pink glass-like body, delicate glow, and shimmering reflections, creating a romantic, ethereal, cinematic atmosphere. In the ending, do not stop the camera motion; let the train continue accelerating and exit from the lower right corner of the frame, leaving only flowing white speed lines, twinkling stars, and pure white clouds behind. Overall style: high-end cinematic fantasy visual language, realistic volumetric clouds, refined particle effects, silky camera movement, clear spatial depth, strong speed sensation, and emotional progression.

{{Portrait 1}} 画面上也在脸颊部加上一片像 {{Image 2}} 这个材质的粉白的面霜，方向是从右上向左下的，面霜的周围带上光影粒子，整体古画的色调材质不要变，不要有任何树枝出现

粉白色的材质不要这么透明参考 这个的材质，膏体还是粉白色的，飘起点点粒子

Hyper-realistic beauty commercial, 8K macro cinematography. Opening: Wide shot of ancient Chinese lady portrait on cracked yellowed rice paper, slow dolly-in at 0.4m/s from low angle moving left-to-upper-right 45 degrees, shallow depth of field f/2.8 focused on center. Semi-transparent pink-white gel-cream texture brushes across the painting like digital restoration magic, instantly transforming yellowed aged paper into pristine white luminosity, with golden and iridescent pink sparkles and light rays bursting from contact point at 20m/s with motion trails. Transition: Seamless FPV drone perspective, rapid forward push-in with exponential acceleration and 30-degree upward tilt, simulating diving weightlessness. Final: Probe lens extreme macro, f/1.4 ultra-shallow DOF, cream brushing lower-right to upper-left across paper fibers, sparkling micro-particles showing rainbow dispersion in 8K, paper texture color grading shift from dark ochre (RGB:139,69,19) to pure white (RGB:255,255,255), cosmetic whitening metaphor. Lighting shifts from warm tungsten (2800K) to cool daylight (5600K) with soft beauty dish reflection. Style: La Mer x Forbidden City collaboration, cinematic color grading, Kodak Vision3 250D film emulation.

画面上也在脸颊部加上一片像 这个材质的粉白的面霜，同时带上光影粒子，整体古画的色调材质不要变

脸上有一抹面霜，材质参考图 2，抹过的地方没有皱纹纹路是白净的，像是美妆护肤品一样

粉白色的材质不要这么透明参考 这个的材质

这一片是和上面连接起来的薄薄的白色面霜材质和上面的部分要融合，同时也不要梅花树枝这些

Hyper-realistic beauty CG commercial, 8K texture detail. Opening frame strictly matches Image 2: Ancient Chinese lady portrait partially covered by semi-transparent pink-white cream gel, upper-left area transformed into pristine white while lower-right retains original aged ochre (RGB:160,120,80) with cracks, gel edges suspended with pink-gold luminous particles. Camera employs spiral compound motion: 15°/second clockwise orbital rotation around painting surface combined with exponential ease-in push-in starting at 0.3m/s accelerating to 1.2m/s. During rotation, the translucent cream continuously spreads like liquid silk from upper-left treated area toward lower-right untreated region, real-time transforming aged yellow into luminous white (RGB:255,248,240), particle system emitting glitter along brush path with 0.5s light streaks. Focus rack shifts from gel surface (f/2.8) to paper fiber macro (f/1.4), transitioning to Image 3's probe lens perspective at 2cm distance, showing gel penetrating fiber grooves, paper texture grading from dark brown to pearl white with rainbow dispersion particles floating within depth of field. Lighting maintains dramatic contrast between single-side warm source (3200K) and cool top light (5600K) to enhance texture difference between treated/untreated areas. Style: La Mer Luminous series × digital restoration art, cinematic color grading, Red Komodo 8K simulation.

镜头在推近点，女生脸部占比画面最大比例，同时脸变得白净的眼睛变大一些，五官都变得很美，发型不要变，其他不要变

Extreme macro revealing paper thickness edge, 24mm probe lens characteristic barrel perspective distortion, faithful to original image's warm sepia and ochre palette with desaturated brown tones, hyper-detailed mineral pigment buildup and paper fiber structure, cracks merging with skin like natural aging痕迹, archaeological conservation photography aesthetic, anti-AI plastic smoothing, preserving authentic ancient painting breath and patina, 8k resolution

脸变成和背景纸一样的脸色

Extreme close-up of ancient Chinese Gongbi beauty painting face, pink-white luminous particles drift in slowly from left frame like incense powder meeting breeze, exhibiting natural turbulence and Brownian motion trajectories, gently diffusing across the yellowed silk scroll surface. Particle cluster advances in organic wave-like patterns at extreme slow speed (0.3x), not linear scanning, causing cracks to dissolve naturally like ice melting in spring without trace. Facial texture undergoes three-layer subtle transition: first layer as particles adhere, dull base tone rehydrates like water soaking through; second layer skin tone feathers from sallow wax yellow to warm porcelain white, preserving delicate Gongbi brushstrokes while gaining translucent skin quality; third layer micro-photons scatter naturally within skin texture, creating soft-focus glow of naturally perfect complexion, eye makeup and lip color reanimating gradually like traditional dot-dyeing technique. Locked-off camera with imperceptible breathing motion (subtle 2-3mm float), depth of field shifting from moderately deep to extremely shallow to catch eye light catchlights, color temperature seamlessly shifting from 2700K warm tungsten to 4500K natural daylight, 8K resolution showing seamless fusion between silk fiber texture and pore-level skin details, zero hard cuts or flickering, surreal hyper-realism like time flowing naturally, 35mm film with soft fine grain, low-contrast cinematic color grading emphasizing organic texture blending.

Cinematic single continuous take macro long-take: camera begins with fast dolly-in from medium close-up of Tang Dynasty lady portrait (showing partial face and golden ornaments), exponentially accelerating to extreme macro close-up at eye corner (图1 composition) within 2 seconds, focus locking on cracked, parched-earth-like yellowed paper texture; immediately a pearlescent pink-white cream flows from upper right in slow-motion fluid dynamics, smoothly涂抹 toward upper left covering damaged areas while bursting massive golden-pink iridescent particles filling cracks like time reversal; camera then executes continuous seamless transition into smooth dolly-out/pull back with deceleration curve without cutting, depth of field continuously shifting from extremely shallow (f/1.2 macro) to medium, real-time revealing the restoration process—yellow stains fading, cracks vanishing, skin returning to pristine fair smoothness under cream and particles; final composition settles on complete lady's face (图3) — skin flawless as original painting, vivid cinnabar lips and ink eyebrows, golden crown and plum blossoms glowing in soft side light; entire shot uncut with fluid elegant motion curve, warm golden tone, 8K ultra-detailed, subtle film grain, soft Rembrandt lighting, continuous transition from extreme macro texture to perfect skin.

图片节点 5

镜头在推近点，女生脸部占比画面最大比例，同时脸变得白净的眼睛变大一些，五官都变得很美，发型不要变

脸上和脖子上都是光滑的不要有印子了

Extreme close-up of ancient Chinese Gongbi court lady painting, stream of pink-white luminous particles with golden light trails flows horizontally from left frame like silk ribbons, sweeping across the weathered yellowish silk scroll at 0.8x elegant speed. As particles brush against the cheek, micro halo ripples emit along the trajectory. Where particles pass, cracked aged paper texture heals reversely like time-lapse restoration, the lady's facial skin tone morphs from dull sepia to porcelain white with dewy makeup finish, eye makeup and lip color saturation enhancing frame by frame. Locked-off camera with subtle 5% slow dolly in, shallow depth of field focusing on eye and cheekbone, warm tungsten lighting on left gradually transitioning to soft cool daylight on right, 8K ultra HD, intricate skin texture micro-morphing, pink-gold magical particle VFX with volumetric light scattering, cinematic color grading blending traditional painting and digital restoration aesthetics, 35mm film grain emulation, anamorphic lens characteristics.

古画上方有一抹刷过的面霜，材质质地参考

膏体饱满的光泽感，暗示修复能量。落在古画背景上。膏体所过之处，陈旧的焦黄色如烟雾般消散，刷头轻拂过仕女的脸庞，膏体接触后，陈旧的焦黄暗沉肤色转为白皙，五官变得立体精致。镜头拉远展示古画全部 纸张逐渐变白 画面整体质感提升。

视频截图视频节点 4

{{Mixed 1}} 延长视频，最后镜头沿着白色液体覆盖全部大楼

High-angle bird's-eye view 40-degree downward tilt, left three-quarters of frame filled with dense futuristic glass curtain wall architecture cluster extending longitudinally to deep background, buildings separated from central water canal by a wide pink flower bank buffer zone densely packed with semi-transparent pink flowers and glowing petals creating natural transition, right frame edge showing only tips of 2-3 petals from giant pink crystal lotus with soft bokeh blur, central pink-blue mirror-like water canal featuring spiral flowing golden glowing particle trails and floating small semi-transparent lotus flowers, water surface reflecting sky and flower bank with gentle subtle ripples and misty haze, soft pink-blue morning light 5500K color temperature, irregularly distributed golden dust particles suspended in air with weak volumetric god rays, 35mm lens f/4 ensuring sharp details for both architecture and flower bank, cinematic color grading, subtle film grain and minor chromatic aberration, 8k resolution, physically accurate material rendering, avoiding over-smooth AI plastic appearance

左边的建筑变成有高低的钢化玻璃建筑，其他都不要变

右侧的花朵向右上角移动更多几乎快看不到

左边的建筑再多露出一些，右边的莲花和河面再少一点点

High-angle bird's-eye view 40-degree downward tilt, left three-quarters of frame filled with dense futuristic glass curtain wall architecture cluster extending longitudinally to deep background with realistic Fresnel reflections and subtle dust imperfections, right frame edge showing only tips of 2-3 petals from giant pink semi-transparent crystal lotus with soft bokeh blur, central pale pink-blue mirror-like water canal separating both sides, water surface featuring spiral flowing golden glowing particle trails and floating small semi-transparent lotus flowers, water reflecting buildings and sky with gentle subtle ripples and misty haze, soft pink-blue morning light 5500K color temperature, irregularly distributed golden dust particles suspended in air with weak volumetric god rays, 35mm lens f/4 ensuring sharp architectural details, cinematic color grading, subtle film grain and minor chromatic aberration, 8k resolution, physically accurate material rendering with natural surface roughness, avoiding over-smooth AI plastic appearance

{{Image 1}} 左侧的建筑应该参考 {{Image 2}} 这个图的左侧建筑一样有高有低同时建筑是玻璃面的

去掉河面上的粒子光线线条，其他不要变

在城市和水面的交界处，加上一些粉白色的花朵，另外建筑要有高的也有矮的

图片节点 4

{{Image 1}} 左侧的建筑覆盖上一层半透明的面霜材质，贴着建筑本体只是在建筑上薄薄覆盖一层，材质参考 {{Image 2}} 这个图建筑上覆盖的材质

{{Portrait 1}} 镜头头缓缓向画面右上角平行推进，左侧的建筑都被从水面上的莲花飘出的粉白色的粒子环绕刷过后，从楼顶向下覆盖但是保留建筑结构，覆盖的材质呈现出一种梦幻、轻盈的粉白色面霜质感（creamy, pearlescent texture），带有柔和的半透明效果，仿佛流动的丝绸般覆盖在摩天大楼顶部。材质表面散布着细微的闪光粒子和光晕，形成微微的光环和流动感，让建筑顶部看起来像被柔光包裹，同时保持一定的透明度，可以隐约看到建筑表面的结构。 {{Portrait 2}} 薄薄的覆盖整个楼变成白色，右侧河面上的花朵向画面右上角飘动，身后有着金色的粒子线跟随飘动

尽头缓缓向画面右上角平行推进，左侧的建筑都被从水面上的莲花飘出的粉白色的粒子环绕刷过后，从上向下由乳白色半透明的面霜向下覆盖，覆盖整个楼，右侧河面上的花朵向画面右上角飘动，身后有着金色的粒子线跟随飘动

尽头缓缓向画面右上角平行推进，左侧的建筑都被从水面上的莲花飘出的粉白色的粒子环绕刷过后，从上向下由白色半透明的胶状面霜向下覆盖，不要太厚，薄薄的覆盖整个楼变成白色，右侧河面上的花朵向画面右上角飘动，身后有着金色的粒子线跟随飘动

尽头缓缓向画面右上角平行推进，左侧的建筑都被从水面上的莲花飘出的粉白色的粒子环绕刷过后，从上向下由白色半透明的面霜向下覆盖，覆盖整个楼，右侧河面上的花朵向画面右上角飘动，身后有着金色的粒子线跟随飘动

尽头缓缓向画面右上角平行推进，左侧的建筑都被从水面上的莲花飘出的粉白色的粒子环绕刷过后，从楼顶向下覆盖但是保留建筑结构，覆盖的材质呈现出一种梦幻、轻盈的粉白色面霜质感（creamy, pearlescent texture），带有柔和的半透明效果，仿佛流动的丝绸般覆盖在摩天大楼顶部。材质表面散布着细微的闪光粒子和光晕，形成微微的光环和流动感，让建筑顶部看起来像被柔光包裹，同时保持一定的透明度，可以隐约看到建筑表面的结构。薄薄的覆盖整个楼变成白色，右侧河面上的花朵向画面右上角飘动，身后有着金色的粒子线跟随飘动

左边的建筑再白一些，现在太粉了

左边建筑稍微深色一点点，其他颜色都不要动

左边的建筑再暖白一些，现在太粉了

镜头头缓缓向画面右上角平行推进，左侧的建筑都被从水面上的莲花飘出的粉白色的粒子环绕刷过后，从楼顶向下覆盖但是保留建筑结构，覆盖的材质呈现出一种梦幻、轻盈的粉白色面霜质感（creamy, pearlescent texture），带有柔和的半透明效果，仿佛流动的丝绸般覆盖在摩天大楼顶部。材质表面散布着细微的闪光粒子和光晕，形成微微的光环和流动感，让建筑顶部看起来像被柔光包裹，同时保持一定的透明度，可以隐约看到建筑表面的结构。 薄薄的覆盖整个楼变成白色，右侧河面上的花朵向画面右上角飘动，身后有着金色的粒子线跟随飘动

左边的建筑变成有高低的深色钢化玻璃建筑，其他都不要变

{{Portrait 1}} 看的到水流不断倒入池中，周围的绿植在不断长出来，白色的沙子蔓延出来，动效覆盖掉黄色的沙漠，包括覆盖掉图 2 远处的沙漠，都是从画面中心向外延伸覆盖，镜头拉远到了 {{Portrait 2}} 的完全覆盖好的样子

{{CameraPreset 1}} 瓶子正着从水面上浮起变成 45度，上下有点轻微的在漂浮粒子和粉白色的光线从画外飞向瓶身围绕瓶身旋转，带出更多的粒子，水面带起阵阵涟漪，后面沙漠上的骆驼也在慢慢的向画左前进

正面视角镜头，这个产品斜漂浮在一个水潭的上方，场景是一个白色的沙漠，水潭的周围有绿植，比较鲜艳绿色，水潭波光粼粼，连接着白色沙漠，阳光明媚的照射在产品上，远处的沙漠山丘还有一行小小的骆驼，要有美妆的整体美感

A white bottle tilts down from the upper-left of the frame, pouring a crystal-clear vertical stream of water onto a vast golden desert; the camera slowly pulls back, shifting from a close-up to a medium-wide shot, while a vivid blue pool forms on the sand and continuously expands in concentric rings, its damp edge pushing outward across the dunes. Where the water stream hits the pool, bright splashes burst radially into the air, every droplet frozen in high-speed photography with glassy translucency. The pool shows layered blues—milky translucent rim, clear azure middle, deep cobalt core—with delicate refractive ripples shimmering on its surface. Rolling golden sand dunes stretch into the distance, carved with natural wind ripples, beneath a clean deep-blue sky and a brilliant sun flare with crisp starburst rays in the upper right. A cinematic contrast between scorching dry heat and cool fresh water, dynamic pull-back camera motion, ultra-detailed commercial-grade realism, physically accurate fluid simulation, premium lighting and texture.

镜头从左向右缓缓摇镜头，产品快速落到了台子上

{{Image 1}} 去掉莲花湖面变大，后面的沙子更加白净，右上角可以有个光源参考 {{Image 2}} ,保留粒子线条

水潭可以大一些，天上有一点点的云层

看的到水流不断倒入池中，周围的绿植在不断长出来，白色的沙子蔓延出来，动效覆盖掉黄色的沙漠，镜头拉远到了 的完全覆盖好的样子

瓶口向沙漠倒水，沙漠原本是平整的没有任何凹陷，倒下的水向外散发出光晕，水边缘不断的向外扩散白色的光晕

瓶子正着从水面上浮起变成 45度，上下有点轻微的在漂浮粒子和粉白色的光线从画外飞向瓶身围绕瓶身旋转，带出更多的粒子，水面带起阵阵涟漪

{{Image 1}} 的产品文字内容完全和 {{Image 2}} 一样，只要改字就好

左侧红框区域的绿植完全去掉不要有绿植了，同时后景的骆驼四肢和头有 Bug改对

瓶子正着从水面上浮起变成 45度，上下有点轻微的在漂浮粒子和粉白色的光线从画外飞向瓶身围绕瓶身旋转，带出更多的粒子，水面带起阵阵涟漪，后面沙漠上的骆驼也在向前走动

看的到水流不断倒入池中，周围的绿植在不断长出来，白色的沙子蔓延出来，动效覆盖掉黄色的沙漠，包括覆盖掉图 2 远处的沙漠，都是从画面中心向外延伸覆盖，镜头拉远到了 的完全覆盖好的样子

左侧红框区域的绿植完全去掉，同时后景的骆驼四肢和头有 Bug改对

图片节点 5

后面沙子的再细腻一些，不要很重的颗粒粗糙，就是很细腻的

粒子还是要环绕瓶身的

图 1 的天空和水面换成和图 2 一样，水面也要像图 2 一样大光影，构图不要变，其他都不动

{{Portrait 1}} 远处的粒子镜头外入画向着花飞过去，镜头跟随粒子快速向前推进 ，粉白色的粒子线条从镜头正面快速飞向莲花，围绕莲花旋转同时莲花从闭合到绽放到 {{Portrait 2}} ，光点带着拖尾的粒子环绕花瓣，随着花瓣绽放后消失，粒子光芒慢慢消散掉，水面波光粼粼流动，船在水面上向前行驶，天空不要变化

远处的粒子镜头外入画向着花飞过去，镜头跟随粒子快速向前推进 ，粉白色的粒子线条从镜头正面快速飞向莲花，过渡自然围绕莲花旋转同时莲花从闭合到绽放到 ，光点带着拖尾的粒子环绕花瓣，随着花瓣绽放后消失，粒子光芒慢慢消散掉，水面波光粼粼流动，船在水面上向前行驶，天空不要变化

远处的粒子镜头外入画向着花飞过去，镜头跟随粒子快速向前推进 ，粉白色的粒子线条从镜头正面快速飞向莲花，镜头过渡自然围绕莲花旋转同时莲花从闭合到绽放到 ，光点带着拖尾的粒子环绕花瓣，随着花瓣绽放后消失，粒子光芒慢慢消散掉，水面波光粼粼流动，船在水面上向前行驶，天空不要变化

视频截图视频节点 2

远处的粒子镜头外入画向着花飞过去，镜头跟随粒子快速向前推进 ，粉白色的粒子线条从镜头正面快速飞向莲花，围绕莲花旋转同时莲花从闭合到绽放到 ，光点带着拖尾的粒子环绕花瓣，随着花瓣绽放后消失，粒子光芒慢慢消散掉，水面波光粼粼流动，船在水面上向前行驶，

莲花缓缓转动，周围的粒子光线旋转飞舞，镜头快速贴近到飞起来的粒子跟随粒子线条光影向天上的云层飞去，在云层中s 形穿梭，透过云层到了 粒子光线快速向着莲花飞去

这个粉白色的粒子线条穿梭在云层里，空中只有云层

这个粉白色的粒子线条穿梭在云层里

{{Portrait 2}} 远处的粒子镜头外入画快速向着花飞过去，同时河道两边以及远处所有建筑从顶部向下被半透明的薄薄的液体覆盖所有建筑，建筑颜色开始变得白色，镜头跟随粒子快速向前推进 ，粉白色的粒子线条从镜头正面快速飞向莲花，围绕莲花旋转同时莲花从闭合到绽放到，绽放的样式主体参考 {{Portrait 1}} ,光点带着拖尾的粒子环绕花瓣，随着花瓣绽放后消失，粒子光芒慢慢消散掉，水面波光粼粼流动，船在水面上向前行驶，节奏比较快

{{Image 1}} 岛上的建筑覆盖上一层半透明的面霜材质，贴着建筑本体只是在建筑上薄薄覆盖一层，材质参 {{Image 3}} ，同时镜头推近 到看到三角套和莲花也打开了{{Image 2}}

远处的粒子镜头外入画快速向着花飞过去，同时所有建筑从顶部向下被半透明的薄薄的液体覆盖所有建筑，建筑颜色开始变得白色，镜头跟随粒子快速向前推进 ，粉白色的粒子线条从镜头正面快速飞向莲花，围绕莲花旋转同时莲花从闭合到绽放到，绽放的样式主体参考 ,光点带着拖尾的粒子环绕花瓣，随着花瓣绽放后消失，粒子光芒慢慢消散掉，水面波光粼粼流动，船在水面上向前行驶，节奏比较快

镜头一开始是云层遮挡然后云中飞出粒子的光线不断向前在云层中穿梭，镜头快速跟随粒子向前飞，给到粒子的大特写在冲出画

{{Portrait 1}} 只剩一两条光影线条，云层剥开下面的景是俯瞰的城市，可以离得近点，场景参考 {{Portrait 2}}

岛上的建筑覆盖上一层半透明的面霜材质，贴着建筑本体只是在建筑上薄薄覆盖一层，材质参 ，同时镜头推近 到看到三角套和莲花也打开了

远处的粒子镜头外入画快速向着花飞过去，同时所有建筑从顶部向下被半透明的薄薄的液体覆盖所有建筑，建筑颜色开始变得粉白色，镜头跟随粒子快速向前推进 ，粉白色的粒子线条从镜头正面快速飞向莲花，围绕莲花旋转同时莲花从闭合到绽放到，绽放的样式主体参考 ,光点带着拖尾的粒子环绕花瓣，随着花瓣绽放后消失，粒子光芒慢慢消散掉，水面波光粼粼流动，船在水面上向前行驶，节奏比较快

远处的粒子镜头外入画快速向着花飞过去，镜头跟随粒子快速向前推进 ，同时所有建筑从上向下被半透明的薄薄的液体覆盖所有建筑，建筑颜色开始变得粉白色，粉白色的粒子线条从镜头正面快速飞向莲花，围绕莲花旋转同时莲花从闭合到绽放到，绽放的样式主体参考 ,光点带着拖尾的粒子环绕花瓣，随着花瓣绽放后消失，同时所有建筑从上向下被半透明的薄薄的液体覆盖所有建筑，建筑颜色开始变得粉白色，粒子光芒慢慢消散掉，水面波光粼粼流动，船在水面上向前行驶，节奏比较快

只剩一两条光影线条，云层剥开下面的景是俯瞰的城市，可以离得近点，场景参考

远处的粒子镜头外入画快速向着花飞过去，镜头跟随粒子快速向前推进 ，粉白色的粒子线条从镜头正面快速飞向莲花，围绕莲花旋转同时莲花从闭合到绽放到，绽放的样式主体参考 ,光点带着拖尾的粒子环绕花瓣，随着花瓣绽放后消失，岛上的所有建筑从上向下被半透明的薄薄的液体覆盖所有建筑，建筑颜色开始变得粉白色，粒子光芒慢慢消散掉，水面波光粼粼流动，船在水面上向前行驶，节奏比较快

【输入指令】 远处的粒子镜头外入画快速向着花飞过去，镜头跟随粒子快速向前推进 ，粉白色的粒子线条从镜头正面快速飞向莲花，围绕莲花旋转同时莲花从闭合到绽放到，绽放的样式主体参考 ,光点带着拖尾的粒子环绕花瓣，随着花瓣绽放后消失，同时所有建筑从顶部向下被半透明的薄薄的液体覆盖所有建筑，建筑颜色开始变得粉白色，粒子光芒慢慢消散掉，水面波光粼粼流动，船在水面上向前行驶，节奏比较快

远处的粒子镜头外入画向着花飞过去，镜头跟随粒子快速向前推进 ，粉白色的粒子线条从镜头正面快速飞向莲花，围绕莲花旋转同时莲花从闭合到绽放到，绽放的样式主体参考 ,光点带着拖尾的粒子环绕花瓣，随着花瓣绽放后消失，岛上的所有建筑从上向下被半透明的薄薄的液体覆盖所有建筑，建筑颜色开始变得粉白色，粒子光芒慢慢消散掉，水面波光粼粼流动，船在水面上向前行驶，节奏比较快

只剩一两条光影线条，云层剥开下面的景是俯瞰的城市，场景参考

【输入指令】 远处的粒子镜头外入画快速向着花飞过去，同时所有建筑伴随着粒子从顶部向下被半透明的薄薄的液体覆盖所有建筑，建筑颜色开始变得粉白色，镜头跟随粒子快速向前推进 ，粉白色的粒子线条从镜头正面快速飞向莲花，围绕莲花旋转同时莲花从闭合到绽放到，绽放的样式主体参考 ,光点带着拖尾的粒子环绕花瓣，随着花瓣绽放后消失，粒子光芒慢慢消散掉，水面波光粼粼流动，船在水面上向前行驶，节奏比较快

{{Image 1}} 莲花缓缓转动，周围的粒子光线旋转飞舞，镜头快速贴近到飞起来的粒子跟随粒子线条光影向天上的云层飞去，在云层中s 形穿梭，有光线粒子带动镜头，透过云层到了 {{Image 2}} 粒子光线快速向着莲花飞去

莲花周围的粒子光线旋转飞舞，镜头快速贴近到飞起来的粒子跟随粒子线条光影向天上的云层飞去，在云层中s 形穿梭，透过云层到了 粒子光线快速向着莲花飞去

图片节点 4

把这个莲花提取出来，在白底图上

{{CameraPreset 1}} 瓶子正着从水面上浮起变成 45度，上下有点轻微的在漂浮粒子和粉白色的光线从画外飞向瓶身围绕瓶身旋转，带出更多的粒子，水面带起阵阵涟漪

只剩一两条光影线条，云层剥开下面的景是接近正俯瞰的城市，场景参考

{{Portrait 1}} 看的到水流不断倒入池中，白色的沙子蔓延出来，盖掉黄色的沙漠，水池为中心向外扩散，镜头fpv低空环绕水面旋转然后拉远到了 {{Portrait 2}} 完全覆盖好的样子

莲花保持现在这样大小不要变，莲花的前面左侧和右侧也是有一两栋小建筑，花瓣的叶子可以搭在了建筑顶上

莲花保持现在这样大小不要变，结构应该参考 莲花的前面左侧和右侧也是有一两栋小建筑，花瓣的叶子可以搭在了建筑顶上，只参考结构，其他天空颜色，建筑构图等都不要改

图 1 中的莲花换成图 2 的莲花，颜色造型都保持这个 {{Image 2}}

看的到水流不断倒入池中，白色的沙子蔓延出来，动效覆盖掉黄色的沙漠，都是从画面中心向外延伸覆盖，镜头 低空围绕旋转然后拉远到了 完全覆盖好的样子

图 1 中的莲花换成图 2 的莲花，颜色造型都保持这个 {{Image 2}} ， {{Image 2}} 材质一定要和这个一模一样，颜色造型都不要变，尤其是花瓣颜色一定和 {{Image 2}} 一样

天空的云层不要零碎的感觉，是大片的云朵

云层不要这么粉，应该是白色的云朵

所有的楼都变得有点偏白色一些

莲花保持现在这样大小不要变，结构应该参考 莲花的前面左侧和右侧也是有一两栋小建筑，花瓣的叶子可以搭在了建筑顶上，只参考莲花与城市的位置关系结构，中心的外圈应该还有建筑，同时岛与旁边的城市的河流间隙要更大，其他天空颜色，建筑构图等都不要改

去除画面的破碎感，同时云层也不要这种零碎感，是大面积的云层

图片节点 3

{{Image 1}} 莲花保持现在这样大小不要变，结构应该参考 {{Image 2}} 莲花的前面左侧和右侧也是有一两栋小建筑，花瓣的叶子可以搭在了建筑顶上，只参考莲花与城市的位置关系结构，中心的外圈应该还有建筑，同时岛与旁边的城市的河流间隙要更大，其他天空颜色，建筑构图等都不要改

莲花从画左带着粒子光线飞入，镜头同时缓缓推进，莲花绕着东方明珠和高的建筑环绕 2 圈飞行2 秒后向右上角飞出画面后，画面里不要再有莲花和拖尾的粒子光线，镜头向前缓推到中间桥的位置就停止，同时河道两边以及远处所有建筑从楼顶向下被半透明的薄薄的液体覆盖所有建筑，所有建筑颜色开始变得半透明的白色，一镜到底

不要改变莲花的形态，镜头缓缓推进，穿过层层云雾散开后，莲花从画面左下角带着光线粒子旋转着飘进画面，动态曲线，在画面中停留1 秒后，快速向着远处的东方明珠飞去。镜头不跟随

不要改变莲花的形态，穿过层层云雾散开后，莲花从画面左下角带着光线粒子旋转着飘进画面，动态曲线，在画面中停留1 秒后，快速向着远处的东方明珠飞去。镜头不跟随

莲花从画左带着粒子光线飞入，镜头同时缓缓推进，莲花绕着东方明珠和高的建筑环绕 2 圈飞行2 秒后向右上角飞出画面后，画面里不要再有莲花和拖尾的粒子光线，镜头向前缓推到中间桥的位置就停止，同时河道两边以及远处所有建筑从楼顶向下被半透明的薄薄的液体覆盖所有建筑，所有建筑颜色开始变得白色

视频截图视频节点 3

莲花从画左飞入，镜头同时缓缓推进，莲花绕着东方明珠和高的建筑环绕 2 圈飞行2 秒后向右上角飞出画面，同时河道两边以及远处所有建筑从楼顶向下被半透明的薄薄的液体覆盖所有建筑，所有建筑颜色开始变得白色