雨季泥沼中，殷商贞人救下被困的幼象子象，先民将它的模样刻入甲骨，造出象形字 “象”；贞人驯养子象劳作，甲骨上 “手牵象” 的 “为” 字，记录下人与象共生劳作的古老过往。随着全新世大暖期结束，中原气候骤冷，象群赖以生存的沼泽森林不断南退，驯养子象的贞人离世，故土不再适宜象群栖息。长大的子象带领族群一路南迁，跨越多地最终定居云南雨林，而曾遍布大象的中原大地，也得名含 “象” 的古字 “豫”。时光流转至现代，云南野生象群再度向北迁徙，呼应千年前象群南迁的往事。故事收尾于殷墟博物馆，孩童望着甲骨上的 “象” 字，与新闻里的现代小象遥遥相望。影片借 “象”“为”“豫” 三个古汉字，串联起跨越三千年的生态变迁，诉说人与象、自然与文明一脉相连的悠远羁绊。
图片节点 7画面配色色彩参考 ，要求符合现实物理世界颜色，仅电影感二级调色。其他不变
画面配色色彩参考 ，云和火焰的颜色不变。要求符合现实物理世界颜色，仅电影感二级调色。其他不变，手绘质感
画面配色色彩参考 ，要求符合现实物理世界颜色，仅电影感二级调色。其他不变，手绘质感
图片节点 7微距大特写， 的人在 的龟壳中间刻下朱砂色的图形 .其他不变，画风不变。{ "art_style_and_movement": { "primary_style": "Ukiyo-e influenced Modern Graphic Illustration", "art_movement_affiliations": [ "Shin-hanga (New Prints) movement resonance", "Franco-Belgian Bande Dessinée (Ligne Claire / Clear Line style)", "Late 19th-century Art Nouveau woodblock printing" ], "visual_characteristics": "Strong, elegant contour lines combined with flat or gently graded color washes, balancing traditional East Asian spatial poetics with western sequential art sensibilities." }, "color_palette": { "dominant_tones": [ { "hex": "#4A707A", "description": "Muted Slate Blue / Prussian Blue wash, used for mid-tones and primary subjects" }, { "hex": "#D9C589", "description": "Aged Parchment / Pale Ochre, dominant in skies, highlights, and atmospheric elements" } ], "supporting_tones": [ { "hex": "#8FA499", "description": "Celadon / Sage Green, bridging earth tones and atmospheric backgrounds" }, { "hex": "#1A252C", "description": "Deep Indigo / Charcoal Black, strictly reserved for linework and high-contrast shadow shapes" } ], "accent_tones": [ { "hex": "#F4E3A4", "description": "Warm Cream / Pale Gold, representing light sources, reflective glares, or floating particles" } ], "color_grading_profile": "Low-saturation, desaturated vintage print emulation with a restricted analog triadic scheme (Blue-Green-Ochre)." }, "lighting_and_shadow": { "lighting_type": "Diffuse, ambient atmospheric lighting with occasional high-contrast backlighting", "shadow_treatment": "Graphic cel-shading combined with heavy woodblock-style black ink blocking (Kuro-to). Minimal soft gradients; lighting transitions are defined by line density or clean tonal boundaries." }, "texture_and_material": { "surface_texture": "Aged Xuan paper / fibrous Washi parchment simulation", "tactile_qualities": "Subtle organic grain, fine ink bleeding simulation along line edges, faint canvas or pressed-paper micro-texture, and deliberate analog printing imperfections (slight plate textures)." }, "rendering_and_line_art": { "rendering_engine_style": "Non-Photorealistic Rendering (NPR) / 2D Vector-Ink hybrid look", "line_art_characteristics": "Varying line weight with a calligraphic, organic ink-brush quality. Cross-hatching and fine vertical/horizontal woodcut lines used for shading, background density, and water reflection textures." } }
无红色涂鸦。其他不变
全画幅无白边。其他不变，21：9
图片节点 7全画幅无白边无黑边，无字幕。其他不变，21：9
全画幅无白边无黑边，无字幕，前虚后实。其他不变，21：9
修改 ： 的天空颜色参考 .其他不变
全画幅无白边。其他不变
图片节点 6修改 {{Image 1}} ： {{Image 1}} 的人物穿着服饰参考 {{Image 2}} .其他不变
{{Image 1}} 画面配色色彩参考 {{Image 2}} ，要求符合现实物理世界颜色，仅电影感二级调色。其他不变，手绘质感
{{Image 1}} 画面配色色彩参考 {{Image 2}} ，要求符合现实物理世界颜色，仅电影感二级调色。其他不变
{{Image 1}} 画面配色色彩参考 {{Image 2}} ，云和火焰的颜色不变。要求符合现实物理世界颜色，仅电影感二级调色。其他不变，手绘质感
图片节点 7微距大特写， {{Image 1}} 的人在 {{Image 1}} 的龟壳中间刻下朱砂色的图形 {{Image 2}} .其他不变，画风不变。{ "art_style_and_movement": { "primary_style": "Ukiyo-e influenced Modern Graphic Illustration", "art_movement_affiliations": [ "Shin-hanga (New Prints) movement resonance", "Franco-Belgian Bande Dessinée (Ligne Claire / Clear Line style)", "Late 19th-century Art Nouveau woodblock printing" ], "visual_characteristics": "Strong, elegant contour lines combined with flat or gently graded color washes, balancing traditional East Asian spatial poetics with western sequential art sensibilities." }, "color_palette": { "dominant_tones": [ { "hex": "#4A707A", "description": "Muted Slate Blue / Prussian Blue wash, used for mid-tones and primary subjects" }, { "hex": "#D9C589", "description": "Aged Parchment / Pale Ochre, dominant in skies, highlights, and atmospheric elements" } ], "supporting_tones": [ { "hex": "#8FA499", "description": "Celadon / Sage Green, bridging earth tones and atmospheric backgrounds" }, { "hex": "#1A252C", "description": "Deep Indigo / Charcoal Black, strictly reserved for linework and high-contrast shadow shapes" } ], "accent_tones": [ { "hex": "#F4E3A4", "description": "Warm Cream / Pale Gold, representing light sources, reflective glares, or floating particles" } ], "color_grading_profile": "Low-saturation, desaturated vintage print emulation with a restricted analog triadic scheme (Blue-Green-Ochre)." }, "lighting_and_shadow": { "lighting_type": "Diffuse, ambient atmospheric lighting with occasional high-contrast backlighting", "shadow_treatment": "Graphic cel-shading combined with heavy woodblock-style black ink blocking (Kuro-to). Minimal soft gradients; lighting transitions are defined by line density or clean tonal boundaries." }, "texture_and_material": { "surface_texture": "Aged Xuan paper / fibrous Washi parchment simulation", "tactile_qualities": "Subtle organic grain, fine ink bleeding simulation along line edges, faint canvas or pressed-paper micro-texture, and deliberate analog printing imperfections (slight plate textures)." }, "rendering_and_line_art": { "rendering_engine_style": "Non-Photorealistic Rendering (NPR) / 2D Vector-Ink hybrid look", "line_art_characteristics": "Varying line weight with a calligraphic, organic ink-brush quality. Cross-hatching and fine vertical/horizontal woodcut lines used for shading, background density, and water reflection textures." } }
修改 {{Image 2}} ： {{Image 2}} 的天空颜色参考 {{Image 1}} .其他不变
图片节点 4中国古代，Close-up under faint indoor firelight, low camera angle at eye level. A dying ancient old man lies on a withered straw mat, his face full of wrinkles and traces of time, realistic skin texture. The old man's emaciated hand reaches forward, an Asian elephant lowers its head, bringing the tip of its trunk close to the man's hand. The elephant's eyes are moist, skin rough and realistic. Shallow depth of field, focus is on the interaction between the human's face and hand and the elephant, dim warm lighting, full of sad emotional tension.Macro extreme close-up of the contact between a hand and an elephant trunk, eye-level shot. The frame is filled with an emaciated human hand covered in calluses and a rough elephant trunk tip, the old man's fingers gently caress the trunk, finger joints are independent and clear, absolutely no merging. The tip of the trunk curls slightly, the action is full of physical tactile sensation and restraint. Completely blurred background, realistic skin texture and lines, showing the final tenderness before the fading of life.Extreme close-up of a dropped jade pendant, vertical top-down shot. On the cracked yellow earth ground, an ancient emerald green jade pendant is shattered into two halves, the broken edges are realistic and sharp. A clear drop of elephant tear has just landed in the crack next to the jade, the soil deepens in color after absorbing the water, the edge of the water stain is clear. Extremely shallow depth of field, high-resolution material contrast, showing the emotional evidence of sadness. Extreme wide shot of an ancient thatched hut, looking from outside towards a half-open wooden door. The doorframe is empty inside, showing an empty straw mat and the remains of an extinguished fire basin on the ground. The massive silhouette of an Asian elephant stands quietly outside the door from behind, revealing only its drooping body outline and lowered ears, casting a deep shadow on the ground. Natural deep depth of field, cold environmental light, the frame is full of the physical spatial sense of loss and dead silence. 根据以上提示词内容，生成图片，电影级构图和光影。保留手绘质感，8k，全画幅无边框，生成不同视角、不同景别、不同构图的九宫格图片，景深，透视关系正确，适当有前景虚化镜头，每张图片21：9，无字幕，前后围绕叙事生图，人物五官不要太清晰，画风参考 ，大象参考 .画风提示词为：{ "art_style_and_movement": { "primary_style": "Ukiyo-e influenced Modern Graphic Illustration", "art_movement_affiliations": [ "Shin-hanga (New Prints) movement resonance", "Franco-Belgian Bande Dessinée (Ligne Claire / Clear Line style)", "Late 19th-century Art Nouveau woodblock printing" ], "visual_characteristics": "Strong, elegant contour lines combined with flat or gently graded color washes, balancing traditional East Asian spatial poetics with western sequential art sensibilities." }, "color_palette": { "dominant_tones": [ { "hex": "#4A707A", "description": "Muted Slate Blue / Prussian Blue wash, used for mid-tones and primary subjects" }, { "hex": "#D9C589", "description": "Aged Parchment / Pale Ochre, dominant in skies, highlights, and atmospheric elements" } ], "supporting_tones": [ { "hex": "#8FA499", "description": "Celadon / Sage Green, bridging earth tones and atmospheric backgrounds" }, { "hex": "#1A252C", "description": "Deep Indigo / Charcoal Black, strictly reserved for linework and high-contrast shadow shapes" } ], "accent_tones": [ { "hex": "#F4E3A4", "description": "Warm Cream / Pale Gold, representing light sources, reflective glares, or floating particles" } ], "color_grading_profile": "Low-saturation, desaturated vintage print emulation with a restricted analog triadic scheme (Blue-Green-Ochre)." }, "lighting_and_shadow": { "lighting_type": "Diffuse, ambient atmospheric lighting with occasional high-contrast backlighting", "shadow_treatment": "Graphic cel-shading combined with heavy woodblock-style black ink blocking (Kuro-to). Minimal soft gradients; lighting transitions are defined by line density or clean tonal boundaries." }, "texture_and_material": { "surface_texture": "Aged Xuan paper / fibrous Washi parchment simulation", "tactile_qualities": "Subtle organic grain, fine ink bleeding simulation along line edges, faint canvas or pressed-paper micro-texture, and deliberate analog printing imperfections (slight plate textures)." }, "rendering_and_line_art": { "rendering_engine_style": "Non-Photorealistic Rendering (NPR) / 2D Vector-Ink hybrid look", "line_art_characteristics": "Varying line weight with a calligraphic, organic ink-brush quality. Cross-hatching and fine vertical/horizontal woodcut lines used for shading, background density, and water reflection textures." } }
中国古代，God's eye extreme wide shot of ancient central plains, extremely high angle looking down. Dried and degrading wetlands and cracked earth dominate, deciduous forests retreat south, swamps shrink, and river channels narrow. Cold tones, air filled with flying dust and sand. No human figures in the frame, natural deep depth of field, realistically showing the oppressive physical environment of a cooling climate and desertification.Aerial wide shot of a dried riverbank, low altitude eye-level perspective. Large areas of cracked yellow mud intertwine with frost, former swamps are frozen, withered weeds lodge in the cold wind. Hard light and realistic reflections on dead wood, realistic soil granularity and crack perspective, cold wind kicking up ground dust. The frame reserves space at the top, chilly and arid atmosphere. Medium long shot of an ancient village in the cold wind, static frame, large area of yellow earth composition. Dry cold north wind carrying dust sweeps across fields and rammed earth houses, withered tree branches sway in the wind. A few ancient people tightly wrap their rough linen clothes, bowing their heads walking against the wind, figures appear tiny in the massive natural space. Realistic clothing folds and physical deformation from wind force, strong lighting contrast, showing a heavy atmosphere under ecological pressure.根据以上提示词内容，生成图片，电影级构图和光影。保留手绘质感，8k，全画幅无边框，生成不同视角、不同景别、不同构图的九宫格图片，景深，透视关系正确，适当有前景虚化镜头，每张图片21：9，无字幕，前后围绕叙事生图，画风参考 ，大象参考 .画风提示词为：{ "art_style_and_movement": { "primary_style": "Ukiyo-e influenced Modern Graphic Illustration", "art_movement_affiliations": [ "Shin-hanga (New Prints) movement resonance", "Franco-Belgian Bande Dessinée (Ligne Claire / Clear Line style)", "Late 19th-century Art Nouveau woodblock printing" ], "visual_characteristics": "Strong, elegant contour lines combined with flat or gently graded color washes, balancing traditional East Asian spatial poetics with western sequential art sensibilities." }, "color_palette": { "dominant_tones": [ { "hex": "#4A707A", "description": "Muted Slate Blue / Prussian Blue wash, used for mid-tones and primary subjects" }, { "hex": "#D9C589", "description": "Aged Parchment / Pale Ochre, dominant in skies, highlights, and atmospheric elements" } ], "supporting_tones": [ { "hex": "#8FA499", "description": "Celadon / Sage Green, bridging earth tones and atmospheric backgrounds" }, { "hex": "#1A252C", "description": "Deep Indigo / Charcoal Black, strictly reserved for linework and high-contrast shadow shapes" } ], "accent_tones": [ { "hex": "#F4E3A4", "description": "Warm Cream / Pale Gold, representing light sources, reflective glares, or floating particles" } ], "color_grading_profile": "Low-saturation, desaturated vintage print emulation with a restricted analog triadic scheme (Blue-Green-Ochre)." }, "lighting_and_shadow": { "lighting_type": "Diffuse, ambient atmospheric lighting with occasional high-contrast backlighting", "shadow_treatment": "Graphic cel-shading combined with heavy woodblock-style black ink blocking (Kuro-to). Minimal soft gradients; lighting transitions are defined by line density or clean tonal boundaries." }, "texture_and_material": { "surface_texture": "Aged Xuan paper / fibrous Washi parchment simulation", "tactile_qualities": "Subtle organic grain, fine ink bleeding simulation along line edges, faint canvas or pressed-paper micro-texture, and deliberate analog printing imperfections (slight plate textures)." }, "rendering_and_line_art": { "rendering_engine_style": "Non-Photorealistic Rendering (NPR) / 2D Vector-Ink hybrid look", "line_art_characteristics": "Varying line weight with a calligraphic, organic ink-brush quality. Cross-hatching and fine vertical/horizontal woodcut lines used for shading, background density, and water reflection textures." } }
图片节点 4中国古代殷商时期，Medium shot looking inward from the doorway of a subsidiary room, frame within a frame composition. Foreground is a rough wooden doorframe, inside under warm candlelight, a Shang dynasty diviner bows his head, intently inscribing a tortoise shell. The diviner has clear facial contours, sharp eyes, and wears a linen robe with natural folds. In the distant night outside the door, the silhouette of a young elephant standing quietly from behind is visible. Soft indoor lighting contrasts with cold outdoor light, deep focus clearly reveals the realistic spatial relationship between the character and the environment.根据以上提示词内容，电影级构图和光影。保留手绘质感，8k，全画幅无边框，21：9，前后围绕叙事生图，画风参考 画风提示词为：{ "art_style_and_movement": { "primary_style": "Ukiyo-e influenced Modern Graphic Illustration", "art_movement_affiliations": [ "Shin-hanga (New Prints) movement resonance", "Franco-Belgian Bande Dessinée (Ligne Claire / Clear Line style)", "Late 19th-century Art Nouveau woodblock printing" ], "visual_characteristics": "Strong, elegant contour lines combined with flat or gently graded color washes, balancing traditional East Asian spatial poetics with western sequential art sensibilities." }, "color_palette": { "dominant_tones": [ { "hex": "#4A707A", "description": "Muted Slate Blue / Prussian Blue wash, used for mid-tones and primary subjects" }, { "hex": "#D9C589", "description": "Aged Parchment / Pale Ochre, dominant in skies, highlights, and atmospheric elements" } ], "supporting_tones": [ { "hex": "#8FA499", "description": "Celadon / Sage Green, bridging earth tones and atmospheric backgrounds" }, { "hex": "#1A252C", "description": "Deep Indigo / Charcoal Black, strictly reserved for linework and high-contrast shadow shapes" } ], "accent_tones": [ { "hex": "#F4E3A4", "description": "Warm Cream / Pale Gold, representing light sources, reflective glares, or floating particles" } ], "color_grading_profile": "Low-saturation, desaturated vintage print emulation with a restricted analog triadic scheme (Blue-Green-Ochre)." }, "lighting_and_shadow": { "lighting_type": "Diffuse, ambient atmospheric lighting with occasional high-contrast backlighting", "shadow_treatment": "Graphic cel-shading combined with heavy woodblock-style black ink blocking (Kuro-to). Minimal soft gradients; lighting transitions are defined by line density or clean tonal boundaries." }, "texture_and_material": { "surface_texture": "Aged Xuan paper / fibrous Washi parchment simulation", "tactile_qualities": "Subtle organic grain, fine ink bleeding simulation along line edges, faint canvas or pressed-paper micro-texture, and deliberate analog printing imperfections (slight plate textures)." }, "rendering_and_line_art": { "rendering_engine_style": "Non-Photorealistic Rendering (NPR) / 2D Vector-Ink hybrid look", "line_art_characteristics": "Varying line weight with a calligraphic, organic ink-brush quality. Cross-hatching and fine vertical/horizontal woodcut lines used for shading, background density, and water reflection textures." } }
生成画面：在中国古代殷商时期，Giant timber moving scene, low angle shot, diagonal composition full of power. An adult Asian elephant is dragging a massive log, shoulder and back muscles tense and rippling, realistic rough skin. Ancient people on both sides coordinate by pushing and pulling ropes, human body exertion is natural, hands firmly gripping the hemp rope without distortion. Strong backlight outlines the silhouettes of the humans and elephant, dense dust particles fly in the air, realistically restoring the physical interaction of heavy labor. 电影级构图和影视级光影，生成不同视角、不同景别、不同构图的四宫格图片，每张图片21：9，全画幅无黑边无白边，无字幕，8k，保留手绘质感。画风参考 ，画风提示词为：{ "art_style_and_movement": { "primary_style": "Ukiyo-e influenced Modern Graphic Illustration", "art_movement_affiliations": [ "Shin-hanga (New Prints) movement resonance", "Franco-Belgian Bande Dessinée (Ligne Claire / Clear Line style)", "Late 19th-century Art Nouveau woodblock printing" ], "visual_characteristics": "Strong, elegant contour lines combined with flat or gently graded color washes, balancing traditional East Asian spatial poetics with western sequential art sensibilities." }, "color_palette": { "dominant_tones": [ { "hex": "#4A707A", "description": "Muted Slate Blue / Prussian Blue wash, used for mid-tones and primary subjects" }, { "hex": "#D9C589", "description": "Aged Parchment / Pale Ochre, dominant in skies, highlights, and atmospheric elements" } ], "supporting_tones": [ { "hex": "#8FA499", "description": "Celadon / Sage Green, bridging earth tones and atmospheric backgrounds" }, { "hex": "#1A252C", "description": "Deep Indigo / Charcoal Black, strictly reserved for linework and high-contrast shadow shapes" } ], "accent_tones": [ { "hex": "#F4E3A4", "description": "Warm Cream / Pale Gold, representing light sources, reflective glares, or floating particles" } ], "color_grading_profile": "Low-saturation, desaturated vintage print emulation with a restricted analog triadic scheme (Blue-Green-Ochre)." }, "lighting_and_shadow": { "lighting_type": "Diffuse, ambient atmospheric lighting with occasional high-contrast backlighting", "shadow_treatment": "Graphic cel-shading combined with heavy woodblock-style black ink blocking (Kuro-to). Minimal soft gradients; lighting transitions are defined by line density or clean tonal boundaries." }, "texture_and_material": { "surface_texture": "Aged Xuan paper / fibrous Washi parchment simulation", "tactile_qualities": "Subtle organic grain, fine ink bleeding simulation along line edges, faint canvas or pressed-paper micro-texture, and deliberate analog printing imperfections (slight plate textures)." }, "rendering_and_line_art": { "rendering_engine_style": "Non-Photorealistic Rendering (NPR) / 2D Vector-Ink hybrid look", "line_art_characteristics": "Varying line weight with a calligraphic, organic ink-brush quality. Cross-hatching and fine vertical/horizontal woodcut lines used for shading, background density, and water reflection textures." } }
中国古代殷商时期，Edge of the ritual altar, medium long shot, eye-level angle. Static composition, the altar edge horizontally divides the frame. A young Asian elephant stands on the clearing outside the altar, backed by a deep dark forest. The elephant's trunk hangs down naturally, occasionally sweeping the ground, with a calm and stable demeanor. The scene features low key lighting, half warmed by firelight and half hidden in darkness, with slight smoke flowing in the air, creating a tranquil atmosphere.根据以上提示词内容，生成不同构图、不同视角、不同景别的四宫格图片，电影级构图和光影，适当加入前景虚焦的镜头。保留手绘质感，8k，全画幅无边框，每张图片都21：9，前后围绕叙事生图，画风参考 画风提示词为：{ "art_style_and_movement": { "primary_style": "Ukiyo-e influenced Modern Graphic Illustration", "art_movement_affiliations": [ "Shin-hanga (New Prints) movement resonance", "Franco-Belgian Bande Dessinée (Ligne Claire / Clear Line style)", "Late 19th-century Art Nouveau woodblock printing" ], "visual_characteristics": "Strong, elegant contour lines combined with flat or gently graded color washes, balancing traditional East Asian spatial poetics with western sequential art sensibilities." }, "color_palette": { "dominant_tones": [ { "hex": "#4A707A", "description": "Muted Slate Blue / Prussian Blue wash, used for mid-tones and primary subjects" }, { "hex": "#D9C589", "description": "Aged Parchment / Pale Ochre, dominant in skies, highlights, and atmospheric elements" } ], "supporting_tones": [ { "hex": "#8FA499", "description": "Celadon / Sage Green, bridging earth tones and atmospheric backgrounds" }, { "hex": "#1A252C", "description": "Deep Indigo / Charcoal Black, strictly reserved for linework and high-contrast shadow shapes" } ], "accent_tones": [ { "hex": "#F4E3A4", "description": "Warm Cream / Pale Gold, representing light sources, reflective glares, or floating particles" } ], "color_grading_profile": "Low-saturation, desaturated vintage print emulation with a restricted analog triadic scheme (Blue-Green-Ochre)." }, "lighting_and_shadow": { "lighting_type": "Diffuse, ambient atmospheric lighting with occasional high-contrast backlighting", "shadow_treatment": "Graphic cel-shading combined with heavy woodblock-style black ink blocking (Kuro-to). Minimal soft gradients; lighting transitions are defined by line density or clean tonal boundaries." }, "texture_and_material": { "surface_texture": "Aged Xuan paper / fibrous Washi parchment simulation", "tactile_qualities": "Subtle organic grain, fine ink bleeding simulation along line edges, faint canvas or pressed-paper micro-texture, and deliberate analog printing imperfections (slight plate textures)." }, "rendering_and_line_art": { "rendering_engine_style": "Non-Photorealistic Rendering (NPR) / 2D Vector-Ink hybrid look", "line_art_characteristics": "Varying line weight with a calligraphic, organic ink-brush quality. Cross-hatching and fine vertical/horizontal woodcut lines used for shading, background density, and water reflection textures." } }
单独生成【第1行第1列】的分镜图像
单独生成【第2行第2列】的分镜图像
单独生成【第1行第2列】的分镜图像
单独生成【第2行第1列】的分镜图像
图片节点 4中国古代殷商时期，God's eye extreme wide shot of ancient central plains, extremely high angle looking down. Dried and degrading wetlands and cracked earth dominate, deciduous forests retreat south, swamps shrink, and river channels narrow. Cold tones, air filled with flying dust and sand. No human figures in the frame, natural deep depth of field, realistically showing the oppressive physical environment of a cooling climate and desertification.Aerial wide shot of a dried riverbank, low altitude eye-level perspective. Large areas of cracked yellow mud intertwine with frost, former swamps are frozen, withered weeds lodge in the cold wind. Hard light and realistic reflections on dead wood, realistic soil granularity and crack perspective, cold wind kicking up ground dust. The frame reserves space at the top, chilly and arid atmosphere. Medium long shot of an ancient village in the cold wind, static frame, large area of yellow earth composition. Dry cold north wind carrying dust sweeps across fields and rammed earth houses, withered tree branches sway in the wind. A few ancient people tightly wrap their rough linen clothes, bowing their heads walking against the wind, figures appear tiny in the massive natural space. Realistic clothing folds and physical deformation from wind force, strong lighting contrast, showing a heavy atmosphere under ecological pressure.根据以上提示词内容，电影级构图和光影。保留手绘质感，8k，全画幅无边框，21：9，前后围绕叙事生图，画风参考 {{Image 1}} {{Image 2}} {{Image 3}} {{Image 4}} {{Image 5}} {{Image 6}} 画风提示词为：{ "art_style_and_movement": { "primary_style": "Ukiyo-e influenced Modern Graphic Illustration", "art_movement_affiliations": [ "Shin-hanga (New Prints) movement resonance", "Franco-Belgian Bande Dessinée (Ligne Claire / Clear Line style)", "Late 19th-century Art Nouveau woodblock printing" ], "visual_characteristics": "Strong, elegant contour lines combined with flat or gently graded color washes, balancing traditional East Asian spatial poetics with western sequential art sensibilities." }, "color_palette": { "dominant_tones": [ { "hex": "#4A707A", "description": "Muted Slate Blue / Prussian Blue wash, used for mid-tones and primary subjects" }, { "hex": "#D9C589", "description": "Aged Parchment / Pale Ochre, dominant in skies, highlights, and atmospheric elements" } ], "supporting_tones": [ { "hex": "#8FA499", "description": "Celadon / Sage Green, bridging earth tones and atmospheric backgrounds" }, { "hex": "#1A252C", "description": "Deep Indigo / Charcoal Black, strictly reserved for linework and high-contrast shadow shapes" } ], "accent_tones": [ { "hex": "#F4E3A4", "description": "Warm Cream / Pale Gold, representing light sources, reflective glares, or floating particles" } ], "color_grading_profile": "Low-saturation, desaturated vintage print emulation with a restricted analog triadic scheme (Blue-Green-Ochre)." }, "lighting_and_shadow": { "lighting_type": "Diffuse, ambient atmospheric lighting with occasional high-contrast backlighting", "shadow_treatment": "Graphic cel-shading combined with heavy woodblock-style black ink blocking (Kuro-to). Minimal soft gradients; lighting transitions are defined by line density or clean tonal boundaries." }, "texture_and_material": { "surface_texture": "Aged Xuan paper / fibrous Washi parchment simulation", "tactile_qualities": "Subtle organic grain, fine ink bleeding simulation along line edges, faint canvas or pressed-paper micro-texture, and deliberate analog printing imperfections (slight plate textures)." }, "rendering_and_line_art": { "rendering_engine_style": "Non-Photorealistic Rendering (NPR) / 2D Vector-Ink hybrid look", "line_art_characteristics": "Varying line weight with a calligraphic, organic ink-brush quality. Cross-hatching and fine vertical/horizontal woodcut lines used for shading, background density, and water reflection textures." } }
中国古代，Close-up under faint indoor firelight, low camera angle at eye level. A dying ancient old man lies on a withered straw mat, his face full of wrinkles and traces of time, realistic skin texture. The old man's emaciated hand reaches forward, an Asian elephant lowers its head, bringing the tip of its trunk close to the man's hand. The elephant's eyes are moist, skin rough and realistic. Shallow depth of field, focus is on the interaction between the human's face and hand and the elephant, dim warm lighting, full of sad emotional tension.Macro extreme close-up of the contact between a hand and an elephant trunk, eye-level shot. The frame is filled with an emaciated human hand covered in calluses and a rough elephant trunk tip, the old man's fingers gently caress the trunk, finger joints are independent and clear, absolutely no merging. The tip of the trunk curls slightly, the action is full of physical tactile sensation and restraint. Completely blurred background, realistic skin texture and lines, showing the final tenderness before the fading of life.Extreme close-up of a dropped jade pendant, vertical top-down shot. On the cracked yellow earth ground, an ancient emerald green jade pendant is shattered into two halves, the broken edges are realistic and sharp. A clear drop of elephant tear has just landed in the crack next to the jade, the soil deepens in color after absorbing the water, the edge of the water stain is clear. Extremely shallow depth of field, high-resolution material contrast, showing the emotional evidence of sadness. Extreme wide shot of an ancient thatched hut, looking from outside towards a half-open wooden door. The doorframe is empty inside, showing an empty straw mat and the remains of an extinguished fire basin on the ground. The massive silhouette of an Asian elephant stands quietly outside the door from behind, revealing only its drooping body outline and lowered ears, casting a deep shadow on the ground. Natural deep depth of field, cold environmental light, the frame is full of the physical spatial sense of loss and dead silence. 根据以上提示词内容，生成图片，电影级构图和光影。保留手绘质感，8k，全画幅无边框，生成不同视角、不同景别、不同构图的九宫格图片，景深，透视关系正确，适当有前景虚化镜头，每张图片21：9，无字幕，前后围绕叙事生图，人物五官不要太清晰，画风参考 {{Image 1}} {{Image 2}} {{Image 3}} {{Image 4}} {{Image 5}} ，大象参考 .画风提示词为：{ "art_style_and_movement": { "primary_style": "Ukiyo-e influenced Modern Graphic Illustration", "art_movement_affiliations": [ "Shin-hanga (New Prints) movement resonance", "Franco-Belgian Bande Dessinée (Ligne Claire / Clear Line style)", "Late 19th-century Art Nouveau woodblock printing" ], "visual_characteristics": "Strong, elegant contour lines combined with flat or gently graded color washes, balancing traditional East Asian spatial poetics with western sequential art sensibilities." }, "color_palette": { "dominant_tones": [ { "hex": "#4A707A", "description": "Muted Slate Blue / Prussian Blue wash, used for mid-tones and primary subjects" }, { "hex": "#D9C589", "description": "Aged Parchment / Pale Ochre, dominant in skies, highlights, and atmospheric elements" } ], "supporting_tones": [ { "hex": "#8FA499", "description": "Celadon / Sage Green, bridging earth tones and atmospheric backgrounds" }, { "hex": "#1A252C", "description": "Deep Indigo / Charcoal Black, strictly reserved for linework and high-contrast shadow shapes" } ], "accent_tones": [ { "hex": "#F4E3A4", "description": "Warm Cream / Pale Gold, representing light sources, reflective glares, or floating particles" } ], "color_grading_profile": "Low-saturation, desaturated vintage print emulation with a restricted analog triadic scheme (Blue-Green-Ochre)." }, "lighting_and_shadow": { "lighting_type": "Diffuse, ambient atmospheric lighting with occasional high-contrast backlighting", "shadow_treatment": "Graphic cel-shading combined with heavy woodblock-style black ink blocking (Kuro-to). Minimal soft gradients; lighting transitions are defined by line density or clean tonal boundaries." }, "texture_and_material": { "surface_texture": "Aged Xuan paper / fibrous Washi parchment simulation", "tactile_qualities": "Subtle organic grain, fine ink bleeding simulation along line edges, faint canvas or pressed-paper micro-texture, and deliberate analog printing imperfections (slight plate textures)." }, "rendering_and_line_art": { "rendering_engine_style": "Non-Photorealistic Rendering (NPR) / 2D Vector-Ink hybrid look", "line_art_characteristics": "Varying line weight with a calligraphic, organic ink-brush quality. Cross-hatching and fine vertical/horizontal woodcut lines used for shading, background density, and water reflection textures." } }
生成画面：在中国古代殷商时期，Giant timber moving scene, low angle shot, diagonal composition full of power. An adult Asian elephant is dragging a massive log, shoulder and back muscles tense and rippling, realistic rough skin. Ancient people on both sides coordinate by pushing and pulling ropes, human body exertion is natural, hands firmly gripping the hemp rope without distortion. Strong backlight outlines the silhouettes of the humans and elephant, dense dust particles fly in the air, realistically restoring the physical interaction of heavy labor. 电影级构图和影视级光影，生成不同视角、不同景别、不同构图的四宫格图片，每张图片21：9，全画幅无黑边无白边，无字幕，8k，保留手绘质感。画风参考 {{Image 1}} {{Image 2}} {{Image 3}} {{Image 4}} ，画风提示词为：{ "art_style_and_movement": { "primary_style": "Ukiyo-e influenced Modern Graphic Illustration", "art_movement_affiliations": [ "Shin-hanga (New Prints) movement resonance", "Franco-Belgian Bande Dessinée (Ligne Claire / Clear Line style)", "Late 19th-century Art Nouveau woodblock printing" ], "visual_characteristics": "Strong, elegant contour lines combined with flat or gently graded color washes, balancing traditional East Asian spatial poetics with western sequential art sensibilities." }, "color_palette": { "dominant_tones": [ { "hex": "#4A707A", "description": "Muted Slate Blue / Prussian Blue wash, used for mid-tones and primary subjects" }, { "hex": "#D9C589", "description": "Aged Parchment / Pale Ochre, dominant in skies, highlights, and atmospheric elements" } ], "supporting_tones": [ { "hex": "#8FA499", "description": "Celadon / Sage Green, bridging earth tones and atmospheric backgrounds" }, { "hex": "#1A252C", "description": "Deep Indigo / Charcoal Black, strictly reserved for linework and high-contrast shadow shapes" } ], "accent_tones": [ { "hex": "#F4E3A4", "description": "Warm Cream / Pale Gold, representing light sources, reflective glares, or floating particles" } ], "color_grading_profile": "Low-saturation, desaturated vintage print emulation with a restricted analog triadic scheme (Blue-Green-Ochre)." }, "lighting_and_shadow": { "lighting_type": "Diffuse, ambient atmospheric lighting with occasional high-contrast backlighting", "shadow_treatment": "Graphic cel-shading combined with heavy woodblock-style black ink blocking (Kuro-to). Minimal soft gradients; lighting transitions are defined by line density or clean tonal boundaries." }, "texture_and_material": { "surface_texture": "Aged Xuan paper / fibrous Washi parchment simulation", "tactile_qualities": "Subtle organic grain, fine ink bleeding simulation along line edges, faint canvas or pressed-paper micro-texture, and deliberate analog printing imperfections (slight plate textures)." }, "rendering_and_line_art": { "rendering_engine_style": "Non-Photorealistic Rendering (NPR) / 2D Vector-Ink hybrid look", "line_art_characteristics": "Varying line weight with a calligraphic, organic ink-brush quality. Cross-hatching and fine vertical/horizontal woodcut lines used for shading, background density, and water reflection textures." } }
图片节点 3In torrential rain in Shang-dynasty Anyang, a muddy wetland at the edge of the forest is flooded by stormwater. Medium-wide to wide cinematic shot: a young elephant calf is trapped in mud and shallow water, half-collapsed, raising its trunk with fear and helplessness. On the opposite side of the frame, a Shang diviner moves toward it through the rain, his wide robe soaked, bending down and reaching out to rescue the calf. Between human and elephant lies a reflective pool of muddy rainwater, creating the emotional tension of a first encounter and the beginning of trust. In the background, blurred tree silhouettes, ritual posts, and low settlement shapes are softened by rain mist, with diagonal rain crossing the frame. Hand-painted animated-film concept art, poetic hand-painted animation concept art, European art-house animation style, storybook illustration, pastel and gouache on textured paper, colored pencil and charcoal linework, soft cel-animation background painting, loose hand-drawn contours, slightly trembling pencil lines, matte gouache blocks, transparent watercolor layering, dry pastel rubbing, soft chalk texture, visible handmade paper fibers, subtle pigment granulation, analog animation frame feeling. Keep the linework handmade and slightly unstable; rain and marsh should be created through transparent watercolor layering, while the figures and elephant are gently shaped with colored pencil and charcoal. Softened edges, no photographic realism. Use a rain-soaked cool-warm gray-blue palette: sky highlights and rain mist in warm ivory #F1E7DD; rain curtains, distant air, and wet atmosphere in matte steel blue #4E698B and muted cyan blue #6BA5BA; mud and wetland ground in misty gray-brown #888072, smoky umber #746A57, and aged parchment beige #CCB48C; the diviner’s wet robe, tree silhouettes, and deep shadows in charcoal gray #4C4A47, deep indigo #242C3B, and near-black navy #0E1924. The calf’s skin may use warm gray, wet gray-brown, and subtle ochre undertones. The feeling should be humid, gentle, and fateful, not dirty or horror-like. Cinematic composition, 21:9 ultra-wide frame, 4K, low ISO, soft bloom, diffused haze, soft rainy backlight, restrained water reflections, with a central space of rain and mist to heighten distance and emotional connection. Clean image, no obvious noise, no heavy film grain, no dirt, no mud specks, no mold stains, no gray stains, preserve elegant handmade paper texture. Negative prompt: no ink-wash, no sumi-e, no traditional Chinese ink landscape, no black-and-white line art, no monochrome sketch, no photorealism, no 3D render, no CGI, no plastic texture, no commercial cartoon style, no hyper-real animal skin, no dirty paper, no watermark, no garbled text.仅画风参考 {{Image 1}} {{Image 2}}
In torrential rain in Shang-dynasty Anyang, a muddy wetland at the edge of the forest is flooded by stormwater. Medium-wide to wide cinematic shot: a young elephant calf is trapped in mud and shallow water, half-collapsed, raising its trunk with fear and helplessness. On the opposite side of the frame, a Shang diviner moves toward it through the rain, his wide robe soaked, bending down and reaching out to rescue the calf. Between human and elephant lies a reflective pool of muddy rainwater, creating the emotional tension of a first encounter and the beginning of trust. In the background, blurred tree silhouettes, ritual posts, and low settlement shapes are softened by rain mist, with diagonal rain crossing the frame. Hand-painted animated-film concept art, poetic hand-painted animation concept art, European art-house animation style, storybook illustration, pastel and gouache on textured paper, colored pencil and charcoal linework, soft cel-animation background painting, loose hand-drawn contours, slightly trembling pencil lines, matte gouache blocks, transparent watercolor layering, dry pastel rubbing, soft chalk texture, visible handmade paper fibers, subtle pigment granulation, analog animation frame feeling. Keep the linework handmade and slightly unstable; rain and marsh should be created through transparent watercolor layering, while the figures and elephant are gently shaped with colored pencil and charcoal. Softened edges, no photographic realism. Use a rain-soaked cool-warm gray-blue palette: sky highlights and rain mist in warm ivory #F1E7DD; rain curtains, distant air, and wet atmosphere in matte steel blue #4E698B and muted cyan blue #6BA5BA; mud and wetland ground in misty gray-brown #888072, smoky umber #746A57, and aged parchment beige #CCB48C; the diviner’s wet robe, tree silhouettes, and deep shadows in charcoal gray #4C4A47, deep indigo #242C3B, and near-black navy #0E1924. The calf’s skin may use warm gray, wet gray-brown, and subtle ochre undertones. The feeling should be humid, gentle, and fateful, not dirty or horror-like. Cinematic composition ultra-wide frame, 4K, low ISO, soft bloom, diffused haze, soft rainy backlight, restrained water reflections, with a central space of rain and mist to heighten distance and emotional connection. Clean image, no obvious noise, no heavy film grain, no dirt, no mud specks, no mold stains, no gray stains, preserve elegant handmade paper texture. Negative prompt: no ink-wash, no sumi-e, no traditional Chinese ink landscape, no black-and-white line art, no monochrome sketch, no photorealism, no 3D render, no CGI, no plastic texture, no commercial cartoon style, no hyper-real animal skin, no dirty paper, no watermark, no garbled text.仅画风参考 {{Image 1}} {{Image 2}}
图片节点 4参考 {{Image 1}} 的画风，仅画面内容改为：商代安阳的滂沱大雨中，一片森林边缘的泥沼湿地被雨水淹没。画面为中远景偏大全景，一头年幼的小象深陷泥泞与浅水中，身体半伏，鼻子努力抬起，显得惊慌又无助。画面另一侧，一位殷商祭司冒雨靠近，宽大的衣袍被雨水打湿，他弯下身，伸出手，试图救起这头幼象。人与象之间隔着一片反光的泥水，形成第一次相遇、第一次信任的情绪张力。背景有被雨雾模糊的树影、祭祀立柱、低矮聚落轮廓，雨幕斜斜穿过画面。低ISO，无明显颗粒噪点，无重胶片颗粒，无脏污、无泥点、无霉斑、无灰斑，保留手绘质感
{{Image 1}} 画面配色色彩参考 {{Image 2}} ，要求符合现实物理世界颜色，仅电影感二级调色。其他不变。
全画幅无白边。其他不变，21：9，象等比例缩小，变成和人胸部高度一致的小象。
图片节点 2修改 {{Image 1}} ： {{Image 1}} 的天空颜色参考 {{Image 2}} .其他不变