这是一个Lib AI生成视频平台的广告。运用了生的双关概念。让创意，立刻发生。
视频截图视频节点 15细细的秒针一秒一秒的跳动，时针 分针不动 配合上同期声。
Use the reference image as the first frame. Preserve the same protagonist, wardrobe, grassland, sky, and warm golden-hour lighting. Ethan stands inside the newly formed Kenyan savanna, full body visible, positioned slightly left of frame. This is the closest shot of the three segments. The tall grass gently moves in the wind and appears to slowly awaken and spread across the ground, becoming slightly denser and more alive from foreground to midground, but without obvious fantasy effects. Ethan begins to move like an orchestra conductor: both hands slowly rise, one hand gently marking the rhythm near his chest, the other guiding upward into the air. His gestures are elegant, restrained, quiet, and precise, not like a wizard or superhero. His face stays calm and focused, no smile, no exaggerated expression. Very subtle slow push-in or slight cinematic drift. Grass naturally covers his shoes and lower legs, contact shadows are visible, and the character feels fully integrated into the landscape.Use the reference image as the first frame. Maintain continuity with the previous segment: same protagonist, same wardrobe, same golden-hour light direction, same savanna environment. The camera is wider than segment one, with Ethan smaller in frame, positioned in the lower-left area, full body visible. Ethan continues conducting with both hands, opening his gestures outward as if expanding the space. In response to his movement, the distant horizon slowly rises into higher, layered hills and mountains, while acacia trees and scattered shrubs grow naturally from the midground and background. The acacia canopies unfold gracefully and realistically, with trunks and branches forming in a restrained, elegant way — no explosive growth, no fantasy CGI. The tall grass moves gently in the wind; a faint golden atmospheric haze appears in the distance. Ethan’s gestures should feel musical, as if he is conducting the landscape into existence. Keep everything photorealistic, documentary-style Kenyan savanna, no magical glow, no stylized effects. Match the warm side light on Ethan’s face, hands, and clothing to the sunset light from the right.
重新构图 人物在画面中间，一个360度环绕镜头 人物更自信自在的往前走。Use the reference image as the first frame. Preserve the same protagonist, wardrobe, grassland, sky, and warm golden-hour lighting. Ethan stands inside the newly formed Kenyan savanna, full body visible, positioned slightly left of frame. This is the closest shot of the three segments. The tall grass gently moves in the wind and appears to slowly awaken and spread across the ground, becoming slightly denser and more alive from foreground to midground, but without obvious fantasy effects. Ethan begins to move like an orchestra conductor: both hands slowly rise, one hand gently marking the rhythm near his chest, the other guiding upward into the air. His gestures are elegant, restrained, quiet, and precise, not like a wizard or superhero. His face stays calm and focused, no smile, no exaggerated expression. Very subtle slow push-in or slight cinematic drift. Grass naturally covers his shoes and lower legs, contact shadows are visible, and the character feels fully integrated into the landscape.Use the reference image as the first frame. Maintain continuity with the previous segment: same protagonist, same wardrobe, same golden-hour light direction, same savanna environment. The camera is wider than segment one, with Ethan smaller in frame, positioned in the lower-left area, full body visible. Ethan continues conducting with both hands, opening his gestures outward as if expanding the space. In response to his movement, the distant horizon slowly rises into higher, layered hills and mountains, while acacia trees and scattered shrubs grow naturally from the midground and background. The acacia canopies unfold gracefully and realistically, with trunks and branches forming in a restrained, elegant way — no explosive growth, no fantasy CGI. The tall grass moves gently in the wind; a faint golden atmospheric haze appears in the distance. Ethan’s gestures should feel musical, as if he is conducting the landscape into existence. Keep everything photorealistic, documentary-style Kenyan savanna, no magical glow, no stylized effects. Match the warm side light on Ethan’s face, hands, and clothing to the sunset light from the right.
前景缓慢的走进几只大象 另一侧走进来两只长颈鹿一大一小，人手中没有指挥棒。人可以边走边指挥，Use the reference image as the first frame. Preserve the same protagonist, wardrobe, grassland, acacia trees, distant mountains, dust haze, and warm sunset lighting. This is the widest shot of the three segments. Ethan stands small but readable in the lower-left or lower-left third of the frame. He raises both arms like an orchestra conductor and sweeps them forward: one hand guiding the sky, the other pushing the rhythm out across the savanna. As he conducts, a flock of birds enters from the upper-left distance and sweeps across the vast sky in a natural curved formation. Then, from the dusty background, a herd of wildebeest emerges and runs laterally into the midground. The herd should be numerous but realistic in scale, like documentary migration footage, with subtle motion and golden dust kicked up by their hooves. The dust catches the sunset light, creating majestic atmospheric depth. Ethan should not feel like a superhero; he remains quiet, focused, and conductor-like, controlling the rhythm with restrained precision. End on a complete, grand Kenyan savanna tableau: high distant hills, acacia trees, birds overhead, running wildebeest, golden grass, and the small human conductor in the foreground. Cinematic, realistic, restrained, awe-inspiring.
重新构图 人物在画面中间，一个360度环绕镜头，顺时针环绕，逐渐拉远， 人物更自信自在的往前走。前景缓慢的走进几只大象 另一侧走进来两只长颈鹿一大一小，人手中没有指挥棒。人可以边走边指挥，Use the reference image as the first frame. Preserve the same protagonist, wardrobe, grassland, acacia trees, distant mountains, dust haze, and warm sunset lighting. This is the widest shot of the three segments. Ethan stands small but readable in the lower-left or lower-left third of the frame. He raises both arms like an orchestra conductor and sweeps them forward: one hand guiding the sky, the other pushing the rhythm out across the savanna. As he conducts, a flock of birds enters from the upper-left distance and sweeps across the vast sky in a natural curved formation. Then, from the dusty background, a herd of wildebeest emerges and runs laterally into the midground. The herd should be numerous but realistic in scale, like documentary migration footage, with subtle motion and golden dust kicked up by their hooves. The dust catches the sunset light, creating majestic atmospheric depth. Ethan should not feel like a superhero; he remains quiet, focused, and conductor-like, controlling the rhythm with restrained precision. End on a complete, grand Kenyan savanna tableau: high distant hills, acacia trees, birds overhead, running wildebeest, golden grass, and the small human conductor in the foreground. Cinematic, realistic, restrained, awe-inspiring.
他从画面右侧走入画面，然后面对镜头，举起收，参考图是尾帧
18｜Ethan 站到黑幕前 时长：3秒 景别：正面中景 台词：Ethan: “One. Two. Three.” 正面中景，Ethan 独自站在巨大的黑色幕布前。像指挥家一样 举起双手，并很轻声说：“One. Two. Three.” 面部细节：眼神稳定，眉毛放松，很自信
视频截图视频节点 2镜头缓慢前推，Ethan 资料桌上的手部特写。只看到黑色袖口和手指，一支黑色签字笔在手指间慢慢转动，笔偶尔碰到桌面，转笔是有节奏，有节拍的停顿。旁边是散乱打印资料、黑色gaffer胶带、金属夹、咖啡杯和几张草原参考图。真实办公桌杂乱，不要产品摆拍。无音乐，无配乐，只保留笔碰桌面和办公室环境声。景别：手部特写 声音：笔轻轻敲桌面。 {{CameraPreset 1}}
Sarah 近景 台词：Sarah: “emmm. We don’t have the budget，A location shoot would take most of it before we even roll camera..” Sarah 近景。她坐在主桌旁，手按住预算文件，抬眼看 Richard，说：“We don’t have the budget.A location shoot would take most of it before we even roll camera.” 表情职业克制：嘴唇先压住半秒，再开口；下眼睑略紧，眼睛疲惫但不逃避。桌上有预算页、电脑、水杯和便利贴。情绪 不是慌张，而是压着火的现实判断。 她已经说过类似的话很多次了，所以这句要有一种“我不想再说，但事实就是这样”的疲惫感。 语速 慢一点，不要急。 这句话要像一块石头落下来。 重音 重点放在： don’t budget 不要把 we 说得太重，否则像推卸责任。 重点是“预算不存在”，不是“我们不行”。 表演方式 “We don’t have the budget.” 读法接近： We don’t have the budget. “don’t”要短、轻微压低。 “budget”落地，不上扬。 句尾不要变成疑问语气。 她不是在征求意见，她是在陈述事实。 演员提示 她说这句前可以先轻轻吸一口气，眼睛看着 Richard，但不要挑衅。 像是： “我知道你不想听，但我必须说。”
给图中的女人特写镜头 {{CameraPreset 1}} 把男人拿出到屏幕外。她听的有轻微的害怕 感到窒息，不知道往哪里看，逐渐闭眼。逐渐沉默。不要深呼吸 表情变化不要太重。
Ethan 的笔停住 时长：2秒 景别：手部极近特写 Ethan 手部极近特写。刚才转动的黑色签字笔突然停在两根手指之间，笔尖轻轻碰到纸面。手指没有夸张反应，只是静止一秒。桌上有草原参考图、黑胶带、夹子和咖啡杯。无音乐，只保留笔尖触纸声。
Ethan 看天花板轨道 时长：2秒 景别：半主观镜头 运镜：从桌下黑布快速 tilt up 到天花板。 半主观镜头，从桌下黑色背景布快速而安静地向上 tilt，看到工业风天花板上的管线、灯轨、横杆和可以挂布的结构。天花板有灰尘、扎带、管线接头和真实使用痕迹。运动像 Ethan 在一瞬间拼出方案，不要魔法感。
图片节点 9其他都变，脸和头发换个黑人男士的。
0–1秒：人物低头工作，手指停在纸面或键盘上。 1–2秒：听到响声扭头，疑惑的表情，边疑惑边抬头。 2–3.5秒：下巴缓慢抬起，脖子伸直，眉毛轻微上提。 3.5–4秒：嘴唇微微分开，眼神定在天花板方向，表情保持困惑和警觉。听到响声扭头，疑惑的表情，边疑惑边抬头。
0–1秒：人物低头工作，手指停在纸面或键盘上。 1–2秒：眼球先向上瞥，头不动。 2–3.5秒：下巴缓慢抬起，脖子伸直，眉毛轻微上提。 3.5–4秒：嘴唇微微分开，眼神定在天花板方向，表情保持困惑和警觉。16:9，自然主义电影剧照质感，苹果广告式剧情广告风格，现代伦敦创意广告公司办公室，下午4点自然光，真实办公环境，木地板，工业风天花板，大窗外是英伦砖石建筑和烟囱，低高光，柔和反差，轻微胶片颗粒，ARRI Alexa 35 质感。 一位办公室同事坐在工位前，原本低头看电脑或整理资料。画面是中近景，浅景深，前景有虚焦的桌面文件、笔筒、咖啡杯，背景是柔和虚化的开放式办公室。她听到头顶传来轻微金属晃动声和布料摩擦声，手上的动作突然停住。 动作过程：她先保持低头姿势半秒，眼球先向上移动，但头还没有动；随后下巴非常缓慢地抬起，脖子轻轻伸直，眉毛微微上提，上眼睑慢慢打开，瞳孔向天花板方向移动。嘴唇从自然闭合变成轻微分开，呼吸停住一瞬。她不是夸张惊吓，而是困惑、警觉、被异常吸引。最后她完全抬起头，看向画面上方，眼神定住。 镜头运动：固定机位，85mm或长焦中近景，小景深，前景和背景都虚化，只让人物的眼睛和脸部变化清晰。镜头非常轻微地向前推近，像观众被她的注意力带着往上看。人物动作真实克制，不要戏剧化，不要短剧表演，不要大张嘴，不要夸张瞪眼。 无音乐，无配乐，只保留自然办公室环境声、远处键盘声、轻微布料摩擦声和头顶金属轨道轻晃声。
视频截图视频节点 27Extreme close-up of Ethan’s hand. His fingers pause mid-motion while holding a black pen, the pen tip lightly touching a printed savanna reference image. Nearby are black gaffer tape, metal clips, budget pages and the edge of a black backdrop fabric roll. The reaction is extremely subtle: just a one-second stillness, no exaggerated movement. Richard’s voice is heard off-screen: “They want the savanna.” No music, only the pen touching paper and natural office ambience. Real desk texture, shallow depth of field, ARRI Alexa 35 look, controlled highlights, subtle film grain. Extreme close-up of Ethan’s eyes behind thin-frame glasses, with soft window reflections on the lenses. As Richard says off-screen, “Not a park. Not a lawn. The savanna,” Ethan’s gaze slowly lifts from the desk toward the meeting area. His upper eyelids rise slightly, pupils shift, eyebrows barely move, lips remain closed. The expression is not surprise; it is quiet attention beginning to form. Background fully out of focus, warm grey and wood tones. Realistic skin texture, slight office fatigue, non-AI look, ARRI Alexa 35, shallow depth of field.
固定镜头 {{CameraPreset 1}} 他埋着头正在整理自己的手稿，试图专心，但前面的争执总让他分心，他皱着眉抬起头。 16:9 naturalistic cinematic still, premium Apple-style commercial drama aesthetic, modern London creative advertising agency office, soft 4pm natural light. Ethan sits at the edge of the workspace, quietly organizing printed moodboards, savanna references, budget pages, metal clips and black gaffer tape. The desk is realistically messy with a coffee cup, scissors, sticky notes and a roll of black backdrop fabric. Ethan wears thin-frame glasses, curly dark brown hair, a dark knitted zip-up top and loose dark trousers. His expression is quiet, slightly tired, low-status, not part of the main meeting. In the distance, Richard is reprimanding Sarah, both softly out of focus. ARRI Alexa 35 look, realistic skin texture, controlled highlights, soft contrast, subtle film grain. No exaggerated acting, no short-drama style, no heroic framing.
他听这对方的话，越听越无奈，5秒钟之后开始有点眉头紧缩，轻微的抿嘴，看向前方。画面换换的往上推，他起身离开画面，画面定格在离开后 ，停留1秒的空镜. The reaction is extremely subtle: just a one-second stillness, no exaggerated movement. Richard’s voice is heard off-screen: “They want the savanna.” No music, only the pen touching paper and natural office ambience. Real desk texture, shallow depth of field, ARRI Alexa 35 look, controlled highlights, subtle film grain. Extreme close-up of Ethan’s eyes behind thin-frame glasses, with soft window reflections on the lenses. As Richard says off-screen, “Not a park. Not a lawn. The savanna,” Ethan’s gaze slowly lifts from the desk toward the meeting area. His upper eyelids rise slightly, pupils shift, eyebrows barely move, lips remain closed. The expression is not surprise; it is quiet attention beginning to form. Background fully out of focus, warm grey and wood tones. Realistic skin texture, slight office fatigue, non-AI look, ARRI Alexa 35, shallow depth of field.
固定镜头 {{CameraPreset 1}} A young male Creative Production Intern sits at the edge of a modern agency office, quietly organizing meeting notes and visual references, wearing thin-frame glasses. At first, his expression is neutral office fatigue, low presence, almost invisible. When he hears the boss say “The savanna,” his hand pauses slightly on the papers, his eyelids lift just a little, but he does not fully look up. When Sarah explains that they do not have the budget, he briefly glances at her with subtle understanding and sympathy, then looks back down, staying small. When the boss says “beautifully formatted explanation of failure,” his lips press together almost imperceptibly, a tiny discomfort crossing his face, but he hides it quickly. When he hears “we need an idea,” his eyes lift for the first real time, shifting from passive listening to internal thinking. When the boss says “make limitations disappear,” his eyes brighten very slightly, his breath pauses for half a beat, and his gaze moves from Sarah to the black fabric, the tape, and the ceiling rail, as if an image has just appeared in his mind. When he hears “I want something impossible,” his expression settles back into calm focus, his eyes become steady, his lips close gently, and the decision is made. He does not look excited, rebellious, or heroic. He simply stands quietly, as if remembering a task that needs to be finished, and slips out of frame. 更短的 AI 视频提示词版本 Ethan listens silently from the edge of the office, organizing notes. His expression shifts in tiny restrained beats: neutral office fatigue, slight pause at “savanna,” brief sympathy toward Sarah, tiny discomfort at the boss’s insult, eyes lifting at “we need an idea,” a subtle spark of realization at “make limitations disappear,” gaze moving toward the black fabric and ceiling rail, then calm decision at “I want something impossible.” No exaggerated reaction, no eye-roll, no heroic smile. Quiet, low-status, observant, internally creative, restrained Apple-style commercial performance.然后他付下身子 ，看起来像是在拔什么东西，桌子也跟着一起晃动。
Use the reference image as the first frame. Preserve the same modern creative agency office, wooden floor, black backdrop, soft 4pm natural light, and premium commercial film aesthetic. Low-angle foot-level close-up, showing only the protagonist’s lower legs, trouser hems, and black leather shoes, no upper body. The protagonist walks from the right side of the frame toward the left side, close to the black backdrop, moving slowly, steadily, and with restraint, as if walking toward the center of the backdrop before beginning the performance. The black fabric backdrop is very close behind him, heavy and naturally hanging, with the bottom pooling on the wooden floor in realistic folds, wrinkles, and soft fabric weight. The black leather shoes step on the wooden floor with subtle reflections and believable contact shadows. The trouser hems move slightly with each step. The wood floor texture is clear; office windows, desks, and background elements remain softly out of focus. Low camera height, shallow depth of field, realistic cinematic look, ARRI Alexa 35, soft contrast, controlled highlights, subtle film grain. Natural movement, no exaggerated drama, no epic slow motion, no excessive camera shake.No music, no score. Only natural office ambience and clear footsteps. The sound of black leather shoes stepping on a wooden floor should be clean, restrained, and slightly resonant: subtle sole contact on wood, faint leather creak, light trouser fabric movement, and very soft distant office room tone. Each step has a natural pause. Do not exaggerate the footsteps, no horror sound design, no rhythmic drum-like effect.
没有台词 没有台词 没有台词 没有台词 。他站在这里整理了整理了袖子，咳嗽了一生，然后举起手做交响乐队指挥的手势，固定镜头。 没有台词
快速的变焦推进到Richard的脸上，景别到特写 ，焦段从长焦50mm逐渐推到脸上变成广角鱼眼镜头8mm镜头，不要出现镜头周围的镜头暗角，边推边变焦到广角焦段。结尾的地方呈现出来鱼眼镜头的效果：Richard脸部特写 台词：Richard: ““The client doesn’t pay us to describe limitations.” “They pay us to make limitations disappear.”“Tomorrow morning.” “I want something impossible.”这几句台词一句比一句大声 一句比一句语气坚定 一句比一句语速慢，逐渐的咄咄逼人。表情也是越来越严肃。 {{CameraPreset 1}}
视频截图视频节点 4台词：We film wherever the client wants us to shoot.Say this line in a stern, uncompromising tone. The delivery should feel firm and authoritative, with a controlled but slightly cold voice. Emphasize “wherever the client specifies” as a non-negotiable instruction. No hesitation, no softness.
时长：2秒 景别：物品特写 作用：brief 和解决方案第一次同框。 Ethan 桌面物品特写。画面里有一张干草原和远山的参考图，旁边是黑色gaffer胶带、金属夹、剪刀、预算打印页和旧咖啡杯。物品真实凌乱，有灰尘和使用痕迹。草原图和黑胶带自然同框，像一个想法刚刚连接起来。桌子中间有一下关门的震动，很轻的一下，非常快的一下， 像是关上了桌子下面的抽屉之类的。桌子上的东西会跟着震动这一下。随后ethan的右手比较快速的从画面右侧入画，比较快速的用右手拿走胶带
时长：2秒 景别：物品特写 作用：brief 和解决方案第一次同框。 Ethan 桌面物品特写。画面里有一张干草原和远山的参考图，旁边是黑色gaffer胶带、金属夹、剪刀、预算打印页和旧咖啡杯。物品真实凌乱，有灰尘和使用痕迹。草原图和黑胶带自然同框，像一个想法刚刚连接起来。桌子中间有一下关门的震动，很轻的一下，非常快的一下， 像是关上了桌子下面的抽屉之类的。桌子上的东西会跟着震动这一下。随后ethan的右手比较快速的从画面右侧入画，比较快速的用右手拿走胶带。除此之外图上的右边一个剪刀生成的有问题，没有剪刀的刀头，请把剪刀补充完整。
黑布从地面滑过 时长：2秒 景别：低角度地面特写 怪异点：像黑影从办公室地面爬过去。 低角度地面特写。一卷厚重黑色片场幕布从木地板上被拖过，画面只看到黑布边缘、灰尘、布料毛边和一双深色鞋快速经过。布料摩擦地面，像一个黑色影子悄悄滑过办公室。不要露出完整人物，不要解释动作。
从 Ethan 资料桌旁的半主观视角看向办公室。前景只看到 Ethan 的手、黑色袖口、散乱资料、胶带和咖啡杯，不露 Ethan 的脸。远处主会议桌旁，Richard 站着压向 Sarah，Sarah 坐着看预算资料。Ethan的手里拿着那只黑色的水笔点着桌子上的图片，焦点在笔上，一秒钟之后放下手中的笔。焦点从手转到后景谈话的两个人。左侧有人贴 moodboard，右侧有人在窗边电脑前工作。构图有真实前景遮挡，不要过度整齐。景别：Ethan 半主观中远景 运镜：从 Ethan的手对焦到 后景会议桌 对话的两个人。大光圈 虚化明显。
从 Ethan 资料桌旁的半主观视角看向办公室。前景只看到 Ethan 的手、黑色袖口、散乱资料、胶带和咖啡杯，不露 Ethan 的脸。远处主会议桌旁，Richard 站着压向 Sarah，Sarah 坐着看预算资料。左侧有人贴 moodboard，右侧有人在窗边电脑前工作。构图有真实前景遮挡，不要过度整齐。景别：Ethan 半主观中远景 运镜：从 Ethan 桌面轻轻抬起，看向会议桌。
景别：Richard / Sarah 双人中景 台词：Richard: “Then don’t show me the problem. Make it disappear.” Richard 和 Sarah 双人中景。Richard 站着，Sarah 坐着。Richard 冷静地说：“Then don’t show me the problem. Make it disappear.” 他说话的声音逐渐加大 开始站直了盛气凌人的说，每个词都压人。So now, unfortunately, we need an idea。这句话说的时候他语气坚定 ，一组词，一组词的有重音强调的说，身体俯向Sarah.表情：眼神固定，嘴角平直，下颌收紧。Sarah 低头看文件，肩膀轻微下沉。镜头缓慢推近，句尾停半秒
视频截图视频节点 10时长：2秒 景别：眼睛特写 表情：无聊变成注意。 Ethan 眼睛和眼镜的极近特写。镜片上有轻微窗光反射。他的眼神从无聊变成注意：上眼睑轻轻抬起，瞳孔朝主桌方向移动，嘴唇在画面下缘保持闭合。不要惊讶，不要笑，只是安静地开始思考。
Ethan的正面镜头 近景到特写 画面逐渐往前推。听到老板说 “The savanna” 时，他的手在纸张上轻轻停住，眼皮微微抬起，但没有明显抬头。听到 Sarah 解释预算不够时，他短暂看向 Sarah，眼神里有一点理解和同情，但很快收回，继续保持低调。听到老板讽刺 “beautifully formatted explanation of failure” 时，他嘴唇轻轻抿住，眉心有极轻微的不适感，但不敢表现得太明显。听到 “we need an idea” 时，他第一次真正抬眼，眼神从被动听话变成内在思考。听到 “make limitations disappear” 时，他的眼神微微亮起，呼吸停半拍，视线从 Sarah 移向桌边的黑色幕布、胶带和天花板横杆，像突然看到了一个画面。听到 “I want something impossible” 时，他的表情重新变得平静，眼神稳定下来，嘴唇轻轻闭紧，决定已经形成。他不兴奋、不反抗、不逞英雄，只是像想起一件必须完成的工作一样，安静地站起身，从画面边缘离开。
正面 中景别到特写
黑布落下 景别：办公室大全景 固定镜头 Ethan {{Image 2}} 的三视图，保持人物的一致性，Ethan从这块黑布的后面掀起来布，从布的下面钻出来。走到黑布的前面，站起身子。站直了身子，拍了拍身上的灰。结尾是Ethan站在黑色的布前
黑布落下 景别：办公室大全景 声音：厚重布料落下声。 办公室大全景，从主桌方向看向空间。Ethan在后面吊起一块大布 ，一整块巨大的黑色片场幕布突然从天花板向下落，发出厚重布料声。布料有重量、灰尘、真实褶皱和下坠感。Richard、Sarah 和群演先冻结一瞬，再同时转头。镜头静止，让黑布打破正常办公室构图。随后Ethan {{Image 2}} 从布的下面钻出来。站直了身子。
{{Mixed 1}} 保持这个机位 固定镜头，周围的同事听到声响后转身惊讶的看。2秒后 {{Mixed 3}} 是男主角的三视图，保持男主角形象的一致性，男主角从黑色背景布的右边走入画面 {{Mixed 2}} 做出这样的动作，把黑色布的褶皱部分铺平铺平一下黑色的幕布，然后起身转过来 面对着大家。
胶带被撕开 时长：2秒 景别：极近特写 怪异点：不知道他在哪里，只听见声音。 极近特写，一只手在画面边缘拉开黑色 gaffer 胶带，胶带被拉长后干脆撕断。画面不交代空间，只看到手、黑胶带和一小块木质边缘。声音清晰刺耳：“刺啦”。不要出现 Ethan 全身，不解释他正在做什么。
Sarah 余光察觉 时长：2秒 景别：Sarah 特写怪异点：她似乎听见了什么，但不敢转头。 Sarah 特写。她正在听 Richard 讲话，背景极虚处有一片深色黑影从画面边缘掠过。Sarah 的眼球向左快速侧瞥半秒，头没有转。上眼睑轻紧，嘴唇仍然压住，眉心出现很浅的纹路，然后她强行把注意力拉回 Richard。
视频截图视频节点 120–1秒：人物低头工作，手指停在纸面或键盘上。 1–2秒：眼球先向上瞥，头不动。 2–3.5秒：下巴缓慢抬起，脖子伸直，眉毛轻微上提。 （不要像图上的扭的这么厉害，自然的抬头朝右看。） 3.5–4秒：嘴唇微微分开，眼神定在天花板方向，表情保持困惑和警觉。16:9，自然主义电影剧照质感，苹果广告式剧情广告风格，现代伦敦创意广告公司办公室，下午4点自然光，真实办公环境，木地板，工业风天花板，大窗外是英伦砖石建筑和烟囱，低高光，柔和反差，轻微胶片颗粒，ARRI Alexa 35 质感。 一位办公室同事坐在工位前，原本低头看电脑或整理资料。画面是中近景，浅景深，前景有虚焦的桌面文件、笔筒、咖啡杯，背景是柔和虚化的开放式办公室。她听到头顶传来轻微金属晃动声和布料摩擦声，手上的动作突然停住。 动作过程：她先保持低头姿势半秒，眼球先向上移动，但头还没有动；随后下巴非常缓慢地抬起，脖子轻轻伸直，眉毛微微上提，上眼睑慢慢打开，瞳孔向天花板方向移动。嘴唇从自然闭合变成轻微分开，呼吸停住一瞬。她不是夸张惊吓，而是困惑、警觉、被异常吸引。最后她完全抬起头，看向画面上方，眼神定住。 镜头运动：固定机位，85mm或长焦中近景，小景深，前景和背景都虚化，只让人物的眼睛和脸部变化清晰。镜头非常轻微地向前推近，像观众被她的注意力带着往上看。人物动作真实克制，不要戏剧化，不要短剧表演，不要大张嘴，不要夸张瞪眼。 无音乐，无配乐，只保留自然办公室环境声、远处键盘声、轻微布料摩擦声和头顶金属轨道轻晃声。